Tag Archives: book reviews

My Bookish Journey (Finale)

by Maxfield Parrish

Like every real, honest-to-God writer, I am on a journey. Like all the good ones and the great ones, I am compelled to find it…

“What is it?” you ask.

“I don’t know,” I answer. “But I’ll know it when I see it.”

“The answer?” you ask. “The secret to everything? Life, the universe, and everything? The equation that unifies all the theories that physicists instinctively know are all one thing? The treasure that pays for everything?”

Yes. That. The subject of the next book. The next idea. Life after death. The most important answer.

And I honestly believe that once found, then you die. Life is over. You have your meaning and purpose. You are fulfilled. Basically, I am writing and thinking and philosophizing to find the justification I need to accept the end of everything.

Leah Cim Reyeb is me, Michael Beyer written backwards.

And you know what? The scariest thing about this post is that I never intended to write these particular words when I started typing. I was going to complain about the book-review process. It makes me think that, perhaps, I will type one more sentence and then drop dead. But maybe not. I don’t think I’ve found it yet.

The thing I am looking for, however, is not an evil thing. It is merely the end of the story. The need no longer to tell another tale.

When a book closes, it doesn’t cease to exist. My life is like that. It will end. Heck, the entire universe may come to an end, though not in our time. And it will still exist beyond that time. The story will just be over. And other stories that were being told will continue. And new ones by new authors will begin. That is how infinity happens.

I think, though, that the ultimate end of the Bookish Journey lies with the one that receives the tale, the listener, the reader, or the mind that is also pursuing the goal and thinks that what I have to say about it might prove useful to his or her own quest.

I was going to complain about the book reviewer I hired for Catch a Falling Star who wrote a book review for a book by that name that was written by a lady author who was not even remotely me. And I didn’t get my money back on that one. Instead I got a hastily re-done review composed from details on the book jacket so the reviewer didn’t have to actually read my book to make up for his mistake. I was also going to complain about Pubby who only give reviewers four days to read a book, no matter how long or short it is, and how some reviewers don’t actually read the book. They only look at the other reviews on Amazon and compose something from there. Or the review I just got today, where the reviewer didn’t bother to read or buy the book as he was contracted to do, and then gave me a tepid review on a book with no other reviews to go by, and the Amazon sales report proves no one bought a book. So, it is definitely a middling review on a book that the reviewer didn’t read. Those are things I had intended to talk about today.

But, in the course of this essay, I have discovered that I don’t need to talk about those tedious and unimportant things. What matters really depends on what you, Dear Reader, got from this post. The ultimate McGuffin is in your hands. Be careful what you do with it. I believe neither of us is really ready to drop dead.

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My Bookish Journey (Part VI)

Once you become a published author, the next step is truly humbling. You have to become conversant in the language of Bookish. It is the language of marketing, the language of book promotion, the inexhaustible lexicon of bullish book-hawking.

This blog, Catch a Falling Star, was one of the first steps in that process. The I-Universe Marketing Specialist set it up for me and guided me through the first six months of writing an author’s blog. Still, it was mostly a matter of teaching myself how to blog. The marketing department of I-Universe Publishing also put me in touch with an author’s group on Facebook who would eventually become PDMI Publishing, the publisher that Snow Babies would eventually kill. I learned a lot about both marketing and the realities of publishing from that group, most of whom I am still in touch with on Facebook in spite of Facebook’s transition into the recruitment arm of the MAGA Fascist Armada.

I-Universe was also responsible for starting me on Twitter. Hoo-Boy! Twitter is a different universe than I live in. At the outset all I did with Twitter is re-post my blog entries. I had no followers at all… well, besides what I believe were catfish, spammers, and trolls. Between 2013 and 2017 I believe I only surfed on the rough white-caps of Twitter a total of two times.

But I reached seven books published and hadn’t sold any at all when I came to the conclusion that I had to actually tweet with the twit-wits on Twitter.

Of those first seven books, three of them had nudist characters in them. Primarily the Cobble Sisters, based on the combination of my twin cousins who were not nudists, a set of twins I knew from Iowa who were not my cousins and also not nudists, and twin blond girls I taught in Texas who spent time talking about visiting nude beaches and trying to embarrass me by inviting me to visit the one in Austin at Lake Travis known as Hippie Hollow. The books were Superchicken, Recipes for Gingerbread Children, and The Baby Werewolf. My connection to nudism came through a former girlfriend who worked with me in school and whose sister and brother-in-law lived in the clothing-optional apartment complex in Austin.

