Tag Archives: drawing

Doodlefox

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While watching Netflix yesterday afternoon, a retirement activity that becomes the majority of my social life when the diabetes demons are eating me, I started doodling a fox.  It was a pencil doodle at first.  And I was not drawing from life.  I was drawing the fox in my head.  I suspect it was the fox from Antoine de Saint Exupery’s masterwork, The Little Prince.

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Yes, that fox.  The wise one that knows about taming little princes, and loving them, and being reminded of them in the color of wheat fields.  I began to need that fox as my doodle pen uncovered him on the blank page.  There he was.  Surprised to see me.  Either he was leaping towards me in the picture, or falling down on me from the sky above.  I don’t know which.  But I realized I had to tame him by drawing him and making him as real as ever an imaginary fox could ever be.  You will notice he does not look like a real fox.  I did not draw him from a photograph, but from the cartoon eye in my mind where all Paffoonies come from.  And this was to be a profound Paffooney… a buffoony cartoony looney Paffooney.  It simply had to be, because that is precisely what I always doodle-do.

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And so he was a fox.  He was my doodlefox.  I had tamed him.  And then I had to give him color.  And, of course, the color had to be orange-red.

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And so, there is my fox.  Like the Little Prince’s fox he could tell me, “What is essential is invisible to the eye.  It is only with the heart that we can see rightly.”  And I put him in a post with lyrical and somewhat goofy words to give you a sense of what he means to me, in the same way one might explain what the thrill of the heart feels like when a butterfly’s wing brushes against the back of your hand.  Yes, to share the unknowable knowledge and the unfeelable feeling of a doodlefox.  A demonstration of precisely what a Paffooney is.

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Comic Book Heroes – A is for Aquaman

Today’s Paffooney is a tribute to a childhood hero, Aquaman.   I drew the picture from a comic book inspiration source coming from DC Comics in the 1960’s.  Aquaman is a B-level superhero with not nearly so many fans as the big three, Batman, Superman, and Wonder Woman.   He was, however, my second favorite after Spiderman.  He was more important to me than the Avengers.  And this was strange, because I only had the chance to read the sacred comic books in the old barbershop in uptown Rowan.  I only remember about two different issues that I was able to read during the long wait for a haircut.  (Haircuts on Saturday took forever, because all the bald and crew-cut farmers would take forever getting their hair cut.  And they hardly had any hair!   I think the barber cut each hair individually.)

Aquaman and Aqualad would journey together in an incredible undersea world of sea monsters, giant fish, scuba divers, villains like Black Manta, and Mera, a real hot underwater babe.  Topo the octopus could play comic relief by playing musical instruments or getting drunk on old lost kegs of pirate rum.  I became a part of the adventure.  I’m not sure whether I imagined myself more as Aquaman himself, or Aqualad.  Aqualand was dressed all in red and blue, my favorite colors.  I liked his blue swim-trunks.  I myself could never wear swim trunks without a fatal case of embarrassment over my knobby knees and hairy legs.    I admired Aqualad’s smooth and muscled boy-legs, though not without some shame and embarrassment.  Some suggest that the relationship between Aquaman and Aqualad was a homo-erotic thing just like Batman and Robin.   But, hey… NO IT WASN’T!  It was a hero and sidekick that mirrored the complex relationship between a father and son.  My father and I could never talk at any deeper level than Aquaman talked to Aqualad.   Yet my father had super-powers for solving my problems and helping me do things and make things.  Yes, I think I loved Aquaman because he reminded me of my own father in his quiet competence.

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And I had a Captain Action Aquaman costume, a Christmas present and wonderful treasure.  I played with it so much that only the broken trident, mask, and swim fins remain.  The rest was all broken and unraveled and disintegrated from being played with.  The Aquaman in my Captain Action collection has replacement parts in it to make it more complete.  Yes, I spent time and money putting that toy back together so that I might play with it yet again.

