If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.
Seriously, why would a writer publish personal thoughts and allude to personal tragedies? Especially when they are about things that once upon a time nearly killed him? (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should assume he is telling a lie and knows it.)
The answer is simply, writers write stuff. They have to. If they didn’t, they wouldn’t be writers.
It is really not something to do to earn fame and fortune. Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.
You write to get your head right about bad things that happen in life. You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system. Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfieldcharacter Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it. He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager. Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist). I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.
You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper. It isn’t necessarily real truth. Lots of idiots write things and post them in newspapers, blogs, and even books. And it is often true that their inner personal truth is complete hogwash. (But, hey, at least the hogs are cleaner that way.) Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.
And you truly do have to write. If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head. I do have structures in my head. My mind is organized in boxes that contain specifically sorted ideas and stories and notions. It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners. (That is how I picture Donald Trump’s mind. It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)
And so, I have done it again. I have set down my 500+ words for today and made a complete fool of myself. And why do I do it? Because Mickey is a writer, and so, Mickey writes stuff.
He was once an ordinary pet rabbit, transformed through an accident involving a time-traveler’s alien-created mechanical carrot.
He is a character in;
The Bicycle-Wheel Genius
Mike Murphy and Blueberry Bates (his girlfriend) (She forced me to write that last thing, Mike.)
Mike is a member of the Murphy clan who resides in Murphy Mansion with many other Murphys. Blueberry is the girl who chased him until she caught him and turned him into her boyfriend.
Seen in the novels;
The Bicycle Wheel Genius
Magical Miss Morgan
Catch a Falling Star (only Mike is in that one) (He forced me to write that, Blue)
The Necromancer’s Apprentice (Mainly Blueberry in this one. Mike is only comic relief.)
Valerie Clarke
Valerie is a young Iowan farmgirl who lost her father far too soon. She loves skateboards, 80’s music, and boys, especially boys who can sing.
She is a main character in;
Snow Babies
Sing Sad Songs
She is also an important character in;
The Bicycle-Wheel Genius
Sherry Cobble
Sherry and her twin sister, Shelly, look almost exactly alike. They are, with both of their parents, practicing nudists. They love being nude at home on the farm, at the Sunshine Club in Clear Lake, and at school when they can get away with it (which is mostly a matter of girls’ locker rooms.)
Sherry and her twin are important characters in;
Superchicken
Recipes for Gingerbread Children
The Baby Werewolf
The Boy… Forever
A Field Guide for Fauns
Orben Wallace, bicycle engineer
Orben came to Norwall after a tragic fire in his home and laboratory killed his family. He switched from physics to bicycle engineering and opened a new lab where it is rumored that he also created sentient robots, time travel machines, supercomputers, and had relationships with aliens and time travelers. Of course the only physical proof of anything are the bicycles he made.
He is a main character in; The Bicycle-Wheel Genius
He is also an important character in; Catch a Falling Star
Anneliese Stein
Anneliese is a gingerbread cookie brought back to life through the magical baking skills of her human mother, Grandma Gretel Stein. She was also a human girl in the 1930s and early 1940s who also had, unfortunately, a Jewish father. Okay, I know… I will explain better later.
She is an important character in;
Recipes for Gingerbread Children
The Necromancer’s Apprentice
This will have to be finished another day. I have too many more characters to show you, and my Internet is giving out.
I have made up my mind to risk investing more money in getting another book published. Being an author, especially an unknown Indie author, is really just an expensive hobby. Even investing in professional editorial services and print-on-demand publishers can’t help you make any money at it, even if you are talented and good at story-telling. The best I can really hope for is to get my books in print and pray that people will discover them and like them after I die, beaten to death for a crust of bread in debtor’s prison.
So, why would anyone in their right mind want to be a writer?
It is entirely possible that I was simply born that way. I have been drawing cartoons and telling stories since I was about five years old. Maybe even before that. I don’t have many clear memories of my pre-school years. It is possible that I was lost in a library once… or dropped on my head… or in a library and having a book dropped on my head… something set it off if it wasn’t simply in my genes.
