Tag Archives: cartoons

I Go Pogo!

I gave you fair warning.  Pogo has been coming to Mickey’s Catch a Falling Star Blog for a while now.  So, if you intended to avoid it, TOO BAD!  You are here now in Okefenokee Swamp with Pogo and the gang, and subject to Mickey’s blog post about Walt Kelly and his creations.

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Walt Kelly began his cartoon hall-of-fame career in 1936 at Walt Disney Studios.  If you watch the credits in Pinocchio, Fantasia, and Dumbo, you will see Walt listed as an animator and Disney artist.  In fact, he had almost as much influence on the Disney graphic style as Disney had on him.  He resigned in 1941 to work at Dell Comics where he did projects like the Our Gang comics that you see Mickey smirking at here, the Uncle Wiggly comics, Raggedy Ann and Andy comics, and his very own creations like Pogo, which would go on to a life of its own in syndicated comics.  He did not return to work at Disney, but always credited Disney with giving him the cartoon education he would need to reach the stratosphere.

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Walt Kelly's Earth Day comic

Walt Kelly’s Earth Day comic

Pogo is an alternate universe that is uniquely Walt Kelly’s own.  It expresses a wry philosophy and satirical overview of our society that is desperately needed in this time of destructive conservative politics and deniers of science and good sense.

maxriffner.com

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Pogo himself is an every-man character that we are supposed to identify with the most.  He is not the driver of plots and doings in the swamp, rather the victim and unfortunate experiencer of those unexpectable things. Life in Okefenokee is a long series of random events to make life mostly miserable but always interesting if approached with the right amount of Pogo-ism.

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And Pogo was always filled with cute and cuddly as well as ridiculous.

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As a boy, I depended on the comic section of the Sunday paper to make sense of the world for me.  If I turned out slightly skewed and warped in certain ways, it is owing to the education I myself was given by Pogo, Lil Abner, Dagwood Bumstead, and all the other wizards from the Sunday funnies.  There was, of course, probably no bigger influence on my art than the influence of Walt Kelly.

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So what more can I say about Walt Kelly?  I haven’t yet reached the daily goal of 500 words.  And yet, the best way to conclude is to let Walt speak for himself through the beautiful art of Pogo.

Pogo and Mamzelle

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Things You Probably Ought to Know about Mickey

As Mickey’s go, the one who is writing this is a moderately interesting example of the breed.  Still, there are things you probably ought to be made aware of.  A sort of precautionary thing…

First of all, this particular Mickey is an Iowegian.  That means he comes from Iowa, the State where the tall corn grows.  It is a prime reason why his jokes are corny and his ears have been popped (oh, and he does actually have two, unlike the picture Paffooney where only one is showing).  His fur is not actually purple.  If anything now, it is mostly silver-gray.  But the Paffooney is a magical portrait, and purple is the color of magic.  He has a goofy, and sometimes fatal grin.  You may not be able to prove that he has ever actually grinned someone to death, but it is likely he could always dig somebody up.

Another irrefutable fact about this Mickey, unlike many many Mickeys, is that he used to actually be a public school teacher.  He taught the little buggers for thirty-one years, plus two years as a substitute teacher.  He did twenty-four of those years in middle school… twenty-three of those in one school in South Texas.  His mostly Hispanic students managed to teach him every bad word in Spanglish… err, Texican… err, Tex-Mex… or is it Taco Bell?  Anyway, they taught him every bad word except for the word for cooties… you know, piojos.  He learned that word from an old girl friend.

A despicable thing about him… (you know despicable, right?  It’s that word that Sylvester the cat always uses) is that he actually likes kids.  That’s just not normal for someone who teaches them.  Teachers are supposed to hate kids, aren’t they?  But he never did.  It is true that he yelled at them sometimes, but he never did that because he hated them.  He did that only for fun.  And he actually apologized to kids sometimes when they got into behavioral trouble, because he said it was the teacher’s fault if kids are bad, and, besides, the kids are so surprised by that, that they forget all about the behavior and can be flammoozled into acting good.

