Tag Archives: drawing

Doodle-Bop!

Sometimes the only thing you really want out of life is just to get by. You get tired of always having to climb the danged highest mountain.  You get tired of trying to swim the danged deepest sea.

16750_102844509741181_100000468961606_71393_6278100_nSometimes all you want to do is doodle-bop!…  To draw in pen and ink and post your derfiest doofenwacky doodles so you can just make your way through another danged day.

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You aim a lot for different, and undeniably original… because no one thinks like you… certainly no one who is real and has a real brain.  You are gifted with an “other-ness”, a sing-songy simpering something that makes you want to doodle and do what no man has done before.  (Does that sentence exist anywhere else in all of literature?  Even if there is some alternate dimension with infinite monkeys typing on infinite typewriters?  What’s a typewriter, you say?  Danged millennials!)

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I really can’t help it, you know.  I was a middle school teacher for 24 years.  That sort of thing has mental health consequences.  And if you wring the sponges in your stupid old brain hard enough and long enough… doodle-bop! comes out.

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Turtle boy’s magic iron of irony!!!

And you have to wonder why some of the stuff that is in your stupid old head is even in there.  Why is it that sometimes the words “Argyle socks are filled with rocks” are drifting through the vast empty spaces in the logic centers of your brain?  There has to be a reason for everything, doesn’t there?

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I do believe I have made myself chuckle at least a dozen chuck-tacular times in the chuck-a-tational crafting of this cheddar-cheesy post.  But it only really counts if I can make you girlishly giggle or guy-like guffaw with my word-munching and cartoony paffoonies.

Wild Ride

The terror-filled cartoon car chase that is life as usual.

You may have noticed that everything is black and white, even though it doesn’t have to be.  Good versus evil, hot versus cold, everything can be divided up simplistically… but the really profound part of simplicity is vibrating reverberations of complexity that lie just underneath.  Words have meaning, even though they are just a bunch of crooked squiggles marked on a page.  (Yes, I know… “or typed on a computer screen”.  Danged millennials!)

4th Dimension

And so, this is my doodle-bop!  Probably not the doodliest or the boppiest doodle-bop! I could have bopped… but there it is.  I have made it through another sorta creative post without losing my mind…  Honest!  I did not lose it.  It is merely temporarily misplaced for a moment.  It will be back in its proper place tomorrow… probably.

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Portraits in Pen and Ink

Simple, clean lines and basic, well-defined shapes go together in black and white.  They are in the basic nature of being a cartoonist.  You translate what you see into line drawings where a few simple lines become a complex and meaningful image.

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My one-legged Batman is an exercise in  foreshortening and trying to burst through the two-dimensional confines of the page to grab the viewer.  I learned this trick from comic book artist Jim Lee.

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His sidekick is rendered as a static portrait where the computer monitor in front of him lights up Robin’s intense and thoughtful face.

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She was an excellent teacher and former nun… she was a mentor to me, taught me a lot about life and love and great beauty.  How do you adequately portray the wisdom and the patience in those highly magnified eyes?  I drew from memory only.  She never considered herself beautiful.  But she was.  And it hurts not to be able to capture it correctly.

Not every portrait is literal.  Sometimes you exaggerate facial characteristics and behavioral quirks are emphasized to create humor in the portrait.

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When I was first married I did a double portrait of us as a knight and his lady fair.  I know, I know… it is so sickeningly sweet that it punches me right in the diabetes.  But, hey, it doesn’t really look like me anyway.   It is more of a portrait of Porky Pig in glasses and hair.

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There is an art to pen and ink that cuts right to the heart of who you are and who you want to be.  Simple lines in black and white… there is no more incisive tool for putting my goofy old mind down on paper.

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Blushing in the Garden of Eden

Superchicken xOne of the fundamental truths of my life is that God has a very strange sense of humor and He has chosen me to be the brunt of the nudity jokes.  Yes, me, the shyest kid in town, especially when it comes to seeing someone else naked, or (shudder!) someone seeing me naked.  To say that I was a teenage prude would be an understatement.  I did not even believe in thinking about people being naked.  People are naked under their clothes?  Aaagh!

