Celebration, Old Art Revisited

These are some of my favorite drawings from the past.

You may have noticed that my blog is about surrealist art, fantasy fiction for young adults, and a somewhat strange idea of what humor is all about.

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Why I Must Be a Spiritual Nudist

This is actually a repost of an older essay since I am ill again and fighting to think in between coughing fits. Where this says I have only been naked once at the nudist park, that is no longer true as I have revisited the same park with my AANR membership.

I do now admit to being a nudist… or naturist if you prefer. To me that means, if given a choice, I would prefer to be naked all the time. Especially in a natural setting outdoors. I have probably spent more time in the company of naked people than you have, even though I was never myself nude in a social setting until my one and only visit to the Bluebonnet Naturist Park in Alvord, Texas. I was a visitor at the clothing-optional apartment complex at Manor Road in Austin a number of times in the 1980s when my girlfriend’s sister was a resident there. They asked me to disrobe a couple of times, but, as a visitor, I exercised my option. And I corresponded with Floridian nudists by letter, email, and subscriptions to nudist publications through the 1990s.

“Nature Walk”

But it is very nearly an ironic notion that I am literally a nudist. My wife is opposed to nakedness for religious reasons. Although members of my family were fine with skinny-dipping in our pool until it developed fatal foundation cracks, we no longer tolerate nudity at home, except in the shower and the bedroom behind closed doors. And being naked outdoors, though it always used to be good for my health, now is a problem with my increased susceptibility to the return of skin cancer, and the fact that my psoriasis sores, in addition to being ghastly to look at, get dry, cracked, and bloody with a chance of infection far easier than they ever used to. And I have more of them.

If I am being honest, I am not really a literal nudist anymore. I don’t get naked much at all anymore. I do correspond via Twitter with other nudists, especially other nudist authors and cartoonists. But that has its down sides too. Twitter followers who are evangelical Christians un-follow me instantly when they actually see a nudist-friendly post or comment from me. Nudists are apparently among the vast multitudes of sinners destined for Hell. And being part of the Twitter-nudist community also seems to attract unwanted attention from those who love pornography, as well as those who wish to exploit the “prurient interests” of others (which, in my humble experience, is not the interests of real nudists.)

So…

I have always found it challenging to be an actual nudist. I do the best I can, but, as I have repeatedly written in other posts about the subject, I was sexually assaulted by an older boy when I was ten. I spent years overcoming an aversion to ever being seen naked by others.

That aversion prevented me from embracing a positive body image of myself for the rest of my childhood and well into my young adulthood. I was deprived of the joys of skinny-dipping in the Iowa River and being comfortable in my own skin. That was a definite drawback when it came to showers in school after P.E. Class, or showers after football, basketball, or track practice. I was robbed of my sense of naked childhood innocence. I felt like I had a terrible secret to keep, and I was secretly a monster for having naked feelings.

So, in order to be more like a valid, real person, Mickey, as a nudist, has committed himself to being a Spiritual Nudist. A Spiritual Nudist doesn’t hide anything by wearing clothing. A Spiritual Nudist is honest, and tells the naked truth. And a Spiritual Nudist doesn’t have to be actually naked to be Spiritually nude.

I may not now fit the definition of an actual, literal nudist anymore. But I can think like a nudist, tell nudist stories, and draw naked people (in a non-pornographic way). And like a real nudist, I no longer worry about what other people think. The naked truth is still the truth. And maybe even more-so than when people wear their clothes as if it were a disguise.

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Filed under autobiography, humor, irony, nudes, Paffooney

Just Because I Like That Picture

It’s true. You have seen these multiple times before. They are some of my favorite drawings , paintings, and pictures.

You may not agree that these are my best work. That isn’t why I included them. These are pictures I simply like, and I could’ve added another hundred or so easily.

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In the Outhouse

In the Outhouse (a poem by a terrible poet)

So, here I sit for a while to ponder,

While I’m taking care of needs down yonder.

I read the paper’s news-less ruses.

And think that here, at least, the thing has uses.

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The Big Questions

I have now embarked on my seventieth year of life. I have had a thirty-one-year career as a public school teacher. I have been married for thirty years. I have three grown children. I wrote and published 25 books. You would think that as my life nears completion, I would have answers to some of the big questions. I do not. I do, however, know enough to ask them.

  1. Is mankind and his (or her) civilization going to survive?
  2. Will AI computer programs destroy us rather than help us?
  3. Will aliens a board 3I Atlas destroy us rather than help us?
  4. Will the massive caldera under Yellowstone Park explode as a super volcano and wipe out life in North America?
  5. Why are so many of the big questions about destruction and dying?
  6. Why is the Pumpkinhead President not dead or in prison yet?
  7. Why is art important, and why is my art a defining part of me?
  8. What comes next if the world does end?
  9. Why does any of this matter?

