
“The Classroom Daydreamer”

“Ceremonial Attendee”

“Twins with their Pet Humans”
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I have been working on the beginnings of the novel When the Captain Came Calling. It is not the first draft. It is the third entire re-write. I wrote this as a graphic novel before graphic novels were an established form. Then I tried to rewrite it as a traditional novel, and it is now coming into its YA novel form. But I can’t begin to explain this novel-writing project without telling you about the Clarkes. Yes, they are a very important Iowegian family who farm and are entirely fictional. (Kids, what other words do you know that begin with the letter F?) They are based, at least a tiny bit, on my own family when I was a kid, but very specific parts of it. My Uncle Larry, mother’s older brother who is now gone (but never forgotten) was the inspiration for Dash Clarke. Kyle Clarke, the father in the picture, is Dash’s younger brother… though he is not based on my other maternal uncle. The daughter in the Paffooney picture, Valerie Clarke, is based on my own daughter combined with a girl I had a crush on in grade school and a girl who had a deeply felt crush on me when I was a young teacher. The Clarkes are third generation farmers, just as my own family were back in the time this story is set. Unlike my family, the Clarkes do not come out of the 80’s with their family farms intact. What grandparents built, the sons lose hold of, and the world becomes a much sadder place because of it. The story is about a lot of things in addition to a family losing their farm. It is filled with magic, telling sea stories and other lies, and the truth behind both the magic and the lies.
I posted this today because today is the day I finished the Paffooney illustration that started the post. Here is what it looked like in progress;
Paffooneys are a made-up thing by which I name the whole great glob of artwork and stories I have created that represent the never-ending music in my soul. I am not a singer or a song-writer. The only way these tunes come to life is through the toons which I ignorantly call the Paffoons because the loons have nothing on me.
Here is a cover mock-up for the novel which shows another picture of Valerie Clarke, the most beautiful little girl ever born in Norwall, Iowa (a phrase that her Uncle Dash christened her with when she was small, and it caught on with the entire town.)
This is a classic post from the archive, and so the book is now available on Amazon.
Filed under humor, NOVEL WRITING, Paffooney Posts

I have paid for a subscription to the Picsart AI App. What you pay for you need to use. So, I am experimenting with it now. I created the above picture with the old method of the digital Drawing Pad app on my computer tablet touchscreen using my electronic stylus on battery power. I then improved the picture by running it through the AI Mirror app to turn what was basically a tracing over a photograph to turn it into an anime-style cartoon.

I used Picsart in Photoshop style to remove the background and place the figure on a new background.

I then used the same figure on a third background. Voila! one small skill mastered.

This one is again using the drawing pad and AI Mirror. I did however draw this skinny dipper myself rather than tracing him from a photo. The background was from a Tap Color Pro puzzle I finished early this morning and drew the figure and bird on top of… also removing the dock behind him. I used AI Mirror only once I had the whole rough draft finished.