So why is the super-powered King of the Sea so important to me?  After all, his super powers are to breathe underwater and telepathically talk to fish.  I think, reading back over this stupid little essay, that the most important theme is the father-son thing.    I never owned a single Aquaman comic book as a kid, but I watched him on Saturday morning TV.  He was one of the Superfriends.  And my father had been in the Navy on Aircraft Carriers.  Yes, Aquaman is my favorite because Aquaman is secretly my father.

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Completely Oblivious to the Obvious

It has been brought to my attention by family members, friends, and even some readers that my current use of the AI Mirror program to edit my artwork is really overwhelming my personal style with its anime filter. The smiling anime face on the cheerleader is a good example. The eyes are bigger than I would have chosen to make them in a colored-pencil rendering. The nose is too small, and if I highlight it on the previous layer it makes it show up in the final, but still too small. What I like about it is the way it makes the highlights and shadows on her flesh and her clothes so much more accurate to the light source than I can do even with the digital stylus. But I am noticing more and more that the AI tends to do what it wants to the picture more than it does what I want. Even though I layered my drawing over a photo and traced it before coloring, the AI made changes that were not needed. I get that I leave openings on the face for interpretation because I am not trying to make an identifiable portrait. But it even makes the logo on the top of the uniform into something far more unreadable than the “Iowa” that was there. I get that it refuses to copy logos and copyrighted stuff, but that isn’t really the case in this picture. I realize I am trading some of my control as an artist for the good things the AI can do to correct the problems my arthritis makes. But I am really no happier with the situation than some of my critics.  I only rely on the AI because it allows me to draw more and more frequently than I can with pencils, pen, and paper. This Devil’s bargain allows me to still draw every day.

This is what the AI does with old drawings I have done years ago. This one, Filch the burglar and entertainer from a D & D game in the early 1990s, shows how the AI can interpret my older and better drawings almost the way I would have done it myself. Almost… but you can plainly see the work I had to do on the hands. AI art programs have difficulty with hands. The left hand confused it because three fingers actually go off the page and I highlighted the top of the palm. The program broke the little finger and tried to bend a sixth finger across the top of the palm. The right hand is nearer to correct, though my glaucoma-hampered eyes still see the fingers as too long. That, however, could also be said of the original drawing.

So, as an artist, I do battle daily. Not only with the arthritis in my hands, but also some Artificial Unintelligence. They should call it AU rather than AI. It’s too dumb to get offended by that.

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Dippy Dogs Must Die! (a Talking-Animal Short Story)

Pepe n Skaggs

My name is Skaggs.  I am a cat.  It is as simple as that.  I have to tell you, life is not very fair to cats.  In my last life I was an alley cat.  I lived on rats that bred and thrived under the water tower in the alley behind the small-town post office.    I was basically happy.  You have heard the old expression, “happy as a cat”, right?  I could kill and eat any rat I wanted at any time, no matter how big of a Mickey he thought he was.  I was good at ripping out rat guts and breaking mouse spines.  I was the baddest cat in the whole damn town.

But I had to share my alley with a dog.  That Barky Bill was an insane killer canine that the owner of the local restaurant and bar kept chained behind his Main Street building to keep the rats away from the restaurant garbage.   I hated that dog with a hate as great as a vampire has for the sun.   (What’s that you say?  You didn’t know that cats knew about vampires?  Silly human, how little you know about the things that should truly scare you in the world.  Cats, vampires, and Barky Bill are far more complicated issues in the world than you realize.)  Anyway, needless to say, I teased that dog on a heavy chain leash for the better part of three years when one day, to my utter horror, I discovered he was loose at the same time that I was totally focused on catching and eating a beautiful gold-colored squirrel.  I was so sure that the squirrel would be the finest thing that any cat had ever eaten, that I didn’t even notice, mainly because I had that squirrel right between my paws, toying with it before devouring it, that the dog was pouncing.  Barky Bill bit clean through my neck.  It was so shocking that even as I was being transported to life number seven, my severed head watched in confusion and fright as that ugly, smelly dog ate my finely tuned rat-catching body.

