Tag Archives: artwork

Mickey Mouse Club Music

Today’s essay was inspired by Annette Funicello’s Facebook page.  I was marveling at how a teen idol and Disney child star could have such a large following and leave such large footprints on social media when she is not only all grown out of her child-stardom, but is actually quite dead.   I, however, who am technically still alive, work very very hard at this author-self-promotion-thingy, and I hardly make any headway at all in the ocean of the internet.  So, I did what I always do when faced with the imponderables of this writing life.  I drew a picture.  I drew Annette naked.  Well, that’s not entirely accurate either.  I put clothes on her because, well, young-adult-genre authors don’t always have to think like a teenager.

annette

You see, I am not mad at Annette.  And my hormones no longer control the other things that once made me deeply regret the fact that Disney never let Annette appear in movies in a bikini, even in the movies that were not Disney movies.  When you’re twelve, there are different priorities than when you are 68.  Hormones don’t do all of my thinking any more… at least, that’s what I tell my wife.

And part of what I still love most about Annette is the music.  The Mickey Mouse Club was always about talented kids.  They could sing and dance and play the drums, and they were as easily professional quality as many of the adults… and cuter to boot.  Talented children have been a significant portion of my life.  As an English teacher in middle school, I taught kids that were Annette’s MMC age.  I taught them how to write and how to read, and occasionally I had to find other talents to promote and help those kids become winners in the great game of life.  And, it may be cruel to say it bluntly, but some kids are downright ugly.  Not merely ugly in terms of what they looked like, but how they acted and how they thought and how they felt about things.  Racism runs deeply through children who’ve been taught thoroughly by parents before the teacher even meets them.  Sometimes you have to dig around really deeply in the black pits of their personalities to find something bright and shiny enough to put the spotlight on.   But it is always worth it.  ALL CHILDREN HAVE TREASURE BURIED INSIDE THEM.  And it deeply hurts that too many adults in every community can’t be bothered to dig for it.

Annette in DLandn

I grafted a background on my picture of Annette to stress the fact that she is not naked in my picture.  She was a very public figure and a good portion of her personal treasure was that screen personality that showed through and sparkled in every role.  My favorite Annette piece is the movie Babes in Toyland, which I saw for the first time at Grandma Beyer’s house in Mason City on her color TV.  The songs from that movie still play in my dreams.

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Double Character Study; Mike Murphy and Blueberry Bates

Mike Murphy and Blueberry Bates are recurring characters in my hometown novels.  So far they have appeared in The Bicycle-Wheel Genius and Magical Miss Morgan, both of which are now published and available through Amazon.

The Bicycle-Wheel Genius is now available on Amazon through this link;

https://www.amazon.com/Bicycle-Wheel-Genius-Michael-Beyer/dp/1982984023/ref=sr_1_1?ie=UTF8&qid=1544204666&sr=8-1&keywords=michael+beyer+books+bicycle-wheel+genius

Magical Miss Morgan is available through this link;

https://www.amazon.com/Magical-Miss-Morgan-Michael-Beyer-ebook/dp/B0797GTRPV/ref=sr_1_39?ie=UTF8&qid=1544202254&sr=8-39&keywords=michael+beyer+books

The first book documents their star-crossed romance, beginning as ten-year-olds and following through until they are going on thirteen.  Blueberry is a girl with a terrible secret.  She is not like other girls and has to protect this secret, which will only become harder and harder to contain as time goes on.  She lives with her father who barely notices her, an aunt, her father’s sister, who knows the secret and punishes Blueberry for it, and her two older sisters who cherish her and dote on her, and probably are the only reason she is still alive.  Her mother, unfortunately, died when she was a baby.  But both books she appears in so far are comedies.   I will not go into the possible tragedies lying wait in ambush for her in her distant future.  The tragedies are simply not funny enough to be a part of everything.  Like many of my characters, she is based on people from my own life and experience.  She is a combination of a girl I once loved and a boy I once taught.  If that’s not confusing enough, I can add that Blueberry loves to draw, a detail that comes about because she is also partly based on me.  She particularly loves to draw pictures of Mike Murphy.  She might have drawn the next Paffooney (if she were a real person and not just some made-up girl that only lives in my weird old imagination).

