Surviving Death and Taxes

Life is filled with impossible things.  Doing my taxes is definitely one of them.

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I once owned a copy of this Will Eisner comic and got a good barrel of laughs out of it back in the day when I was young and full of life and the grim reaper wasn’t standing just outside the kitchen door like he is now.

It had a bunch of useful suggestions on what to do in the face of the two most unavoidable things in life.  I wish I could find it once again, but I fear it disappeared when my parents moved from Texas back to the farm in Iowa in the 1990’s.  It was probably stolen by someone who wanted to learn the valuable secrets it contained.  I accuse Donald Trump.  Surely that would explain all those years he paid zero dollars in taxes.  And I believe I spotted something with pale orange hair lurking behind the trash bin when my parents were loading the moving van.   Of course, it may have been only a dried out tumble weed.

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Now, I am not saying that I don’t want to pay my taxes.  I have always felt that it was an important part of being a citizen to pay my fair share.  And if you want the benefits of government services like schools, fire departments, police forces, court systems, garbage collection, and all those other things we really can’t do without… well, somebody has to pay for them.scan0017

But it often seems to me that the whole matter could become considerably more equitable if those people to whom life and the economy have been more generous could see their way clear to pay a little of that good fortune towards common goals.  And I am not referring to the Koch brothers spending a billion dollars on elections, either.  That’s a transaction where they come out ahead, making more money back than they put in.  After all, they got the whole State of Kansas to pour their State funds directly into Koch Industries pocketbooks via tax breaks, effectively allowing them to rob all of Kansas’s public school children of their textbooks and lunch money.  How is that equitable and fair?

And paying taxes this year means probably paying far more than my fair share.  I recently completed a debt-reduction program to get out from under two decades worth of maxed-out credit cards at 25% to 29% interest rates.  And as a further punishment for trying to get free of the burden, credit card banks get to report the forgiven debt as income for me to the IRS.  And all of the banks decided this was the year for me to pay that off.  Well, except for Bank of America who are petulantly suing me for more money than I owe them.  I will probably end up mired back in credit card debt in order to survive the IRS.  So how does that square with Mitt Romney paying less than 15%?  Or Donald Trump paying nothing?

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The only out for me, it seems, is to shake hands and make a deal with old Grimmy.  He has patiently waited for me for sixty years, through times when my six incurable diseases definitely gave him hope.  The only way to really escape the tax man is to take the really long dirt nap.  But I shall scrape funds together and give it one more try.  I just wish I could find that book.

(Note *** All the illustrations in this essay except for Mr. Flagg’s Uncle Sam were provided by the late great Will Eisner, the cartoonist so grand that the highest award for cartoonists is named after him.  But I am not paying any royalties for these images since I owe my soul to the IRS.)

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The Lyrical Imperative

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I am always amazed by the fact that things which are inherently silent in nature make music in your mind.  Writing is like that for me.  Drawing is like that.  And so is photography.  That is an actual musical score from Chopin in the background.  My son recognized it from a book of piano pieces I bought for him because he reads music and can turn those squiggle-bugs on the fence into the right plinkety-plunks on a keyboard.  But there is more music in that picture besides.  The nude young girl at the keyboard softly rendered in velvety colored pencil tones is also musical in nature, for more than just the fact of fingers on a silent colored pencil keyboard.  The lyrical loops of black and yellow in the wings of the tiger swallowtail butterfly also make music in my head, sprightly piano music like Chopin’s, or possibly Vivaldi’s violins.

Did you listen to the music?  I don’t mean Vivaldi’s, although if you haven’t heard it, you certainly should.  I mean the music in the words.  The music has to be there for me for the writing to be good.  That’s why I consider Ray Bradbury and Walt Whitman to be masters and Stephenie Meyer and E. L. James to be unreadable hacks.  The beat and the flow of the words need to be patterned and patient and wily.   Do you not hear it in that last sentence? The alliteration of the first two adjectives set off by the counterpoint of the stressed-unstressed beats of the third?  How can I explain this?

