Category Archives: NOVEL WRITING

Living in a Fictional World

My title for today has at least a double meaning, if not a triple or fourple one.

“Fourple?” you say.

Yes, four plus the color purple. Purple, after all is the dominant color used in the video game “The Legend of Hoodwink“.

And, of course, the video game is not real. It is the virtual reality video game used in the story as the secret land that the orphans and their mother’s friend flee the authorities to live in after the deaths of the Brown family’s parents.

So, I have been living in the world of Glammis, the imaginary game world inside a mainframe supercomputer. I started this story back in the 1980’s, inspired just a little bit by the Disney movie Tron. Of course there are all kinds of more current technological details to employ to make the story more up to date. The story has been reset to 1999. (I don’t write stories set in the 21st Century. I just don’t. Mark Twain never set one in the 20th.) And one of the ways to create the game-world of the story is to draw pictures of it that I can use as illustrations in the book.

Hoodwink and Babbles (the horse-headed Kelpie) are both game characters that play key roles in the story. They transform from game characters following the script to real people fighting for their lives and honor in the course of the story.

A key setting is the candle-castle called Candlemere, for obvious reasons. The wizard, Milt Morgan, lives there, though he is a real person from Iowa living in Texas as a game designer.

These are the three orphans that Milt Morgan has rescued after the car crash. Mortie Brown, Daisy Brown, and Johnny Brown now live in Glammis after the deaths of their parents, Brom and Stacy Brown.

The three orphans are being pursued in the real world by an FBI agent, a relentless tracker and pursuer named Agent Brent Clarke. What the kids don’t know is that Agent Clarke is trying to find them for their grandparents that they don’t realize are still alive. And Clarke is also their uncle, their mother’s older brother.

In the video game, they are pursued by the evil Daniel Quilp, who is in the video game playing the wicked King Murdstone of the Chelsrod’s Spire. He is not a relative. He is secretly the enemy of their parents and the wizard Milt Morgan.

The servant of Murdstone in the game is Errol of the Devylkind. He is more than he appears to be as well. He is another player character who is also very much acquainted with Daisy in the real world, and has a huge crush on her.

But, at present, I haven’t yet reached that part of the story, the latter half of Act One. Instead, I am today establishing setting further by narrating the visit to BrooglieTown, the home of the chocolate dwarves (literally made of chocolate and not a racist faux pas by any means.)

So, in the middle of writing a novel, I am describing the world-building I have been doing… and drawing… while pretty much living in this made-up game world due to the ongoing pandemic and intense heat of Texas in July. It is a better place to be living for now, though it is soon to heat up too as the plot gets churning and the Devylkind, rather hot-blooded fantasy characters, get further involved.

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Saturday Is Art Day… Again

I draw things as illustrations to stories. Take, for example, the protagonist and hero of Catch a Falling Star.

Dorin Dobbs is boy from Iowa. That tells you some terrible things about him right there.

He was ten in 1990.

He hated girls.

He met some pretty green-skinned girls from outer space, amphibianoid frog-girls with fins on their heads. He danced with them to Mickey Mouse Club music while he was their prisoner on a sectet base on the planet Mars. They were dancing naked in the nutrient bath that all Telleron tadpoles use daily.

Brekka and Menolly are two of the Telleron frog girls with fins on their heads. They love Earth music in the 1990’s. They are background characters in Catch a Falling Star. They are main characters in the book Stardusters and Space Lizards, where they help Davalon and Tanith to conquer the dying planet of Galtorr Prime after the Telleron invasion of Earth failed in the previous book.

Tanith and Davalon (the Telleron boy in front)
Sizzahl of Galtorr Prime, Ecologist and Lizard Girl

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”””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””

Galtorr Prime is undergoing drastic climate change and environmental collapse and ends up being saved by superior Telleron technology and the lizard-girl heroine, Sizzahl, who has a plan for fixing the atmosphere and saving fundamental eco-systems. Of course, this is all science fiction-y stuff based entirely on fantasy and imagination and has nothing to do with the real world we now live in.

Millis, transformed from pet rabbit to near-human

Of course, not all characters I illustrate are people or aliens.

