Category Archives: Paffooney

Illustrating in Novel Ways

I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017.  And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real.  I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction.  (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)

Gingerbread Children

The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.

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Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story.  She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil.  The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia.    Gretel believes he is real  Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her.  And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa?  Gretel convinced me that they were real.  She even has a hand in making new fairies by the baking of gingerbread.  She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.

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The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.

Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter.  Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.

Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants.  I haven’t done any actual pictures of Sherry  in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there.  Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.

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So by now you can probably draw several conclusions about me as both a novelist and an illustrator.  #1, There is definitely something a little bit off about me.  #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere.  #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully.  #4,  This story is probably about things that really aren’t just gingerbread recipes.  #5, You should congratulate yourself if you read this far in this post.  You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.

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Filed under goofy thoughts, humor, novel, NOVEL WRITING, nudes, Paffooney, strange and wonderful ideas about life, writing, writing humor

The Mirror in the Clown’s Hand

Self-reflection is the bane of stupid people. Essentially, they don’t want to risk encountering evidence that they actually are stupid. It would shatter their world to learn that they are idiots and most of what they believe is true is actually wrong. This fact goes a long way towards explaining why the Republican Party in its current form even exists, let alone the actions of the current mutant Cheetos monster that pilots their agenda and hates healthcare, the Special Olympics, and Puerto Rico.

So, if I am doing a self–reflection piece today, then that proves I am not a stupid person, right? What do you mean you agree with that? Yes, I can actually hear you mentally answering my questions as you read this. And if you believe that, then you have proven that even relatively smart people like you and I are capable of stupid thinking.

I believe in some stupid things, even though I think I am not stupid.

An example of this stupidity factor is my lingering belief that I am a nudist. I mean, I am rarely ever nude any more. I keep most of me covered up constantly because when my psoriasis plaques dry out they tend to flake and itch and force me to scratch to the point of infected bloody sores.

Obviously this is not totally a photograph from the 60’s. That does not make it a total lie either, though.

I have been pretty much accepted as a member of the nudist community on Twitter. I enjoy the artful pictures of nude people they share with me. And since I did a couple of blog posts for nudist websites, there are actually completely nude pictures of me available on the internet. I can be found on Truenudists.com for one, if your eyes can stand the horror. But I have only been to a nudist park, the Bluebonnet Nudist Park in Alvord, Texas. twice as an actual nudist. I can tell you, they were very hot days even though I was not wearing clothes. I am comfortable with nudity. I am comfortable around nude people. I fully accept it all as a non-sexual thing. But am I really a nudist? Or am I only playing at it? If you follow me on Twitter, then you know I don’t retweet pictures of naked people. I engage a lot with other writers there, and most of them are not also nudists, or even open-minded about naturism. I write about nudists in some of my books, but they are not about nudism, and most of them don’t even mention it. So, what good does it do me to think I am a nudist? Well, the very idea of it does a heckuva good job of embarrassing my wife and daughter. So, I do get some crazy-old-coot satisfaction out of it. Otherwise it simply proves that rational and otherwise intelligent people can be committed to irrational ideas.

I am also of the often mocked and ridiculed opinion that not only are alien beings from other worlds real, they are capable of space travel and have been visiting us for as long as there has been an us. I did not always believe this, however. Before I wrote my novel Catch a Falling Star I believed as Carl Sagan said on the original Cosmos that it is wrong to accept things without proof, and true results are testable. My novel was about aliens who watched a lot of Earther TV and learned to speak English from watching I Love Lucy reruns, I wanted to make the aliens different from humans, but at the same time, alike with humans in the most fundamental ways that translate easily into humor and relatability. Not all of my hero-characters were Earth humans.

Brekka the Telleron tadpole (also a nudist) with her friend Lester the man-eating plant (who only ate her once)

As I did research on the internet (a tool I didn’t have when I originally created the story in the 1970s), I found a ton of researchers and writers and con men and MUFON and the Disclosure Project and nuclear physicists and astronauts Gordon Cooper and Edgar Mitchell who were all believers and mostly not stupid. Wow! What a huge and complicated hoax! Why would anybody believe , based on so little tangible evidence, and so much contradictory evidence, that the government’s position could possibly be right? I learned that I now believed, until significant further proof comes along, that I believe stupidly in alien visitors.

