Tag Archives: cartoons

Fairy Tales and Dragons (with pointillism)

Going through my old drawing portfolio, I found my children’s book project from my undergrad college years.  I have no idea now looking at the illustrations what the story was even about.  I lost the actual story, and I never made a cover for it.  But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…

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I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.

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Filed under artwork, cartoony Paffooney, fairies, goofiness, humor, Uncategorized

Surrealist Eyes

The moral of the story; never challenge Cowboy Flash Crumpwell to a rubber gun duel.

The moral of the story; never challenge Cowboy Flash Crumpwell to a rubber gun duel.

He was the marshal in charge at Crumpwell’s Wild West Dude Ranch and Rabbit Farm.  It was his duty to create order and peace on a lawless frontier… and keep the fur-bearing bunnies happy, and making more rabbit fur.  So, when Pistoleer Pete Pistachio-Mustachio came to town, it was totally up to Marshal Flash Crumpwell to put an end to his terrible reign of Pistachio-ness.

They faced off on either end of Main Street.  Their spurs clanked and jangled as they started their bowlegged walks towards destiny and each other.

Then the guns came out.

The triggers were squeezed.

The barrels began to wiggle and elongate like elastic melting on a hot stove.  Up and down and all around dueling rubber guns dipped and danced and maneuvered through two dimensional space, until finally… Flash’s gun found a target in Pete’s ear.

“I should’ve known better than to hide a target in my ear!” Pete said as he surrendered.  “I just didn’t think any fool with a rubber gun would ever look there.”

sur·re·al·ism
səˈrēəˌlizəm/
noun
  1. a 20th-century avant-garde movement in art and literature that sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images.

The horrible truth is, I have always been a surrealist.  My unconscious mind is constantly bombarding my life and work with irrational images.  And my ultimate source of creativity comes from a simple assumption.  “I can make sense out of the irrational things in my dreams and the movies constantly playing in my mind’s eye.”  Of course, that assumption is total hoo-haw.  People really can’t make sense out of nonsense.  But I am the idiot that always swims upstream.  I tend to try impossible things that can’t possibly be possible, and I end up pretending I can do them.  I am not the only one who has ever done this silly, stupid thing.  Notice what the auteur has to say about Chuck Jones, a cartoonist and fellow Surrealist;

So here is my conclusion; If you have ever wondered, “Why am I drawn to reading the meandering nonsense of this daft bugger?  And why does he do all this irrational and random stuff?”… It is because I am desperately infected with the affliction of surrealism.  Take pity on me.  Laugh at my kooky quirks.

MickeyX22

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Filed under humor, Paffooney, surrealism

Pirates Updated

Today I am updating a comic in my Vault.  So if you wish to see the entire comic as it exists so far on WordPress, then here it is; The Atlas of Fantastica.

These are the updated pages;

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So now I have shared with you my nightmares about banks and finances.  Happy pirate dreams, and don’t take any wooden dahblooens!

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I Go Pogo!

I gave you fair warning.  Pogo has been coming to Mickey’s Catch a Falling Star Blog for a while now.  So, if you intended to avoid it, TOO BAD!  You are here now in Okefenokee Swamp with Pogo and the gang, and subject to Mickey’s blog post about Walt Kelly and his creations.

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Walt Kelly began his cartoon hall-of-fame career in 1936 at Walt Disney Studios.  If you watch the credits in Pinocchio, Fantasia, and Dumbo, you will see Walt listed as an animator and Disney artist.  In fact, he had almost as much influence on the Disney graphic style as Disney had on him.  He resigned in 1941 to work at Dell Comics where he did projects like the Our Gang comics that you see Mickey smirking at here, the Uncle Wiggly comics, Raggedy Ann and Andy comics, and his very own creations like Pogo, which would go on to a life of its own in syndicated comics.  He did not return to work at Disney, but always credited Disney with giving him the cartoon education he would need to reach the stratosphere.

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ask.metafilter.com

ask.metafilter.com

Walt Kelly's Earth Day comic

Walt Kelly’s Earth Day comic

Pogo is an alternate universe that is uniquely Walt Kelly’s own.  It expresses a wry philosophy and satirical overview of our society that is desperately needed in this time of destructive conservative politics and deniers of science and good sense.

maxriffner.com

maxriffner.com

Pogo himself is an every-man character that we are supposed to identify with the most.  He is not the driver of plots and doings in the swamp, rather the victim and unfortunate experiencer of those unexpectable things. Life in Okefenokee is a long series of random events to make life mostly miserable but always interesting if approached with the right amount of Pogo-ism.

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And Pogo was always filled with cute and cuddly as well as ridiculous.