I am planning to publish Magical Miss Morgan with Page Publishing. They are a pay-to-print publisher who are slightly more affordable than I-Universe that I used to get Catch a Falling Star into print. I feel like I have to get it published before I die because it is the distillation of my entire life as a classroom teacher. Books like this are important to me. In the Bible, there are prophets and holy men who are filled with the Word of God, men like Jeremiah, that claim the Word is burning within them, and will burn its way out of them if they don’t speak it. My stories that I am working at turning into books are like that. They are consuming me from the inside out. I have to get them written and printed if I possibly can.
I have recently tried and failed to get novels like Snow Babies, Magical Miss Morgan, and Superchicken published with publishers that don’t charge for their services. I got several rejections and one contract that came to nothing because of the economic failings of the publisher. I have tried being infinitely patient. It doesn’t work.
I will try to bargain for the most affordable deal I can to get Magical Miss Morgan into print. They will apparently let me input artwork into the final cover. I understand that successful writers tend to starve for at least fifteen years before they see any success and profit. At best, I have six more years of that to go. But this, after all, is my life now. I need to write books and I need to get them published. I am, unfortunately, a Writer.
This being an old post reposted, I now have this book available on Amazon.
There is considerable evidence that I am not a totally normal human being, or as Danny Murphy used to say “A normal human bean”. Danny is, by the way, a character in several of my novels, including Snow Babies and When the Captain Came Calling. He did the complete Circle Streak (running around the entire high school campus buck naked in a huge and chilly circle) more than once. And he was based entirely on one of my high school classmates and friends. That bird-walk about streaking is an example of the kind of quirks I am guilty of when I am being totally not-normal. I am now entirely off topic and must pull it back to defend myself by saying, “Nobody else is a totally normal human bean either!”
Among my many quirks and oddities is my love of baseball and slavish dedication to the St. Louis Cardinals baseball club. My favorite World Series memories are from 1934, 22 years before I was born. Dizzy Dean was a 30-game winner pitching for the Cardinals. Joe “Ducky” Medwick was their star hitter, and in the 6th inning he hit a triple and slid hard into the third baseman with his cleats up (a trick learned from former Detroit Tiger Ty Cobb) and the Tiger fans lost their cool in a big way (they were behind 9-0 at the time in the deciding 7th game). They began throwing things at Joe as he tried to play left field. He nearly missed an easy fly ball because somebody threw an orange and almost hit his glove. It is the only time in baseball history that a baseball commissioner had to eject a player from a World Series game for his own protection. (Needless to say, I love to hate the Tigers.)
I also love all the other ten times the Cardinals have won the Series, and I am proud of the eight times they nearly won besides.
Another of my odd quirks is a love of nudity in spite of my skin condition that prevents me from comfortably being a nudist. I first encountered nudism in a clothing-optional apartment complex where my girlfriend’s sister lived in Austin. I went from being shocked almost to apoplexy, to my girlfriend’s overwhelming amusement, to rejecting a chance to try nudism in the late 80’s, to actually spending a day at a Texas nudist park in 2017, and really enjoying the experience. My children are mortified.
And this quirk affects my fiction. I have some characters in a few of my stories based specifically on nudists I have known. I also wrote an entire novel, A Field Guide to Fauns, about a boy learning to live with his father and step-mother in a residential nudist park. Additionally, I have irrationally tried to use the word “penis” in every novel I have written. I only failed to do so when some editors insisted on its removal. So, I believe I may be 12 for 16 on that score. (14 of 24 as of this posting in 2025)
But this particular quirk, no matter how totally embarrassing my children find it, is not a sexual perversion. I don’t write porn. And, as a survival matter after being sexually assaulted as a child, my nudity fixation has helped me to accept that I am not evil and unworthy when I am naked. My attacker had me convinced otherwise for more than twenty years.
I am also an aficionado of science fiction, classical music, and a faith that tells me rabbits make better people than people do.
My books are divided, for the most part, into Cantos instead of Chapters. This is because of my love for Classical Music and my dedication to the weird notion that novels should be more like epic poetry. Not necessarily written in verse, though if I ever get to write Music in the Forest, that one is written as poetry.
But paragraphs need to be written as purely poetically as perfect white pearls that are poetically pearly.
But as poetry, my tendency towards comedy rather than drama or tragedy, leads me to write purple paisley prose (like all this p-word nonsense) which makes my paragraphs more Scherzo than Nocturne, Sonata, or Symphony.
