Category Archives: irony

July 22, 2025 · 12:27 am

Seeing Things Differently

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Where do I begin?  There are just too many ideas in this one topic to enumerate them all here.   I just got scammed again in my bank account.  A fake Microsoft account tried to rob me through my debit card number, and I have no idea how they got the number.  I had to close both my debit card and checking account, with direct bill payments about to go out.  I have to pray that the account changes go smoothly enough to make all the payments I owe.  I am suffering from how the world sees me.   Scammers must see me as the easiest possible mark.  

I don’t know what the doctor thinks anymore.  I seem to be going to the ER every two weeks.  That and a week in the hospital mean that even with Medicare, I owe a lot of money.  And who knows what President  Pumpkinhead will do to the world economy in the meantime?  This world seems to see me as a potential homeless person in a short amount of time.  No chance that any of those folks will let me define myself.

But suffering builds character.  And, damn!  I have a lot of character.  Want some of the extra?

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Life for me has always been pretty much a long march into the darkness.  I try to bring power and light and goodness with me as I march, but I know there is a final end to the journey, and it will not go smoothly.  It will not end well.  But I don’t see things the way other men do.  I continue to fight the good fight, even though I will ultimately lose the war.  “Rage! Rage against the dying of the light!” says the poet Dylan Thomas.  The fight is everything.  And I simply can’t be troubled with thinking about what lies over the last hill in this march toward the final battle.

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I think, ultimately, that the important thing isn’t winning or losing.  It is about who or what we have become on the inside.  I find solace in being able to laugh at life.  A lot of depressing things have been happening lately.  It can make the laughing harder to manage.  But if life is not joy at its heart, then what is it?  And what makes it worth living?

“Simplicity, patience, compassion.
These three are your greatest treasures.
Simple in actions and thoughts, you return to the source of being.
Patient with both friends and enemies,
you accord with the way things are.
Compassionate toward yourself,
you reconcile all beings in the world.”
― Lao Tzu

Thus it is…  Lao Tzu is wise.  The Tzu part of his name means “teacher”.  So maybe I need to learn from him.  There has to be a way forward, at least until the path ends.

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April 17, 2025 · 12:08 am

Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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February 26, 2025 · 1:16 am

Talking to Nobody

I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.

This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.

I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”

I simply nodded.

Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”

The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”

I rolled my eyes at the dark ceiling.

On the chalkboard I wrote out. Today’s Lesson Is…

“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”

“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”

“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”

“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.

“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.

“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.

I agreed with all three of me. I nodded and smiled.

“But you are Death, aren’t you?” asked middle-aged Mickey.

“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.

“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.“

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February 21, 2025 · 12:32 am

Writer’s Block on a Thursday

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The 1957 Pink and White Mercury of Imagination

I don’t have writer’s block.  I can write as long as I can think and move my fingers on the keyboard to crystallize that thinking into words.  The Pink and White Mercury of Imagination is always moving, either driving forward in the present and towards the future, or in reverse, rewriting the past.  It is never parked.

But somewhere along the way today, the route got sidetracked onto a looping detour.

Hence, this car-themed drive through the idea-capturing process.

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A picture of me reading painted long ago and not with me in the picture..

I started reading a new novel.  It is a 500-plus-pager by Kate Morton called Distant Hours.  It is a Gothic novel, but in a very different way from the one I am writing in The Baby Werewolf.   That book starts as a first person narrative, and then flashes back to the past as a series of third person narratives focused on single characters per section.  My novel is a first person narrative throughout, though told by three different narrators.  It would make an interesting writing analysis post, but I haven’t read enough of that novel nor completed mine to a point where I can compare and contrast them.  And those of you who get bored easily have already tuned out and just looked at the pictures by this point.

I also thought about writing a post about Uber-driving conversations and how that impacts the quality of my driver-service.  But the best stuff there can’t be revealed without breaking confidences.  Doctors, lawyers, bartenders, and Uber drivers are tasked with providing a touch of confidentiality.

I wanted to complain more about Trump and evil Republicans.  But that gets far too tiring.  And if the collection of my posts on WordPress is like a flower garden, the political rants I do are definitely the garden-choking weeds.

