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Yay Mickey!

Yay Mickey!

Today I passed 200 followers on WordPress

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January 7, 2014 · 11:14 pm

Teacher! Ooh-Ooh! Teacher!

Here’s an older post I am quite proud of. (If course only idiots are too proud of things, which probably gives something away.)

authormbeyer's avatarCatch a Falling Star

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I have the privilege of being a public school teacher.  Or maybe I should use the word “cursed”.   It is no easy thing to be a teacher in the modern world.  Regressive State governments like Texas mandate that teachers do more with less.  We have to have bigger classes.  We have to show higher gains on State tests.  We have to do more for special populations based on race, disability, language-learner status, and socio-economic status.  Of course, we give money to private schools to be “fair” to all, so a majority of the well-funded and advantaged students are removed from the public school system, even though studies show that their presence in classes benefits everyone.  When the majority of students are low-income in a single classroom, even the gifted minority perform less well.  When higher-income students are at least fifty per-cent of the class, then even the low-income and…

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Of Werewolves and Evil Folks

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As a child I was like most boys of the 60’s.  I loved monsters and monster movies.    I drew skeletons and Frankenstein’s monsters.  I made comic book stories about space aliens, vampires, and wolfmen.  I filled my fantasy world with dangerous creatures of the darkness. 

It was only natural, then, that I create a story of monsters in Iowa.  I set this story in my little home town.  I created a story of a boy who was born funny (not ha-ha funny) and had to be kept out of sight in a secret attic room because he was thought a monster.  In reality, Torry had a rare hereditary condition called hypertrichosis where you grow hair all over your face and body.  Torry’s parents would mistake it for a monstrousness that they felt was the family curse, lycanthropy, werewolf disease.  And the story would have to have a hero, Todd Niland, who accidentally makes contact with and befriends Torry.

For a villain, I would draft Torry’s young and well-to-do uncle Macey.  He would be the keeper of family secrets and the real monster of the story.  What he would do to his own family and his allies would be a crime that would eventually become murder. 

So there it is.  (Shudder!)  A novel idea I will call for now The Baby Werewolf.  Deliciously dark and dangerous.  A monster masterpiece of macabre manufacture.  Of course I will obviously approach the project with my usual total seriousness.  Not one joke.  You have my solemn promise… with all my fingers and toes crossed.

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Wrestling with Themes

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I recently was advised by a fellow blogger to offer a few writing tips on my blog as a way to painlessly market my writing.  Okay, I’m a writing teacher, so I can do that.  But in my own writing I have hit a snag.  Yes, there are things much, much bigger than my humble skill as a writer.

My current novel project, the Bicycle-Wheel Genius has grown into a science-fiction monster.  It is not only about a scientist who has secret government connections, but about time travel and people changing into rabbits… or rabbits into people… or boys into girls… dogs and cats living together…   No, that is Ghostbusters. 

But it has reached a point where the most important theme is incredibly clear and difficult to deal with.  The theme I find myself weaving into this story is;  “All men are basically good.”   Gongah!  Wotta theme to try to write!  Do I believe it?  Of course I do.  Can I put the story together in such a way that  I illustrate it to the reader’s satisfaction?  Of course I can’t.  So what do I do?  This story has some of the best villains and evil people in it that I have ever written.  I can’t kill them off to solve the story’s plot problems (Well, I can, but I don’t want to).  I have to show how evil can be redeemed.

My cast of characters include the scientist himself, calmly dealing with time travelers, invading aliens, government assassins, and a group of young boys known as the Norwall Pirates.  There is a time traveler who appeared in a book within a book in my novel Catch a Falling Star.  There is also an alien space navigator who has been shot by a local Iowa Deputy Marshall and stranded on Earth.  Another character is an artificial man, an automaton who has been crafted as a government assassin made from alien technology.  Okay, I know you don’t believe I can make serious science fiction out of such crazy-quilt characters, especially with a primary theme like the one I’ve claimed.  So, I have to confess that it is not serious in any way, shape, or form.  It is a silly fantasy comedy.

So, how do I generate a theme as big and bold and important as the goodness of all men?  Well, here’s a secret recipe;

  1. Take one genius who has lost all the people he loves and has to start over with new friends and, eventually, new family.
  2. Add a brother-in-law with mental health issues and financial dependency.
  3. Add a group of young boys hungry for adventure and new experiences and a little bit short on common sense.
  4. Add a paranoid evil government that has secrets it will kill to protect (the factual part of the story).
  5. Mix well.
  6. Add vinegar.
  7. Boil at 350 degrees for a year.