Today’s self-reflection post has now proven that I am a stupid old coot who thinks he is a nudist and an insightful conspiracy theorist. But the results of my look into the mirror have not made me upset about my stupidity. Maybe I am simply satisfied nudism is healthy and the universe is more complex than I am capable of understanding. Whatever the case, that’s enough with the mirror for today. You have to keep such dangerous weapons out of the hands of clowns.

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Filed under aliens, artwork, conspiracy theory, goofy thoughts, humor, nudes, Paffooney

Total Picture Time

This is not going to be your usual yearbook picture day, is it?.
Unusual choice for what to wear on picture day
Better dressed, but… You mean to tell me this is a teacher?
Cute smile, Blueberry.
Which second grade class are you in, Ronny? Who’s your teacher?
Were these yearbook photos actually taken in the school cafeteria?
So, you must be the Science Teacher, eh, Mr. Purrdy?
Tim, it would be nice if you could smile before the photographer takes the picture.
So, Wally, you must be in Mrs. Nelson’s Art Class this period, right?

Now, that’s a picture done right, Ruben. Good job!

What subject do you teach, Mr. Enstein? Frank, take the cancer stick out of your mouth.
Is that a teacher pose, Mr. Beyer?
Why do so many teachers want to be pictured smoking in the yearbook, Mr. Dogg?
Don’t we already have your yearbook picture, Michael?
Rita, that’s an interesting t-shirt, but it feels like it is staring at me.
Um, are you smiling yet, Murky?

I honestly don’t want to take pictures for this yearbook again next year.

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Filed under humor, Paffooney

Making Faces for Art Day

Capturing faces and their varied expressions are a key feature of my art.
I gravitate towards happy and innocent faces. Kid faces… Cartoon faces… goofy faces
Mary Murphy with her kids, Little Sean and Dilsey
Mike Murphy and his girlfriend, Blueberry Bates
Fiona (Firefang) Long
Junior Aero
Boris the Mummy
Littlebit the cabin boy.
Anita Jones and her boyfriend, Edward (Superchicken) Campbell
Torrie Brownfield, the Baby Werewolf
Milt Morgan
Le Fou Blanc
The Little Fool who made these faces
Dilsey Murphy
Tim Kellogg

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Filed under artwork, cartoons, goofiness, humor, Paffooney

New Pen and Ink

As my resolution to illustrate my novels grows further and further into solid, irresistible form and driving obsessional shape, I have been working on new pen and ink projects. Some are for AeroQuest. Some were for The Boy… Forever. And I will soon need to create new ones for A Field Guide to Fauns. Today’s post is just a glimpse of what I have been doing.

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Filed under artwork, humor, illustrations, Paffooney, pen and ink

Faun Art

I have completed work on a novel called A Field Guide to Fauns. In it, I will make use of one of the most central metaphors in all of my art and writing. The mythological figure of the faun is usually portrayed as a young boy or youth, nude, and potentially having goat horns, goat legs, a deer’s tail, and/or pointed ears. It represents sensuality, connections to nature, and a willingness to partake in enjoyments without hiding anything.

Fauns were defined in art long before I came along. The Marble Faun was a book by Nathaniel Hawthorne that I read in college. I looked endlessly in libraries after that for pictures of Praxiteles’s masterpiece from all angles. I would eventually be inspired to make the picture above by a picture made in print by Maxfield Parrish printed in Collier’s Magazine. I have been fascinated for years by fauns. And I began drawing them repeatedly.

As a teenager, I had a faun as an imaginary friend. His name was Radasha. He made it his business to lecture me about sex and nudity, morals, religion, and what was wrong with me. At the time I was repressing the memory of being the victim of a sexual assault, a very painful and traumatic experience that I did not allow myself to remember and admit was real until I was twenty-two. Radasha turned out to be a coping method who helped me heal, and helped me realize that just because it was a homosexual assault, that did not make me a homosexual.

Fauns would come to dominate my artwork through the eighties. I drew Radasha multiple times. I would use the image to express things I feared and fought with and won victories over .