I dreaded the start of fifth grade, because in PE class you had to change into PE clothes and take showers when it was over.  Not just any kind of private, in-your-own-bathroom kind of shower, but one big tiled room full of shower heads where you had to be naked in front of other boys.  Other boys like fat Tiger Bates who taught me the facts of life with only a few major distortions.  Other boys like Kevin Swello who had hair in places we didn’t even want to know about, let alone see.  Coming of age and facing the world of locker rooms and shower rooms and boys’ PE was one of the hardest things for me.

Well, I made it through that part of my childhood by telling God all about it and being strengthened by Him.  But then, He decided never to let me forget about it.  College in the 70’s was wilder than my little-town morals could take.  I avoided Dorm drinking parties where party-goers sometimes played strip poker seriously with members of the opposite sex.  When one of my two roommates decided to go streaking on his motorcycle, I avoided getting caught up in it in any way.  Well, of course, everybody avoided that particular bit of stupidity, because it was snowing and the temperature was below zero.  Ol’ Wildman Beckham nearly froze off parts of himself that he could ill afford to lose to frostbite.  There were a lot of things to avoid in college.

I was always a very good artist, though, and as a raw talent I took Art classes even though I was an English Major.  That led to the biggest blushing of my young life.  Level 4 Drawing Class was drawing the human figure from life.  I didn’t realize what that actually meant until halfway through the third week of that class.  That is when the first nude model walked in to class.  Dang!  I was red in the face for the rest of the week.  The mostly female class giggled behind their hands at me.  The teacher, the illustrious department head, Dr. Louise Broffert, said things to us that just made it worse.  “You know there is a difference between art and pornography,” she said, glaring at the few male members of the class.  “It is mainly a matter of focus and point of view.  I expect not to see any of the wrong point of view!”  Oh, God!  And pretty as that first model was, I was unfortunate to be sitting in a position where her innermost secrets were obvious and well-lit in front of me.

And it got worse.  Students in Art 4 and above were asked to be the models!  Guys as well as girls were expected to take their turns.  Besides, you made ten dollars per session for posing for your classmates.  Oooh!  The memory still makes me shiver.  As well as it should.  It was a Winter Quarter class.  Fortunately, my turn coincided with a bout of the flu.  I was infectious on my day and couldn’t attend.  Even better, I got a note from student services suggesting I better not risk further exposure to the cold.  God put me through several sleepless nights of the sweats, but in the end He made a way out for me.  Of course, I ended up with a C in that class.  The lowest course grades I got in college were both C’s that I got from Art classes.

God was not done teasing me about it yet.  I learned while studying Shakespeare and the Elizabethans that there existed in their time a sect who called themselves the Adamites.  They were named for the Garden of Eden and Adam in his natural state.  The idiots tried to build for themselves a Utopian society, a popular thing at the time, and they walked around their little gated communities buck naked all the time.  Well, I have to say, I got a good laugh out of reading about them, without ever realizing it was my doom to meet their modern-day counterparts.

As a young teacher in South Texas, teaching English to Spanish-speaking Junior High students, I took up with a pretty Latino Lady, lovely Isabella Daniels.  She was divorced from one Gringo already, and not quite willing to commit to another.  Hence, we never married.  She was, however, a liberated lady living in a world after the Sexual Revolution and before the dampening effects of AIDS.  She was not as shy about her naked charms as I was.  My parents lived near Austin, so we often went for the weekend to the Austin area.  I stayed with my folks, she stayed with her sister.  The thing is, her sister lived in a clothing-optional apartment complex on Manor Road in Austin.  It would be my first experience visiting naturists and nudists where they lived.

