
“I wanna thank you for meeting with me in this super-secret high-level meeting in the White House, okay. I brought you here… I am really good at bringing people and stuff together, by the way… I brought you here so we could make the Marx Brothers great again, okay? We are going to make a new Marx Brothers’ movie. It’s going to be great… really tremendous.”
“Wotta you sayin’, boss? The Marx Brothers is dead. How you gonna make a movie with dead guys? You gonna dig ’em all up and do a Frankenstein number on ’em, or what?”
“No, no… We will play the roles ourselves. I’ll be Groucho, you know… the really smart one… the one with an amazing mind. I really am very smart you know. Everyone says so.”
“And who am I gonna play?”
“Elon, you get to be Chico. You know, the fast-talking Wop guy. You think of the greatest plans. They are really great, you know.”
“Okay, boss, I got one already.”
“Really? What is it?”

“I think we gotta do an executive order.”
“Executive order? What’s that?”
“It’s a order you give like Obama did, you know? You take a pen and phone and say something in writing that everybody’s gotta do, and then, because it’s an executive order and you signed your name to it, you gotta execute somebody.”
“Ooh! I like the sound of that. We’ll call the movie Horsefeather Soup. It’ll be tremendous. The most tremendous thing people have ever seen.”
“Yeah, and the executive order will say we are banning Mexicans that come from places like Panama, Honduras, and Guatemala. That kind of Mexican has to be sent back to where they came from. You know, just the ones where they might want to vote for Democrats. And we can say we are doing extreme vetting so we are keeping America safe from terrorists. And WOKE Mexicans.”
“Ooh! Yeah! Extreme vetting, rhymes with bed-wetting. Tremendous. But what if people say I’m being racist again?”
“We say we intend to protect Americans from those really bad people you keep talking about, you know? We’ll claim that nobody who’s innocent will get hurt. And the good thing is, the immigration people will just know that anybody who is a Mexican is a bad person. No matter where they’re from. We’ll get everybody that way.”
“Good one, Elon, I mean… Chico.”

In the Homeland Security camps after the executive order. (Possibly people waiting to be executed.)
“Wait a minute, boss, who do I get to be in this movie?”
“Hogsweat, you get to be Harpo, okay?”
“My name is Hegseth, boss.”
“Oh, yeah, sorry, Heegsop.”
“HEGSETH!”
“Okay, Harpo doesn’t talk, so shut up, Hogsbreath! Here, take this bicycle horn and, when you go on George Stefenopolis’s show and he doesn’t let you talk either, just honk it at him. It will be really great.”
“And me, boss?”
“Oh, Vivek. I almost forgot about you. What’s the name of that other brother? Dumbo? You get to be that one.”
“Hey boss, we gotta get goin’ on this executive order crap. Somebody needs to get executed in the worst way.”
“Oh, yeah! The worst way to execute is the best way. I feel the need to tweet a truth about it. This new Marx Brothers’ movie will be the best, just the best. It will be so bestest that America will get tired of bestiness.”

Trump, Hegseth, and Elon ready for Woke Mexicans, and protesters.
How To Write A Mickian Essay
I know the last thing you would ever consider doing is to take up writing essays like these. What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?
But I was a writing teacher for many years. And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.
So, here goes…
Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead. A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay. In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what. The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order. It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.
Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs. This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing. If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”. And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time. The three main rooms in this example idea house are beginning, middle, and end. You could also call them introduction, body, and conclusion. These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).
The last thing you have to do is the concluding paragraph. (Of course, you have to realize that we are not actually there yet in this essay. This is Room C in the smelly chickenhouse of this essay, the third body paragraph.) The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process. This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later. The last thing that you say in the essay is the thing they are the most likely to remember. So you need to save the best for last.
So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay. It is a simple, and straightforward structure. The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea. And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.
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