While researching alien invasions for the novel Catch a Falling Star, the story of when aliens from deep space tried to invade Iowa, I came across internet information that ignited another quirky passion of mine, studying conspiracy theories. And it isn’t all just a plot to embarrass my children in front of people we know in real life. Although that is a definite side benefit. But conspiracies are an excellent source material for making humor. Comedy gold. Knowing who people like Alex Jones, David Icke, and Jesse Ventura are, gives me not only easily ridiculed personalities to make fun of, but also windows into thinking habits that may or may not turn up some real anomalies in the world of science and so-called historical fact. For instance, I can credibly argue that there is more to the Roswell Crash story than the government is willing to tell us about, and Lee Harvey Oswald did not kill JFK by himself, if at all.
And besides, my boyhood friend Robert was part of my small-town gang when we fought off the alien invasion in the 60’s, and he told me on Facebook that he remembered when that happened. Good old Bobby. He really likes beer and alcohol.
And I could go on like this for an entire book’s worth of silly jabber. But this post has to end for today. This blog, after all, isn’t the only quirky and crazy thing I have to attend to.
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
My best novel is free to own in ebook form for today and tomorrow. Buy it now with the link above. The offer is good until the end of the day on 12/14/2021.
I think a lot of thoroughly thoughtful thuggish thoughts that build and build and build up an idea, and then turn around and knock it all down. Let me demonstrate by knocking down that title right off the bat. Rene DesCartes in the early 1600’s said, “Cogito Ergo Sum”, and he thereby totally disrupted the world as we knew it. Didn’t get that? Let me translate. He said, “Je pense, donc je suis.” Still didn’t help? Okay, here’s the English, “I think, therefore I am.” In other words, the one thing that I know for sure is that I am thinking this particular thought at this particular time. If I am thinking, and I know I am, I must be here and I must be real. So there is one thing I know for certain. But do I know anything else for certain? Uh-oh. How do I know anything? I have to rely on my senses. And my senses lie to me all the time. I am partially color blind, so I don’t see the world the same way you do. I don’t see things in black and white, like Great Grandma Hinckley did in her 90’s, but the colors look different to my eyes than they do to yours and I will never know what things look like to you. Forget politicians and all other people who tell lies, my own eyes lie to me constantly. So can I know anything for sure? Of course not. All I have are firm beliefs based on imperfect senses and best guesses at what is true. So what I am actually talking about is a list of potential essay ideas that I am merely asserting as true based on my imperfect goofy thinking of thoughtful thuggish thoughts.
Idea #1 that I think is certainly possibly maybe true; My brain was taught and I was raised to adulthood by the movies I saw when I was young. I want to talk about this at length in another post. The video is by a guy who was a kid in the 80’s, and he has some really awesome movies to offer as a way to delineate his rise to adulthood.
My list includes the movies of my boyhood seen in the Belmond Theater and on our old black and white Motorola TV. My list of movies that raised me includes Chitty Chitty Bang Bang, The Sound of Music, Mary Poppins, and The Wizard of Oz.
Idea #2; Animals are people too.
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I mean, as a writer for young adults, I know for a fact that animals are relevant as characters. They have a point of view, feelings, reactions, and complex lives that people rarely pay attention to. I have to write about this some time in the future too.
Idea #3; The worst things that happen to us in our lives, are also the best things that happen. Wow! What a difficult essay topic. But I not only think it, I can prove it… at least to myself. But can I write about it? Time will tell.
Idea #4; Silly thoughts and serious thoughts are two sides of the same coin. And this will be particularly difficult to think about if thoughts are literally coins. That would mean that my head is full of metal, and I know several people who would read that sentence and shout, “I knew it all along!” Fortunately they are all too sensible to read this far in one of my blog posts.
So, at 600 words I still have lots more to say. But people with metal in their heads often talk way too much, so my concluding sentence will be simply; “I promise to shut up for now.”
I am a writer because I write.
I write because I have to.
I have to because somebody has to control the words.
People are made of words. Their identity, their inner self, their reason for existence… all made of words. The very thoughts in their heads are… words.
If I want to control the words I am made of, then I must be the writer who writes his own story.
I don’t want anyone else to write the words that essentially become me. Do you?
Of course, authors create characters. Even autobiographers create characters. Carl Sandburg could no more make his words into Lincoln than a bird can make its tweets into a cat. Sandburg can, however, help us to understand Lincoln as Carl Sandburg understands the words that are Lincoln.