The last and most wicked thing you need to know about Mickey is that he cartoons up a storm sometimes.  He loves to draw everything that is wacky and weird.  He has more goofball colored pencil tricks than a Charles Shultz and a Dr. Seuss rolled together in a sticky lump with a George Herriman stuck on top in place of a cherry.  He steals ideas and techniques from other artists and steals jokes from comedians, undertakers, and random juvenile delinquents.  He also puts together lists of wacky oddball details that don’t quite fit together and weaves it into purple paisley prose (somewhere in this whole messy blog thing he has also defined purple paisley prose and how to make it… in case you were curious.)

So there you have it.  The Truth about Mickey.  The sordid, simpering, solitary facts about Mickey.  The straight poop.  (wait a minnit!  How did poop get there?  Not again!  I thought I had cured that!)

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Lazy Sunday Silliness

mr8kecd

Imagination is always the place I go in times of trouble.  I have a part of my silly old brain devoted to dancing the cartoon dance of the dundering doofus.  It has to be there that I flee to and hide because problems and mistakes and guilt and pessimism are constantly building un-funny tiger-traps of gloom for me to rot at the bottom of.  You combat the darkness with bright light.  You combat hatred with love.  You combat unhappiness with silly cartoonish imaginings.  Well… maybe you don’t.  But I do.

calvin-and-hobbes

When reading the Sunday funnies in the newspaper on lazy Sunday afternoons, I spent years admiring Bill Watterson’s Calvin and Hobbes for its artistry and imaginative humor, believing it was about a kid who actually had a pet talking tiger.  I didn’t get the notion that Hobbes was actually a toy tiger for the longest time.  That’s because it was basically the story of my own boyhood.  I had a stuffed tiger when I was small. He talked.  He went on adventures with me.  And he talked me into breaking stuff and getting into trouble with Mom and Dad. It was absolutely realistic to me.

Dinosaurs

I have always lived in my imagination.  Few people see the world the way I view it.  I have at least four imaginary children to go along with the three that everybody insists are real.  There’s Radasha, the boy faun, my novel characters Tim Kellogg and Valerie Clarke, and the ghost dog that lurks around the house, especially at night.  That plus Dorin, Henry, and the Princess (the three fake names that I use in this blog for my three real children).

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Have you noticed how Watterson’s water-color backgrounds fade into white nothingness the way daydreams do?  Calvin and Hobbes were always a cartoon about turning the unreal into the real, turning ideas upside down and looking at them through the filter-glasses of Spaceman Spiff.

Spaceman-Spiff

Unique and wonderful solutions to life’s problems can come about that way.  I mean, I can’t actually use a bloggular raygun to vaporize city pool inspectors, but I can put ideas together in unusual ways to overcome challenges.  I almost got the pool running again by problem-solving and repairing cracks myself.

 

So, I am now facing the tasks of working out a chapter 13 bankruptcy and having a swimming pool removed.  The Princess will need to be driven to and from school each day.  I will need to help Henry find another after-school job.  And the cool thing is, my imaginary friends will all be along for the ride.  Thank you, Calvin.  Thank you, Hobbes.  You made it all possible.  So, please, keep dancing the dance of the dundering doofus.

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Filed under artists I admire, autobiography, cartoons, feeling sorry for myself, humor, imagination, strange and wonderful ideas about life