Blue and her beau

Mike Murphy is a Norwall Pirate.  Not just any Pirate, but their best athlete, tree-climber, and wild-story believer.   He does everything the Pirate leader, Tim Kellogg, (the grand and glorious and mostly notorious Pirate leader) thinks up for him to do.  He believes every lie Tim tells him, and faithfully defends the Pirates and their leader, even when it gets him detention (again!) from their favorite teacher, Miss Francis Morgan.  He starts out running away from Blueberry, as any red-blooded, normal American boy would.  But he eventually lets her catch him, as any red-blooded, normal American boy would at about that age, the middle of the wonder years.  He becomes her best friend and greatest white-knight-sort-of protector, even though he is torn between that and loyalty to Tim and the Pirates and the lies they tell.

I am now planning a third book that will allow these two characters to adventure together.  I will call this novel Kingdoms Under the Earth.  It will begin with Blueberry being kidnapped by evil flu fairies that take her away to the dark parts of the fairy world under the surface of this world in a feverish coma. Mike Murphy must decide to follow her and rescue her, which he will do via the bad advice of a fairy friend, kissing Blueberry on the lips, contracting her disease, and sharing in her comatose suffering.  Then Mike’s best friend, Tim Kellogg, and his big sister Dilsey both agree that they must follow also to help rescue both Blueberry and Mike.  It will be a great adventure through illness, imagination, and the many hidden kingdoms of fairy magic that lie directly under our world.

Now, I suppose you are wondering why I am giving you details about characters in a book, or rather books, that I haven’t even finished writing yet.  Well, if you are dedicated enough to reading my loopy and boring old posts to get this far, it is probably safe to tell you that I don’t really know either.  I also want to find out.  What do the next sentences say?  Oh, yes.  Mike Murphy already exists as a Pirate in my published book Catch a Falling Star.  He is an established character that I have to twist and tweak into fitting into new stories.  Blueberry has been prancing around in my imagination and drawing colored-pencil Paffoonies since the 1970’s, but I am only now weaving her into the stories I have in me and are burning with a red-hot flame to get told.  So I’m not completely crazy to do this.  Only about ninety percent… right?

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The Dark Side

Originally written the week of Robin Williams’ death by suicide.

Francois

The thing about depression is that it really is not very funny.  That’s what makes it difficult for someone like me who relies on humor and wit to deal with every problem that attacks in life.   Sometimes you have to stand toe to toe with the devil and look him square in the eye.

Robin Williams’ death is one of those things that can send you on a downward spiral into depression and darkness.  Whenever someone loses the battle, you are reminded how hard it is to pull yourself out of the old black oubliette, the dark hole that is depression.  I had to take some time this weekend to mourn and be alone.  No one else can really do anything to help, other than to be there and be willing to listen.  People think you have to say something to help someone with depression, but, in truth, talking makes it worse.  If you tell the person you know what they are going through, or you know how hard it is, they might become violently upset.  Nothing is more personal or individual than suffering depression.

Fools

Now, I know some skeptical sorts of know-it-alls out there are going to immediately think, “What the hell makes this guy a so-called expert?”  And they are probably right to question it.  But here is what you probably didn’t know.    Of the five members of my immediate family, two of them have been hospitalized for depression a total of four times.  One incident involved self-inflicted injury.  We reacted quicker than is financially sensible the next three times.  Two members of my family suffer from bi-polar disorder, though only one of those has been diagnosed by a doctor, and only one of those was ever hospitalized.  We don’t get many visitors in our home any more.  My wife is rightly embarrassed by all the holes that have been punched through the plaster of the walls.  I have been thrown down the stairs once.  I have had to hide all the knives in the house three times.  One of my children had to dodge a knife that was thrown at them.  We have called the police on at least one occasion, and been called in by child protective services once.  Through it all, I have been the one faced with talking down the sufferer.  You look them in the eyes and see their pupils dilate, and sometimes the eye-twitch, and you know, “uh-oh, it’s time for the hurting again.”  There is nothing I can say.  There is nothing I can really do.  I just have to stay there (you can’t leave the sufferer alone for obvious reasons).  I have to keep the sufferer safe, and hopefully calm, and wait it out.   And I have to be ready to listen.  No jokes are allowed.  If you haven’t stopped reading this yet because it is too hard and ugly to consider, I can offer a little bit of light and hope.  I have gotten so good at doing this, that when a girl in one of my classes had a suicidal bi-polar meltdown, I was the one who knew what to do.  (All those hours spent with psychologists and therapists count for something.)  The principals and the counselors helped to keep her safe, but I’m the one who allowed her to vent and have her say, who took the time to listen and assure her that she really was being heard.  I’m also the one who got the thank-you and the apology for having to listen to how much she hated me and hated the school when she was at the bottom of the dark hole.  I never asked for any of this, but I have come away with a rare set of skills.  For now my children are safe and happy, and for now my worries seem to have come to a close… well, a temporary reprieve.  These problems never go away.  You get to keep them for a life time.   But they are not 24/7.