Millis, Tommy Bircher’s pet rabbit, is an ordinary albino bunny who eats a piece of alien technology that evolves him into a talking, walking-on-two-legs, near-human form.

He becomes the chef (who cooks only vegetable dishes) for Norwall, Iowa’s own mad scientist, Orben Wallace, in the book The Bicycle-Wheel Genius.

Orben Wallace, and his favorite bicycle, The Happiness Machine

I think I have now given out far more spoilers for stories than I have any right to do. But the thing about character illustrations is that your get to know the characters at a glance. And to know them is to love them.

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Filed under aliens, artwork, characters, illustrations, NOVEL WRITING, Paffooney

Stories with Gingerbread

Yes, this post is a shameless promotion. But this is a good book that not enough people are reading to truly appreciate that fact. When I was a boy in the 1960’s, there really was an old German lady who lived in a small tar-papered house, all ginger-brown in color, which we all called the Gingerbread House. She really did love to give out sweets and cookies and popcorn balls to the kids in our town. And she really did love to talk to people and tell them little stories.

Grandma Gretel Stein

Her name, in real life, was Marie Jacobson. She was, in fact, a survivor of the holocaust. She had a tattoo on her right forearm that I saw only one time. Our parents told us what the tattoo meant. But there were no details ever added to the story. Mrs. Jacobson doted on the local children. She regularly gave me chocolate bars just because I held the door for her after church. But she was apparently unwilling to ever talk about World War II and Germany. We were told never to press for answers. There was, however, a rumor that she lost her family in one of the camps. And I have always been the kind that fills in the details with fiction when the truth is out of reach.

I based the character of Grandma Gretel on Mrs. Jacobson. But the facts about her secret life are, of course, from my imagination, not from the truth about Mrs. Jacobson’s real life.

Marie Jacobson cooked gingerbread cookies. I know because I ate some. But she didn’t talk to fairies or use magic spells in cooking. I know because the fairies from the Hidden Kingdom in Rowan disavowed ever talking to any slow one but me. She wasn’t Jewish, since she went to our Methodist Church. She wasn’t a nudist, either. But neither were my twin cousins who the Cobble Sisters, the nude girls in the story, are fifty percent based on. A lot of details about the kids in my book come from the lives of my students in Texas. The blond nudist twins were in my class in the early eighties. And they were only part-time nudists who talked about it more than lived it.

Miss Sherry Cobble, a happy nudist.

But the story itself is not about nudists, or Nazis, or gingerbread children coming to life through magic. The story is about how telling stories can help us to allay our fears. Telling stories can help us cope with and make meaning out of the most terrible things that have happened to us in life. And it is also a way to connect with the hearts of other people and help them to see us for who we really are. And that was the whole reason for writing this book.

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Filed under autobiography, fairies, gingerbread, humor, novel, NOVEL WRITING, Paffooney

Terry Pratchett, the Grand Wizard of Discworld

image borrowed from TVtropes.com

image borrowed from TVtropes.com

I firmly believe that I would never have succeeded as a teacher and never gotten my resolve wrapped around the whole nonsense package of being a published author if I hadn’t picked up a copy of Mort, the first Discworld novel by Terry Pratchett that I ever encountered.  I started reading the book as a veteran dungeon-master at D&D role-playing games and also as a novice teacher having a world of difficulty trying to swim up the waterfalls of Texas education fast enough to avoid the jagged rocks of failure at the bottom.  I was drinking ice tea when I started reading it.  More of that iced tea shot out my nose while reading and laughing than went down my gullet.  I almost put myself in the hospital with goofy guffaws over Death’s apprentice and his comic adventures on a flat world riding through space and time on the backs of four gigantic elephants standing on the back of a gigantic-er turtle swimming through the stars.  Now, I know you have no earthly idea what this paragraph even means, unless you read Terry Pratchett.  And believe me, if you don’t, you have to start.  If you don’t die laughing, you will have discovered what may well be the best humorist to ever put quill pen to scroll and write.  And if you do die laughing, well, there are worse ways to go, believe me.

