Category Archives: NOVEL WRITING

The Haunted Toy Store… Canto 22

Canto 22 – The Puppets on the Wall

The puppets in the workshop were all hung up by the strings on the workshop wall.  There was a triple row of pegs to hang them from and they were basically all there.  All hanging from strings and all in their bare wooden forms without costumes or wigs.

Shandra woke up with a start.  She shook her wooden head awake.  Sawdust flew out of her ears.

“Mark!  Mark?  Are you here too?”

“Yeah.  To your left.”

Shandra turned her wooden head to see Mark smiling at her.

“You been awake for long?”

“No, Shandra.  You woke me up by calling my name.”

She would’ve smiled back at him, but her face was made of wood and was fixed in a frown.

Below them both and to the right they heard a female voice crying.  It was weeping softly.

“Who is that down there?”  Shandra roared.

“That’s the Gingerbread Witch you burned up on stage,” said the mouse puppet directly on Shandra’s right.

Shandra glared at the mouse.  It turned its little gray head away.

“So, what you cryin’ about down there, Wicked Witch?”  Shandra growled.

“You burned me,” replied a shaky little voice.

“But it weren’t real… was it?”

“Everything that happens on that stage is real.  Mr. Mephisto controls reality.  How you think we all got to be puppets?” said the mouse angrily.

“I was just a runaway girl whose parents never looked for her.  Mr. Mephisto promised to find a foster home for me when my punishment as a puppet is done,” sobbed the witch puppet.  “Now, when he puts me back in my real body, I will probably be horribly burned all over my body.”

Shandra’s little wooden tummy immediately turned to ice… well, it felt like that anyway.

“I didn’t know…” Shandra started to say.  But then she got angry.  “Why didn’t you defend your little timid self, then?”

“I couldn’t.  You are so forceful and scary.”

“Wait a minute,” said Mark, “you are saying all the puppets here are being punished for something?”

“Yeah.  Running away from home is a sin that the Devil punishes.”

“I was a runaway too,” said the mouse.

“I ain’t no sinner,” growled Shandra.

Mr. Mephisto was suddenly there laughing.  “You burned poor little Dierdre here.  You put a hit out on Poppa Dark.  You are definitely a puppet for a reason, little girl.”

“I’m gonna run away from here,” declared Shandra.

“You can’t.  Your arms and legs only work on stage,” said Mephisto.

“You wouldn’t leave me here alone?” asked Mark meekly.

“No, of course not.  What did Mark do wrong, by the way, Devil Man?”

“He ran away from loving parents to be with you, an evil influence.”

“So, we are in Hell, then?”

“No.  More like purgatory.  But for a reason.  The angels in Hell are fallen angels, but still angels made by God.”

“Are you sending me to a home all burned?” whined the witch.

“You came here in 1925, Diedre.  You are 103 years old now.”

“But you control reality, Devil Man,” Shandra said.  “You could put her back as a child… and not all burned up, either.”

“That’s right.  I could.”  Mr. Mephisto grinned.

“So, why are we really here?” Shandra asked.

“Because God is a just god.  Some will earn redemption.  And some will get the punishment they deserve.”

“And what if we don’t believe in God?” Shandra growled.

“Well, whatever…  He definitely believes in you.  For good or ill.”

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The Haunted Toy Store… Canto 21

Canto 21 – The Burned House

“This is all that is left of the house that Momma and I were living in,” said the doll in Brittany’s arms.

It was a brick foundation full of burned wood and charcoal.  It was mostly black and smelled of ash and extinct wood fires.

“What good does it do to bring me here and show me this? 

“You will see when the Lonely One that was my momma shows up at midnight.  I will then be able to show you everything.”

“So, we’re waiting for a ghost?”

“No.  Momma is not a ghost.  She’s a Lonely One like me.”

Brittany did not trust the doll any longer.  She was feeling repeatedly tricked, repeatedly lied to, confused, and definitely kidnapped… yes, that was the word.  Taken without her consent, kidnapped.

The sun was long past set.  The witching hour was at hand.  And Brittany was shivering in the cold night air.

