Making Memes Again

class Miss M2

Okay, I know it is a fool’s pursuit.  You try to create epigrammatic quotes, sayings, and tidbits of wisdom to post on Facebook and then you hope people will click on “like” and “share”.   You hope it goes viral.  It is a striving after wind to paraphrase Ecclesiastes.  But I do it anyway.  After all, isn’t everything a writer does striving after wind?  The chances of reaching a larger audience and touching a great many hearts are microscopically insignificant.  I have reached a point in my writing career where I am actually, finally able to reach readers.  People really do read my blog, my Facebook pages, and occasionally, my novels.  I actually do score one or two hits on the heart of a reader once in a while.  Is it worth it?  Will I ever make any money at it?  Yes… followed by probably not.  I have managed to leave a footprint on the internet, something that was not possible during all those years of writing and drawing and then storing the work away in boxes and portfolios in the bedroom closets.  If you want to see the shape of that footprint, do a Google image search on the words “Beyer Paffooney“.  The spread of pictures and links is as impressive as that of real artists and writers (and by real I mean those who are well enough known to actually make some money at it.)  Today’s Paffooney is a teacher-meme that should be syrupy cute enough to attract a like or two.  I have no illusions about being a master of this new art-form, but I have investigated and studied it just enough to make feeble novice attempts.  And so what if no one ever notices?  I am posting my heart and wit and wisdom online in ways that will make some of it last beyond the scope of my physical life.  Therein lies at least a portion of my immortality.

Here’s a link for the “Google Beyer Paffooney” thing;

http://www.google.com/search?hl=en&site=imghp&tbm=isch&source=hp&biw=1600&bih=732&q=beyer+paffooney&oq=beyer+paffooney&gs_l=img.3…1935.7232.0.8091.15.3.0.12.12.0.64.166.3.3.0.msedr…0…1ac.1.61.img..12.3.166.C5lIUlYGDz8#imgdii=_

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Paffooney Finis (It is Gol’ Dang Done!)

Voodoo Val

It took three days to complete.  I watched a lot of TV while I was doing the drawing.  So the goofiness of this Paffooney is easy to explain.  I am not, however, dissatisfied.

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Sanctuary

This is my library, the place where I keep my books.  It is also a place for my doll collection and the Dungeons and Dragons game that I’ve been playing with my kids for more than a decade.  It is a place to read and think and… oh, yeah, there’s an X-Box also.  Well, that’s one way to get the kids to spend time there too.

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I do realize what a jumbled mess it is.  The shelves are all cheap Walmart kits that I built myself.  Some have been damaged over time and travel.  I have rebuilt them, restocked them, and rearranged them time and again.

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This reading nook is currently being used to display parts of my Captain Action collection.  The Captain America costume on the left is my original property from Christmas 1967.  The Steve Canyon costume next to it is an E-bay purchase and a rare find from a decade ago.  Aquaman is a combination.  The mask, trident,conch horn, and swim fins are from my original set from Christmas 1966.  The suit itself had to be replaced from E-Bay because I played with it until it was no more than a mass of frayed thread.  The gloves come from a innovative toy company called Classic Plastick run by Wes McCue.  http://classicplastick.proboards.com/  You may notice cups and junk left by kids in my library.  Cheetos wrappers from food that my daughter the Princess loves are often found crammed in between the books.

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This alcove is where I store my customized Star Wars’ Twi’leck Barbie which I made myself with acrylic paint, Sculpey plasticine, exacto-knife, and Crazy Glue.  It also is where I store my antique book collection, some of which are a hundred years old or more.  (I have books from my Grandparents’ libraries as well as some from my own childhood.)

Let me show you the Star Wars shelf.  (It is not big enough for all my twelve-inch Star Wars action figures, but… oh, well.

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Here is the back side of the shelf.  (How did topless Mermaid Barbie get in there?)20150110_134644

I also have a corner for the X-Box and the TV it is attached to.  (But Dr. Evil is holding it hostage at this writing.)

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And finally, let me bore you with the fact that the small upstairs bedroom that is now the library does not have enough room to contain all my books.  The library also fills up the upstairs hall and large portion of my bedroom/studio.