I would come to learn that there were fauns in real life to be found. The portrait above is of Fernando, a favorite student from my first two years as a teacher. He is portrayed as a faun. The cardinal on his shoulder is a symbol of courage and endurance, a bright red bird that never flies away when the winter comes.

Devon Martinez is the main character of my novel in progress. He is an artist like I am. He is fifteen at the time of the novel, and faced with living the rest of his childhood in a nudist community. He doesn’t consider himself a faun to begin with. But that changes during the course of the novel.

Here is the first illustration done for the novel. It is supposed to be a picture drawn by Devon himself.

So, as always with Saturday artwork, there is more to come.

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The 1957 Pink and White Mercury of Imagination

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Yes, she was a real car.  My dad bought her in the 60’s as a used car.  But she was a hardtop, not a convertible.  She was the car he drove to work every day in Belmond.  We called it the “Pink and White Pumpkin”, my sisters and I, referring to the pumpkin in Cinderella which the fairy godmother changes into a coach.  But it would only later become the car of my dreams.

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You see, she was killed in the Belmond Tornado of 1966.  Her windows were all broken out and her frame was twisted.  So the pictures of her, though they look exactly like my memories of her, minus the rust spots, are not actual pictures of the car in question.  Our next door neighbor, Stan the Truck Man, was a mechanic always on the lookout for salvage parts.  He took her apart piece by piece while she sat in our driveway.  We continued to sit in her and play in her until all that was left was the bare frame.  My friend Werner told me for the first time about the facts of life and where babies really came from in the back seat while she was being gradually dismantled.  Of course, I was nine at the time and didn’t really believe him.  How could that grossness actually be true?

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But she still lives, that old dream car…  She is the reason that I objectify my imagination as a ship with pink sails.  My daydreams, my creative fantasies, and those long, lingering plays in the theater of my imagination as I am drifting off to sleep all start in the three-masted sailing ship with pink sails.  And that dream image was born from the Pink and White Pumpkin.  I have sailed in her to many an exotic place… even other planets.  And when I die, she will take me home again.

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Filed under goofiness, humor, imagination, nostalgia, Paffooney, strange and wonderful ideas about life, telling lies

Doodlefox

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While watching Netflix yesterday afternoon, a retirement activity that becomes the majority of my social life when the diabetes demons are eating me, I started doodling a fox.  It was a pencil doodle at first.  And I was not drawing from life.  I was drawing the fox in my head.  I suspect it was the fox from Antoine de Saint Exupery’s masterwork, The Little Prince.

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Yes, that fox.  The wise one that knows about taming little princes, and loving them, and being reminded of them in the color of wheat fields.  I began to need that fox as my doodle pen uncovered him on the blank page.  There he was.  Surprised to see me.  Either he was leaping towards me in the picture, or falling down on me from the sky above.  I don’t know which.  But I realized I had to tame him by drawing him and making him as real as ever an imaginary fox could ever be.  You will notice he does not look like a real fox.  I did not draw him from a photograph, but from the cartoon eye in my mind where all Paffoonies come from.  And this was to be a profound Paffooney… a buffoony cartoony looney Paffooney.  It simply had to be, because that is precisely what I always doodle-do.

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And so he was a fox.  He was my doodlefox.  I had tamed him.  And then I had to give him color.  And, of course, the color had to be orange-red.

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And so, there is my fox.  Like the Little Prince’s fox he could tell me, “What is essential is invisible to the eye.  It is only with the heart that we can see rightly.”  And I put him in a post with lyrical and somewhat goofy words to give you a sense of what he means to me, in the same way one might explain what the thrill of the heart feels like when a butterfly’s wing brushes against the back of your hand.  Yes, to share the unknowable knowledge and the unfeelable feeling of a doodlefox.  A demonstration of precisely what a Paffooney is.

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Filed under artwork, doodle, finding love, goofy thoughts, humor, metaphor, Paffooney, strange and wonderful ideas about life

Now You See Me… Now You Don’t

How does an artist know himself?  Now there’s a difficult question.  I spend all my time looking at the world with the eyes of imagination.  I don’t even seem to be able to take photographs in the normal way other people do.  Maybe I should consider this self-think through the medium of pictures I have made with captions added to them?