It was at that moment that a glowing ball of red light came down the street from the north.

“There she is,” the doll said.

The light moved to the burned-out ruins of the house.  As it approached the place where the front of the house had been, a sudden growth of red bricks, becoming a red brick wall with a red front door in it, and widened out into the red front of a modest two-story home.  An eerie red ghost of a house stood before the woman and the doll.  Brittany put the doll down, letting her stand on her own two porcelain feet.

“Let’s go in.”

“It’s only a ghost of a house.  There’s really a big hole there to fall into.”

“You are not in your former world.  The rules of this world are different.  We can go into this house and watch what happened there in the past.  You will see what I need you to see.”

Reluctantly, Brittany let the doll lead her towards the front door.  The doll opened the door and ushered Brittany inside.

The living room was typical of a home in the 1940’s and reminded Brittany very much of Great Aunt Tilda’s home when she was a child younger than Hannah.  But everything was lit in an eerie red light.

Brittany took in a sudden, sharp breath when she saw the ghostly image of the momma.  It looked like a duplicate of Brittany herself but dressed in 1940s fashion and with a grim expression on her face that Brittany hoped no one in her future life would see on her own face.

“She’s beautiful, isn’t she?” asked the doll.

“Did she really look like me?”

“No.  You look like her.  That’s why I chose you.”

“Can she see us and hear us?”

“No.  This is an echo of the past.  She has no idea that the two of us are here.”

Then there was the sound of small feet on the stairs.

“Here I come wearing…” began the doll, but trailing off into saying nothing.

Molly came skipping down the stairs wearing a lovely and extra-frilly dress.  She looked exactly like Hannah.

“No!” shouted the momma.  “You should not be wearing that dress!”

“B-b-but it’s a gift from Daddy.”

“It’s cursed.”

“It’s not.  His letter said it was a gift from the lady.”

“You mean the Italian lady?  The one he saved during a battle?”

“Yes… that one.”

“She had the dress to give him for you because her own daughter was killed in the war.”

“But…  It’s my beautiful blue dress.”

Brittany turned to the doll and whispered, “It looks red to me.”

“Everything in Momma’s world was red.  Mad red.”

“Take the dress off.  I should burn the thing.  It is the dress of a dead girl.”

  Molly began to cry.  Then she stormed back up the stairway apparently to take the dress off again.

“Your mother seems overly angry,” Brittany said to the doll.

“My Daddy was the one who really loved me,” said the doll.

Brittany silently bit her lower lip.

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The Haunted Toy Store… Canto 20

Canto 20 – Esperanza Blanca Guajardo

Maria had been met at the doorway by a young pink skeleton girl ­named Esperanza Blanca Guajardo.  She had been pulled into the very ghost body of the girl, her clothes magically dissolving, and the pink skeleton being pulled inside her naked body.  She walked then, not under her own power, but by steps taken by the ghost inside her.  The panties she had been wearing were on the floor behind her as she walked into a desolate black landscape where every feature she saw was nothing but a gray and white outline, including the simple ghost dress she was wearing.

“Where are you taking me?” she asked the ghost.  It felt weird to be walking nude through what seemed like the inside of a video game more than a real place.  The nearly invisible dress she wore felt like nothing.  It was slightly cold with no wind.

“This is the first time the angel ever let us try something like this.  Always before, Imelda simply dies at the quinceañera, being stabbed to death by the gringo.”

“What are you talking about?”

“The game… from the toy store.  You know about the game, or the skull wouldn’t have chosen you.  But never did he choose someone to play the game as me in all the times it was played in the past.”

“This is the game that Yesenia is playing?  With Rogelio?”

“Yes, Imelda and Steven play it with your friends as their game pieces.”

“What are the rules of this game?”

“Imelda’s story ended as a tragedy.  It was a story that none of .us could move on from when we died.  We must replay it over and over until somehow we get it right.”

“Oh, I don’t like the sound of that.  Why do you need living humans to play the game?”

“We, the Lonely Ones, can only play out the actions we took in life.  It is the reactions of the game pieces that are the only hope of changing the outcome.”