Newspaper Comics in the1960’s; Lil’ Abner and Me

I was once an avid reader of the Sunday Funnies.  I loved the madcap world of Dogpatch, Lil’ Abner, Mammy Yokum, and all.  I also loved Pogo and his creator, Walt Kelly, but I’m sure you probably realized that already.  I believe I basically grew up in Dogpatch.  Rowan, Iowa is a small rural farm town.  Romance is basically a matter of running away from the girls and eventually tiring out enough to get caught and married.  I was a good athlete as a kid, probably why I didn’t get married until I was thirty-eight.  More than one of the old church ladies was a Mammy Yokum.  They fought the good fight for what is right by using a fast fist, a good dose of tonic, and an imperious, “I have spoken!”  I married a woman like that.  I had a Great Grandma that even looked like Mammy Yokum.  There was more than one Hairless Joe hanging around town with a mind fixed on Kickapoo Joy Juice.  There were even a few Shmoos.  I was basically Joe Btfsplk with the little stormcloud forever above my head.  I was in love with the only girl in town who looked like Daisy Mae, and I was chased by at least two different Sadie Hawkinses.

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http://www.deniskitchen.com

I used to read Al Capp’s strip on the front porch.  It was my personal get away.  We had an old student desk taken from the ancient Rowan School House.  It was placed on the porch, in a corner by Mother’s German pump-organ, the one willed to her by her Great Aunt.  There I would giggle about Abner’s spoonin’ and swoonin’ adventures.  I remember when Frank Frazetta would draw Daisy Mae and the beautiful but smelly Moonshine McSwine.  Man, I loved those curves!  I didn’t realize then that the strip was portraying my own love life so subliminally.  (I know there’s a better word than that, but can you say parallelly?)  I didn’t like to think about romance other than to comment in front of girls that I hated girls and would not ever be trapped by a girl.  That was all a lie, though, a big front.  I secretly adored Alicia Stewart and she was my perfect Daisy Mae.  So perfect, in fact, that I was embarrassed to even be in her presence for a moment.  She would always wonder why I blushed so much.  I never told her ( in an Abner-like way) how I felt about her.

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http://youhavetobethistalltogoonthisride.blogspot.com

My Great Grandma Hinckley was every bit as furiously upright and moral as Pansy Yokum.  She was the family matriarch, oldest living relative, and determiner of the family’s opinion on practically everything.   She even wore red and white striped stockings once in a while, a matter of shameless pride in the face of the pervasive Methodist Puritanism that surrounded rural people.  She had cures and remedies for everything that went in the face of my mother the registered nurse and all her book learnin’.  In fact, she was such a believer in Vick’s Vapo-Rub that she even ate the stuff.  She would come to our house to clean, purify, and straighten up not only the house and all its furniture, but our young and unruly souls as well.  She stood for no nonsense.  And, although no one ever tested her, she ruled with an iron fist.

Now, Hairless Joe was actually the opposite of hairless.  He didn’t have eyes behind that sheepdog haircut of his.  He goofed off up town, greeted everybody at the cafe, and, although most thought him worthless and foul, everyone greeted him in return.  There was a major difference, though, between him and the comic strip Joe.  No Lonesome Polecat, his little Indian friend.  There was no sidekick to throw horseshoes into the Kickapoo  Joy Juice to give it more kick.  He went through life alone.

There were a lot of Shmoos in town.  They were dangerous.  They made you believe that you didn’t need jobs or money.  Of course, they didn’t make you believe it through magical Shmoo power.  They were more like my Dad, industrious to a fault.  They did everything for you, paid for everything, and never taught you how to do things for yourself.  My Dad, who had been a professional truck driver at one time, tried to teach me to drive, but after the third near-fatal wrong turn, he would end up leaving that hair-raising experience to high school driving instructors.  He figured he had enough hair already and didn’t want to look like Hairless Joe.

Certainly that finally brings me back to the topic of me, Joe Btfsplk.  I am the unluckiest man in the whole of Dogpatch, if not the world.  Every intersection I drive up to yields an instant red light.  The little storm cloud above my head is constantly raining on me.   I’m given to long streaks of bad luck.  My best efforts often come to naught.  Still, like Joe, I keep my chin up.  One good that comes from always expecting the worst is that I am never surprised unless it is a pleasant surprise.  The bad things I am prepared for, the good ones I welcome.