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Discworld novels are fantasy-satire that make fun of Tolkien and Conan the Barbarian (written by Robert E. Howard, not the barbarian himself) and the whole world of elves and dwarves and heroes and dragons and such.  You don’t even have to love fantasy to like this stuff.  It skewers fantasy with spears of ridiculousness (a fourth level spell from the Dungeons of Comedic Magic for those fellow dungeon masters out there who obsessively keep track of such things).  The humor bleeds over into the realms of high finance, education, theater, English and American politics, and the world as we know it (but failed to see from this angle before… a stand-on-your-head-and-balance-over-a-pit-of-man-eating-goldfish sort of angle).

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Terry Pratchett’s many wonderful books helped me to love what is ugly, because ugly is funny, and if you love something funny for long enough, you understand that there is a place in the world even for goblins and trolls and ogres.  Believe me, that was a critical lesson for a teacher of seventh graders to learn.  I became quite fond of a number of twelve and thirteen year old goblins and trolls because I was able see through the funny parts of their inherent ugliness to the hidden beauty that lies within (yes, I know that sounds like I am still talking about yesterday’s post, but that’s because I am… I never stop blithering about that sort of blather when it comes to the value hidden inside kids).

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I have made it a personal goal to read every book ever written by Terry Pratchett.  And that goal is now within reach because even though he is an incredibly prolific writer, he has passed on withing the last year.  He now only has one novel left that hasn’t reached bookstores.  Soon I will only need to read a dozen more of his books to finish his entire catalog of published works.  And I am confident I will learn more lessons about life and love and laughter by reading what is left, and re-reading some of the books in my treasured Terry Pratchett paperback collection.  Talk about your dog-eared tomes of magical mirth-making lore!  I know I will never be the writer he was.  But I can imitate and praise him and maybe extend the wonderful work that he did in life.  This word-wizard is definitely worth any amount of work to acquire and internalize.  Don’t take my convoluted word for it.  Try it yourself.

borrowed from artistsUK.com

borrowed from artistsUK.com

map

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Filed under book review, humor, NOVEL WRITING

The Haunted Toy Store… Canto 25

Canto 25 – Dealing with the Devil

Stanley was determined to get both hands around Eule Gheist’s stupid neck, and squeeze until he gave up a solution to saving Maria’s life.  He bulled his way into Aunt Philia’s Toy Store.

Before he could shout out the first threat and demand, he was stopped dead in his tracks by the other man standing beside the Owl Man’s check-out counter.

“Hello, Stanley. We’ve been waiting for your return,” said the mysterious stranger with the ice-blue eyes.

“You know I want my daughter back?  You are going to give me a way to go where she is and bring her back home?”

“Oh, no.  Our offer is far more complicated than that.”

“What kind of a place is this?  You trap and kill your customers.”

“You have it all wrong, Mr. Mensch.  We always give our customers exactly what they pay us for.”

“Maria never paid you to kidnap her and put her life at risk.”

“Oh, you are confused about who our customers are.”

“What do you mean?  You never actually sell any of these toys.”

“We have never harmed a customer.  We couldn’t possibly kill them since they are already dead.”

“And you sell them these toys?”  Stan’s arm swept around in a circle indicating the whole collection of dust-covered antique toys.

“We sold Maria to Esperanza for five years’ worth of spirit life.  We don’t sell these toys from the store.”

“Maria is a toy?”

“Basically.  We provide the other side with humans to play with.”

“So, how do I get to where Maria is?”

“You don’t.  No member of the story she is playing in will want you to be a part of it.  You don’t fit the story.”

“So, what’s to prevent me from throwing a fit and wrecking this store?”

“Pick up a toy and destroy it.”

Stanley picked up a wooden rocking horse and slammed it into the floor with the full force of his anger and frustration.  Almost immediately the fractured pieces disappeared and the rocking horse rematerialized on the shelf, even wearing it’s dust covering.

Stan stopped and stared, feeling totally stunned.

“Everything is set in spirit life.  It will still be here even after a nuclear missile from Russia blows Dallas into vapor.”

“I don’t… I mean… ah…”

“I know you are stressed about your family’s situation.  We have a possible solution to offer for a price.”

“What do you mean?”

“I can guarantee Maria’s survival.  And I can cure Bonita’s cancer.”

“How… how do you know about that?”