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It has been said that my library is as cluttered as my mind is.  But don’t you believe it.  My inner world makes this manifestation in the outer world look Spartan by comparison.

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Paffooney Updates #2 – Following the Plan

Val in color 2

Okay, you should begin to see now that I am actually capable of finishing a project step by step.  Take no note of the fact that I have done a number of creative and wacky things in a scheduled order that looks like I put my to-do list in the mixing bowl and beat it to pieces with a wire Whisk.  (It is tricky to type this now, because my “o” key is giving out and I have to either punch it repeatedly, chews tu intentiunally misspell werds, or use verbiage sans that particular letter.)

I have been working on my novel projects at the same time as I have been coloring this beauty.  One would assume that it was the novel When The Captain Came Calling (Thank Gawd that title has no letter “O’s” in it), but naturally, it is naught.  I have been putting way more wit and words into my Sci-fi novel, Star Dusters and Lizard People, a sequel to Catch a Falling Star.  The Telleron crew of Xiar’s base ship have reached the planet Galtorr Prime, in the Delta Pavonis star system, and they are beginning to explore and find out what a miserable world it is.

I also added about half a chapter to the Captain novel, but I am still introducing the little people and the Pirates.  I have not even gotten to the sinister cloaked figure lurking in the shadows.  (This book is actually a re-write, so I am not creating from thin air like I am with the Stardusters.)  

I also spent time drawing a portrait of Sizzahl, a new character for Stardusters.  She is a little girl who is a biogeneticist and a genius who also happens to be a lizard person.  I will show you and tell  you more about her in an upcoming post.

So, I drew this project in a step by step order that was really more of a step here, then back-track over there for a bit, then do another small step, then go over here sort of order.  I can’t help it.  I am what educators call a “non-linear” thinker… also known as right-brained, global thinker, or total creative nut-job.

So, since I am not following a straight path anyway, let me finish this post by plugging a friend’s book.   My friend Stuart R. West is a blogger and novelist from Kansas.  His humorous blog is called Twisted Tales from Tornado Alley and can be found here http://stuartrwest.blogspot.com/.  I am recommending his new book that can be pre-ordered from Amazon.com.  I haven’t read it yet, but the book is called The Secret Society of Like-Minded Individuals : Book I

I honestly think you will like it.  If you can stand or understand my writing, you will find Stuart to unnamedbe very much the same kind of wacko bird.  I have to admit though, he does scary way better than me.  He knows his way around a thriller.  (And thank Gawd his name is not Stooart.  Dang “o” key!)

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Paffooney Updates #1

Val in Progress

The work on this latest Paffooney is coming along nicely.  I confessed to mess-ups yesterday.  Today I can show you real progress without further oopsies.  The figure of Valerie Clarke is the most important part of both this illustration and my novel project.  She is the single focus-character in When The Captain Came Calling.  I usually vary the focus character from scene to scene in my fiction, because I have a pathological need to play around inside the heads of multiple characters.  This book will be the first one I’ve written to stay inside the same head through the entire novel.   The story, assuming it doesn’t totally take on a life of its own and change itself, is about how a young girl sees and evaluates the people in her life… Mom, Dad, the boy she has a crush on, the girlfriend of that boy, the goofy members of the Norwall Pirates (a 4-H softball team and liars’ club dedicated to adventure, story-telling, and being a kid while you can), weird people who live in tiny Iowa farm towns, and mysterious strangers who can somehow be invisible.  It is about friendship, love, sex, and growing up.  It is also about overly-protective parents and a world full of dark magic and mysterious dangers.  I am trying to capture that in my Paffooney, to hopefully make it into a possible cover illustration.  I intend to show you in this blog each stage in the completion of the project… the making of colored-pencil Paffoonery.

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Work in Progress

Val inked up

Here is the straight poop.  (Wait a minute!  Not poop metaphors again!)  Okay, better idiomatic expression… Here is the truthful statement about work habits.  (Better!  But that was idiomatic not idiotic, right?)  Right.