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A much better thing for my garden is to chase the flitting butterflies of near-perfect ideas with a butterfly net made of idea lists like this particular post.

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So, it is true that I never actually have writer’s block.  I do get writer’s detours, writer’s delays, and writer’s just-not-satisfieds- with-those-ideas sorts of things.  But not today.  I made the problems the topic and the topic wrote itself.

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December 5, 2024 · 1:01 am

Really Bad Jokes

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If you have the bad habit of reading this particular blog more than once, then you are probably aware that I used to be a public school teacher.  Even worse, I used to be a middle school English teacher.  Aagh!  Seventh graders!  It explains a lot about how life has warped my intelligence, personality, and world view.  It also explains somewhat where I found such a fountain-like source for some of the worst jokes you ever heard.

Now, as to the question of why I have chosen in my retirement early-onset senility to become a humor-blogger… well, that is simply not something I can answer in one post… or even a thousand.  But kids are the source of my goofball clown-brain joking around.

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Kid-humor, you see, is stunted and warped in weird ways by the time period you are talking about.  The eighties, nineties, two thousands, and the tens are all very different.  And those are the various sets of students that I attempted to learn moose bowling from by teaching them English.

Still, there are certain universal constants.

Potty humor really kills.  If you want to make a thirteen-year-old crack up with laughter, roll around on the floor, and maybe wet his or her pants, then you only need to work the “poop” word, or the “nickname for Richard” word, or the “Biblical word for donkey” word into the conversation.  Of course the actual words, even though we all know what they actually are, are magical words.  If you actually say them to kids in school as their teacher, those words can actually make you magically and permanently disappear from the front of the classroom.  All kids are big fans of George Carlin and his seven words, even though most of them have never heard of him.

And violent humor is popular with kids from all decades.  The most common punch line in the boys’ bathroom is, “… and then he kicked him in the Biblical word for donkey!” followed closely in second place by, “… and then she kicked him in the Biblical word for donkey!”  I am told (for I don’t actually go in such scary places myself) that in the girls’ bathroom the most popular punch line is, “…so I kicked him right in the soccer balls, and he deserved it!”   Why girls are apparently obsessed with soccer, I don’t know… or particularly care.sweet-thing

So my education in humor began with bad-word jokes, slapstick humor, put-downs, and rude noises coming from unfortunate places.  Humor in the classroom is actually a metaphorical mine field laced with tiger traps, dead-falls that end with an anvil hitting you on the head, or being challenged to a life-or-death game of moose bowling.  (Don’t know what moose bowling is?  Moose bowling is a very difficult game that, in order to knock down all the pins and win, you have to learn to roll a moose down the alley.)  Sounds like I spend too much time watching cartoons and playing video games, doesn’t it?  Well, there’s more.  And it gets worse from here.  But I will spare you that until the next time I am foolish enough to try making excuses for my really bad jokes.

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November 17, 2024 · 1:24 am

Why Mickey Writes

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If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.

Seriously, why would a writer publish personal thoughts and allude to personal tragedies?  Especially when they are about things that once upon a time nearly killed him?  (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should  assume he is telling a lie and knows it.)

The answer is simply, writers write stuff.  They have to.  If they didn’t, they wouldn’t be writers.

It is really not something to do to earn fame and fortune.  Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.

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You write to get your head right about bad things that happen in life.  You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system.  Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it.  He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager.  Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist).  I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.

You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper.  It isn’t necessarily real truth.  Lots of idiots write things and post them in newspapers, blogs, and even books.  And it is often true that their inner personal truth is complete hogwash.  (But, hey, at least the hogs are cleaner that way.)  Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.

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And you truly do have to write.  If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head.  I do have structures in my head.  My mind is organized in boxes that contain specifically sorted ideas and stories and notions.  It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners.  (That is how I picture Donald Trump’s mind.  It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)

And so, I have done it again.  I have set down my 500+ words for today and made a complete fool of myself.  And why do I do it?  Because Mickey is a writer, and so, Mickey writes stuff.