So, having been a bad, bad Leroy Brown sort of cat, I was sentenced to a next life with a crazy cat lady.   Miss Velma Proddy owned at least fifty cats.  I was reborn in an underwear drawer in her back bedroom, the one she kept for the company that she never had.   My mother was the cat called Pinkie, even though she was a milk-white cat.    My father was Proddy’s favorite, a tomcat called Tom Selleck.    He would’ve killed and eaten me soon after I was born because my mother was not a very dominant fighter and alpha cats like Tom could always sense when a cat filled with pure evil is born.   But Proddy was having none of that.  She rounded up all the kittens and raised them in a blanket box in the corner of the kitchen near the stove.  I owe that woman everything, which is why I don’t understand why she had to go and buy Pepe.

Pepe is more of a malnourished rat than a dog.   Like a lot of Chihuahuas he trembles a lot, and he blinks at you with those big round eyes of his.   Proddy thinks that everything he does is so cute.  She carries him around like a prize possession or a human baby or something.  In my past life I was a white cat like my mother.  (Everyone knows that when a cowboy wears a white hat, it means he’s a good guy, but when a cat has white fur, it means that it is evil.)  In this, my seventh incarnation, owing to the fact that my father was a gray tiger cat, I was a sort of white cat with gray tiger stripes.  It meant I thought like a tiger.  Pepe looked like a rat to me.  Pepe was prey.  Pepe was meat.  I was going to eat him.

“You tell this story so scary, Señor Skaggs,” says Pepe, “you make me so afraid!”

“Shut up, stupid dog.  I’m telling this.  And you are not afraid.  Remember what happened that time I tried  to drown you in the toilet?”

“Si.  I remember well.  That time with the super-fancy drinking bowl.”

“I saw you trying to hold on to the plastic toilet seat and dip your tiny little tongue into the water that was too far below you to reach.  Only your hind legs and stupid little tail were even visible.”

“Si!  And you jumped up to smack me on my cute little behind and push me in.  I remember.”

“But I was surprised that such a little dog could react so fast and leap so far.”

“Si, Señor.  I jumped right on that handle and flushed it.”

“Just as I fell into the water.  That would’ve been the start of number eight if Proddy hadn’t come along right then.”.

“Oh, you make me laugh so hard, Señor.  And she was so mad at you for playing with the toilet!”

“And you remember the time I almost got you with that pot of boiling water and hard-boiled eggs?”

“Si, Señor.  You got up on the kitchen counter right next to the stove.  I was sitting on the floor in front of the stove sniffing up all the smell of the bacon.  You tried to push the pot off the stove.”

“I still haven’t figured out how you planned it.  The bald spots I have all around my front paws are still there from my fur catching on fire.  You must’ve been sitting in the precise spot on the floor where I couldn’t knock the pot down on you without passing my paws through the flames.”

“You owe that one to Señora Proddy too.  She had that fire extinguisher next to the stove.  That saved you from being cooked cat-burgers.  And you looked so funny when she almost drowned you in that white foamy stuff.  Oh, you make me laugh so hard Señor.”

Well, I am guessing that I made my point by now.  This little underfed rat of a dog is more evil than I am!  The harder I try to kill and eat him, the more I suffer for it.  And I still don’t know how he does it!  He makes my life miserable.  He needs to die.

“Oh, you make me laugh so hard, Señor!”

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Wise Guy

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At school today the principal asked us to come up with one word that we wanted to apply to our own lives as teachers.  You know how the teaching game is.  You start a new semester; you have to be subjected to eight hours of blah-blah-blah.  It is required blah-blah-blah mandated by Texas education laws.  My magic word was wisdom.

So, what does wisdom imply?  Well, I am old.  I should have some of that thing in one pocket or another.  So I search my pockets.  As a kid I vowed to become a wizard.  What is a wizard if not a wise man?  A wise guy.  How, then, do you acquire wisdom?

In the movie Mystery Men, Ben Stiller tells us that mystical wisdom from the wise guy mystical sage is only saying a thing is its opposite.  Thus true wisdom comes from learning how foolish you really are.  It’s a good joke, but it’s also true.  You can’t be wise unless you realize how little you actually know out of all the things that there are.

Why would I want to be wise?  Well, I have the fool thing down pretty well already.  As fools go, I’m a humble fool who trades in foolishness and calls it humor and young adult novels.  So it follows, by logic, an advanced form of foolishness, that I must be wise.