The Owl Man grinned.  “This is the store’s owner.  Mr. Mephisto.”

“The dark man from the Shandra and Mark story?”

“Exactly,” said the gimlet-eyed man.

“So, I’m making a deal with the Devil.  What will it cost me?  My soul?”

“We want you to become the new manager of the Toy Store.  You are a very resourceful man.  And you have a good heart.”

“And I am due to return to my owl form,” said Eule.

“If I refuse?”

“You have to make the choice, of course.  But the job has perks.  The spirit life will make you immortal.  And Maria and Bonita are both saved.”

“And if I refuse to accept the job, what happens?”

“You trust to luck for the outcome you seek.”

Stanley could do nothing but stand there and try desperately to think.

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Filed under ghost stories, horror writing, humor, novel, NOVEL WRITING, Paffooney

Writing in My Head

I am reposting this old post from 2015 because I am in the same situation of not being able to write 500 words today.

Okay, I am justifying and vilifying today because yesterday I didn’t write 500 words… the first time in 2015… not in my blog, not in my novels, not even counting text messages.   I had extenuating circumstances.  I went to a movie, Disney’s Inside Out which made me laugh and made me cry like any good Disney/Pixar movie always does.  Then I got a message that one of my children went into the hospital in Florida.  And I have been down and out with a bad back, so I missed the Florida trip all together… (the child is fine, by the way, thanks for asking that in your head while reading this).  But all of that stuff and nonsense is really just an excuse for a dastardly act of cowardice.  I didn’t write a full 500 words.  How dare I?   This writing thing has now become my sacred mission from God.  After all, I retired from the first sacred mission because poor health was God’s way of telling me, “MICKEY, IT IS TIME TO BE A WRITER.”  Really!  He talks to me in all capital letters just like that.

girl n bird

And you have probably noticed already that I am doing stream-of-consciousness writing for today’s post, a useful form of pre-writing that is known for producing lots of garbage to go along with the gemstones-in-the-rough.  My mind is still boiling with emotional turmoil and upset and less-than-critical thinking…  The reasons for that are understandable… I am guessing. …  But I think the point is (if points are possible in this no-win game I am playing, and losing, called Old Age) that I am never really not writing.  I have two novels in rough drafting at the same time.  Both When the Captain Came Calling and Stardusters and Space Lizards are both on my task bar at this very moment.  I add new inspirations for the next canto every time a new light bulb clicks on over my little furry head.

20150216_152544 Happy Doodle
swallowtail

So the ideas are already there for several pieces of writing that I simply have to sit down and knock out on the keyboard.  Potentially I have way more than a mere 500 words waiting to blossom and unfold like flowers into paragraphs of purple paisley prose.  (Since this is as close as a writer can come to showing how he actually thinks, I guess I have also answered a question that many who try to read my writing have been wondering about… I really do think in loopty-loops with streamers attached and a knot in the tail.)  Writing is not something I can ever be accused of not doing because writing and thinking are the same thing… the only difference between the 500 per day and the leventie-leven trillion in my head is your access to it in a form that is written down and edited (well, at least re-read for typos… I kinda like leaving the stuff and nonsense… and moldy bananas… in the final product because I can pass that particular form of goofiness off as humor).  (And, yes, it just helped me pass 500 for today.)

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The Haunted Toy Store… Canto 24

Canto 24 – Girl Talk

Maria found herself limited to riding along in her own naked body as she and Esperanza labored to run back to the hacienda where Imelda lived.

“Do we have to run all the way?” Maria asked in her head.

“We do.  Time is short.  Imelda and your Yesenia are in grave trouble.  But your body is so much better than mine…”

“What do you mean?”

“In life I was a little bit of a gordita.”

“Gordita?”

“Little fat girl.  Not athletic like you.”

“Oh.”

“You know some Spanish.  I can see it in your mind.”

“My mom and my real dad are both Spanish speakers.  But they got divorced when I was four.  And we found my stepdad, Stanley.  He only speaks English, so…”

“So, you got out of practice.”

Maria’s body was panting, wheezing, and gasping for air as it ran.  But that didn’t affect either voice in her head.

“And you were out of practice at running.  Let me control the breathing.”