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November 15, 2024 · 1:27 am

That Bluebird of Happiness

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Yes, this is an old post from 2017 that is ironically about going back and rereading old posts.  Sorry about that.  But it made me laugh when I reread it.

I often go back and re-read old posts, particularly when I discover that someone else has read them.  It is amazing to me how differently I perceive things from when I actually wrote the post.  As you write, squeezing huge, boulder-sized portions of hot, magma-like burning ideas and passions out through writing orifices not nearly big enough to accommodate, you usually hate what you wrote and are still writhing in pain from the creation of it as you try to edit it, trim it and brush its unruly hair.  (How’s that for a mixed metaphor to make you cringe?)  But given time and distance, you can really appreciate what you wrote more than ever before.  Things that you thought were the stupidest idea a man ever put in words suddenly have the power to make you laugh, or make you cry.  You are able to feel the things the writing was intended to make you feel.  You begin to think things like, “Maybe you are not the worst writer that ever lived, and maybe that’s not why nobody ever reads your books.”  But then, of course, your sister reads the post and tells you that you write like a really old, really crabby, really ancient old man.  And you use the word “really” too much too.  I know I deserve that, Sis.  Especially the “really” part.

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Here’s a post that I reread and liked today about Bob Ross.

This is the thing about happiness;  It is elusive and rare as a real-life blue bird. But capturing it for a moment is not impossible.  And as long as you don’t try to salt its tail and keep it prisoner, you can encourage it to sing for you.  (Much better metaphor this time, don’t you think?)  vintage-coca-cola-ad-1950s-1960s-clownb

When I am accused of being gloomy, old, and boring, I can happily admit it and make it into something funny.  I am something of a conspiracy nut, but not so serious that I believe all my own assertions.  For those people who took offense at this conspiracy theory of mine; Coca-Cola Mind Control, I would like to point out that “Hey, I was joking.  I actually like clowns.”  Even though there is a serious side to everything and there can’t be laughter without some tears, I am basically happy with the way things are.

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I started listening to “Live Happy Radio” on Sunday mornings on KLUV in Dallas.  They point out on their program of endlessly droning happy-talk that happiness is something that you can work at.  Like humor writing in blogs, it takes practice and practice and time.  They even asked me to share the word about their happy magazine and products, so I am doing exactly that right here.  Sometimes you simply have to put your cynicism in a jar on the shelf next to the lock box where you keep depression and self-loathing.  So you can find their Live-Happy folderol right here.

So I am bird-watching again with an eye out for the bluebird.  You know the one.  It is out there somewhere.  And I need to hear that song one more time.

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November 12, 2024 · 1:18 am

I Love to Laugh

“Mickey, why can’t you be more serious the way smart people are?”

“Well, now, my dear, I think I take humor very seriously.”

“How can you say that?  You never seem to be serious for more than a few seconds in a row.”

“I can say it in a high, squeaky, falsetto voice so I sound like Mickey Mouse.”

“You know that’s not what I mean.”

“I can also burp it… well, maybe not so much since I was in junior high.”

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“I distinctly remember getting in trouble in Mrs. Mennenga’s third grade class in school for pantomiming pulling my beating heart out of my chest and accidentally dropping it on the floor.  She lectured me about being more studious.  But I made Alicia sitting in the row beside me laugh.  It was all worth it.  And the teacher was right.  I don’t remember anything from the lesson on adding fractions we were supposed to be doing.  But I remember that laugh.  It is one precious piece of the golden treasure I put in the treasure chest of memories I keep stored in my heart.”

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“I always listened to the words Groucho Marx was saying, even though he said them awfully fast and sneaky-like.  I listened to the words.  Other characters didn’t seem to listen to him.  He didn’t seem to listen to them.  Yet, how could he respond like he did if he really wasn’t listening?  In his answers were always golden bits of wisdom.  Other people laughed at his jokes when the laugh track told them to.  I laughed when I understood the wisdom.”

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“Laughing is a way of showing understanding.  Laughing is a way of making yourself feel good.  Laughing is good for your brain and your heart and your soul.  So, I want to laugh more.  I need to laugh more.  I love to laugh.”