Anyway, I used to imagine myself a resident of Dogpatch, USA.  I was a good, wholesome youth with a world of promise before him, just like Lil’ Abner.  I think I am still a resident, only now, I’m not Abner any more.  My oldest son, Dorin, more of a naive fan of the Fearless Fosdicks of the world, and I am now more like Pappy Yokum, listening meekly to Mammy’s commands until the time comes when I am needed to step up and be the mouse that roared.

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http://deniskitchen.com

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Lazy Sunday Silliness

mr8kecd

Imagination is always the place I go in times of trouble.  I have a part of my silly old brain devoted to dancing the cartoon dance of the dundering doofus.  It has to be there that I flee to and hide because problems and mistakes and guilt and pessimism are constantly building un-funny tiger-traps of gloom for me to rot at the bottom of.  You combat the darkness with bright light.  You combat hatred with love.  You combat unhappiness with silly cartoonish imaginings.  Well… maybe you don’t.  But I do.

calvin-and-hobbes

When reading the Sunday funnies in the newspaper on lazy Sunday afternoons, I spent years admiring Bill Watterson’s Calvin and Hobbes for its artistry and imaginative humor, believing it was about a kid who actually had a pet talking tiger.  I didn’t get the notion that Hobbes was actually a toy tiger for the longest time.  That’s because it was basically the story of my own boyhood.  I had a stuffed tiger when I was small. He talked.  He went on adventures with me.  And he talked me into breaking stuff and getting into trouble with Mom and Dad. It was absolutely realistic to me.

Dinosaurs

I have always lived in my imagination.  Few people see the world the way I view it.  I have at least four imaginary children to go along with the three that everybody insists are real.  There’s Radasha, the boy faun, my novel characters Tim Kellogg and Valerie Clarke, and the ghost dog that lurks around the house, especially at night.  That plus Dorin, Henry, and the Princess (the three fake names that I use in this blog for my three real children).

calvin-hobbes-art-before-commerce-1050x500

Have you noticed how Watterson’s water-color backgrounds fade into white nothingness the way daydreams do?  Calvin and Hobbes were always a cartoon about turning the unreal into the real, turning ideas upside down and looking at them through the filter-glasses of Spaceman Spiff.

Spaceman-Spiff

Unique and wonderful solutions to life’s problems can come about that way.  I mean, I can’t actually use a bloggular raygun to vaporize city pool inspectors, but I can put ideas together in unusual ways to overcome challenges.  I almost got the pool running again by problem-solving and repairing cracks myself.

 

So, I am now facing the tasks of working out a chapter 13 bankruptcy and having a swimming pool removed.  The Princess will need to be driven to and from school each day.  I will need to help Henry find another after-school job.  And the cool thing is, my imaginary friends will all be along for the ride.  Thank you, Calvin.  Thank you, Hobbes.  You made it all possible.  So, please, keep dancing the dance of the dundering doofus.

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Happy Birthday, Carl Barks

Carl Barks was born on March 27th, 1901. So, today is his 121st birthday. If you have no idea who I’m even talking about, then you were never a kid and a comic book fan in the 1960s. Carl Barks is both Uncle Scrooge’s father and Donald Duck’s stepfather.

Carl is a personal art hero of mine. I grew to adulthood on the adventures of his plucky ducks doing duck adventures in Duckburg. I have written about my devotion to Carl in this blog before. In fact, here is the link; https://catchafallingstarbook.net/2014/09/27/carl-barks-master-of-the-duck-comic/

That’s essentially true. A large part of my character as a junior high school English teacher was based on what I learned about mentoring from Scrooge McDuck and about teaching important facts from Gyro Gearloose.

Carl was not immune to criticism. Cartoonists get blow-back, a fact of life. But he overcame it with a wry sense of humor and interesting views of how you pursue goals in life. He had a firm sense of fair-play and justice. You could get actual morals to the stories in a Carl Barks’ duck cartoon.

The characters were not perfect. They all had glaring flaws, the heroes right along with the villains. Of course, the villains never learned to change their ways, while the heroes often learned to improve themselves by working on the weaknesses, and it wasn’t all about becoming a gazillionaire (a term I think Barks may have invented).