Iambic pentameter is the true genius of Shakespeare’s plays.  What the heck is iambic pentameter, you ask?  Well, I realize you have probably never needed to teach poetry to seventh graders, a truly impossible but infinitely rewarding task.  So let me tell you.  Units of stress called iambs consist of an unstressed syllable followed by a stressed syllable.  So naturally, if iambs are put into pentameter, then there must be five of them in a line of iambic pentameter poetry.  It is a simple, rhythmic way to say something profound and interesting.  The classic example is the first line of Shakespeare’s Sonnet 18;

Shall I compare thee to a summer’s day?

Translating that into X’s and O’s where X=stressed and O=unstressed;

O X O X O X O X O X

It’s simple, five oxes, all in a line.  Except that last one about oxes is actually O X O X X O O O O X, a less simple pattern, yet still organized on the beat.  Two iambs, a dactyl and an anapest.  Okay, now I am talking like a poetry geek, and I have to stop it before I hurt someone.

The whole point is, words should be musical, even when they are not the words to a song.  And now I must close on the verge of starting a ten-thousand word thesis.  I shall shut up now.  Here endeth the lesson.

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Being a Teacher at Heart

Being a teacher at heart… I want to recommend that career…even though I know full well it is a super-hard crappy job of glorified baby-sitting that pays in literal peanuts and nobody in their  right minds recommends it to smart young up-and-comers as a glamorous choice… and it is only getting worse under a new anti-education administration.

Being a teacher at heart… I can’t help remembering how it all started for me.  The last thing in the world I imagined myself being when I was in high school was a teacher.  I wanted to be a cartoonist or a comic book artist.  I wanted to write best-selling science fiction novels and maybe direct a movie.  You know, the kind of thing millionaires line up to bestow on college grads with a degree in English  and a transcript filled with mostly A’s in my art classes.

But after my remedial master’s degree gave me a provisional teaching certificate, and my one and only interview for an illustrator’s job resulted in compliments on my portfolio and best wishes for my teaching career, I headed to Texas, one of only two states actually hiring teachers in 1981.  (The other was Florida, which it turns out it was a very lucky thing my family had already moved to Texas to help me make that decision.  Have you seen the education news coming out of Florida?  I now know where Satan gets his mail.)

Turns out the only job available in 1981 was all the way South on Interstate 35 in Cotulla, Texas.  I was there to teach English to 8th graders.  Mostly Spanish-speaking 8th graders.  And the previous year the 7th grade English teacher had run out of the classroom screaming after the little darlings exploded firecrackers under her chair and put scorpions in her coffee cup.  I was given her classroom and the same students that forced her to re-think her career choice.  El Loco Gongie, El Loco Martin, Talan, El Mouse, El Boy, El Goofy (whose one and only talent was to turn his whole head purple at will), La Chula Melinda, and the Lozano Twins  were the nicknames I had to learn because practically everyone was named Jose Garcia… even the girls.  Talan and El Mouse were the first ones to threaten my life.  They picked up a fence post on the way to lunch (we had to walk four blocks to the elementary school to get lunch because the junior high building had no cafeteria).  Talan said something threatening in Spanish that I didn’t understand and added the name “Gringo Loco” menacingly to whatever he said, and El Mouse pantomimed using the metal fence post as a sword to cut me in two.  All this because I was trying to get them to keep up with the rest of the class on our little hike in the 100 degree heat.  (I think I knew then why Satan moved to Florida.)  Fortunately they must’ve decided that murdering me wasn’t worth the hours of detention they would have to spend, and dropped the post.  Class was definitely disrupted when handsome El Boy and La Chula decided to break up, or rather, El Boy decided he like brown-eyed Alexandra better after she got blue-eyed contact lenses that made her eyes look yellow-green.  Girl fights are harder to break up than boy fights because girls fight to the death over matters of the heart, and they really don’t care who dies once the fight is started.