Hilda

 

So, you would think, with my ability to help others, I might not be totally without resources when battling my own depression.   You would, of course, be wrong.  You cannot beat back the darkness by yourself.  Long hours of staying in bed and hating your life do not help.  They are easy, but they do not help.  So, I have to take to the keyboard and write.  I fight back with words on paper.  And more than that, I have to write for others to read, even if I have written personal things that really aren’t other people’s business and will probably be used against me if I ever try to do something totally stupid like run for public office.  And from being a wordless wonder suffering in the bedroom yesterday, I have transformed myself into an eight-hundred-plus word fountain today.   To get through life I have to sing and dance and tell jokes and write and play harmonica and write and spend time with my kids and write and write some more.  Those things help when even the depression medication has no effect…  when your favorite movie comedian loses his own battle.

 

 

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Native Americans Invade My Artwork

I don’t know if you’ve seen enough of my colored-pencil Paffooneys to tell this, but for an old white guy, I draw a lot of Native Americans and am rather deeply in love with American Indian images.  You may have seen this dream painting I posted before.

Magicman

The girl in the painting is a combination of this warrior’s daughter and myself.  I was naked in the dream and a female, facing this huge ghost-stag.  The dream came while I was reading Hanta Yo by Ruth Beebe Hill.  Maybe that book was the beginning of my Native American obsession.  Who knows?  I am a crazy dreamer.  But that wonderful book turned me on to the rich spiritual life that the Dakota people lived.  I identified with it so completely that I dreamed myself into their culture.  I was also struck by the manner in which a Native American culture handles education.  The grandfather is in charge of the boy’s learning.  He teaches by story-telling.  Here you see the grandfather in Sky Lodge teaching his grandson.  The girls would learn very different things from their mothers and grandmothers.

Skye lodge

I am also entranced by the life of the people expressed in dance and ritual.  Dance has deeper meaning than we white guys normally assign to it.  Dances could be magical.  Of course, the notion of a “rain dance” is the result of too much simplification in movie scripts and ignorant popular white culture.  Dance could connect you to the Earth, the Sky, and the Spirit World.  That’s what this most recent Paffooney shows.

Pueblo Bonito

So, you can see, I don’t really understand the concept of moderation when it comes to my obsessions in the world of colored pencil art.  Hanta Yo!  Clear the Way!  In a sacred manner I come!

child of fire

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A Poem Is…

When you try to create a poem,

You find out that it is…

A cry of rage…

From your very soul…

Or a deep-bellied laugh…

From your very soul…

Or an untamable sadness and tears…

From your very soul…

And you cannot help but put it into words…

From your very soul.