So, let me take a stab at some answers…

  1. Probably not. Humanity’s civilizations have broken apart or been destroyed before.
  2. AI programs are still fairly stupid, though smarter than certain American voter groups. If they kill us, it will be a side effect, not a goal.
  3. The alien things are almost too massive to be mere hoaxes. Science fiction movies suggest it will not end well.
  4. Skip this one for fear of not enough relevant details.
  5. Because old people think a lot about dying. No passes possible on this one.
  6. You’ve seen the smug smirk on his orange clown face. He’s too big of a criminal to get caught in the act.
  7. Art comes from the soul, and it makes it possible to shape your entire life and its meanings.
  8. A Vogon Insterstellar Bypass will be built.
  9. It probably doesn’t matter, and my answers are all wrong anyway.

There we go! Solved it!

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What Are You Reading, Mickey?

Well, I have a thing for collecting old books. This one is 100 years old. It is a modern edition, though, re-published in 2003.

Here’s my Goodreads review;

This book is an ancient treasure in many ways, being now more than 100 years old. The illustrations by John O’Neill, too, have a very antique charm. The book is a little short on plot. Dorothy wanders off from the Kansas farm, meets the hobo Shaggy Man, and Button Bright, one of the stupidest little boys in literature. They meet old friends along the way; Jack Pumpkinhead, H.M. Wogglebug T.E., the Tin Man, the Scarecrow, the Cowardly Lion, the Hungry Tiger, Tik Tok the mechanical man, Billina the Talking Yellow Chicken, and the living Sawhorse. And they all end the story at Princess Ozma”s birthday party where Santa Claus is the favorite guest. This is a potboiler novel for Baum, obviously written only because the readers all begged for it, and it has a lot in it to be enjoyed by true fans of Oz, but not much in the way of suspense or excitement. It can easily be summed up in the words of Button Bright, “I don’t know,” which he says in answer to every question.

I find the illustrations more compelling than the story itself, but I have to admit that the story itself is incredibly visual.

I love this book, even though I don’t respect it much as a storyteller myself. But it is the fourth Oz book I have read since childhood. And it isn’t because of the story. Frank L. Baum is a genius at creating loveable and memorable characters. And these illustrations are wonderful. The Shaggy Man with the head of a donkey? Absolutely fabulous! You can’t beat that. (Well, you can. But whether he’s a donkey or a man, it’s still a crime. )

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Blogging Advice

The only advice I am actually qualified to give here is… don’t take any blogging advice from me as worth more than diddly-squoot.

Life is like moose bowling because… In order to knock down all the pins, you have to learn how to throw a moose.

That being said, my blog views are going up amazingly this year.  I am followed by readers all over the world, and some of them actually read my blog regularly, rather than just looking at the pictures and occasionally hitting the like button.

I have not yet, however, learned to throw the moose.  I started this blog in order to promote my published writing.  I now have twenty-five published books available on Amazon.  I made $45.00 in royalties during 2025 so far.  So, as a marketing ploy, it has been a relative failure.

But as a tool in my writing life, here are some things I definitely count as benefits;

Writing a blog post every day makes the ideas flow more easily and does away with any threat of writer’s block.  I have also developed a backlog of good posts that I can repost to new viewers and readers.

Writing every day is practice and it makes me a better writer.

I have learned how to engage with an actual audience.

I am able to try out various writing ideas without worrying about success or failure.

So, all of these things add value and keep me at this blogging thing, which didn’t exist in my early life when I was planning to become a writer as I left teaching.

If you are tempted to make the huge mistake of following my advice and emulating me, I would warn you, I do not make a living as a writer, and I never will.  I am a writer in the same way I am a diabetic.  I can’t help it.  I wouldn’t change it even if it were possible.  I have a body of work that I intend to continue to build up until I am no more.  The creation of it is a necessity of my existence.  And I certainly don’t regret a single syllable, though what happens to it when I am gone is not important to me in any way that matters.  I hope my children will keep it as a legacy, but I only do it because it shapes the story of my life.

And so, I continue to throw meese (or mooses… or moosi… or whatever the hell the funniest plural of “moose” is) and continue not knocking down any pins.

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Filed under blog posting, humor, Paffooney, Uncategorized, writing, writing teacher

69… Begin the Climb

It is not the final destination. It is the possibility inherent in the joy of the journey.

I was born in 1456, 569 years ago.

Some may think a life that long is too long.

Some few may think even that it is not long enough.

I think you live what you live and see it as what is right.

There are no accidents or random outcomes.

Being is what is meant to be.

God does not play dice with the universe.

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Hidden Kingdom (Chapter 1 Complete)

Chapter 1

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Winsor McCay

One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City.  Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.

Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934.  In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.  

The New Year’s page 1909

As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters.  He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane,  He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events.  He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration.  He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland.  And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below; 

The truly amazing thing about his great volume of work was the intricate detail of every single panel and page.  It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing.  You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect.  His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.

I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years.  Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.

No amount of negative criticism could ever change my faith in the talents of McCay.  But since I have never seen a harsh word written against him, I have to think that problem will never come up.

My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available. 

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Filed under art my Grandpa loved, artists I admire, artwork, book review, cartoon review, cartoons, comic strips, commentary