The apartment complex was built a lot like an English fortress from Elizabethan times.  It was a huge rectangle with a central court yard cut off from view of all the surroundings.  The first time I picked Isabella up there, I was put off by the iron bars on the gate.  The entry portal was completely cut off from the world at large by locks.  I had to ask the bearded gate guard to let Isabella know I was there.  When he had spoken with her, he came back to get me and asked me to come in.  He was naked!  I had only seen his head in the barred gateway window.  I didn’t get the full Monty until he ushered me inside.  And there was no beauty in him at all.  Hair everywhere, like ol’ Kevin with a beard.

Inside I found a grassy courtyard with a swimming pool in the center.  Two young girls, they must have been nine or ten, were skinny dipping in the pool and having a whee of a time.  There was a pool table beside the swimming pool, under the shadowy canopy of the second story balcony.  Around the pool table a number of portly men were playing pool and bickering with each other completely in the buff.  As I waited, my eyes ended up fastened on two young ladies that wore t-shirts, but no pants at all.  One of them noticed me looking and tugged at the front of her t-shirt as if to cover up.  After that one little ineffective movement, however, they took no more notice of me, standing there all gawky and red in the face.

Isabella never let me live down the expression she saw on my face when she collected me that first time.  She laughed roundly at my expense.  She invited me to stay there too.  I would have none of it.  She had no shame about walking about in the all-together, but I was not trained to be that way.

From the times I had to visit her there I learned quite a bit about naturists.

They are not what I expected.  They tend to be reasonable people in all other ways, bankers, lawyers, computer programmers, and Postal Service delivery persons.  They just have this nutty habit of stripping nude and walking around like that.  They don’t understand my reluctance and inhibitions any more than I understand them.  But they are not bad and immoral people.  The place was not a gawd-awful orgy site.  It was a quiet conservative domicile where naked people lived.

Mark Twain once said in the Diary of Adam and Eve that naked people have very little influence in society.  This is generally true.  The naturists don’t want that influence.  They just want to be left alone.  They will, however, proselytize.  After Isabella and I broke up, I encountered naturists again when I took up stamp collecting.  I found some stamp-collectors and traders in Florida that were also practicing naturists.  Besides selling stamps by mail order, they ran a naturist park near Tampa and sold naturist publications of all kinds.  They wanted me to come to Florida for my Summer Vacation from school, and they promised to gradually teach me to be a naturist.  They wanted me to join the ANS (American Naturist Society) and I ended up buying a number of books from them and learning about their gentle philosophy of family naturism.  Nudists, I discovered, are mostly married, have families, and are quite fat, not beautiful in the least.  Also, they are worldwide.  There is a strong naturist movement in England where they even have a school; I think it’s like a high school, where all the students are nude.  The FKK in Germany (Frei Korper Kultur) has most of the beaches on the North Sea draped with naked people.  They must only play naked on the beach there, huh?  The North Sea is definitely not warm enough for me!

So you can see, God has gotten a good laugh out of me and my reluctance to embrace the body He blessed me with.  I am NOT a naturist now, if that’s what you’re thinking.  I don’t take my clothes off in public.  But, I know people who do.  And I am not as shocked and horrified by it as I once was.

I hope you can forgive all my pictures of naked people.  I am not trying to become a pornographer.  Remember, Dr. Broffert says that it is all a matter of perspective.

This last picture is actually depicting a pair of Snow Babies.

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Western Art

Yesterday, on Friday the Thirteenth, we went to the Amon Carter Museum of American Art in Fort Worth.  My parents, both in their eighties, took us there in a week-long celebration of Dorin’s graduation from high school.  It was a worthy thing.  Unlike most kids, my three are not bored to apoplexy by art museums.  In fact, for most of the exhibitions, they traveled at my heels.  It seems I know enough about art to fascinate them.  All three of them are amateur artists themselves.

The Amon Carter Museum is centered on old Mr. Carter’s collection of the paintings of Frederick Remington and Charles Russell.