 

Of course, if you thought I was giving you real writing advice, then SURPRISE!  It turns out I have been making it all up as I go along.  That’s how you do it.  You write and write, knit it all together tenuously, and then edit the heck out of it, hoping to make sense of the whole thing.

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Teachers Must Fail (Educational Ruminations about Ruination)

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The fact is, being a teacher is the same as accepting the necessity of failure.  Yes, I know it is a sort of metaphorical nightmare to say that, and I don’t mean that I am planning to give F’s to kids.  I would prefer never to fail a kid, because it means I failed the kid.  Failure is, however, the ruling factor in teaching.

In my teaching Paffooney which I call “Reluctant Rabbit Teaches a Few Good Notes”, you see me as a teacher with my pack of very diverse and desk-hopping students doing what I do best.  I teach reading by making them read, reading with them and to them, helping them to ask questions about what they read and never answering those questions for them (after all, they learn better if they do the work rather than having me do the work for them).  I teach them to write by reading what they write and responding to it, and by writing myself and sharing that with them too.  Reluctant Rabbit teaches in these two ways by using his giant magic pencil of cartoons and music to create the Great Symphony of Learning.  It turns out that teaching like this is often considered a subversive act.

But teaching is all about failure.  In Texas Education, the powers that be have constructed a system of education designed specifically to make teachers fail.  It really began with Mark White as Governor and H. Ross Perot as the mad troll of education.  Back then they decided to get rid of incompetent and idiot teachers by giving State-wide teacher idiot tests.  They gave us basic reading and writing tests to determine if we were worthy to keep our jobs.  I remember trying to comfort a very wonderful Hispanic Science teacher who was worried that her language skills would take away the job she loved.  But what they didn’t realize about teaching is that if a teacher is not basically competent, then the students will eat them.  Teaching in the classroom will remove the incompetent teacher (though not necessarily the ineffective one).

When George Bush and then Emperor-for-Life Rick Perry took over the drive to make teachers fail, they added the notion that you had to give students idiot tests and punish their teachers for the fact that students are naturally immature and basically idiots.  Teaching became less about learning stuff and more about idiot-transformation.  Stamp out idiocy by teaching them how to pass the idiot tests.

When we reached the point we were about to master the TAAS  test (Texas Assessment of Donkey-hole Students), the State decided they had to change to the TAKS test (Texas Assessment of Kooky Stuff).  We closed in on mastering TAKS, and the State quickly switched to End-Of-Course STAAR Tests (Stupid Teachers Aren’t About to Rejoice).  What has been the point of all this testing?  It is like trying to measure your child’s growth with a ruler that is constantly getting bigger.  No matter how much progress you make, it will look like the child is shrinking.  This, of course, is exactly the goal of this red State’s education system.  Public schools have to fail so the Republican masters of profit can privatize and make schools run for profit (except for poor people’s schools which are intended to properly prepare poor people for prison).

It breaks my heart, but schools are increasingly places for boosting the rich and busting the poor.  Schools that have high poverty populations, like the schools I have worked for,  are left to struggle and die on their own, grinding up young and idealistic teachers as well as old and cancerously cynical teachers that don’t believe in following the rules.  My State is not the only State trying to do away with a free and valuable public education.

Consider the case of Ruben, one of my students I once tried to help and simply couldn’t save.    Ruben was a skinny Hispanic fourteen-year-old who wasn’t living with his parents.  He bounced from grandparents to aunts to uncles and back again.  He was extremely bright and fiercely independent.  But he wouldn’t do schoolwork and didn’t seem to care if he was dooming himself to a lifetime in the seventh grade. 

A boy from a better household, a more privileged boy, began picking on Ruben.  I caught Victor pushing Ruben around and trying to goad him into a fight, a fight he knew he could win because he was bigger, heavier, and training to be a Gold Gloves boxer.

“What can I do to help, Ruben?” I asked.

“No stupid gringo can do anything to help.  I can fight my own battles.”

He had a point.  I could stop the behavior from happening in school, but once he left campus, I had no authority and the police didn’t figure it was a police matter.  So, what would the outcome be?

Ruben took care of the problem by joining a gang.  The Town Freaks in San Antonio was actually a local chapter of the Bloods from Los Angeles.  They would go on to become the San Antonio Kingz.   When Ruben was being initiated into the gang, they stole a pickup truck in South San Antonio.  They got into a car chase with the police.  The truck rolled over under an overpass and everyone in the back of the truck was killed.  Ruben was one of those.