Sometimes I mess up.  I am working slowly and steadily on the next story burning to be told, When the Captain Came Calling.  In the illustration I am working on, you can probably see the mess-ups already.  I very carefully blot my black ink pens when I am doing the pen and ink work.  Even ball point pens can blot.  I will admit I press entirely too hard on both ink pens and colored pencils.  I break a lot of colored lead and make a lot of black pens bleed.  I have arthritis in my hands and often push too hard because I am pushing back against the pain.  I can sometimes use a lighter touch with the colored pencil, the area being covered may require a more lightly penciled mark and have more paper whiteness showing through.  Black pen lines are never like that.  To get a steady, even line, I push with pressure to get things dark and full and even.  The pen that I was using had developed a leaky ball and had to be blotted with every use.  When it made the first smear, I changed to a new pen.  I cussed a little too.  (Cussing makes it better.  I learned that from Mark Twain.)  But I didn’t panic and throw the drawing out.  I can fix it up a bit when I add the color.  But the second pen I was using was a pen I switched out earlier for bleeding.  That’s how I got the second smear.  Dang me!  It almost ruined what I think is a very promising portrait of my main character Valerie Clarke.  (Valerie, whom you may remember from Snow Babies posts, is based on a girl I once had a crush on, and my own daughter, the Princess.)Mina & Val

Now, ink smears are not the only thing that had to be twisted and worked around to get this project underway and at least a little bit tamed.  The title was originally a problem.  I tried to call this story The Captain Came  because of the primary antagonist and the fact that he is returning from the South Seas to the little Iowa town of Norwall.   This was a problem because Captain Dettbarn was running from a bunch of psychotic little Juju men (animated Tiki idols) who were chasing him because he made the witch doctor’s chief’s daughter pregnant.  That made the title an R-rated joke that I hadn’t intended even before I considered this story a YA novel idea.

The Juju men themselves are problem.  In this time of unintended racism, I had to work on them to make them be something other than a racial stereotype.  They were not originally made entirely of wood.  I had to eliminate cartoonist’s shortcuts in depiction that made them look like little black men or little dark brown men.  They are of an indeterminate South Seas racial stock.  Their language is mostly Tagalog (because it is a language I have tried to learn due to Filipino relatives).  Their culture is mostly movie fiction that comes from the Captain’s own liar’s brain.  Most of the information about the witch doctor and the mysterious island come from the Captain’s logbook which is a work of fiction written by a drunkard with a vivid imagination.  So I am trying to be fair to a people and race that don’t actually exist outside of the story within the story.  Whew!  I’ve got to stop explaining complicated things now before my brain melts.  Smoke is already coming out of my ears and making it hard to see here in my studio.

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Krazy Kat

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I told you before about a cartoonist from ancient ‘Toon Times named Fontaine Fox.  He was a master, and I acknowledge him as one of my greatest inspirations.  But he was not the original master mentor for my teenage ‘Toon Training.  That honor goes to the inestimable George Herriman.  He was the Krazy Kartoonist who died more than a decade before I was born, yet, through his Kreation, Krazy Kat, did more to warp my artistic bent into Krazy Kartooniana Mania than anybody else.  I discovered him first.  I found him through Komic books and the Kard Katalog at the local library.  I own a copy of the book I pictured first in this post.  It is the first Kartoon book I ever bought.  I couldn’t post a picture of my actual book here because I have read it so often in the past forty years that the Kover has Kome off.  It is now more of folder of loose pages than a book.

Herriman KK 1920-12-05 (2)

Krazy Kat is a newspaper Komic strip that ran all around the world from 1913 to 1944.  Comics Journal would rate Krazy Kat as the greatest work of Komic art of the 20th Century.  Art critics hailed it as serious art, and it fits snugly into the surrealist movement of Salvador Dali and others.  It has been cited as a major influence on the work of other artists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