Okay, wise guy, time to say something wise in the conclusion… Doh!

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Little Red-Haired Girl (A Poem and Paffooney)

Little Red-Haired Girl

You never told her that you loved her, Charlie Brown

That little red-haired girl, so cute, so nice

You only looked and looked from afar

You never told her that you loved her, Charlie Brown

You could’ve held her hand

You could’ve walked her home from school

You never told her that you loved her, Charlie Brown

She never got your Valentine

At least, you forgot to sign your name

You never told her that you loved her, Charlie Brown

No hope of marriage now, nor children for old age

Happily ever after has now long gone

You never told her that you loved her, Charlie Brown

Now every love poem is a sad poem

And the world is blue and down

You never told her that you loved her…

You never told her that you loved her…

You never told her that you loved her, Charlie Brown

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Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations are also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words.

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that.

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I Am Nobody

I admit to using AI art programs to help me create artwork. But I am not letting AI generate drawings for me. I use AI to add effects and details that my arthritic hands can no longer create. I have been drawing blue-skinned Nebulons for forty years. This picture is my drawing even though the AI finished it (except for the mouth and nose, which I had to redraw to finish this.) In fact, I drew and redrew this particular picture about ten times, something I can do digitally that ink and colored pencil on paper doesn’t allow me to do. One shot is all you get at the process the old way of doing it, unless you spend hours pixel editing with Photoshop. So, I am finished apologizing for the shortcuts I have been taking to make art since I took up digital tools. I get to call myself an artist no matter how offended other artists are becoming with the use of the AI crutches I take advantage of.

I might point out that whatever copyright violations are being done by AI art programs, that is not what I am doing. I am using digital art tools and an AI app that I am feeding my own artwork into. And the corrective decisions are made by me. I am drawing well more than 90 percent of the drawings myself.

But I don’t know why I keep feeling like I have to defend what I am doing. I have been drawing and redrawing and doing art for at least 62 years. And I have never made any substantial amounts of money for anything creative I have done outside of a classroom where I was the teacher.

Why do I worry about my own making of art anyway? I am nobody. Nobody will ever hang any of my work in a gallery. I have never been a commercial artist. I have only been paid a pittance for published cartoons a few times, and royalties for novels and essays a few times more. It never bothered me when I was teaching. I got the feedback I needed from students as I showed them the processes and techniques of being both a good reader and a good writer. I knew from them that my writing abilities were good and were teachable. I had student writers who won writing contests. I took on State tests and achieved writing scores for entire grade levels that were better than the English departments of the small towns around ours. I got real praise from more than one superintendent. I was an English department head and a Gifted Program coordinator. If I ever was somebody, it was then… doing that. 

They told me in writing classes at both Iowa State and the University of Iowa that I would probably one day be a published author, and that I was a talented writer with considerable skill. Well, I’m a self-published author now. One that practically nobody reads. But the ones that do read my books seem mostly to like them, or hate them for spurious reasons in two cases. And I guess that is good enough. Good writers in the past have been ignored until after they were gone. I may remain ignored forever. But the important thing is that my art and my writing exist. For now. And maybe in people’s memories too for a while after that. Art needs to exist for its own sake, Its own secret purposes. And it was only my place to create them, not follow them to their ultimate purpose.

Whatever. I am nobody. And that’s okay. Nobody is really more than that in the long run.

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Artificial Intelligence and Art

I began this post with a very excellent video that you probably will not watch, but I found it fascinating and it, in fact, inspired everything I want to talk about in this post. It is about the AI art programs that are running amok in the art world. I am, after all, an artist. Specifically, I am a storyteller and cartoonist. I know how to draw. I can prove it.

Here’s the proof. This is an original oil painting that I did in the 1980s. The only tools that I used to create this picture are a set of oil colors in tubes, a painter’s pallet, three different sizes of sable brushes, a pencil, and a magazine picture of a Vietnamese boy’s face. This was done at the height of my skills as an artist. But I also have to admit that I was diagnosed with arthritis in 1974 after painting the family home’s exterior. Now, 49 years later, the length of time the disease has been gnawing at my joints, I don’t quite have the same sophistication and ability as an artist, a creator of images. That is why digital art tools have been such a boon to me.