Remington was an adventurer and story-teller.  He was also a sculptor with a gift for creating action-filled scenes in bronze.  The Bronco Buster, the statue pictured here, is on prominent display in the foyer of the museum.  It is one of Remington’s first, and one of his best known (in large part due to the Amon Carter Collection).  The painting that follows was used as an illustration for one of his western stories.  Remington wrote western novels, articles about the west, and factual essays about Native Americans.  He had actually lived with Indians for a while and did a lot to lend credibility to everything he wrote about them.  He didn’t save them from the depredations of the white man, but then, who could have done that?  His nighttime scene is ultra-realistic and you can learn a lot about Indians just by studying the picture.

Russell came after Remington by a few years, but he was a contemporary and an admirer of Remington’s work.  Russell is also an artist of intricate detail and accuracy, having also studied Indians from inside their villages and camps.  The Silk Robe painting shown below and exhibited at the Carter reveals detailed knowledge of curing a buffalo hide that only could have come from watching the process in real life.  He also did bronze sculpture and watercolor paintings along with his fantastic oil paintings.  In fact, in his day, Russell was considered a sculptor who also paints.  I don’t know how you can look at his cowboy art and still believe that.   He is a truly masterful painter.

You’ll have to forgive me for taking a break from the usual humor blog, but I have an overwhelming love for art and painting, and this museum visit put an Indian arrow right through my silly old heart.

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Disappointing Outcomes

This is an all-felt recreation of my picture of the Girl with the Green Eyes. It was simply a matter of running my digital picture through the AI Mirror Felt Filter which used its special AI magic to transfer every part of the image into a needlecraft-looking thingy made of what appears to be felt. But no beaver pelts were chewed on to make it. It is a brief look at what the incredibly single-minded magic of AI can actually do. And I would like to submit more of my artwork to this filter, but that would cost money to use it. That’s the thing about AI. It is meant to generate lots of money for somebody… and that somebody is not me.

I enjoy using digital and AI tools to draw. Arthritis and color blindness and muscle spasms have been leeching away my art abilities. These tools make drawing easier and not only restore my drawing ability, they help me go beyond what I have done before.

This gives you an idea of what I used to be able to do, drawing freehand and blending colors with colored pencils. I have been told by friends and family familiar with my older artworks that they prefer my old style to the new anime-style, AI-filter digital stuff. And I understand that sentiment completely. I wish I still could do that.

This is an example of the very best I can do the old way that is also done this year. The colors are no longer fully blended and solidified. It hurts too much to put enough layers on to achieve the solid colors and the blends. My hands no longer manage the repetitions of small lines in layers.

This is about an hour’s worth of work on the digital drawing pad. You can see the basic design and you can also see the splotches and glitches caused by arthritis. I did take it further before applying the AI Mirror art editor, but the flaws are not gone until the AI cleans them up completely.

Here it is after the first application of AI Mirror.

Then clothing is added. That, of course, needs to be cleaned up too and a background added.

And I reach an endpoint that satisfies my need to draw and create. Picsart AI Photo Editor inserted the background.

I know there is way too much AI artwork out there on the web. Much of it is downright lazily created and awful. I hope mine isn’t too. But I have seen things that are masterfully done which reveal possibilities of using AI tools in very artful ways. I am not satisfied with AI art on the internet. But I don’t believe we are wasting our time completely either.

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Drawing with AI Assistance

I find this to be a beautiful picture worth the time spent creating it. It is a digital doodle. That means I started with a simple doodle out of my head.

This is the original start, laid down on my computer tablet with a stylus and a digital art program called Drawing Pad Sketch Desk. It is a simpler drawing program than most digital artists use. My daughter recommends Krita. That is far more complex and sophisticated than I was ready to start with.

This is the rather ugly doodle scratched out with layout colors and basic shapes. Had this been colored pencil on paper, I would have wadded it up, shot it into a wastebasket, hopefully for three points, and started again. But the digital pad allows infinite and complete changes.

After fixing and fixing and fixing… and adding a rose in the hair… and something green to match the eyes, I came up with something I wanted to create a finished project out of. I did not take a screenshot of every little change, so you must imagine how I got here from Miss Ugly Puss.