Now you may think my account of my first horrible year as a teacher must be exaggerated and expanded with lies because you know I am a humorist and that I went on to teach for many more years.  But I swear, only the names have been changed.  The nicknames and the incidents all are real.  (Yes, he really could contort his face in a way that turned his entire head purple.  It was freaky and made the girls scream.)    As I reached the spring of the year that year and had to decide whether or not to sign my contract for the next year, I really was planning to get out of teaching all together.  But I was standing on the playground one day that spring glaring at the vatos locos to prevent fights from breaking out again when Ruben came up to stand beside me and talk to me.  Ruben was one of the brightest and physically smallest of all my kids that year.  But he had such a charm about him that the bullies left him alone (except for the time he got in trouble for forging El Boy’s mother’s signature on a failing report card).  He said to me, “I want you to know, you are my favorite teacher.  I learned a lot from you this year.”  I had to bite my lower lip to keep from crying right there and then.  It was the moment when I decided I had to be a teacher.  They were not going to make me run away in defeat.  I was going to work at it until I knew how to do it right.  For Ruben.  And for all the other boys and girls like Ruben who liked me as a teacher… and laughed at my jokes… even the really corny ones… and needed me.  That made all the hard stuff worth it.

Being a teacher at heart… I recognize now that there was never anything else I was going to be.  It was what God chose me to be.  And my only regret about my choice is that I had to retire and can’t do it any more for health reasons.  I still miss it.

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Return of the Train Man

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I was an aficionado of HO model trains as a kid.  I continued that horrendous fixation with 1/78th scale worlds long into my extended juvenile immaturity (I was an unmarried teacher of middle school students until 1995.)    Even after I was married, my wife allowed me, to a very limited degree, to continue to be a train man.

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I spent a good deal of time over the years building plastic model kits of buildings, painting and repainting plaster model buildings, and collecting engines, rolling stock, and trackside details.  Painting little 1/78th scale people is definitely an exercise for steady hands and a zen-like, highly focused mind.

But that all reached an impasse when we moved to the Dallas area.  I had to tear down my train layout, box up my trains, and put everything on hold until I had another place to build and create my HO model-train world.  So, while it was all boxed up and transported to first, a house that we rented from my brother-in-law, and then a house that we bought, it got shifted around and stacked inappropriately, and grandma put some really heavy items on top to crush and mangle my treasures.  It also spent a night outside in the rain when my brother-in-law’s water heater had to be replaced in the garage where everything was stored.  I was not a happy camper for a while.

Now, a decade later, I am still taking the tiny items and trying to glue the pieces back together.  I have basically given up trying to get the trains to run again.  But I can use the bits and pieces of Toonerville to make pictures like these.  It makes the art-parts of my psyche and soul a little happier.

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Old number 99 had to have the front part where the headlamp is located reattached and restored.  It gave me something to do this weekend while I was down with a bad back and breathing difficulties.  It would be neat to put the train table back together and get things set up once again, but there is no space, and no unlimited funds, and less and less time.  So for now, the train man comes back to me to rebuild in photographs and in my imagination.

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Three Books at Once

No, this isn’t some kind of multiple-book book review.  This is an ungodly silly claim that I can actually read three books at once.  Silly, but true.

Now, I don’t claim to be a three-armed mutant with six eyes or anything.  And I am relatively sure I only have one brain.  But, remember, I was a school teacher who could successfully maintain a lesson thread through discussions that were supposed to be about a story by Mark Twain, but ventured off to the left into whether or not donuts were really invented by a guy who piloted a ship and stuck his pastries on the handles of the ships’ wheel, thus making the first donut holes, and then got briefly lost in the woods of a discussion about whether or not there were pirates on the Mississippi River, and who Jean Lafitte really was, and why he was not the barefoot pirate who stole Cap’n Crunch’s cereal, but finally got to the point of what the story was really trying to say.  (How’s that for mastery of the compound sentence?)  (Oh, so you could do better?  Really?  You were in my class once, weren’t you.)  I am quite capable of tracking more than one plot at the same time.  And I am not slavishly devoted to finishing one book before I pick up the next.

I like reading things the way I eat a Sunday dinner… a little meatloaf is followed by a forkful of mashed potatoes, then back to meat, and some green peas after that…  until the whole plate is clean.