So, when I started Tweeting like a songbird with a tin ear for music, I attracted some really odd followers. Other writers, sure. But gay Russians living in England? Tom Hiddleston’s fan club? People who desperately need to talk about the Prophecies of Thoth? They all responded to free-book promotions. And they not only followed me, but engaged with me in ways that appeared in the Twitter notifications. And then came the Twitter nudists.

Now, I admit that I took the foolish step of taking a blogging assignment from a nudist website, promising to visit a nudist park in Texas and write about my impressions of being a first-time nudist. I struggled with my sense of self-worth and body image and finally went to Bluebonnet Nudist Park in Alvord, Texas. I wrote the post and advertised my novels with the nudist website.

And then, Ted Bun, a naturist novelist from England, but running a nudist bed and breakfast in France, made me a member of his nudist-writer group on Twitter. I became connected to nudists enough to write an actual nudist novel, just to see if I could do it.

Nudists not only follow me on Twitter now, but they follow me here on WordPress too.

So, my writer’s Bookish Journey has taken some weird turns, but I am beginning to sell books and getting good reviews from readers. Apparently the secret to selling books is to get completely naked amongst other naked people. I still can’t claim to know anything at all about marketing, though. I am seriously illiterate in the whole Bookish language.

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My Bookish Journey (Part V)

Creating myself as an author meant making some conscious choices at the beginning. I made some very clear ones. First of all, I intended to write as much about my real life as I possibly could. Accepting, of course, the fact that my real life was infested with imaginary people and events. There was the faun that slept in my bed with me every night in the form of a large, black pillow my sister made for me as a 4-H project. There were the three-inch-tall fairies that had a complete underground empire that surfaced at the roots of the old willow tree by the Rowan school building and community center. There was the gryphon that circled the skies looking constantly to swoop down and eat me at any opportunity. So, it wasn’t as much about realism as it was surrealism. It was necessary to protect my traumatized psyche from the damage I sustained as a ten-year-old.

Of course, I had literary heroes and inspirations to go by. I read some key books as a college student that deeply influenced how I wanted to write.

Winesburg, Ohio is the first major influence that affected the stories I began writing in my college years. Sherwood Anderson was writing about his own hometown in this short-story cycle, basing Winesburg on his home town of Clyde, Ohio in the very early 1900s.

Arguably he wrote stories about real people from his renamed home town. Thus, I renamed Rowan, my home town, Norwall, mixing up the letters from Rowan and adding two letter “L’s.” His stories were all themed about the loneliness and longings of a small Midwestern town. I would make mine about breaking out of the cages loneliness builds with the people who surround you.

I also determined that like Mark Twain, I would give my characters a sense of realism by basing them on real people from Rowan, Belmond (where I went to high school), and Cotulla, Texas (where I would teach for 23 years.) And I would change some basically minor physical details to hide their true identities behind names I found in the Ames, Iowa phone book from 1978. But I always tried to give them their authentic voices, though that often meant translating Texican and Hispanish into Iowegian.

And like Twain vowed to write stories only about the 19th Century, I decided to only set my stories in the last half of the 20th Century.

Of course, imagination is not easily limited, so I had to also accept that some of my stories of the science-fiction persuasion would be set in the 56th Century in the Orion Spur of the Sagittarius Spiral Arm of the Milky Way Galaxy.

And even before I discovered the genius of David Mitchell through his spectacular novel, Cloud Atlas, I had begun to explore how stories could be expanded and connected and revisited through shared characters, shared histories, and shared places, all of which develop, grow, or deteriorate over time. All things are connected, after all. Anita Jones from that first picture, and Brent Clarke in the last picture were both in the first novel, Superchicken, set in 1974, and Anita appears as an adult in Sing Sad Songs set in 1985, while Brent appears in the last novel in my timeline, The Wizard in his Keep, set in 1999.

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Rereading Me

If the two girls up above are Sherry and Shelly Cobble, the twins from several of my novels, they are wearing too many clothes. These two fictional characters are true nudists and go naked whenever possible. (The twins they are based on in real life were probably lying to me about going to nude beaches to embarrass their English teacher (me).)

I have often thought that the reason my novels are so rarely read by anyone (except nudists, of course) is that I use ridiculous situations and purple paisley prose to tell improbable stories. It is entirely possible that I am a lousy writer.