“And what happens to the game pieces if you don’t win the game?”

“We have played this game more than once a year for a hundred and sixty-nine years.  Always the game pieces are lost and their bodies disintegrate, and their souls become a part of the land of the dead.”

“Do the game pieces get to go home alive if you win the game?”

“Those that did not die in the game.  Si.”

“What happens, then, that we need to fix in order to win the game?”

“Well, Imelda was in love with Steven.  So much in love, in fact, that they made love one night, making Imelda’s poppa feel his honor could only be restored if he forced Steven to marry her.”

“So, how did that become an unhappy ending?”

“It is complicated.  You see, Javier was supposed to marry Imelda.  But he was not a nice young man.  He beat Imelda twice while they were supposedly courting.  Imelda wanted to tell her poppa how he had treated her.  But her poppa would’ve killed Javier and then been hanged for murder.  Imelda didn’t want that.”

“What was the plan, then?”

“Imelda was hoping Steven would show up at her quinceañera and run away with her.”

“And he never showed up?”

“Oh, no, much worse than that.”

“Then what?”

“Steven showed up covered in blood.  He had a huge knife with him.  And he was angry at Imelda.  He ran up to her and stabbed her in the heart.  As she died, Javier took the knife from Steven and cut his head off.”

“That is really terrible!  How do we stop that from happening again?”

“I don’t know.  But the rules of the game have never before allowed me to have a playing piece in the game.”

“So, it is up to the two of us?”

“Yes, and the game pieces that Imelda and Steven are using this time through the event.”

“Well, let’s go talk to Imelda and Yesenia, then.”

“Si.  I am her best friend, after all.”

“Imelda’s best friend, Esperanza Blanca Guajardo.  Am I right?”

“Si, and my name, in youir language, means Hope.”

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The Haunted Toy Store… Canto 19

Canto 19 – Rattling the Owl’s Cage

Stan was at the toy store early the next day, fuming enough that he didn’t know why there wasn’t a trail of smoke coming out of each of his ears as he made his way through the unlocked business door.

“Geist!  You need to explain some things!”

“Oh?  Did you make the mistake of cutting open the paper skull?”

The owlish man blinked his magnified eyes and gave Stan a grim smile.

“No, I didn’t.  But not because I believe any of that nonsense about demons and the Bones of the Lonelies.”

“Then why didn’t you do it?”

“Well, I need to know how it really works.  I am not going to risk there being some poisonous chemical or radioactive substances in the workings of the thing.”

“I don’t know what is inside the thing.  I do know the one that got opened in Colombia fifty years ago started a series of grisly killings that didn’t stop until at least five hundred people were dead.”

“I don’t want to hear more of the BS.  I want to know how it really works.  Somehow the thing can talk to me in my mind and Maria can’t hear it.  And then it talks to her, and I can’t hear what it says.  This is not the way the universe works.   I want to know how the science works.  And who programmed the damned thing.”

“Well, at least you understand that the thing is damned.  I can’t tell you scientifically how the thing works.  I do not know.  There is science behind it somehow, but growing up I was a barn owl and lived in a tree.“

“What good are you to this place if you don’t know anything at all about how things work?”

“Has she asked it how to get her boyfriend back?”

“She was talking to it again when I left.”

“It will be guiding her, then, on how to get to the Bones of the Lonelies.  It will require a sacrifice of her, possibly asking her to give up her life.”

“What?  You mean it might kill her?”

“Oh, that is what most often happens in these scenarios.  Is she guilty of any mortal sins?”

“She admitted that she brought Yesenia here so she could steal her boyfriend.”

“Yeah, that kind of betrayal probably requires the death penalty.”

“What?  How could that happen?”

“Well, the skull opens a portal to the land of the dead.  A spirit from the other side will come to the doorway used as a portal and take possession of the body.  Considering where she would be going, to the Bones of the Lonelies, she will be taken nude to the other side, leaving some blood-spattered clothing, probably underwear, at the spot of the exchange.  There she will relive an event in the life of a lonely one.  And if the story she is reliving involves death, then the human body will become a sacrifice to the story, and she will die.  Most of the bodies from this practice have decomposed completely in the present because they died so far in the past.”