Treasure Island by Robert Louis Stevenson is the meatloaf.  I have read it before, just as I have probably had more meatloaf in my Iowegian/Texican  lifetime than any other meat dish.  It’s pretty much a middle-America thing.  And Treasure Island is the second book I ever read.  So you can understand how easy a re-read would be.  I am reading it mostly while I am sitting in the high school parking lot waiting to pick up the Princess after school is out.

fbofw1Lynn Johnston’s For Better or Worse is also an old friend.  I used to read it in the newspaper practically every day.  I watched those kids grow up and have adventures almost as if they were members of my own family.  So the mashed potatoes part of the meal is easy to digest too.

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So that brings me to the green peas.  Green peas are good for you.  They are filled with niacin and folic acid and other green stuff that makes you healthier, even though when the green peas get mashed a bit and mix together with the potatoes, they look like boogers, and when you are a kid, you really can’t be sure.  Terry Pratchett and Stephen Baxter wrote this book The Long War together.  And while I love everything Terry Pratchett does, including the book he wrote with Neil Gaiman, I am having a hard time getting into this one.  Parts of it seem disjointed and hard to follow, at least at the beginning.  It takes work to choke down some of it.  Peas and potatoes and boogers, you know.

But this isn’t the first time I have ever read multiple books at the same time.  In fact, I don’t remember the last time I finished a book and the next one wasn’t at least halfway finished too.  So it can be done.  Even by sane people.

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Cold Facts

I am struggling healthwise. Writing is still tough, though I am slowly getting better. Still, diverticulitis that becomes septic destroys major organs in your body, cripple you, and kill you. It is not provable that that is precisely what is happening to me. But as I continue to suffer, take more laxatives, and feel more pain, I have to wonder how much time is actually left to me to get anything done. I am still alive, though. And I did some writing today, little as it is. Small victories are still victories.

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Toccata and Fugue in D Minor

Johann Sebastian Bach may or may not have written his organ masterpiece, Toccata and Fugue in D Minor in 1704. All we know for sure is that the combined efforts of Johannes Ringk, who saved it in manuscript form in the 1830’s, and Felix Mendelssohn who performed it and made it a hit you could dance to during the Bach Revival in 1840 made it possible to still hear its sublime music today. Okay, maybe not dance to exactly… But without the two of them, the piece might have been lost to us in obscurity.

The Toccata part is a composition that uses fast fingerings and a sprightly beat to make happy hippie type music that is really quite trippy. The Fugue part (pronounced Fyoog, not Fuggwee which I learned to my horror in grade school music class) is a part where one part of the tune echoes another part of the tune and one part becomes the other part and then reflects it all back again. I know that’s needlessly confusing, but at least I know what I mean. That is not always a given when I am writing quickly like a Toccata.

I have posted two different versions for you to listen to in this musical metaphor nonsensical posticle… err… Popsicle… err… maybe just post. One is the kinda creepy organ version like you might find in a Hammer Films monster movie in the 1970’s. The other is the light and fluffy violin version from Disney’s Fantasia. I don’t really expect you to listen to both, but listening to one or the other would at least give you a tonal hint about what the ever-loving foolishness I am writing in this post is really all about.

You see, I find sober thoughts in this 313-year-old piece of music that I apply to the arc of my life to give it meaning in musical measure.

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This is the Paffooney of this piece, a picture of my wife in her cartoon panda incarnation, along with the panda persona of my number two son. The background of this Paffooney is the actual Ringk manuscript that allowed Bach’s masterwork not to be lost for all time.

My life was always a musical composition, though I never really learned piano other than to pick out favorite tunes by ear. But the Bach Toccata and Fugue begins thusly;

The Toccata begins with a single-voice flourish in the upper ranges of the keyboard, doubled at the octave. It then spirals toward the bottom, where a diminished seventh chord appears (which actually implies a dominant chord with a minor 9th against a tonic pedal), built one note at a time. This resolves into a D major chord.