“Okay.  But that might be against the rules.  Promise you won’t use it against me later?”

“We want the same thing,” she reminded Esperanza.

“We surely do.”

The body fell into the trained running style that Maria used in high school track and cross country.  The breathing became regular and easier by far.

“You are definitely good at running,” Esperanza noted.

They pulled up at the gate to the hacienda.

“¿Por qué corres, Esperanza?” asked the guard at the gate.  Maria knew instantly from Esperanza’s memory that the young man’s name was Juanito, even though he was a rust-colored skeleton dressed in gray ghost clothing that you could see through.

“¿Dónde está Imelda? Necesito hablarle.”

“Ella está en el segundo piso. En su dormitorio, creo.”

“Gracias, Juanito.”

They were instantly running again.  The hacienda would’ve been gorgeous in an expensive and colorful way, Maria thought, if only she weren’t seeing it in black, white, and gray.

Esperanza found Imelda’s bedroom door and banged on it with both fists.

Then the door was opened from the inside.

“Yesenia!”

“Maria, you must not say things out loud using your actual voice!  You must tell it to me and let me speak it!”

“You are breaking the rules!” said Imelda in Yesenia’s voice coming out of Yesenia’s tear-stained face.

Maria was hardly listening to the scolding.  She was at once filled with joy at having found the girl she betrayed.   But at the same time she was jealous of how beautiful Yesenia’s naked form would obviously look to Rogelio.

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The Haunted Toy Store… Canto 23

Canto 23 – Confessional

Stan stumbled into the bedroom.  He wasn’t sure how he was going to explain it all to Bonita.  Especially since the Vodka was making it difficult to walk, let alone talk.

She was sprawled out on the top of the bedspread, it was still tucked in and made up with her usual attention to tight corners.  She was still dressed.  Her head, propped up against the pillows, was wide awake, and she had definitely been crying.

“Bone, honey, um…”  He stood at the foot of the bed, swaying and shifting his weight from one leg to the other.

“Stan, you’ve been drinking.”

“It’s Maria… um, ah… it ain’t actually… um, going well…”

“But you’ve been trying harder than before… I’ve seen it.  You two are working together instead of fighting.”

“Yeah, but, I have something to tell you…”

“Yeah… but, first… I have something I gotta tell you.”

“Oh, um… the doctor’s visit?”

“Yeah.  The report came back.”

“Oh, no!  You mean…?”

“Remission is over.  The cancer is back.”

Stan pressed the palm of his hand against his forehead.  How could he…  now?  Maria was…

“You gotta promise me about Maria.  She’s gonna need you more than ever now.”

“You know I will…”  The room was swirling a bit.  He sank to catch himself on the corner of the foot of her bed.  There was suddenly no way he could tell her now.  “How long do you have?”

“Days, weeks, months… not years.”

“You know they told us that before.  Then the chemo started doing its damn job.”

“Yeah, but not this time.  It’s spreading faster than ever this time.  Promise me you will love her like she’s your own daughter.”

“Don’t be so quick to give up.  We both still need you.”

“We don’t have any more options.  It’s still there in my lungs.  We can’t afford more treatment, and Doc Jimenez says it wouldn’t help if we could.”

Stan started to cry.  The alcohol… and the bad news… both sets of bad news.   But mostly the alcohol…

“Promise me you’ll love her, and you’ll take care of her.”

 There was nothing more to say.  “You know I will.”

He gathered her limp and exhausted form up in his arms.  Drunkenly.  And they both wept together.

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The Joys of Editing Yourself

HD-Blue-Sky-Orben-1024x648

I am now in the final phase of publishing The Bicycle-Wheel Genius.  I am merely waiting for Amazon to object to whatever ridiculously minute formatting error I may still have going.  And I once again had to publish without benefit of a beta reader or an editor of any kind.  You learn things about yourself that you really don’t want to know.