Poem Is

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Being and Artistry

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Being an artist is a matter of genetics, luck, and loads of practice.  I began drawing when I was only four or five years old.  I drew skulls and skeletons, crocodiles and deer on everything.  My kindergarten and first grade teachers were constantly gritting their teeth over the marked-up margins of every workbook and worksheet.  I drew and colored on everything.  I eventually got rather good, drawing in pencil, crayon, ink, and as you see here, colored pencil.  I loved to draw the people and things around me.  I also drew the things of my imagination.  I drew my best girl, Alicia, and I drew the half-cobra half-man that lived in the secret cavern under our house.  I drew a picture of the house across the underpass from Grandma Mary’s house.  I drew cardinals, and I drew Snoopy cartoons.  I drew my sports heroes in football and hockey, Donny Anderson and Gordie Howe.  I drew monsters with fangs and fuzzy animals with huge soulful eyes.  I still draw and it’s mostly the same things that I drew when I was a child.  I will post more of the drawings here in the near future to dazzle you with my talents and ridiculous sense of the absurd.

Scand

I inherited art talent from my father’s side of the family.  He could always draw fairly well, though he only used the talent to draw things he meant to build or create in his workshop.  He was a practical man who loved to tinker and make things work in a useful manner.  He had no love or need for that which is fanciful and fantastic.  I suspect, though, that he encouraged my artistical flights of fancy because it spoke to an unfulfilled portion of his own creative instinct.  My Great Aunt Viola was also an artist.  She loved to paint flowers on porcelain and create delicate beauty in items like plates and vases.  Her art was more fanciful than my Dad’s art, but it still had a certain Midwestern practicality at its roots. 

I hoped early on to be a cartoonist or comic-book artist.  I loved to draw wildly imaginative things.  The first cartoons I created were all about outer space.  I wrote stories and drew pictures of Zebra Fleet, a Star-Trek-like space force that kept peace in an area of space inhabited by dog-headed humanoids.  It was fanciful and goofy at the same time.  Since then I tried my hand at a Cowboys and Indians cartoon strip, built around the massacre of Custer’s command at the Little Bighorn.  I researched the Indians of the Dakotah, Crow, Shoshone, and Hidatsa Tribes for my cartoon.  I learned to love drawing feathers, totems, magic men, shamans, shirt men, and lovely Indian girls.  Nowadays I draw the adventures of weird little Toons from Animal Town and the various strange places in Fantastica.  Teenage Panda Girls go out for cheerleading and fail, seeking to wreak revenge on Animal Town.  Hairy Bear is a Grizzly with a tiny body and a huge reputation earned by fantastical hair growths and the ability to make large hair-pieces.  The Four Bares are a family of bears who live at Newt’s Naturist camp and turn Animal Town upside down when they insist on their right as top-of-the-food-chain predators to go anywhere they like naked.  If you are lucky, I will never be a published cartoonist.  I made a serious stab at it.  I came close in two different job interviews and one major submission, but I have arthritis, and it attacked my hands at just the right time to make me a school teacher instead of a cartoonist.

Drawing has become for me a hobby and a lifestyle all about the color and the symbol.  I try to cram as much story and meaning into every figure or picture I do.  Each drawing is precious, and I must squeeze as much as I can from each one, because drawing has become so hard to do and is such a rare thing.  I lean towards the blue in my cartoons.  There is a certain Blue Period about my melancholy work and life.  Things turn out wrong at the end of my stories and there is no happily ever after.  When the nighttime comes, I have to go to sleep with the urge to draw more.  I’ll draw more in the next life, or maybe in my dreams.

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Reluctant Rabbit

Mister R. Rabbit is a school teacher.  He is not the scariest animal in the world, but he is quick and eats carrots, and for thirty-one years he started off the first week of school as the one holding the BIG pencil.  He was the one that planned and carried out the lessons.  He was the one with the carrot of irony in his pocket and the carrot of good humor tucked away in his desk drawer.  For thirty one years he stood in front of the class just as you see him here.

Teacher

But tonight, he is contemplating the end of the first week of no school.  This week, this school year, Mr. Reluctant R. Rabbit has no class.  He is now retired.  No more F’s and no more A’s.  No more students standing on desks to get a different perspective a la The Dead Poet’s Society.  No more giant pencils.  No more carrots of irony in the pockets.

Hilda

This bit of a classroom rules poster is from 1982.  The old rabbit had it on his classroom wall for most of the first five years that he taught.  She didn’t know it at the time, but this girl is a colored pencil portrait of one of the quietest little mice that he ever taught.  She didn’t know it was a picture of her, but many others recognized her.  When he taught her son twenty two years later, the boy asked because he thought he recognized her.  Mr. Rabbit lied and said it was somebody else in the picture.