Lincoln probably did not have the words for “bikini girls” in his head when he wrote those words in the second quote. But somebody thought that the picture would help us understand the words. By all accounts, Lincoln was not a particularly happy man leading a particularly happy life. But he showed us the meaning of his words when he stood firm against the strong winds of harsh words and bad ideas in a terrible time. And he was as happy about it as he made up his mind to be.
I, too, have not lived a particularly happy life. But I was always the “teacher with a sense of humor” in the classroom, and students loved me for it. Funny people are often not happy people. But they make themselves out of funny words because laughter heals pain, and jokes are effective medicine. And so I choose to write comedy novels. Novels that are funny even though they are about hard things like freezing to death, losing loved ones, being humiliated, being molested, and fear of death. Magical purple words can bring light to any darkness. I am the words I choose to write in my own story. The words not only reveal me, they make me who I am. And it is up to me to write those words. Other people might wish to do it for me. But they really can’t. The words are for me alone to write.
And so it is imperative that I write my words in the form of my novels, my essays, and this goofy blog post. I am writing myself to life, even if no one ever reads my writing.
I have looked deeply and longingly at my own writing time and again trying to determine what is good and what is poorly done and what is the best that I have written. How does one examine what is good? What are the standards that you must meet?
I had a writing teacher who was teaching a class in fiction writing and said to us, “You write fiction to create that special bittersweet something, that je ne sais quoi, that you need in order to come to terms with reality. Everything necessary to say something that satisfies a nameless desire.” I wish I remembered his name so I could credit him with having said that wise thing. Or, at any rate, I wish I could remember the name of the wise guy that he was quoting.
So, basically I am trying to capture in prose something that I have no idea what it is, but both you and I will know it if we see it. Easy-peasy, right?
Good fiction that I have read and liked makes me feel something. If it is truly literary quality, like the novels of Charles Dickens, Terry Pratchett, and Mark Twain, it will make me both laugh and cry. Funny things balanced by things that hurt to know and make you weep for characters that you have come to love. If it is a downer kind of novel, as some very good bits of science fiction and horror fiction are, it will make you laugh a little, cry a little, and think a lot; think with dread, or despair, or even impossible hope. Steven King, George Orwell, H.P. Lovecraft, and Ray Bradbury are good examples of this.
I am grappling with how you do that. I am not fool enough to think I am some sort of literary great. I am a school teacher writing stories for school children, stories I wanted to hear when I was a kid. Stories of good versus evil, good people coming together in the face of chaos. Heroes, villains, and clowns being heroic, villainous, or foolish. And themes that both warm and chill your little blue heart.
. So, what can I do besides keep on writing and keep on trying and keep on begging people, fools, and children to try reading my writing because they will like it, even if it is the least best thing I have written?
I don’t have writer’s block. I can write as long as I can think and move my fingers on the keyboard to crystallize that thinking into words. The Pink and White Mercury of Imagination is always moving, either driving forward in the present and towards the future, or in reverse, rewriting the past. It is never parked.
But somewhere along the way today, the route got sidetracked onto a looping detour.
Hence, this car-themed drive through the idea-capturing process.
A picture of me reading painted long ago and not with me in the picture..
I started reading a new novel. It is a 500-plus-pager by Kate Morton called Distant Hours. It is a Gothic novel, but in a very different way from the one I am writing in The Baby Werewolf. That book starts as a first person narrative, and then flashes back to the past as a series of third person narratives focused on single characters per section. My novel is a first person narrative throughout, though told by three different narrators. It would make an interesting writing analysis post, but I haven’t read enough of that novel nor completed mine to a point where I can compare and contrast them. And those of you who get bored easily have already tuned out and just looked at the pictures by this point.
I also thought about writing a post about Uber-driving conversations and how that impacts the quality of my driver-service. But the best stuff there can’t be revealed without breaking confidences. Doctors, lawyers, bartenders, and Uber drivers are tasked with providing a touch of confidentiality.
I wanted to complain more about Trump and evil Republicans. But that gets far too tiring. And if the collection of my posts on WordPress is like a flower garden, the political rants I do are definitely the garden-choking weeds.
A much better thing for my garden is to chase the flitting butterflies of near-perfect ideas with a butterfly net made of idea lists like this particular post.