I even learned a good deal about adventure story-telling from Carl Barks’ comic books about Duck people doing ducky stuff that was really about people doing people-y stuff in the real world. Yes, people in the world around me are very Carl Barks’ ducky.

So, happy birthday, Carl. 121 years young. And he’s only been gone from our world since August of 2000. He still talks to me and teaches me through his Duck comics.

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  (*** I was reminded by Martin’s wife that he did not retire then.  He just left Mad Magazine for places like Cracked where he was treated better.***)  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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New Pirate Picture

Pirates nesaaat

I continue to believe bankers, health insurance companies, and corporate leaders are all pirates.  The gentleman of the sea dressed all in red in this picture is Black Timothy, bombastic and barely comprehensible leader of the pirates of Fantastica.

The truth is I am a bit of a cartoonist.  Don’t worry.  It is not a completely horrible and detestable thing to be.  Not like being a pirate… or a banker… or worse, a pirate banker.  It leads me to do cartoons like you will find in my vault, here…

The Atlas of Fantastica, Chapter 1

It is a basically incurable disease, and yet… I can live with it.  It will not kill me like some of my other incurable diseases eventually will.

So today’s post, keeping alive an unbroken string of daily posts that now goes back 16 months, is a picture post.  I hope you like it, but if you don’t, another one will come along soon enough.

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Talk Like Popeye

squinteye

I have long identified with Popeye.  Let me review that notion by re-posting a bit of an old post in which I explain while talking like Popeye;

I am Popeye, I sez, because I just am…  Yeah, that’s right, I yam what I yam.

First of all, I looks like Popeye.  I has that cleft in me chin, very little hair left on me ol’ head, and I gots the same squinky eye (what squinky eye?).  I has had that same squinky eye since I wuz a teenager and got kicked in the eye doin’ sandlot football (bettern’ sandlot high divin’, fer sure!).  I also has them same bulgy arms, the ones that bulge in the forearm and is incredibobble thin on the upper arms.

Second of all, I has Popeye Spinach-strength.  I look weak and scrawny, but I is a lot tuffer than I looks.  I go into classrooms full of wild, crazed middle schoolers, and grabs their attention, tells ’em what’s what, and makes ’em woik.  (Woik is a voib, and that means I is woikin’ when I makes ’em do it.)  I kin stands ridicule and kids what will remarks on the hair in me ears and me squinky eye.  I tells ’em that the scar on me face was did by a bloke with a knife (which it were, cause I had skin cancer and the doctor used a knife to get it off).  I has taken all kinds of nasty punches from life (diabetes, blood-pressure problems, prostatitis, arthritis) and I still keeps comin’ back fer more.  In fact, I can winds up me arm and give that ol’ Devil a good Twisker Sock right in the kisser.

Third of all, I has a typical Popeye Sweet Patootie.  My Island Girl Wife is like Olive Oyl in very many ways.  She is always tellin’ me what to do.  She compares me to ol’ Bluto.  She panics and flails her arms when there’s a crisis.  And she expects me to always save the day and never says “thank you” after.

So, I mean it when I sez “I am Popeye”.  I yam what I yam and that’s all what I yam!

Popeye_0

See?  I kin talk like Popeye because in many ways I AM him… He of the mangled-mouth vocabubobulary created by Elzie Crisler Segar on January 17th, 1929 for his comic strip Thimble Theater for King Features Syndicate.  He doesn’t talk right because his brain is so full of goodness and spinach that he has no room left for spelling and pronunskiation.  Ak-ak-ak-ak-ak-ak….  Popeye is just a simple sailor, and has been for 94 years.  He expresses himself horribly, but only in the very best of ways.  So when I mangle a word on purpose… or by happy accident… it is just me honoring that old one-eyed sailor.  It is not me just being a stupid addle-pated blarney goon who don’t knows how to talk right.