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November 1, 2024 · 12:22 am

Mickey Gets Older… and Older… and, well, you know…

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Mickey Mouse was born on November 18, 1928 in the film “Steamboat Willie”.  This month will be his 96th Birthday.  He’s still pretty spry for such an old guy.  My own father is pretty close to the same age, born in about 1932.

And I… I was born in a blizzard in 1956, on November 17th, the day before his 28th birthday.  Don’t do the math.  I don’t really want to know how old I am.  I have six incurable diseases, and I may be adding a seventh to that, depending on what my cardiologist finds out.  I survived malignant melanoma in 1983.  I am deeply grateful for every day of the 41 years I have lived since.

This post started out as something about birthdays.  Mickey’s and mine (who am also Mickey)…  But I think it is really about numbers. There are still important numbers to consider.  I have published twenty novels, two books of short essays, a book-length essay on nudism, and a book of poetry.  Aeroquest and Catch a Falling Star are the first two books I published.  But I have since turned  Aeroquest into four novels with a planned fifth and possible sixth book. This was done because Publish America was a criminal publishing scheme and held my book hostage for seven years. Snow Babies is the best story I ever wrote.  I have written a number of hometown stories about the little town in Iowa in which I grew up.  The Bicycle-Wheel Genius, Superchicken, The Baby Werewolf, Recipes for Gingerbread Children, Sing Sad Songs, and The Boy… Forever are a few of these.  The Magical Miss Morgan is the last book I published with a pay-to-publish publishing scheme.  From here on I only publish for free with Amazon.  Even the literary agents that call me only want to charge me money to promote my books.  So, I want to write and publish more for free.  People are reading my books and I am having precious little success as a mostly-unknown author.  How much time do I really have left?  I confess to having at least five novel-length stories that are only written in my head and outlined on paper.  The clock is ticking.  I want to share all of these stories, but I know I probably do not have 86+ years.  I truly believe that both this Mickey and that Mickey are capable of speaking to the ages, but it can only happen if I get my words shared so that somebody I do not know will read them, smile a little, laugh a little, maybe cry a little, and understand what I tried to say.

So here’s a self-portrait of what Mickey once looked like (before the beard and long hair) along with Valerie Clarke, the main character of Snow Babies, and the most beautiful little girl ever born in Norwall, Iowa.

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September 30, 2024 · 12:04 am

Mickey’s Secret Identities

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Yes, there is very definitely a possibility that there is more than one me.

If you look carefully at the colored pencil drawing above, you will see that it is titled “The Wizard of Edo” and signed by someone called Leah Cim Reyeb.  A sinister sounding Asian name, you think?  I told college friends that my research uncovered the fact that he was an Etruscan artist who started his art career more than two thousand years ago in a cave in France.  But, of course, if you are clever enough to read the name backward, you get, “beyeR miC haeL”.  So, that stupid Etruscan cave artist is actually me.

It turns out that it is a conceit about signing my name as an artist that I stole from an old episode of The Dick Van Dyke Show and have used for well over two decades through college and my teaching career.

And of course, the cartoonist me is Mickey.  Mickey also writes this blog.  Mickey is the humorist identity that I use to write all my published novels and blog posts since I published the novel Catch a Falling Star.

Michael Beyer is the truest form of my secret identity.  That was my teacher name.  It was often simplified by students to simply “Mr. B”.  I was known by that secret identity for 31 years.

Even more sinister are my various fictional identities occurring in my art and my fiction.  You see one of them in this Paffooney.  The name Dr. Seabreez appears in Catch a Falling Star as the Engineer who makes a steam engine train fly into space in the 1890’s with alien technology.  He appears again in The Bicycle-Wheel Genius as a time-traveler.

The young writer in the novel Superchicken, Branch Macmillan, is also me.  As is the English teacher Lawrance “Rance” Kellogg used in multiple novels.

So, disturbing as it may be to realize, there is more than one name and identity that signifies me.  But if you are a writer of fiction, a cartoonist, an artist, or a poet, you will probably understand this idea better.  And you may even have more than one you too.

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