So, it is true that I never actually have writer’s block. I do get writer’s detours, writer’s delays, and writer’s just-not-satisfieds- with-those-ideas sorts of things. But not today. I made the problems the topic and the topic wrote itself.
Yes, this post is a self-examination. Not the kind you see Donald Trump enacting every weekend, where he says any crappy thing that occurs to his craptastical very good brain to cover what he doesn’t want us to believe about the truth on Twitter, basically for the purpose of continuing to say he is great and we are poop. I do not like myself the way Trump likes himself. I am an old bag of gas that is in pain most of the time, in poor health, and the subject of endless persecution from Bank of America and other money-grubbing machines that are convinced any money I might accidentally have really belongs to them. But this is not a complain-about-crap fest either.
This is a self-examination that attempts to honestly examine where I am in my quest for wisdom and my affliction with being a writer.
If I am being honest about the type of writer I really am, I guess I am most like the Weird Recluse in the bottom corner. I can’t claim to be as good as Kafka or Dickinson, but I am definitely better than some of the crap that gets published and marketed as young adult literature. The business of publishing is more interested in how many books they can sell, rather than literary merit or good writing. Some of the crap that is out there and being made into bad movies (which I have not seen because I don’t go to movies that don’t pass the fiction-source smell test) is actually a form of brain poison that will mold young people into sexual predators and professional poop makers. And people will take poison happily if it has been deviously marketed well. So far, in the money test, I have made only $16.43 dollars as an author (plus whatever I have made from I-Universe that doesn’t cut a check until it reaches at least $25 dollars). Nobody is buying my books because nobody has read them. I have sold a few copies to friends and relatives. Some of those books are just sitting on a shelf somewhere unread. I have a couple of 5-star reviews on Amazon, and that is it. I will die in the near future not having known any measurable success from my books at all.
I have entered novels in writing contests and done well enough to make it into the final round of judging twice. I have not, however, made a big enough splash that anyone really noticed. I have paid reviewers to review my books online. One of those charged me money, and then reviewed a book with the same title by a different author, a book which was nothing like my book, and then, when forced to correct their error, only read the blurb on the back of the book to write the oopsie-I-goofed-last-time review. They were not worth the money I paid them, money that Bank of America could’ve sued me for instead.
The only thing I have done successfully as a writer is, I think, this goofy blog. By writing every day, I have managed to give myself considerable practice at connecting with readers. I have practiced writing humor and written some laughable stuff. I have plumbed my soul for new writing ideas, and found a creative artesian well bubbling up with new ideas daily. I can regularly manufacture inspiration. I am never truly without an idea to write about. Even when I write a post about not having an idea to write about, I am lying. Of course, I am a fiction writer, so telling lies is what I do best. I am also a humorist, so that means I can also tell the truth when I have to, because the best humor is the kind where you surprise the reader with a thing that is weirdly true. Like just now.
So, somewhere ages and ages hence, I hope there will be a trove of old books in a cellar somewhere that will include one of mine. And some future kid will pick it up, read it, and laugh. The golden quality of that laughter is the only treasure I have really been searching for. It is the reason I write. It is the reason I continue to be Mickey.
Since I wrote this blog post originally, I have added a few books published on Amazon. You can find information about this random noveliciousness here at this page in my blog. Click on this linkie thingie here.
Why Mickey Writes
If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.
Seriously, why would a writer publish personal thoughts and allude to personal tragedies? Especially when they are about things that once upon a time nearly killed him? (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should assume he is telling a lie and knows it.)
The answer is simply, writers write stuff. They have to. If they didn’t, they wouldn’t be writers.
It is really not something to do to earn fame and fortune. Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.
You write to get your head right about bad things that happen in life. You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system. Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it. He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager. Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist). I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.
You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper. It isn’t necessarily real truth. Lots of idiots write things and post them in newspapers, blogs, and even books. And it is often true that their inner personal truth is complete hogwash. (But, hey, at least the hogs are cleaner that way.) Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.
And you truly do have to write. If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head. I do have structures in my head. My mind is organized in boxes that contain specifically sorted ideas and stories and notions. It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners. (That is how I picture Donald Trump’s mind. It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)
And so, I have done it again. I have set down my 500+ words for today and made a complete fool of myself. And why do I do it? Because Mickey is a writer, and so, Mickey writes stuff.
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