So, I spent the recent holidays rereading what I believe is my best book, Snow Babies. It is a comedy about a small town coming together to survive a severe blizzard. In other words, it is a humorous story about bus passengers, runaway orphans, and farm town citizens being harassed by snow ghosts and some of them freezing to death. It has many intense moments. There are witches, a mysterious stranger, a group of kids in a liars’ club, a couple of orphans with severe medical problems, and a clown or two to become vivid characters that someone somewhere will identify with. (After all, most of them are based on real people I was related to or met sometime in my nonfictional past life.) There are hauntings and magic and near-death experiences. And rereading it gave me chills down my spine as well as moments of loud laughter and a few spots where I shed a few tears. Maybe it isn’t so terrible. I found it fascinating in spite of having read it ten times or more, on top of writing it and editing it.

I am now rereading this book, The Bicycle-Wheel Genius. It is a story about friendship, losing friends, and renewing friendships. It is also about family, losing family, finding a new family, and learning to properly love the family you are stuck with. Besides having some serious themes, it is also a rollicking adventure about time-travelling, fighting a dogfight in World War I biplanes, killer alien robots, man-eating chinchillas, and rabbits who become human. And a girl with special problems to overcome gets to turn a boy into a girl for a while with an alien ray gun to exact the perfect revenge. You know, all very sensible, realistic stuff. And it makes me laugh in some parts, and cry in some parts, and even feel the tension in parts where good characters face terrible consequences. I am finding again that I enjoy my own writing when I go back to things I have already written and published.

Maybe I am not a bad writer. There is a good chance you will like them too if you try them.

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This is the book to read to find out about the Cobble Sisters. Recipes for Gingerbread Children. It is the one I plan to reread next.

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A $3.00 Treasure Trove

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If you cruise the bargain sections in an old used book store like Half-Price Books, eventually you are going to find something priceless.  This book I am showing you is that very thing for me.

It was copyrighted in 1978.  The inscription inside the front cover says this was a Father’s Day gift on June 19th, 1988.  Someone named Gary gifted it to someone named Claude in Burleson, Texas.  It was probably a cherished book until someone passed away and the book changed hands in an estate sale.

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Howard Pyle

The book chronicles the height of the publishing era when being able to print books and reproduce artworks began entertaining the masses.  Always before painters and great artists worked for a patron for the purpose of decorating their home in a way that displayed their great wealth.  But from the 1880’s to the rise of cinema, magazines and books kept the masses entertained, helped more people to become literate than ever before, and created the stories that made our shared culture and life experiences grow stronger and ever more inventive.  The book focuses on the best of the best among a new breed of artist… the illustrators.

These are the ones the book details;

Howard Pyle, N.C. Wyeth, Frederick Remington, Maxfield Parrish, J.C. Leyendecker, Norman Rockwell, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and John Held Jr.

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N.C. Wyeth

Wyeth was most famous as a book illustrator for Treasure Island, Kidnapped, other books by Robert Louis Stevenson, Mark Twain,  and a famous volume of tales about Robin Hood.

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Frederick Remington

Remington is a name you probably know as a maker of Western art.  He was a famous painter of cowboys and Indians and the American frontier.

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Maxfield Parrish

Maxfield Parrish is my all-time favorite painter.  His work is something I gushed about in previous posts because I own other books about his fanciful works painted in Maxfield Parrish blue.

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Also Maxfield Parrish

 

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J.C. Leyendecker

You will probably recognize Leyendecker’s work in magazine and advertising illustration as the standard of the Roaring 20’s.  His paintings set a style that swept American culture for more than a decade, and still affects how we dress to this very day.

 

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More Leyendecker

 

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Even more from Leyendecker

 

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Norman Rockwell

Norman Rockwell and his work for The Saturday Evening Post is still familiar to practically everyone who reads and looks at the illustrations.  As you can see he was a master of folksy realism and could do a portrait better than practically anyone.

 

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Also Rockwell

I have also written about Norman Rockwell before too.  I have half a dozen books that include his works.  My wife is from the Philippines and she knew about him before I ever said a word to her about him.

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Charles Dana Gibson

As you can plainly see, Gibson was a master of pen and ink.  His work for Collier’s and other magazines thrills in simple black and white.  More cartoonists than just little ol’ me obsess about how he did what he did.

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Also Gibson

 

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James Montgomery Flagg… with a name like that, who else could it be?

 

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John Held Jr.