It still makes me weep to write about it, or even think about it.  If I had had any resources at all to help that boy…  If I could have … Why did I have to fail?  But blaming myself never gives me any comfort.  I learned to do whatever I could to help kids stay away from gangs, to learn in ways that were painless, and be able to talk to an adult instead of trying to handle everything themselves.  I mentored a number of fatherless boys, or boys who had alcoholic fathers and mothers, poor kids who had nowhere else to go and nothing else to do.  We played computer games and Dungeons and Dragons, replaced by a science fiction role playing game when the Baptists objected to the original game.  I was even accused and investigated as a possible child molester because so many boys visited my apartment before I got married.  Of course, the authorities found out the truth (some of them knew before I was accused) and were a little bit embarrassed to be asking me such questions when so many people were willing to come to my defense.  I learned to dream the impossible dream.  You can actually save a kid from poverty and self-doubt.  One of my boys went to Notre Dame University.  Another went into the Marines and specialized in intelligence.  I recently learned that a couple of my former students have become teachers for the same school I labored at for over twenty-three years .

Okay, Mr. Rabbit, you have tooted your own horn, now.  Are you going to tell us that teachers don’t ultimately fail?

Sorry, I’m afraid that they do.  I am facing the end of my teaching career now.  With diabetes, arthritis, hypertension, and three more incurable diseases, I am trying to teach with diminishing energy, making a forty-five minute commute to my school across north Dallas twice every day that is going to kill me, and skills that are becoming somewhat shaky in the face of stress at work.  I am human.  I will not last much longer.  The State is busy trying to reduce the retirement that after thirty-one years I think I deserve.  It isn’t enough money to keep my family going as it is. 

And part of that failure is not entirely bad.  A new generation is bound to take over and carry on.  As I diminish, someone will rise up to take up the torch.  In fact, I need to vacate my position so someone who needs a classroom to start their career can begin to learn how to reach out to the Rubens they will encounter.  So, I apologize for promising humor and then trying to make you cry.  I probably only succeeded in bringing myself to tears.  Teachers ultimately fail just as all men eventually die, but the War on Ignorance is not yet over, and we will never have to admit defeat.

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The Surrealist Manifesto (Second Edition)

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(This, dear viewer, is called “Portrait from the Jungle”.  Three images from 1980 magazines put together in a surrealist manner.  It’s intentionally kinda creepy… that is of course why there is a chicken in it.  Chickens creep me out.)

 

The Surrealist Manifesto ; or Why I have to Juxtapose Silly Stuff to Make Meaning by Mishmashing

 

To begin with, you have to picture me as a seventeen-year-old geeky kid in High School Art Class in 1974.  Yes, I was four-eyed, but not with the cool round granny glasses, but the black horn-rims that were not only cheaper, but much more dramatically out of date and out of favor with my peers.    I was a participant in Art 3, a class that meant I was an Art nerd for the third time in only three years of high school.  Yes, I could draw well, and all the girls cooed in their sexy cheerleader voices, “Ooh, I just hate you because you can draw so darn good.”  And I would blush because it sounded like praise, even though you may notice they actually said they hated me.

Now that you have that awful image foremost in the inner eye of imagination, I can reveal that that was the year I discovered the work of Salvador Dali.  Yes, that’s right, the dumb old melted watches guy with the handlebar mustache that looked like he’d taken a pencil sharpener to both ends.  The melted watches, naked people with all their parts grotesquely stretched out and draped over stuff, and a soft sculpture that would thoroughly disgust anybody with baked beans scattered all around the foreground.  These were the elements of what was called the surrealist movement.  Surrealism, according to the all-knowing Wikipedia, is filled with the element of surprise, unexpected juxtaposition, and non sequitur.    Silly old Andre Breton, the founder and chief sayer-of-what-is-true about surrealism, said that first of all it is a revolutionary movement.  Now, I grew up in a determinedly Republican and conservative household in North Central Iowa.  I had to look up juxtaposition in the dictionary just to know what the heck they were talking about.  Back then, of course, I used Webster’s, not Wikipedia.  I stood to lose significant portions of the hide on my behind if my family discovered I was using my swiftly enlarging and apparently all-knowing high school brain to investigate revolutionary ideas!  In fact, if I had realized that political surrealism had an affinity for both Freud and Communism, I probably would have closed the book on it myself.  Still, I was swept away.