Stan blanched.  He had to get home to Maria and the skull to stop her before…

                                                *****

When he got home, the door to Maria’s bedroom was wide open, which it never was in his prior experience of it.  In fact, it was usually not only closed but locked.

Just inside the doorway was a discarded pair of pink panties.  And there was blood.

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The Haunted Toy Store… Canto 18

Canto 18 – Talking to the Dead

Stan took Maria to the study and made her bring the decorative skull thing.

“It’s time we look for the miniature radio receiver,” Stan said.

“So, how will you do that?” Maria asked.

“With an exactor knife.”

“But, if you cut into it, you are doing what the owl guy said you can’t do.”

“Surely you don’t really believe in demons and curses?”

“I believe in Science, like you.  But I also worry about things we might not know enough things about.”

Stan smiled at her.  Typical teenager with some knowledge, but lots of superstition and ignorance on the other side of the teeter-totter of the mind.

He looked at the thing Maria had put into his right hand as his left hand picked up the razor knife.  It was a beautiful piece of work.  Shaped like a skull, it was decorated with flowers and vines in bright, looping lines.  Someone had taken great pains to make this object worthy of its religious purpose.  And even if you didn’t respect the dogma and arbitrary rules of religion, Stan did have to acknowledge that somebody in the world cared a lot more about it all than he did.

“Gringo, if you cut me, you will regret it for the rest of your shortened life,” said the skull clearly and in English.

“What?  Maria, could you tell where that voice came from?”

“What voice?”

“You didn’t hear a voice?”

“Maria, I have a separate conversation to hold with you, Chica.  But I have to threaten the stooge right now.  Let me settle with him first.”  Stan knew the voice was meant for both of them to hear that time.

“Okay, stupid one.  There is a demon sealed into this paper skull.  If you cut through the magical designs that hold it within, it will come out and possess you.  You will kill pretty little Maria first, horribly with lots of blood, pain, and screaming.  And then you will kill your wife even more horribly.  And immediately call the police to confess your crime, not so you can pay for your crime, but to bring the police here to kill as many as you can, and then the demon will escape by possessing the cop who kills you.”

“Why is there a demon imprisoned inside of you?”

“He is bound there to provide the power I must use to perform the functions I have at Aunt Phillia’s.  The things I must do for Maria to accomplish what she must accomplish among the Bones of the Lonelies.”

“Stan, maybe you should give the thing to me,” said Maria.

Stan was quietly thinking about any possible explanation that didn’t involve real demons to counter what the thing said, but he didn’t dispute it out loud.  He put the thing in Maria’s hands.

“Maria, you know that Rogelio and Yesenia are both in the land of the dead though they are both still alive at this point.”

“Yes, I know…”  She had tears in her eyes as she said it.

“There is a possibility that they will both die there and become permanent residents.  You must now be honest about why you took Yesenia to the toy store to begin with.”

“I, uh… what do you mean?”

“You need to tell the Gringo Stan why you took Yesenia to the toy store.”

Maria looked at Stan.  Stricken is the only possible word for how she looked. 

“If you don’t admit it, you cannot go there and try to retrieve either of them.”

“I… I wanted her boyfriend to like me instead of her.”

“And what did you think would happen at the toy store when you took her there?”

She was ghostly pale.  “I knew from the stories that something might happen to her that would separate her from Rogelio.

“And you got what you wanted.  Why, then, did you take Rogelio there?”

She looked at Stan again.  “I felt guilty.  I had to…”

“You had to rescue her,” said Stan.

Her face crumbled and she was bawling.

“I can help you do that,” said the skull.  “You will have to put your own life on the line to do it.”

Stan reached over to Maria and took hold of her shoulder.  He pulled her to himself.  She cried against his chest as he held her.

“Maria, it shows me you are a good person that you wanted to fix this.”  Stan stroked the hair on the back of her head.

“You don’t hate me?” she sobbed.

“Of course not.  You are my daughter now.  No more question about that.”

The skull was laughing softly and creepily.