The work of Held is stylistically different than all the rest in easily noticeable ways.  He’s the guy that made all the big-headed Pinocchio-looking people in the 1920’s.  You may have seen his work before, though you probably never knew his name.

This bit of someone else’s treasure hoard will now become a part of my own dragon’s treasure, staying by my bedside for quite a while, while I continue to suck the marrow from each of its bones.  I love this book.  It is mine, and you can’t have it… unless you find your own copy in a used bookstore somewhere.

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Filed under art criticism, art my Grandpa loved, book reports, book review, humor, illustrations, imagination, oil painting, old art, old books, pen and ink, Uncategorized

What Are You Reading, Mickey?

Well, I have a thing for collecting old books. This one is 100 years old. It is a modern edition, though, re-published in 2003.

Here’s my Goodreads review;

This book is an ancient treasure in many ways, being now more than 100 years old. The illustrations by John O’Neill, too, have a very antique charm. The book is a little short on plot. Dorothy wanders off from the Kansas farm, meets the hobo Shaggy Man, and Button Bright, one of the stupidest little boys in literature. They meet old friends along the way; Jack Pumpkinhead, H.M. Wogglebug T.E., the Tin Man, the Scarecrow, the Cowardly Lion, the Hungry Tiger, Tik Tok the mechanical man, Billina the Talking Yellow Chicken, and the living Sawhorse. And they all end the story at Princess Ozma”s birthday party where Santa Claus is the favorite guest. This is a potboiler novel for Baum, obviously written only because the readers all begged for it, and it has a lot in it to be enjoyed by true fans of Oz, but not much in the way of suspense or excitement. It can easily be summed up in the words of Button Bright, “I don’t know,” which he says in answer to every question.

I find the illustrations more compelling than the story itself, but I have to admit that the story itself is incredibly visual.

I love this book, even though I don’t respect it much as a storyteller myself. But it is the fourth Oz book I have read since childhood. And it isn’t because of the story. Frank L. Baum is a genius at creating loveable and memorable characters. And these illustrations are wonderful. The Shaggy Man with the head of a donkey? Absolutely fabulous! You can’t beat that. (Well, you can. But whether he’s a donkey or a man, it’s still a crime. )

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Small Town Inspirations

Pesch Street

I grew up in a small rural town in North Central Iowa.  It was a place that was, according to census, home to 275 people.  That apparently counted the squirrels.  (And I should say, the squirrels were definitely squirrelly.  They not only ate nuts, they became a nut.)  It was a good place to grow up in the 60’s and 70’s.  But in many ways, it was a boring place.

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Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by.  There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on.  There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and various school-related events like Homecoming.

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I lived in a world where I was related to half the people in the county, and I knew at least half of the other half.  People told stories about other people, some of them incredibly mean-spirited, some of them mildly mean, and some of them, though not many, that were actually good and actually true.  I learned about telling good stories from my Grandpa Aldrich who could tell a fascinating tale of Dolly who owned the part of town called locally “Dollyville” and included the run-down vacant structure the kids all called the Ghost House.   He also told about Dolly’s husband, Shorty the dwarf, who was such a mean drunk and went on epic temper tirades that often ended only when Dolly hospitalized him with a box on the ear.  (Rumor had it that there were bricks in the box.)

And I realized that through story-telling, the world became whatever you said that it was.   I could change the parts of life I didn’t love so much by lying… er, rather, by telling a good story about them.  And if people heard and liked the stories enough, they began to believe and see life more the way I saw it myself.  A good story could alter reality and make life better.  I used this power constantly as a child.

There were invisible aliens invading Iowa constantly when I was a boy.  Dragons lived in the woods at Bingham Park, and there were tiny little fairy people everywhere, in the back yard under the bushes, in the attic of the house, and building cities in the branches of neglected willow trees.

Donner n Silkie

I reached out to the world around me as an artist, a cartoonist, and a story-teller and plucked details and colors and wild imaginings like apples to bake the apple pie that would much later in my life feed the novels and colored-pencil pictures that would make up my inner life.  The novels I have written and the drawings I have made have all come from being a small town boy who dreamed big and lived more in stories than in the humdrum everyday world.

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Filed under artwork, autobiography, colored pencil, dreaming, fairies, farm boy, goofy thoughts, humor, NOVEL WRITING, Paffooney, strange and wonderful ideas about life

Tom Sawyer Abroad (Book Review)

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Yep, I read about being an “erronort” traveling in a balloon while sitting in a parking lot in my car.