popeye_strip_pg5

Comic strip from comicskingdom.com

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Allegro Non Troppo

allegro

Fantasia_Disney_Vault

Mussorgsky’s Night on Bald Mountain from Disney’s Fantasia

 

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The old faun

In musical terms, Allegro Non Troppo means fast tempo, but not too fast.  So, I recently discovered that Allegro Non Troppo is one of many rare and obscure old movies which I am passionate about that can be found in its entirety on YouTube.  I will include the YouTube link to a portion of it at the end of this post, and I sincerely recommend that if you have never seen this movie, you watch the whole thing at least once.  No matter how many cringes or winces or blushes it causes, this is a movie of many bizarre parts that you really need to take in as a whole.  It ranges from the ridiculous to the sublime, the atrociously ugly to the lyrically beautiful, from the brilliant classical score being played by a mistreated band of old ladies with orchestral instruments to a gorilla running amok,  from Debussy to Ravel, from an artist released from his cage to single-handedly draw the animation, to a satire rich with baudy humor making fun of no less a work of animation than Prisney’s..  I mean Disney’s Fantasia.  The dark elements are there.  The light-hearted, lilting comedy is there.  The fairy tale delicacy and technicolor dreaming is all there.

And why should this be important to me?  Especially now that I am retired from a long and fruitful teaching career?  Well, I have history with this movie.  I saw it first in college.  I was an English major, but I took every film as literature class I could fit into my silly schedule.  As an undergrad, I was determined to be a cartoonist for a career.  I took classes seriously and aced most of them, but I was at college to intellectually play around.  I didn’t take the prescribed courses to be an English teacher.  That had to wait for the more responsible me to come along in grad school for that.  I saw both Fantasia and Allegro Non Troppo during one of the play-time years.  Much as the old satyr in Claude Debussy’s Prélude à l’après-midi d’un faune, I was enamored with sensory experience.  I took my first girlfriend to see Disney’s Fantasia, and she later turned down the opportunity to see Allegro Non Troppo with me.   Good sense on her part, but the beginning of the end of our relationship.155154089_640  Just as Fantasia has the part in it where Stravinsky’s Rite of Spring describes evolution from the beginning of the Earth to the end of the dinosaurs, Allegro Non Troppo uses Ravel’s Bolero to describe the evolution of life on a weird planet from germs in a discarded Coke bottle to the inevitable coming of the malevolent monkey who is ultimately us.  And, of course, the satire would not be complete without some off-set for Dukas’ The Sorcerer’s Apprentice. Allegro-Non-Troppo As near as I can figure it out, the apprentice, played by Mickey Mouse, becomes the snake from the Garden of Eden in Allegro Non Troppo.  When the snake is unable to get Adam and Eve to eat the apple, he makes the mistake of eating the apple himself.  He learns the hard way that, no matter how clever, even diabolically clever, you think you are, you are not really in control of anything in life.  Every would-be wizard in the world has to understand that he is powerless without hard experience.  And what a boring world full of naked people this would be if there were never any apprentices in it foolish enough to actually become wizards. 200_s  Of coufantasia_august2012_blogpromorse, I haven’t really talked about the most heart-twisting part of Allegro Non Troppo… the sad cat wandering the ruins of his former home, or the most laugh-aloud part with the super-tidy little lady-bee trying to eat a blossom, but being interrupted by a couple of picnickers.

allegronontroppo2 03  But the thing is, this movie is a timely subject for me.  Not only did I, just yesterday, rediscover it, but it still has the same meaning for me now as it did when I first saw it.  Then I was an aspiring young artist who loved this movie because it approached ideas non-consecutively, just as I approached my learning years… rambling here and there, finding first a bitter-sweet something, and then a sad beauty behind everything in life.  And it is where I am again now, in a poor-health enforced retirement… divorced from teacher’s schedules and time itself.  Able to do as I please, and aspiring once again to commit great acts of art.

allegro_cat images (1)

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