I interpret that in prose thusly;

Life was bright and full of promise when I was a child… men going to the moon, me learning to draw and paint, and being smarter than the average child to the point of being hated for my smart-asserry and tortured accordingly. I was sexually assaulted by an older boy and spiraled towards the bottom where I was diminished for a time and mired in a seventh chord of depression and despair. But that resolved into a D major chord when the realization dawned that I could teach and help others to learn the music of life.

And then the Fugue begins in earnest. I set the melody and led my students to repeat and reflect it back again. Over and over, rising like a storm and skipping like a happy child through the tulips that blossom as the showers pass. Winding and unwinding in equal measure, my life progressed to a creaky old age. But the notes of regret in the conclusion are few. The reflections of happinesses gained are legion. I have lived a life I do not regret. I may not have my music saved in the same way Johann Sebastian did, but I am proud of the whole of it. And whether by organ or by violin, it will translate to the next life, and will continue to repeat. What more can a doofus who thinks teaching and drawing and telling stories are a form of music ask for from life?

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The Truth About Not Writing

Most of my recent posts were not written in 2025. I have gotten very little writing done from January through now. The reason is that my health took a turn to the south. I had to have a broken and infected molar yanked out. I passed four small kidney stones. I discovered that I suffer from diverticulosis. And I had a deeply problematic bladder infection that threatened to affect my kidneys, my prostate, and even my blood. A blood infection, sepsis, and septic shock can cause death. It killed Jim Henson. I had to get a shot of antibiotic in my butt on two separate doctor’s visits. The tooth infection and subsequent molar extraction morphed into an expensive and excruciating procedure, giving the psychotic dentist a chance to squeal with joy as she made me writhe with jaw pain. I was on a soft food diet for two months. I had to take out credit accounts twice to pay for things because my deductibles had not yet been met at the beginning of the year. My recently recovered credit rating tanked again. The stress of the situation may contribute to future writing, but for the year so far, my writing time has been almost completely non-productive. I do, however, relax by drawing. And I have created a lot of them lately. Of course, most of the nudes I can’t post here as long as my post is set up to go to Threads and Facebook. Zuck can’t handle the sight of a bare breast. Not even in classic art pieces by Rennaisance masters.

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Internet Lies About Mickey

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The truth is sometimes Mickey tells lies.  For instance, the title of this post is intended to lure you in with expectations of a juicy something that doesn’t actually exist.  There is no controversy on the internet over this particular Mickey.  He hasn’t done a very good job of keeping it secret that he tells a lot of lies.  In fact, most of the most embarrassing and terrible secret things that he had been keeping secret for going on sixty years are now published in this blog.  Talk about a life being an open book!

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Of course, being a lover of internet conspiracies and ufo’s and junk, there is always that other Mickey to talk about.  Yes, Disney has generated its share of conspiracy theories.

Everyone on the internet knows, for instance, that when Walt Disney died, he had his body frozen cryogenically  so that he could be re-animated once a cure for his lung cancer was found.  Of course, Snopes.com already did the investigation on it and brought out the fact that not only was Disney cremated with full documentation of the process, the first cryogenic freezing of a human being didn’t occur until a year after his death.  This lie about Mickey’s dad, then is easily debunked.  See, the internet lies about Mickey!

Of course, the notion that Disney was a racist and a Nazi and worked with the CIA are much harder to disprove.

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A character from the original version of Fantasia that doesn’t help Mickey’s image.

Most heads of super-wealthy corporations are by nature fascists.  The dictatorial style and oppressive oligarchic command structures of fascism organically grew out of business practices.  Henry Ford, John D. Rockefeller, and J.P. Morgan were also Nazis.  And, of course, no one believes me when I start in on the Disney/alien connection.  After all, what’s with alien beings in Escape from Witch Mountain, Lilo and Stitch, and even Chicken Little?  I may have some more conspiracy-theory investigating to do.

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So, let me assure you that lies about Mickey are actually lies.  The thing about Mickey’s dream in the 1960’s of seeing Annette Funicello naked is a lie… er, probably.  The notion that Mickey trained himself to be a cartoonist by copying Disney characters like Carl Barks’ ducks are… err… um… lies… maybe.  Well, anyway, the point is… don’t spread lies on the internet about Mickey.  That’s my job.

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