What I have learned;

  • I can’t depend on my wife to be a beta reader and comment on my work.  She tried once and told me, “Your writing is like dog poop.  It is full of weird stuff, smells bad, and is impossible to get off your shoe once you step in it.”  To be honest, I ironed out that metaphor just a bit.  She was actually quibbling about my proofreading style and basically ignored all the content of the story.  That’s the way English teachers are about prose.
  • I can too easily fall into the habit of introducing characters on a fashion model runway.  The first time the character enters the narrative I tend to give a head to toe rundown of how they look, what they are wearing, and how they have done their hair.  I know better than that, but I still do it.
  • I… use… ellipsis… marks… toooo… much…!
  • My creative spellings tend to drive the spellchecker insane.  In this novel I had trouble over the spellings of blogwopping, interbwap, and dillywhacking.  To be fair two of those words are from the language of the Tellerons, a space-faring race of frog people who happen to ineptly invade the earth.  (Oh, and the other is a euphemism  used by young boys for something very private.  Don’t tell anybody about that one.)
  •  Time travel plots can be laboriously difficult to follow through mobius-strip-like  contortions of time, space, and history.
  • Sometimes my jokes are not funny.  Seriously… that can be a problem.
  • And my characters often act on weird impulses and do things for no rhyme or reason… or rhythm either for that matter… see what I mean about ellipsis marks?  Of course, one can always explain that that is exactly how people really are.  I myself never do that.  There is always a rhyme to be snatched from the ether in the very nick of time… randomly.
  • And at the end of the novel, when I am tying up the loose ends of the plot in a Gordian Knot, I have strings left over.  Maybe enough to knit a shirt with.  So I end up picking them up and starting another novel with them.
  • It is basically heck to be a divergent thinker.  You try to make a list of things, and by the time you get to number 9, you have forgotten what the list was about, and you even forgot to number things, so you have to go back to the first one and count.  Now what was I talking about?

Oh, yeah.  I edited the book all by myself.  And now it’s done.  Time to start a new novel and make all the same mistakes over again.

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Filed under commentary, feeling sorry for myself, foolishness, humor, novel, novel plans, NOVEL WRITING, Paffooney, work in progress, writing

The Way Mickey’s Mind Works

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If you’ve read any of the crap that Mickey wrote about before in this goofy blog, you probably already suspect that Mickey’s mind does not work like a normal mind.  The road map above is just one indicator of the weirdness of the wiring that propels Mickey on the yellow brick road to Oz and back.  He just isn’t a normal thinker.

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But having a few bats in the old belfry doesn’t prevent the man from having a plan.  If you read all of Mickey’s hometown novels, you will discover he hasn’t written them in time order.  Main characters in my 2016 novel weren’t even born yet in my 2017 books.  If you look at them in chronological order rather than the order written, you will see characters growing and changing over time.  A shy kid in one novel grows into a werewolf hunter in the next.  A girl who loses her father to suicide in a novel not yet completed, learns how to love again in another novel.

Multiple Mickian stories are totally infected with fairies.  The magic little buggers are harder to get rid of than mosquitoes and are far and away more dangerous.  And there are disturbing levels of science-fiction-ness radiating through all of the stories.  How dare he think like that?  In undulating spirals instead of straight lines!  He doesn’t even use complete sentences all the time. And they used to let that odd bird teach English to middle school kids.

DdETVB3WAAEqYxH

But there is a method to his utter madness.  He started with the simpler stories of growing up and learning about the terrors of kissing girls when you are only twelve.  And then he moved on into the darker realms of dealing with death and loss of love, the tragedy of finding true love and losing it again almost as soon as you recognize its reality.  Simple moves on to complex.  Order is restored with imagination, only to be broken down again and then restored yet again,.

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And, of course, we always listen to Mr. Gaiman.  He is a powerful wizard after all.  The Sandman and creator of good dreams.  So Mickey will completely ignore the fact that nobody reads his books no matter what he does or says.  And he will write another story.

Francois spotlight

It is called Sing Sad Songs, and it is the most complex and difficult story that Mickey has ever written.  And it will be glorious.  It also rips Mickey’s heart out.  And I will put that ripped-out heart back in place and make Mickey keep writing it, no matter how many times I have to wash, rinse, and repeat. The continued work is called Fools and Their Toys.  It solves the murder mystery begun in Sing Sad Songs. This re-post of an updated statement of goals is the very spell that will make that magic happen.  So, weird little head-map in hand, here we go on the writer’s journey once again and further along the trail.

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