Yes, David Mitchell is a very smart man… a very smart English man. (That isn’t to say that his genius is any less genius than an American Genius. Just that he is a genius who also happens to be English)

And I, of course, don’t mean this David Mitchell either, though this David Mitchell is also a genius and also from England. I have to tell you, though I have always loved British humor, this particular tongue of silver fascinates me enough to make me binge on hoards of old episodes of “Would I Lie to You?” from the BBC on YouTube. He’s a quick-wit, Brit-wit, smooth-talking bit-wit who can make you laugh even when he’s playing a thick-wit… which he is certainly not.
Anyway, that is the wrong English genius David Mitchell.
I mean the other English genius David Mitchell. The one who wrote Cloud Atlas. Also the one who wrote The Bone Clocks. And, of course, the one whose book Black Swan Green which I just finished reading early this morning.

Yes, I mean this David Mitchell. The absolute genius writer who creates exactly the kind of books that I long to read.

Now, this post should probably be more of a traditional book report than it is. This book I just read is swimmingly, swannishly excellent in a David-Mitchell-is-GENIUS! sort of way. It is about an English boy from Malvern, England undergoing the trials and tribulations of his thirteenth year of life. The boy is a stutterer and secretly a poet. The girl he pines for is the girlfriend of his greatest enemy, the boy who relentlessly bullies and taunts him. One even suspects that this portrait of a Margaret Thatcher-era boyhood written in exquisitely horrible detail might be based on the author’s own boyhood somehow, so vivid is its detailing.
But this is already too cacked-up to be a proper book report just because of the two David-Mitchell-English-genius thing. If you really want that sort of book review, read it elsewhere, or read the danged book yourself. This report is more of a vow of fealty. I must now turn my hoarding disorder sufferer’s exacting zeal on the matter of reading everything this living author writes. I did the same thing to both Michael Crichton and Terry Pratchett because they are geniuses too. But they are both now no longer living and writing new books, at least, not unless there is new meaning to the term ghost writing that I don’t know anything about. So now it is David Mitchell’s turn to be the object of my intense fan-boy love of good writing.
Here are some David Mitchell books that I now must stalk and make my own;

And hopefully, there are many more yet to come.













Lynn Johnston’s For Better or Worse is also an old friend. I used to read it in the newspaper practically every day. I watched those kids grow up and have adventures almost as if they were members of my own family. So the mashed potatoes part of the meal is easy to digest too.


Love Stories With Clowns and Elephants
Yes, this essay is supposed to be a book review of Sara Gruen’s lovely, enthralling circus story Water for Elephants. But you know me. My writing gets overwhelmed and filigreed by my obsessive urge to dive into the ocean of things that excite me to purple paisley prose.
It is a fascinating love story involving a depression-era travelling train circus, a young man who suddenly finds himself a penniless orphan days before he can complete his degree in veterinary medicine, an elephant, a beautiful horse-riding show girl and circus star, and her cruel but charming ring master husband.
I don’t think I am spoiling anything by telling you that Jacob Jankowski, the main character of the tale falls in love with both the beautiful Marlena and an apparently untrainable elephant named Rosie. And I also shouldn’t actually be ruining the ending by telling you that the murderer who ends the story is revealed in the opening pages, but is still a surprise when masterful story-teller Sara Gruen re-reveals the murder at the end. This is a plot-driven novel that completely catches you up in a doomed relationship, a complicated romance, and an artfully re-created world of depression-era train circuses that ranks right up there with Cecil B. DeMille’s movie spectacular The Greatest Show on Earth.
Yes, I had to equate this book with an old 1950’s movie that I love because of the similarities of plot and spectacle. Both the movie and the book have a faithful clown friend who lives a tragic life. Both Buttons the clown, played by Jimmy Stewart in the movie, and Kinko the clown, the dwarf Walter in the book whose only friend is Queenie the dog before he gets involved in the main character’s problems, play a crucial role as a supporting character. There is a romantic triangle in each. Jacob, Marlena, and Marlena’s husband August in the book mirror the complex relationship between the circus runner Brad Braden, his girlfriend the trapeze star, Holly, and the circus’s newest trapeze star, the Great Sebastian in the movie. And in each story there is a huge disaster that threatens the existence of the circus. But I am in no way suggesting that one is merely a copy of the other. Each story is unique and enthralling in a thousand different ways. They are two entirely different stories told by two different master story-tellers that happen to be built on the same basic framework. And both of those things teach you a great wealth of carefully researched details about the magical world of real travelling circuses.
Oh, yes… And I forgot to mention, the book Water for Elephants was made into a movie in 2011.
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Filed under book review, clowns, commentary, finding love, humor, movie review
Tagged as book review, Cecil B DeMille, circus, Greatest Show on Earth, movies, Sara Gruen, Water for Elephants