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The centerpiece of the strip is a love triangle.  Krazy Kat the Kharacter is a feline who may be female or may be male but is definitely deeply in love with Ignatz Mouse.  The Krazed rodent hopped up on seriously stinky fromage (cheese to us non-French speakers), is Konstantly throwing bricks at Krazy’s head… obviously out of serious disdain, however, Krazy sees it as a confession of love.  Offisa Pup, the police watchdog, wants to jail the malevolent mouse for battery and protect the precious Kat, whom he obviously loves with an unrequited love.  Explanations are superfluous in the weird world of Krazy Kat.  How can I explain the charm, the humor, the good-natured violence of a strip such as this?  There are echoes of it in Tom and Jerry animated cartoons, but nothing like it really exists anywhere else.  Krazy has her own unique language, a language that you naturally learn to interpret as you read the strip.  Ignatz exhibits psychotic frustrations that he takes out on the world around him in our name, that we might experience hubris at his expense.  And what’s with that mysterious sack of “Tiger Tea” that Krazy carries about and keeps a Klosely guarded “sekrit”?

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I honestly hope you will give Krazy Kat a thorough “look-see”.  Because if you like Kartoons at all… and it doesn’t have to be the Krazy Kooky love of a seriously overdosed addict like me… you will fall desperately in love with this one.   It is a world of its own, a superbly superfluous abstract anachronism.  It is a surrealist’s dream of fun with puns and tons of buns… or something like that.  Simply put… read it and don’t like it… I dare you!

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The Prognosticator’s Spyglass

Self Portrait vxv

A while back I gave you an overview of my writing plan and called it the Magician’s Spyglass.  My magic, of course, is story-telling, and the spyglass is a metaphor for looking at the long view ahead.  But I have also recently been thinking about the purpose of my writing and where I need to go in sailing my fictional ship with pink sails.

The Lady

Here is where I’ve been, the view over the aft rail.  I have my novel Snow Babies contractually obligated with PDMI Publishing to be published (though the time in the future when it sees print seems to be drifting farther and farther forward.)  The novel Superchicken is finished, and the publisher accepted submission, but they have not yet made a decision on its possible publication.  The Bicycle-Wheel Genius is completed and being seriously edited by me.  The Magical Miss Morgan is completed, edited, and about to be submitted to the YA novel-writing contest that I last participated in with Snow Babies.  I am currently writing two new novels, Stardusters and Lizard Men, a science fiction novel about planetary destruction and renewal, as well as using the energy and creativity of youth as a natural resource.  And When the Captain Came Calling, a novel about the origins of the Norwall Pirates, that boys’ club of liars that forms the center of most of my Norwall books.  So, there is that.  I am still sailing straight ahead into stormy seas with my writing.  But I am not wearing an eye-patch over both eyes.  I am looking at the rough seas and squalling storm clouds dead ahead.

So, as Prognosticator, I must gage the winds, evaluate the white-caps, and take a sounding or two.  I have these problems to overcome.  I am limited in funding because of poor health, mounting medical expenses, a large tax burden, and a steady retirement income that may be threatened by a Texas Republican trend to cut everything out of public schools, even teacher pensions.  This State will never ask billionaires and oilmen to foot their fair share of the bills.  They would much rather take away education money because, after all, you need to keep the masses stupid if you are going to continue to farm them like hogs and cattle for every dollar you can squeeze out of them.  Stupid people vote Republican, and so are the cherished commodity that Texan Empires are built upon.

The environment is changing for the worse.  With COPD and severe allergies brought on by the exposure to farm chemicals in my teen years, I have trouble breathing fresh Texas air (made up of carbon dioxide, carbon monoxide, methane, butane, and other by-products of fracking and refining).  I also have experienced seven Dallas-area earthquakes in the last two years that directly result from fracking in the oil shale beneath our feet.  Soon our drinking water should be flammable, judging by the Pennsylvania experience.  Global warming has given us record heat-waves and drought in the last decade, though all the officials in this State are insisting it is all in my head.  I was imagining the heat two summers ago when we had 99 days of temperatures over 100 in a row.  So there is the reason my Stardusters novel is about environmental Armageddon.

The likelihood that I am ever going to make more money writing and drawing than I spend on the endeavor is increasingly small as the publishing industry continues to change and continues to benefit the booksellers like Amazon more and individual content creators less.  I will need to write a post or two on that before one of my six incurable diseases kills me.