Because of arthritis in my hands and creeping color blindness in my eyes, I use AI Mirror to reprocess my drawing and offer clean-up solutions. I don’t really like the rose that the program made out of my original drawing, so I changed it before the final. Then I used the Picsart AI Photo Editor to supply a background of roses. Thus, I reached the picture you see in the first Paffooney I posted here.

This leads you to my most recently published book on Amazon. A book full of evil poems that may effect your mind and heart, though hopefully in a good way. Black Magic via incantation.

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Paffooney Stories and Toony Cartoons

My House1 My house2 my house3 My House4Here is a page for collected stories that I mean to build on and expand.  It is my intention to file cartoons here and edit them and add more pages via posts.  So for a first attempt let me use an old cartoon that was rejected once by Heavy Metal magazine in the early 1980’s and rejected a second time by a cartoon magazine that no longer exists and I can’t even remember the name of…  I am thinking they had very poor taste in cartoon art anyway.

Now, of course, this a finished four-page one-shot.  It was intended for a magazine that sought this kind of full-color art and had an over-all science fiction and horror fantasy theme.  I was too light and colorful with this short for their needs.  Disney characters on the PJ’s might have been a legal problem too.  So I am left with an unsaleable example of my best colored-pencil art, done when I was still pretty much a clueless kid and not yet a teacher.  It was worth doing, but will never make me a single dime.

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Drawing Nudists

Drawing people with no clothes on is something I actually learned to do in college. Even more ironic is the fact that I was still suffering a nude-o-phobia at the time due to being traumatized by a sexual assault at age ten that had been a repressed memory until the year before I took the anatomy drawing class with live nude models. It was not a class full of guys since you had to have made high grades in three previous levels of drawing classes. There were only three other males in the class, and none of them were significantly more secure in their own nakedness than I was. Virgins all. (What do you expect from male art majors?) But it began my journey into drawing nudes and eventually becoming a nudist.

Drawing a nude figure in a work of art, whether by painting, drawing with a pencil, colored pencils, or digital art on a computer, is an essential step to creating believable figures even after you put clothing on them. Anatomical correctness in structure and proportions are far more realistic when originally drawn by your practiced hand as a nude figure. My mother noted when watching me paint that the pencil drawing underneath looked like a naked body until clothed by a rendering of a body covering, even if I was working from a model or photo that was fully clothed. Being a modest Methodist she often asked if I intended to draw clothes on before painting, which I usually did… especially on pictures painted at home where she would see.

When I am intentionally drawing a nudist picture, I will depict an activity that I enjoy doing in the nude myself. The figure, a male figure, represents me. I do tend to depict myself as an innocent child rather than a fat old man with a beard. I also draw nude girls, usually in the age of innocence, because I don’t have any reason to do porn. And drawing nudes helps me immensely with my own positive body image problem.

Pictures of nudists do not need to reveal sexual features. I don’t particularly enjoy drawing genitals. And the idea of the picture usually does not require those things to be in the picture.

Sometimes the theme of the picture is intended to be humorous. Streaking back in the 1970s always got a lot of laughs, as well as evil looks from old church ladies.

Fairy nudity is also usually given a pass. Why would tiny magical creatures really need clothes?

Some pictures evoke memories of camping, Something we did as a family every summer in the 60s and 70s, though never in the nude… except in my imagination.

And of course, some pictures need to exist simply because the human body is inherently beautiful.

All of this is talked about in the essay I wrote about it in book form on Amazon. It goes into much greater detail with many more illustrations.

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Drawing for a Lifetime

I was born an artist. It has to be developed and nurtured and practiced over time to become what it can truly be, but artistic talent is something you are born with, and there is a genetic aspect to it. Great Aunt Viola could draw and paint. She produced impressive art during her lifetime. My father can draw. He has demonstrated ability a number of times, though he never developed it. Both my brother and I can draw and have done a lot of it. All three of my children can draw and paint. My daughter, the Princess, even wants to pursue a career in graphic design and animation.