Believe it or not, I read this entire 100+-year-old book in my car while waiting for my daughter and my son in school parking lots.  What a perfectly ironic way to read a soaring imaginary adventure written by Mark Twain, which has been mostly forgotten by the American reading public.

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My copy of this old book is a 1965 edition published for school libraries of a book written in 1894.  It tells the story of how Tom and Huck and Jim steal a ride on a balloon at a town fair from a somewhat mentally unhinged professor of aeronautical science.  The balloon, which has space-age travel capabilities due to the professor’s insane genius, takes them on an accidental voyage to Africa.

Of course, the insane professor intends to kill them all, because that’s what insane geniuses do after they prove how genius-y they really are.  But as he tries to throw Tom into the Atlantic, he only manages to plunge himself through the sky and down to an unseen fate.  The result being a great adventure for the three friends in the sands of the Sahara.  They face man-eating lions, mummy-making sandstorms, and a chance to land on the head of the Sphinx.

The entire purpose of this book is to demonstrate Twain’s ability to be a satirical stretcher of the truth, telling jokes and lies through the unreliable narrator’s voice of Huck Finn.

Here is a quoted passage from the book to fill up this review with words and maybe explain just a bit what Twain is really doing with this book;

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Notice how I doubled my word count there without typing any of the words myself?  Isn’t the modern age wonderful?

But there you have it.  This book is about escaping every-day newspaper worries.  In a time of Presidential Candidate Donald Trump, global warming, and renewed threats of thermonuclear boo-boos with Russia, this proved to be the perfect book to float away with on an imaginary balloon to Africa.  And the book ends in a flash when Aunt Polly back in Hannibal wants Tom back in time for breakfast.  I really needed to read this book when I picked it up to read it.

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Slade House (a book by David Mitchell)

As a writer of novels, like all passable to good writers of novels, I read novels. Not just any novels. Novels that are the kind of novels I aspire to write myself.

David Mitchell is one of those novelists who can write the way I want to write. His stories are detailed and yet, compelling enough to follow wherever the story leads you. Characters are vivid and seem to have an actual life beyond the pages of the novel. And there is a chance that you will meet them again in another David Mitchell novel, even if they died in the previous David Mitchell novel you read. He writes across swaths of time and gives the story a sense of history.

Slade House is basically a haunted house story, a horror story about a house that is itself a sort of ghost. It can only be entered by a single small iron door that only appears in an alleyway every nine years. And every time it does appear, in October of 1979, 1988, 1997, 2006… , at least one somebody will go in and never come out again.

The story is side-linked to the masterpiece Mitchell novel, The Bone Clocks. It is also a plot less convoluted and multifaceted than Bone Clocks and Cloud Atlas, so much easier to follow

David Mitchell is an author I study to learn about writing and storytelling. I don’t copy him. I do take note of his bag of tricks, his writer’s toolbox, so to speak, and I pick up and play with those same tools and magician’s secrets. I would like to suggest that if you truly wish to be a writer of fiction, you must put David Mitchell’s books on your must-read-before-I-die list. If you can’t put Mitchell on that list, then here are a few others on my list; Michael Crichton, Terry Pratchett, Neil Gaiman, Louis L’Amour, Charles Dickens, Thomas Hardy, H.P. Lovecraft, Steven King, Mark Twain, and J. K. Rowling. It should be obvious that these names are all on my list for different reasons. And if you don’t read David Mitchell, there are artisan’s techniques there you can get nowhere else. But you are the reader. And if you have chosen to read this far through this essay, then you are at least fool enough to want to know the things I am telling you in this book review.

As a storyteller, David Mitchell is Rumpelstiltskin. He weaves straw into gold. And if you are canny and careful enough of a reader, you can gain some of that value from his work without giving up your firstborn.

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David Mitchell is Genius!

Yes, David Mitchell is a very smart man… a very smart English man.  (That isn’t to say that his genius is any less genius than an American Genius.  Just that he is a genius who also happens to be English)

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And I, of course, don’t mean this David Mitchell either, though this David Mitchell is also a genius and also from England.  I have to tell you, though I have always loved British humor, this particular tongue of silver fascinates me enough to make me binge on hoards of old episodes of “Would I Lie to You?” from the BBC on YouTube.  He’s a quick-wit, Brit-wit, smooth-talking  bit-wit who can make you laugh even when he’s playing a thick-wit… which he is certainly not. Continue reading

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