Mr. R. Rabbit has stopped crying about it now.  You can’t plant carrots of wisdom in your garden forever, and sooner or later the carrots of irony get chewed.  But he still misses it mightily.  He still wonders if he couldn’t have lasted one… more… school… year…

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Silly Tyger!

I think I posted this picture once before and told you it was inspired by William Blake’s poem The Tyger!  That is still true.  I wasn’t telling a lie, at least, I don’t believe I was.  So the poem goes like this;

The Tyger

BY WILLIAM BLAKE

 
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
Tyger
 
The idea is that the Tyger represents some unknowable evil that we must fear and respect because it is beyond our understanding.  But the kid in the picture seems to be unafraid.  Was that a mistake?  Or was I really thinking this?
CalvinHobbes
Apologies to Bill Watterson for stealing his cartoon for this post.  I needed a more dangerous-looking Tyger than the one I had.
 

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

toonervilletrolly-cupplesleon toonerville-trolley

I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

Toonerville 84

I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

MickeyMcGuire

So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

Toonerville 35 1931_12_18_Pelham_Sun_Section_2_Pg_1_Col_2_Toonerville_Comic 10-17-2010 07;49;35PMToonervillecolor021531

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Magic Kingdom Memories

Annette in DLandn

Since the Dallas shooting, the Nice cartoonist attack, and the Uvalde school shooting, I have been needing to rely on things that pull me up from the darkness, and shine some light once again inside my goofy old head.  One thing that always seems to make things right again is looking back on trips to the Magic Kingdom.  Some of the happiest times of my life revolved around family at Disneyland and Walt Disney World in Orlando.

Ima mickey

You see, being an Iowa boy, born in the 50’s, raised in the 60’s and early 70’s, I had one of those rustic, bucolic lives that involved hard work, being frugal with money, and being around a lot of cow poop.  A great deal of my life was about what the future held, imagination and possibilities, and The Wonderful World of Disney in color on Grandma Beyer’s RCA color TV every Sunday night.  Those Technicolor dreams about things with no cow poop involved came true for the first time when my family went on a summer vacation to Florida and Walt Disney World when I was in high school.  Oh, how I loved those E-ticket adventures with the Pirates of the Caribbean, the Haunted Mansion, and Space Mountain!  I got to see Country Bears sing and play music on empty moonshine jugs.  We used C-tickets for Snow White’s Scary Adventure and Mr. Toad’s Wild Ride.  We saw Mickey’s Cartoon Musical Review.  Did you know those last three things no longer exist?

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We went back to Walt Disney World when my family was young, the eldest was six, the middle child was a cranky two, and the Princess was not yet born, though already causing my wife discomfort with six months to go before she made her debut.  That was the time we learned how much my mother really loved It’s a Small World.  We had to take that boat ride so many times that the song still plays relentlessly in my head every time I even start to think about Disney World.  We managed to go back to Disney World again when the oldest was a teenager and the other two were primed to be Disney fanatics.  That time we learned how slowly the other set of grandparents walked.  We also learned that you have to be a master planner to see everything that is good in 5 different theme parks that you just have to check out because, heck, you’ve already mortgaged the future to pay for it.

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And we have been to Disneyland in California a couple of times as well.  We were there, in fact, when the Anaheim earthquake happened, knocking down a couple of Los Angeles buildings nearby and shutting down several rides in the park while damage checks were made.  In fact, it happened during the Star Wars lightsaber battle in Tomorrowland, making us think at the start that it was just a really cool special effect.  It also shut down the food vendor before our expensive hamburgers were cooked.  That part was not so cool.

You can see now at least part of the reason I am such a hopeless Disneyphile.  Memories of times spent at Disney parks are the exclamation points on my whole creative life.  It influences my artwork and storytelling to a noticeable degree.  And it takes my mind off my troubles a bit just to stop and reflect, “Once upon a time I visited the Magic Kingdom.”

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Filed under artwork, battling depression, Disney, family, humor, Paffooney