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As a boy, I depended on the comic section of the Sunday paper to make sense of the world for me.  If I turned out slightly skewed and warped in certain ways, it is owing to the education I myself was given by Pogo, Lil Abner, Dagwood Bumstead, and all the other wizards from the Sunday funnies.  There was, of course, probably no bigger influence on my art than the influence of Walt Kelly.

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So what more can I say about Walt Kelly?  I haven’t yet reached the daily goal of 500 words.  And yet, the best way to conclude is to let Walt speak for himself through the beautiful art of Pogo.

Pogo and Mamzelle

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Transportation by Imagination

How does one use the mind to move from one place to another?  Is teleportation by mental ability possible?  Can we find new ways to travel using only the mind?  New worlds to travel to?  Of course!  Anything is possible once you realize there are no barriers to human imagination.  It is possible to traverse even the beginning and the end of the universe itself.

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Case in point, I have as a cartoonist tried to come up with novel ways to travel.  In Catch a Falling Star I imagined that an engineering prodigy and a scientific genius used recovered alien technology to turn an 1889 steam locomotive with a pair of Pullman passenger cars into a space vehicle using an old hot air balloon and Yankee ingenuity.  They used it to fly to Mars.

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A friend who read that book, Stuart R. West, who writes teenage horror story mysteries  (Here’s a link to Stuart’s stuff!) suggested an idea for an illustrated children’s book about three kids that feed bubble gum to a goldfish.  The goldfish urps up a bubble that ends up carrying them off on an adventure through the sky.  I drew a possible illustration for that book and killed the idea completely dead.  I have a secret super power for taking cute and funny ideas and turning them into things that are totally unmarketable.  I wonder if that makes me a super villain instead of a hero.  So, the cartoonist in me had to develop other ways to travel that are even more ridiculous.

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In Clowntown, a part of my Atlas of Fantastica cartoon, you travel the downtown Clowntown skyway by being flipped and flung along the Clowntown Trapeze-way.  It makes for a harrowing ride and it’s really heck to use for trips to the grocery store or coming home again with packages to carry.

Travelling in the part of Fantastica dominated by pirates is even worse.  Traveling by the science of Boomology means getting shot out of a cannon naked to get wherever you need to go.  It is not something I would want to try in real life, but the cartoon me seems to not enjoy it with only minor bumps and bruises.

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So, travelling by means of the mind alone, through imagination, is quite possible… and probably infinitely unwise.

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How Pirates Make Money

This is a continuation of my cartoon series The Atlas of Fantastica that can be found at Mickey’s House of Fiction (my cartoon vault).  It is an adventure from a dream about pirates and money and bankers and finance.

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To be continued soon…

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Life is Surreal

I have told you before that I am a seriously committed surrealist.  Not in the sense of “committed to an institution” sort of committed, but seriously committed.  All cartoonists are by nature surrealists.  Bill Watterson created Calvin and Hobbes around the idea that a toy tiger can come to life in the evil imagination of a child.  Jim Davis created Garfield around a seriously self-absorbed and greedy talking cat.  Elsie Segar created Popeye about a one-eyed sailor who drank from a magic pool to gain invincibility and maintains it with iron-fortified cans of spinach.  To be a surrealist, you must put unlikely things together to make something fantastically super-real… so unreal it seems flawlessly real… er, how do you actually define surrealism without resorting to the dictionary definition about “juxtaposing severely mismatched items created with photo-realism”?

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Surrealism is actually more real than realism.  If you simply take a photograph of your picture idea, a picture of a birthday cake or a picture of a clown or a picture of your favorite bicycle’s back wheel, you are not showing the reality of life.  You are only taking a photograph of a thing.  You cannot get more than the physical, objective reality of that thing captured on photographic paper… or in a digital image (I am learning not to be a dinosaur even though I am old).  Reality is so much more than that.  It is the feeling, the evocation, the nuance, the… stuffy stuff-ness of stuff… and an infinity of other things that make reality seem real.

Take for a moment the whole notion of flying cars.  I am trying to create a hero-worship colored-pencil Paffooney about Astroboy riding in a flying car.  I am still puzzling out how I am going to make this scene look like the car is flying by juxtaposing something.  (By “juxtaposing something”, I, of course, simply mean putting one thing next to another thing… but it is important for artists to use hundred-dollar art words wherever possible to prove that they are serious artists) (I, of course, am actually making fun of my own stuffy stuff-ness in that last parenthetic expression.) (Maybe juxtaposing parenthetic expressions with the phrase “I, of course,” in all three of them is a kind of surrealism?)