I continued fussing with it until I got tired. I was going to manipulate it with Picsart too, but my eyes and fingers got tired, and I had gotten frustrated enough with small finger problems and white lines in the creek that I simply cursed the AI Mirror and ended with this one above. But I have about eight in-between saves where the bird was still a cardinal and I wasn’t satisfied with any of them. AI programs enhance what I can do in digital drawing. And making changes is so simple it spoils me. But the whole process eats up time and energy greedily. And now I am exhausted.
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Harker Dawes asleep was certainly no prettier or better looking asleep than he was when he was awake. You know how people will say about a demonically possessed child that causes chaos and havoc and dread in the lives of the people who gave life to him, “He looks like such an angel when he’s sleeping”? Well, no one ever said that about Harker. Even when he was a child, he looked more like a deformed potato with its eyes shut when he was sleeping. His balding head had an odd dent in the crown that had been there since birth. His kinky-curly red-brown hair was only a fringe around his ears and the back of his head that could accurately be described (and usually was by local Iowans) as Bozo-the-Clown-hair. His eyes were somewhat bugged out of their sockets, giving him a look of being permanently surprised by life… or more accurately… permanently stupefied. Mercifully those goofy-looking eyes were closed in slumber. 
It was a benefit to Harker himself that his eyes were closed and he was sleeping. And this was because he had accidentally fallen asleep on Poppy’s grave in the Norwall cemetery. And also because he was currently surrounded by skeletons, members of the local un-quiet dead, standing in a semi-circle and ogling Harker with their eye-less eye sockets.
“Do we have to eat him?” asked the tall male skeleton with the seed-corn company baseball cap on his head. “I mean, if it’s all the same, I’d really rather not.”
“I think you only have to eat his brain,” said the little boy skeleton. “I don’t know for sure because that Night of the Living Dead movie didn’t become popular around here until years after I died and video tapes became popular.”
“How do you know about that then?” asked the church lady skeleton. It was obvious that she was the remains of a church lady because she still had quite a bit of long white hair on her skull, along with a pillbox hat, and she was dressed in a tattered church-lady-type dress of green rayon with a printed pattern of red roses turned brownish gray by years under the mud.
“When I wandered into town one Halloween night in the 80’s, I looked in the living room window of the Martin family, and the two boys were watching that movie on what they call a VCR.”
“Was the movie any good?” asked the skeleton in the cap. “I heard of it in life, but never watched it. It would’ve been too scary for my daughter, the Princess.”
“The zombies were all fake. And when they ate human flesh, you could tell it was all special effects. They should’ve asked me. I could have shown them how it really looks.”
“Heavens!” said the church lady, “They don’t actually kill people when they make a movie, do they?”
“I don’t think so,” said the boy. “That may have changed since I passed away in the 60’s.”
“I still don’t think I really want to eat him,” said the skeleton in the cap, “even if it’s just the brain.”
“We can’t start the Zombie Apocalypse without eating brains and making new walking dead,” said the boy.
The other two skeletons turned and looked at the little boy skeleton. Both of them let their bottom jaws drop open, but without flesh, it was impossible to tell if that was an expression of surprise, disgust, or… hunger.
“Do we really need to end the world with a Zombie Apocalypse?” asked the church lady. “I’m not sure eating living people’s brains is a very Christian thing to do.”
“Aren’t there supposed to be bad consequences for falling asleep in a graveyard?” asked the skeleton in the cap.
It was then that they noticed a fourth skeleton had joined the group.
“Why, Bill Styvessant,” greeted the church lady, “I haven’t seen you in half a century!”
“True. You were but a girl in the late 40’s when I passed on from a broken heart.”
“You remember me in life?” asked the church lady.
“Of course I do. You are Ona White. I sat with you the night you died, under the street light on Pesch Street. You were mauled by those two dogs that shouldn’t have been loose. I tried to comfort you as you passed away from shock and blood loss.”
“I thought you were an angel, Bill.”
“I was. Angels take many forms. An angel is merely a message from God.”
“Wait a minute! How can a skeleton know who another skeleton was in life?” asked the skeleton in the cap. “Especially if you died many years before she did?”
“It’s in the nature of angels, Kyle. I know you too. I watched over your family several times when evil lurked near… for a couple years after your suicide. You are ready to take over that job now.”
“Kyle Clarke?” asked the church lady. “You’re Kyle Clarke? What’s this about a suicide?”
“You died before me,” said Kyle, “so you wouldn’t have heard. I lost a third of the family farm to the bank in the early 80’s. The shame and despair was so overwhelming that I shot myself to death in the barn. It was the stupidest act of my entire life.”
“Well, I should think so,” said Ona White.
“Is that why we walk the Earth?” the child skeleton asked Bill. “We all had a tragic death and were doomed to walk for all eternity? How did you die, Bill?”
“Of a broken heart,” the old skeleton said. “My wife died while mourning our son Christian who died in Germany during World War Two. I lived alone for a short while and then simply expired from the weight of my sadness.”
“You didn’t join your loved ones?” asked Ona.
“Of course I did. The same way you joined your father and mother, Ona. Also the way little Bobby Zeffer here was joined by his father a couple of years ago.”
“You are Bobby Zeffer?” asked Ona, surprised. “The little boy who died of Hemophilia?”
“Of course. Who’d ya think I was?”
“But I don’t understand,” moaned Ona, “how did we get to be walking dead when we already have one foot in Heaven?”
“People die, Ona, but the memory of them lives on, and they continue to impact people’s lives in many ways. We walk not as ghosts, but as metaphorical spirits of the past. No man could live in the present if there had not been those who walked the Earth before him. A life doesn’t end with death. And the word angel has many meanings.”
“So we don’t have to eat this man who is sleeping on the grave of his father?” asked Kyle.
“Of course not. I think that might have a very negative effect on the poor man’s dreams.”
“I don’t think he would taste good anyway,” said Bobby. “He looks like a deformed potato, and I hate potatoes.”
“You can all go back to your rest,” said Bill. “I’ll watch over this one and protect him.”
The skeletons all faded gratefully from view.
Harker Dawes woke up, stretched his arms and yawned. He looked around at the graveyard and the dark of the night. He smiled to himself. He only ever seemed to remember the good dreams.
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I am trying hard to fight the disintegration of my skills and memory. Practice is crucial. I need to draw as much as I can before I can’t do it anymore. Today I was finally able to remember the word pastel after three days of not remembering the term for adding white to a color of paint to soften and mute it. And I forgot Maxfield Parrish’s name in conversation with another artist. I can’t believe I forgot my favorite artist’s name. My mind is going to stop working correctly if I don’t keep exercising it.

This picture is supposed to be for practice in facial expressions other than smiles. Little Danielle is going to see her least favorite aunt. So, her teeth are gritted as the car ride is coming to an end.

Rosa’s face was supposed to be practice at drawing dimples with digital tools. I confess, the lines looked so inhuman that I had to chicken out and simply smooth out the cheeks. I hate giving up like that, so consider this picture unfinished.

How did I do with mild surprise? I know… I need to label this one unfinished too.
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