I must continue to write about artists and writers that influence and engage me.  That is lifeblood to me, a commodity that I may soon be short of;  I need to write about how I create the stories that I am writing.  I also need to chronicle the life I have lived as a teacher and an educator, because the valuable lessons I have learned as a teacher and a mentor to the young will all be lost if I do not do everything I can to pass them on.  That is the primary reason that my teacher-story, The Magical Miss Morgan, now exists.  These are all things that I am now predicting I must write about.  The water is churning and navigation is becoming more difficult… so onward we sail until I can shout, “Land Ho!”

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Faeries

Donner n Silkie

In my book The Magical Miss Morgan, the teacher, Miss Francis Morgan, has to deal not only with a crisis in her personal teaching world, but a crisis brewing in the magical fairy kingdom of Tellosia.  The fairies have come seeking Francis’ aid because she, as a teacher, has direct access to children and can affect what they believe in.  You see, the fairies suffer from a general lack of belief in fairies, something that has been plaguing them more and more as the modern world makes it more and more difficult for children to actually believe.  Soon they will wink out of existence for lack of believers.  Francis’ younger brother, Milt, is a wizard.  He knows some fairies personally, and he has told them that Francis can help them.  So, because Milt revealed her to them, the Erlking, leader of the fairies of Tellosia, has sent three chosen representatives to plead for her help.

The leader of the trio is Donner.  He is the dragonfly-winged pixie who is a leader of the wasp-riders.  At three full inches in height, he is one of the biggest and most leader-ish of the fairies, the reason he was chosen to head the mission.  He speaks very much in the old style and has a hard time getting his ideas across to a creative teacher-type from the 1990’s.

Silkie, the Storybook, is a beautiful fairy who, because she is a Storybook fairy, is immortal.  She has been immortal since Hans Christian Andersen used her adventures that she had related to him to create the story of Little Tiny or Thumbelina in 1835.  Any time a fairy is immortalized by a human author, that fairy becomes a Storybook and is destined to live forever.  She is very old and very wise, but also very human-looking and very-very small.

Garriss, the third fairy, is a wisp.  Wisps are elemental beings made of fire, water, stone, or air.  They are rumored to be incredibly stupid, because their little brains are composed entirely of one element.  Garriss is a fire wisp.  He has a temper because his brain is made of fire.  Torchy, also pictured, is also rather stupid and foolish.  But fire wisps prove to have a very warm heart.

So, if you can stand fairy tales at all, I hope you will clap your hands and believe in the fairies in my book.  I intend to submit it to the Chanticleer Book Reviews’ YA Novel Contest in April of 2015.  The hand clapping should definitely help… unless James M. Barrie lied to us in his book Peter Pan.

Garriss n Torchy

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Loish

I want to talk about a living artist for a change.  I know that the artists I have talked about on this goofy blog-that-doesn’t-seem-to-know-what-it-is-really-for, Norman Rockwell, William Bouguereau, Paul Detlafsen, Thomas Kinkade, Fontaine Fox, and Maxfield Parrish, are all quite dead.  But conversely that is a good thing because it means their art has stood the test of time.  But today I want to plug a working artist I find absolutely fascinating.  This is the first artist I ever seized upon as an example of a true master whose chosen medium is primarily digital art.

This is Loish.  You can find her at http://loish.net/ or http://http://loish.deviantart.com/.  Her name is Lois Van Baarle and she is a Dutch citizen by birth.  She has worked as both an animator and a commercial artist/illustrator.  She has lived all over the world in countries like France, Belgium, Germany, and the United States, but currently resides back in her home country, the Netherlands.c18296b715d6f4bb5326967c0aee012c-d7a6fao   What I find so absolutely engaging about her work is the way she can portray ordinary folk, particularly young people and female people, in luminous digital colors (almost as if she is painting with light… and in fact that is actually what she IS doing), and in such a big-eyed, cartooney way (the way you would expect someone who does animation to do it.)  Take a look at all these wondrous creations that I have borrowed from her websites or her Facebook page.

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Isn’t that some of the loveliest artwork you’ve ever seen?  I know some may not like it, preferring what is more realistic, gritty, hard-edged, or more cutting edge… but I love foofy art of all sorts… goofy foofy girly art… and this is among the best I have ever seen.

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