One of the factors that weighs heavily on a career in art is the starving artist factor. To be a serious artist, you have to study art in great detail. You need lots of practice, developing not only pencil-pushing prowess, but having an artist’s eyeball, that way of seeing that twists and turns the artist’s subject to find the most novel and interesting angle. It takes a great deal of time. And if you are doing this alone, you are responsible also for building your own following and marketing your own work and creating your own brand. You need to be three people in one and do this while potentially not being able to make any money at all for it. I have taught myself to do the art part, but I paid the bills with something else I loved to do, teaching English to hormone-crazed middle-schoolers.

An important part of art is what you have to sacrifice to do it.

Many artists become alcoholics, drug users, or suicidal manic-depressives. There is an artistic sort of PTSD. Doing real art costs a lot because it alters your lifestyle, your mental geography, and your spiritual equilibrium. Depending on how much of yourself you put into it, it can use you up, leaving no “you” left within you.

I am not trying to leave you with the impression that I mean to scare you into not wanting to be an artist. For many reasons it is a great thing to be. But it is a lot like whether you are born gay or straight… or somewhere in between. The choice is not entirely up to you. You can only control what you do with the awful gift of art once it is given to you. And that is a serious choice to make. Me, I have to draw. I have to tell stories. My life and well-being depend on it. It is the only way I can be me.

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Why I Wear a Tinfoil Hat

Davalon ad

You know by now if you have read what I’ve written, or been around me when people make the mistake of letting me talk about what I want to talk about, that I am a kook.  Yes, I believe things that you have been told that only crazy people believe.  Why would you want to read any more of that nonsense now?  Because it is true and it will impact our future.

I came into a wealth of secret knowledge when I wrote and published my first good novel, Catch a Falling Star.  Of course, like most of the things you research on the internet, ninety-nine per cent of everything is big, black rubber hoo-haw lies.  I researched a lot of things that I have always been fascinated by, but specifically I investigated UFO phenomenon.  I already followed author Stanton Friedman and knew who Bob Lazar was before starting my research, but I wanted to dig deeper and find the truth.  My novel, after all, is about close encounters of the third, fourth, and fifth kinds… including an invisible invasion of Earth from outer space.  I wanted to portray such events as alien contact and alien abduction as realistically as possible.  But then I found stuff like the Disclosure Project headed by Doctor Steven Greer.  Did you know he has been collecting eye-witness and whistle-blower information in written and video form since the 1990’s and presenting it to members of congress?  There is an immense database of information about contact with UFO’s and the government’s response to it that can be cross-referenced and even corroborates itself.  There comes a point at which eye-witness testimony, even loony-sounding testimony, has to be accepted when there is a preponderance of evidence.

The thing that makes the case most strongly for me is the provable amount of cover-up and misdirection that the government has applied to this body of knowledge.  They are still doing it.  NASA footage and photographic records are open to the public and available online.  Lots of people have examined the wealth of evidence very closely and have found things that the government apparently overlooked.  There are also an even more impressive number of identified re-touched and faked photos of the Moon and Mars and especially the Earth from space.  Things have been removed so that we the people will not see.  Some nut-cases even believe we never actually went to the moon.  Some of the moon footage and photos are provably fake.  (But you can also spot the landing sites of the Apollo missions on the surface of the moon with some of the very good telescopes available now… The proof of our moon landings is there.  The stuff was redacted and faked for different reasons… a different cover-up.)

So, why does this matter?  Maybe we are better off being protected from this secret knowledge.  We are too fragile to take it.  There will be riots in the street and the economy will crash.  We are safer being ignorant of all of this.

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA…no!

It’s time we were given the straight poop (because everybody hates crooked poop… at least they should.)  Our world is dying from pollution and global warming, yet the alien technology can provide clean, free energy.  Rich people are exploiting the poor and the middle class and so much suffering occurs that doesn’t have to happen if we embrace the potential for taking our place in a galactic community that apparently already exists and that we are excluded from solely on the basis of how dangerous our own ignorance makes us.

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