I entered college a few years later convinced that my revolutionary art ideas were going to galvanize the world around me, that world being Cow College, otherwise known as Iowa State University.  I was going to revolutionize the novel form by writing everything about my little home town in Iowa and doing it in full color, comic book style panel cartoons.  My heroes would be small town people who took on the greatest of all issues in modern life and tackled them so brilliantly that it would create world peace, make universal happiness without the use of drugs, and be such great art that it would put my name in the art books right beside Salvador and Rene Magritte.  People would be studying my work for years to come.

This was the point in life in which I created some of my best characters, the Bicycle-Wheel Genius who shunned modern technology and created his own pedal-powered helicopter, the hippy hobo who wore a coat of many colors sewn together from pieces of patchwork quilts and ultimately knew the most important secrets of life, the universe, and everything, and of course, the numerous fools and clowns that would put Shakespeare’s Touchstone, Falstaff, and Bottom to shame.   I was going to revolutionize story-telling in cartoons! 

As you know, someone else invented the graphic novel.  I don’t even know for sure that I had the idea first.  Probably not.  And, with my lifetime of luck reminiscent of Joe Btfsplk, I developed arthritis at the age of 18 and had to curb my obsession with drawing comics.

So, a thirty year career as a middle school and high school English teacher taught me that life is a series of surprises, juxtapositions of an unexpected variety, and non sequiturs.  Where had I heard that before?  Ah, yes!  I had realized that life is an exercise in surrealism.  Therefore, now that I am finally on track to become the story-teller that I set out to be, I will be a surrealist.  I will take the surreal bull by his electric pink and curly-cued horns and say, “Whoa, kitty-kitty, don’t permafrost this old wombat!”  Why will I say that?  Is it to be a surrealist like Dali?  Heavens to murgatroid, Baba Louie!  Of course it is!

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Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words. 

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that. 

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The Fire Fighter (A Poem)

In the near past I have had a few occasions to face the choice of self-sacrifice or self-preservation.  As hard as that decision is, the more it becomes apparent you must face it, the more you must be ready to step between the people throwing punches, the more you must call the attention of an enraged attacker to yourself over their intended target, and the more you must ignore what it is you have to lose.  Thus, in this short poem, I imagine myself facing the flames of conflict.  I, after all, am Mickey too.

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The Fire Fighter

 

The man in the red hat…

Sometimes he stood there…

Looking at the fire…

Measuring the fire…

Then he picked up the hose,

And marched into the fire…

Knowing he would burn…

To save a home…

Save a building…

Save a life…

Because it was the right thing to do.

 

Now I am standing…

Looking into the fire…

Measuring the fire…

It is hot and horrid…

It will burn and kill…

And I have to pick up the hose,

And march into the fire…

Knowing I will burn…

To save the future…

To save hope…

To save a life…

Because it is the right thing to do…

And there is no other choice.

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Being and Artistry

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Being an artist is a matter of genetics, luck, and loads of practice.  I began drawing when I was only four or five years old.  I drew skulls and skeletons, crocodiles and deer on everything.  My kindergarten and first grade teachers were constantly gritting their teeth over the marked-up margins of every workbook and worksheet.  I drew and colored on everything.  I eventually got rather good, drawing in pencil, crayon, ink, and as you see here, colored pencil.  I loved to draw the people and things around me.  I also drew the things of my imagination.  I drew my best girl, Alicia, and I drew the half-cobra half-man that lived in the secret cavern under our house.  I drew a picture of the house across the underpass from Grandma Mary’s house.  I drew cardinals, and I drew Snoopy cartoons.  I drew my sports heroes in football and hockey, Donny Anderson and Gordie Howe.  I drew monsters with fangs and fuzzy animals with huge soulful eyes.  I still draw and it’s mostly the same things that I drew when I was a child.  I will post more of the drawings here in the near future to dazzle you with my talents and ridiculous sense of the absurd.

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Rooster Riding

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Do I believe in the little people?  Of course not.  If Tinkerbell depends on me, she is dead meat… or maybe dead fairy dust.

But if they do exist, then they are like the rooster riders in my picture, exploiting the world in the same way the big old slow ones do.  

They are not our inferiors or our superiors.  They are us.  They mirror us and our beliefs, our dreams… our nightmares, and all the things deep within us that could ever possibly go bump in the night.

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