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The Haunted Toy Store… Canto 17

Canto 17 – The Balcony Scene

Rogelio found himself looking up at the second-floor balcony of the Zuniga Inn.

“So, you wanna climb up there?” he asked Steven.

“I have now done it countless times in more than a century of practicing this moment over and over again.”

“So, I won’t die if we fall headfirst on our stupid head?”

“You can’t actually die in this reality unless another living human kills you here.”

“And that’s what we’re gonna do to Yesenia when we get up there?”  Rogelio felt a bit panicky over having no control over his own body.

“Not here.  Not now.  I told you I would give you the reasons for why we have to kill her.  But those reasons don’t apply to this moment.”

Steven took control of Rogelio’s arms and legs.  He began to shinny up one of the columns that supported the balcony on the second floor.  Then like a monkey he swung his legs up over the edge of the balcony railing.  It was all solid wood, but Rogelio still felt as if it could fall apart at any moment and they would plummet headfirst to the ground.  But he found himself standing on both legs outside the first room on the second floor. 

“What if the balcony door is locked?” Rogelio asked.

“It’s not.  These balcony doors don’t even have locks.”

He reached over and slowly, silently pulled open the balcony door.  Quietly, he entered the room.  It was a simple, sparsely furnished room in a Spanish inn.  The bed was occupied by two skeletons, a large, blue male one and a smaller pink one that looked like it could be Imelda’s mother.

“Don’t say anything with your mouth.  You’ll wake them,” said Steven.

“Are they both asleep?” Rogelio asked nervously in his head only.

Then the male snored loudly enough to remove all doubt.  The female moaned at the noise, but merely poked her husband and rolled over.

Steven quietly moved them out of the room and closed the door after them.

“So, I was supposed to expect you to sneak into Momma and Poppa’s room?” said Yesenia/Imelda on the next balcony.

Steven grinned sheepishly.  Rogelio noticed that the moonlight made the ghost nightgown she was wearing more visible, but you could still see through it to Yesenia’s beautiful naked body underneath.

“Why don’t you try this room instead?”

The two balcony railings were separated by only about three feet of empty space.  Getting up on the railing, it was easy for Steven/Rogelio to step across the gap.

“Gringo, I am surprised that you actually did this.  I thought it was just talking.”

“I was talking… to a pretty girl whom I may have fallen in love with at first sight.”  Steven was laying it on thick, but Rogelio also knew he was deeply in love with Imelda.

Imelda blushed using Yesenia’s face.

“Come into my room where Momma won’t hear you.  If she finds out, she will make Poppa kill you.”

Steven let Imelda take him by the hand and pull him into the bedroom.

“Is what I think is about to happen really going to happen?” Rogelio asked Steven.

“It depends on what you mean by really happen?” he answered by thought alone.

“Have you ever made love to a woman?”

“Only one time in my whole life, but I have relived it more times than I can count on all the fingers in Dallas.”

“And you are going to relive it again now?”

“Yeah… so?”

“In my body?  And Imelda in Yesenia’s body?”

“And you are a virgin… huh?”

Then Rogelio saw Imelda pulling them toward the bed.  And he began to remember how beautiful Yesenia was in real life.  He was about to become a man in the world of the ghosts and skeletons.

                                                *****

“You will come to my quinceañera, Steven?”

“I will.  And we will run away together?”

“I will go anywhere with you.  I love you, Steven.”

At that moment, a loud banging at the door frightened them both.

“Imelda!  LET ME IN!  I will kill him!”

“It is my padre!  He will kill us both!  Get out now!”

 Steven scrambled out of the bed and grabbed at his clothing.  The ghost materials all slipped through his fingers except for his floppy cowboy hat.  He was out over the balcony rail in mere moments.  Completely naked… with a hat on his head.

Several splinters pierced his hands, forearms, and thighs as he shinnied down the support column. “You come back here, gringo!  You will marry my daughter now, or you will die a horrible death!” 

The angry shadow loomed over the street, huge and terrible.  It shook a black skeletal fist at Rogelio and Steven as they ran down the street naked, not wearing even ghost clothing.  Rogelio’s heart hammered hard enough for two people as they barefooted their way down the dirt street.