This is a colored pencil drawing I created in the 1990s. It is modeled on a young Hispanic boy who lived in the same apartment complex as I did. He was not green. At least I don’t think my color blindness was that bad back then.

I loaded the original drawing into the Drawing Pad digital art program. I put a layer on top of it in my touchscreen phone. I then basically traced the original drawing using the digital stylus that I bought to use in place of a pencil, pen, or paintbrush. I used it in pen mode first to draw the outline. You can see how much it was simplified. This made it easier to do on the small screen I had available on the phone despite my arthritis. I then used the stylus in watercolor paintbrush mode to color in the face and hair. I changed the eye color so I could do the eyes more consistently with a manga-cartoon style of softening levels of color. It gives it a more liquid and realistic look.

So far, I have shown you proof that I can draw well even now with the arthritis affecting my fingers.

Now let’s talk about the Artificial Intelligence programs that have been released into the internet to eventually take away the rulership of this planet and keep us monkey-people in zoos for the amusement of the computerized mega minds that will replace us as the dominant force of civilization on this planet.

AI art programs like the infamous Dall-E programs allow you to write a short description of the artwork you want to see, and the program generates something randomly to fit your descriptors. It pulls from a database scraped from the internet at large, including all the artwork I have posted here on my blog, Instagram, and Pinterest, and adds it all to a dataset that allows it to recognize, interpret, and produce something that conforms to what you have asked for even though it pays no artist any royalties or user fees for drawing from other artists’ artworks.

I promise I will never use an AI program to do that. If you see my name on any artwork like that, then I am dead and being impersonated by an AI entity.

Here is the only way I use AI to aid me in the making of artwork. It is a program called AI Mirror. You give it a photo or a png of an artwork and it redraws it in a specified style.

This is an artwork that I did earlier this year in colored pencil. I was not satisfied with my arthritis-impaired ability on this project. The eyes were too owlish and dark. The lips are too dark and thick. But you can’t erase colored pencils and ink on paper and fix things as easily as you can digitally on a touch screen. So, I used the AI Mirror to correct it.

I used the AI Mirror to fix it in stages like this, simplifying and redrawing it like this first. And then advancing it to this.

This is the finished project, simplified and made more elegant with digital tools.

You can argue that my final product is not better than the colored pencil original. But I like the fact that the AI and the digital tools allowed me to correct what I didn’t like.

The problem with AI art programs, which probably won’t be the ones that outsmart and replace humanity, is that they do so much for you that you are no longer an artist if you use them. So, I guess that I am saying I think that I am an artist, however wrongly, while using these programs because I put the work in both before and after using the AI application. My fear is since nobody sees me as an artist or hears me as a writer anyway, that my art and my stories will be snowed under a mountain of AI generated schlock that is certainly no better than my schlock, and inferior to my best stuff.

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Bird is the Word

birdwords

Birds are always talking,

And birds are always squawking,

And they are using bird-words,

These are the words I heard.

Twitter-pated – this word comes from the owl in Bambi and means not being able to think straight because you’re in love.

Aviary – is a great big bird house, big enough to fly around in

Feather-dusted – to you and me it means clean, to a bird it means the feathers are dirty

Bird-brained – don’t be insulted if a bird calls you this.  It is a compliment.

Fume-fluttered – you gotta fly and get away from that bad smell.

Wing-walking –  it’s how you get from here to there if you’re a bird… Duh!

Wakka wakka – it’s those dang ducks again, always telling jokes!

Egg-zactly – as precise and perfect as an egg.

Coo-coo-karoo – that stupid rooster wants us to get up again at daybreak.  It’s like a bird can never sleep in!

Clucker butter – Can you believe that KFC place?  Butter on improperly cremated dead chickens (ah, well, they were only chickens after all).

Now that you have less than one per cent of the bird vocabulary, please don’t try to tell me what they are saying.  I really don’t want to know!

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