So, why am I taking on this silly topic right now?  Right now I am a working artist in the midst of making art.  I am not just a cartoonist… I also write novels… silly young adult novels about voodoo men and snow babies and incompetent alien invasions and fairies successfully invading a middle school in Iowa.   I am suffering from six incurable diseases and am a cancer survivor… so I could drop dead of a heart attack or stroke any second… I may not finish most of the artwork I am now working on… and I am blogging…   I need a lot more silly topics like this to fill 500 words a day for every day of 2015.  I am writing this down in a published blog on WordPress because I need to put all my thinking down in a crystallized form to preserve it in case the opportunity to do so suddenly ceases.  And all of that muddle of meaning is so surreal it hurts.  I could do a better job than this of summing up and pulling it all together in a tighter package, but it is all about the messy business of surrealism, after all… another way of saying… “It’s about life.” 

Voodoo Val cover7snowbabiesAGaltorr PrimexvxDonner n Silkie

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Bits and Pieces

Having written 1000 words again for no apparently good reason yesterday, I figure I am entitled to a shorter, pithier, sissier, saucier, sillier post today (the kind where I use long strings of adjectives in order to fill up the paper… a trick learned from little darlings in English class that figured I would be happy with a page full of words, and that it didn’t matter if it made the least bit of sense).  Writing is, after all, piecing together the puzzle that is my noisy noodle, full of imaginings, weird images, and all sorts of listy-type things that I could list here to fill up more space if I weren’t so danged lazy today.  I found a good article about being a writer while my noodle was simmering and trying to cook up today’s post.  It gives insight into the tumultuous brain-scape that I am struggling with at the moment because I am (sadly) a writer.

Here’s the article from AuthorsPublish

I am trying to noodle out a cartoon that I am trying to compose from a rough draft that has more holes in it than Swiss cheese has bad smells.  I suppose you could call that cartoonoodling (but would never actually call it that because you’re not as dippy as I am).  The drawings of that composition come first.  So, here, at least, they are!

20150710_143309 20150710_143339_000I know you can’t possibly know what sort of sense to make out of these because I haven’t put the words and dialogue balloons into these pen and ink and red drawings.  (Remember, Clown Noire is a new cartoon genre I am trying to develop like black-and-white Film Noire movies, only in black-white-and-red pen-and-ink cartoons.)  So, foolishness aside, these are only raw work-in-progress Paffoonies.  Or maybe not foolishness aside, since foolishness tends to be the whole point.

I am also trying to advance through the struggles of two novels at once.  I am still trying to progress through the middle of Stardusters and Space Lizards, where I have to bring the totally evil villain, Senator Tedhkruhz the lizard-man (no relation to the real life Senator I am obviously trying to make fun of), together with his well-deserved comeuppance.   I know how the novel ends, but not how the middle-middle and the later-middle connect to that end.  Senator Tedhkruzh

And I am trying to finish the beginning of the novel When the Captain Came Calling.  I have to come up with a way for the evil mermaid that sinks the Captain’s ship to reach that condition of being righteously indignant about the wrong done to her enough for her to use her fishy mermaid powers to swamp and wreck the ship.

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But rather than bore you with the details of my inner swordfights with the weapons master of the Pirate crew that runs my brain when I’m writing, I will leave it here… after all, I promised I was going to write less words today, and I am already at 494.

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Filed under cartoons, humor, NOVEL WRITING

Another Dadgum Post About Pirates

This one isn’t about Bank of America or Aetna… specifically.  It is just me adding to my cartoon vault and the story of the pirates in Fantastica.20141211_153054

This is the second panel of the story that can be found at The Pirate Vault

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And panels three and four are all I have gotten done on this comic so far.

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This nonsense will all be continued in upcoming days, and the whole thing is in my cartoon vault.

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Cartoon Nuts n’ Bolts… Mostly Nuts

I am setting out to make a web comic that I can post piece by piece on my blog and then build into a graphic novel in my vault.  But that is a harder task than you might realize.  The stories exist in rough draft form, very, very rough, but will have to be re-drawn to turn into something publishable.  Naked cartoons are a problem for me.  Not only do I draw them while I am naked because I have considerable discomfort from moderate plaque psoriasis and sitting in the nude is less painful, but I have a tendency to use naked ideas and even draw naked toons…which all need to be toned down to be publishable.  I do believe that naked is funny… but I don’t hold with naked and crude or naked and gross.  So I am going to rebuild these stories element by element and put some clothes on them.  Unfortunately, I don’t have enough money to buy the equipment I need to draw directly on computer.  I also don’t have any real practice at that.  So, I am stuck with drawing on paper with pen and ink and colored pencil, and then digitizing the result with a camera and photo-shop.  So here are some cartoon elements that I will now start whittling into shape.  I will try to show you my process here as much as it is possible to do.

Here’s some nuts;fantcartoon1

Raygun Ronny

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And here’s a bolt;

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And if you can figure out how it all fits together already, then you are definitely smarter than I am.  I will be busy in the next few days trying to figure out how to insert Tab A into Slot C without giving that phrase any unfortunate double meanings… and I will do my best to keep you posted and show you the results.

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