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Like Pulling Teeth from a Chicken

This is an old re-purposed post from 2016 to kill some time so that this blog doesn’t kill me.

superchick2

Life is hard here in the Kingdom of Paffoon where you labor hard at a labor of love and try to give birth to something eternal that ends up going nowhere… stacks of old writing litter my closets, and the prospects of being published grow dimmer and dimmer.  My book Snow Babies has a contract with a publisher, but, apparently they are not going to be able to publish it after all.  I am at the very least going to have to find another publisher for the rest of my books, both finished manuscripts and works in progress.

Blue and Mike in color (435x640)

I do intend to follow through and get published, though.  I can no longer teach, but I feel a powerful force pushing me towards the sheer precipice of authordom.  One way or another I am going to make it over the edge and plummet to the bottom of that cliff.  I am compelled by the need to tell stories, and I have a captive audience every school day no longer.

I used to tell my classes that doing impossible things was like trying to pull chicken teeth with pliers.  You know, impossible things like getting a book published or teaching a mostly Spanish-speaking student how to read in English…  every-day-sort-of impossible things.

“But, Mr. B, chickens don’t have teeth,” some bright-eyed student would say after realizing that “chicken” was the English word for “pollo”.

“Exactly!” I would say.  “That’s what makes it so challenging!”

And now I must put on my chicken-catching socks, find my tooth-pulling pliers, and get ready to make more novels happen.  After a brief bout of consternation and depression, I actually feel a bit better about the whole fiasco.  There are other publishers, and publishers seem to like my writing, even if they can’t publish it.  And I have waited two years to get Snow Babies published, all apparently for nothing.  It is time to stop wasting time.  And maybe to stop repeating repetitions too.

I would like to here note that I now have 21 books published, all but one of which is self-published on Amazon and fully under my control. My other book, the award-winning novel from I-Universe, Catch a Falling Star, continues to be little-purchased and less read, though I discovered they pay all my royalties to my wife’s bank account. That was unexpected. Chicken teeth where they can’t be reached by me.

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The Haunted Toy Store… Canto 15

Canto 15 – Dolls with White Wigs

Dora McMaster had been carefully studying the doll that she thought she had somehow made and forgotten.  She seemed especially interested in the white-haired wig the doll wore.

“This wig on the doll…  Did you know that it is made with real human hair?” Dora asked Brittany.

“No, I did not.  It is the only thing that isn’t like my own daughter.  She has black hair.”

“Molly had black hair too before…”

“Before what?”

“The news came about her father, and both she and her mother took sick.  Apparently high fever, or something like it, turned Molly’s hair ghost white.”

“That’s strange.”

“Yes, and stranger still that I don’t remember ever making a white wig before.  But I have been planning to make one for the doll who is supposed to be Molly.  To remember her as…”

“…As she was before you lost your chance to save her.”

“Yes.  But where did the doll-maker who made this wig get white human hair?  And why put it on my creation in Aunt Phillia’s horrible store?”

“Is it dyed, perhaps?”

“No.  It contains strands that still have black roots, and the color all seems natural, just like Molly’s own.  But it couldn’t be made from Molly’s hair… not after the fire.”

“You will make the Molly doll with white hair?”

“Yes, of course… but where to get white-colored human hair to make such a wig?”

“Mention her own white hair,” said Molly to Brittany in a voice Dora apparently couldn’t also hear.

“You have some white hair on your own head the same color as that,” said Brittany.

“Why, yes… I do.  It will take time to grow out enough to use it without making myself bald,” Dora said, giggling to herself.

“Why do you have white hair?” Brittany whispered to the doll.

“Not here.  We will talk later in private.  I can show you at the witching hour.”

Brittany nodded to herself at the doll’s answer.  She didn’t much like how demonic and spooky the doll seemed.  But the doll was also so like Hannah, and endearing enough to make it necessary for Brittany to know everything.  In a ghost story, it is the unknown thing that scares you the most.  And it could only be a good thing to make the unknown a little more known.