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Mickey is not actually me.  He is my “other” me, my pen name, my goofier self.

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                                                      I was born in a blizzard in Mason City, Iowa in the 1950’s.

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I have learned about dog poop five times a day since 2011 when we found Jade, our dog.

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                                                                                                                      I was a middle school teacher for 24 of my 31 years of teaching.  I love/hate 7th Graders.

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When things go wrong, I tend to make a joke about it.

I like to draw students as I saw them, not as they really were.

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I always see myself as the one with the BIG pencil.

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If there is goofiness around here, it is all my fault.

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                                                                                           In spite of the title, I don’t know how to disappear.

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I love everything Disney.

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I tend not to be very much like other people.  I don’t think like they do.

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                                                                                                                         In grade school, I was deeply in love with Alicia Stewart, though I never told her that, and that is not her real name.

My high school art teacher told me that when an artist draws someone, he always ends up making it look a little bit like himself.  That is because, I suppose, an artist can only draw what he knows and he really only knows himself.  That being said, this post should really look just like me.

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Filed under artwork, autobiography, family dog, goofiness, happiness, humor, Paffooney, self portrait, strange and wonderful ideas about life

Talking to Girls

Communicating with a wife is complicated.  In fact, I couldn’t do the whole writer-think thing about that topic without writing a book.  But I can successfully ruminate for about 500 words on the that awkward first encounter, the first time I ever was embarrassed in front of a non-sister girl.

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In grade school I met my first crush in kindergarten.  Alicia Stewart was a honey-sweet little brown-haired girl with a bow in her hair.  I was a boy.  I was not allowed to like girls.  Hating them was the only thing that made sense to my friends and I.  But, secretly, I didn’t hate Alicia.  In fact, if I was ever to be doomed to be married when I grew up, I would’ve only accepted that horrible fate if it was with her.  And in my small town school I saw her practically every school day.  In fact, in Miss Malkin’s music class on Tuesdays and Thursdays I sat right next to her in Miss Malkin’s seating chart for six years.

Mike n Blue B&W

In Miss Malkin’s music class we always did musical stuff like listening to classical records, singing songs for the yearly musical review concert (we did the songs from the musical The Music Man one year… you don’t get more musicky than that), and we did square dancing.  Yeah, you heard that right.  Square dancing.  You had to have a girl for a partner.  And one year, Miss Malkin decided it would be cute to have the boys ask the girls to be their partners.  Now, as boys… in top secret boy-conversations, we had generally agreed that if such a problem would ever occur, Alicia Stewart was the only acceptable choice.  We all hated girls.  But we all were secretly in love with Alicia.  She was girl-hating-boy approved.  When I was twelve, there was another girl that was making me uncomfortable too.  Marla Carter was nine when I was twelve.  She had big brown eyes and dimples.  Her face was somehow heart-shaped, and only Alicia could make my palms sweat any worse than she did.  But in top secret boy-conversations it was ruled that she was a booger-eating little girl and totally toxic.  Well, I didn’t totally agree, but I was still subject to all girl-hating directives.

“Okay,” Miss Malkin said, “the boys will now pick their partners… one at a time in alphabetical order.”

My last name began with the letter “B”, but my best friend Mark had a last name starting with “A”.

“I pick Alicia,” Mark said.

My heart sank.  I had my pick of any girl besides Alicia.  Marla was standing about four feet away from me, her hands folded together behind her back, looking at me with those puppy-dog eyes.  My throat was too dry to speak.

“Um, ah… I can’t pick anyone…” I croaked.  “You pick it, I will dance with it.”

“Now, don’t be like that, Michael.  Get on with it!” Miss Malkin commanded.  Everyone loved the music teacher, and so everyone obeyed her.  I had to submit.

I looked at Marla, dug my toe into the floorboards, and said, “I choose my cousin Diane.”

Talking to girls has always been a matter of embarrassment.  The words are always awkward and shaped not by my brain, but by my bowels.  This fact has always been a hindrance to my dealings with the female species, but it has been an unending source of potential for writing  humor.

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