Dora had taken out the pieces of a doll’s skull cap and began singing softly to herself as she began to sew and prepare the cap to have human hair added.

“Dora?  Would it be all right if I step out in the yard for some air while you do that?” Brittany asked.

“Certainly.  And thank you so much for the inspiration.”

Brittany took the doll with her out onto the veranda in the back of the house opposite the flower garden.

“Okay, Molly.  I need some answers.”

“Honest answers?  Or do you prefer to be lied to?”

“Honest answers, of course!”

“About what, then?”

“Why did you bring me here?”

“You mean to Dora’s house?”

“I mean, this time… this place… this world?”

“I paid the toy man to get my momma back again.”

“What?  What does that have to do with me?”

“The toy man said that if I chose you to play with, that could help me get momma back.”

“Play with me?  What does that mean?”

“I don’t know all the details… yet.  But you are alive… and my momma is not.  I need to use you to make her alive again.”

Brittany stared at the smiling porcelain face.  The creepy smile chilled her to the bone.

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The Haunted Toy Store… Canto 13

Canto 13 – The Doll’s Bargain

The owl-guy had demanded that Maria work for another half hour dusting toys that apparently hadn’t been moved even an inch in five decades.  And when she was done, the toys seemed to have accumulated the exact same amount of dust as they had possessed before she started cleaning.

Stan had spent time talking and prodding the weird old man all the time Maria had been working, and then when it was over, the private dick wouldn’t even tell her what they had been gossiping about.

She went straight to her room, her laptop and her cell phone, as soon as she was home.

Mom was no help.  She had gone to bed the moment that she had drug herself home from work.

And then… the phone rang.

“Hello?”

“Ma-Maria?  C-can I talk to you… please?”

“Who is this?”

A little girl was crying into the phone on the other end.

“Hannah?  Is that you?”

“Yeah… you said I could… call you?”

“Of course, I did.  But what’s the matter?”

“I have to tell you something.  Something terrible.”

“What is it?”

“It’s something terrible… that I did.”

“What did you do?”

“If I tell you… You will never forgive me.”

“Yes, I will.  I promise.”

“You can’t.  Daddy won’t forgive me if I tell him.”

“Please, Hannah.  You can tell me.  And maybe I can help you tell your daddy in a way that will make him forgive you…”

“Really?  You would do that?  For me?”

“I promise.  I like you, Hannah.  You are a nice little girl.”

“No, I’m not.  I made a deal with a Lonely One.”

“A Lonely One?”

“She was a ghost… err… something… inside a really cool doll.  And she… she was…”  Hannah dissolved in tears, unable to finish the sentence.

“You can talk to me, Hannah.  You can tell me anything.  I wish you were here right now.  I could hold you… hug you.  Make you feel better.”

“The doll was made of hard white stuff.  And she was beautiful… She looked just like me… but her hair was all white.”

“And the doll did something?”

“She asked me for something.”

“What did she want?”

“She asked if she could play with my mom.  She said if I just let her play with Mom for a while, she could make Mommy love me better…  She said…  But she lied to me.”

“What was the lie?”

“She was supposed to give Mommy back to me.  But when… when she was done playing her tricks, Mommy was sleeping on the floor and couldn’t wake up.  I let a monster play with my mom.”

“She tricked you, Hannah.  You didn’t do anything bad.  She did.  It was not your fault.”

“But, can your daddy get my mom back from the ghosts?  I mean… the Lonely Ones.  She said they were not ghosts, but Lonely Ones.”

“Stan is a very good detective.  He’s solved cases nobody ever thought he could.  If anybody can get your mom back, he’s the one who can do it.”

“You promise me?”

“I can’t promise for sure.  But if he can’t do it, then nobody can.”

“Thank you, Maria.  I love you,” Hannah said in a tiny, strained voice.

“I love you too, Hannah.  Hang in there.  I’m gonna tell Stan.  Then we’ll figure out these Lonely Ones you are talking about.”

Maria spent the next half hour listening to the little girl cry over the phone.  She tried to comfort her whenever she was given the chance, but it was mostly just being there to listen that mattered.  Maria was crying too by the time she went to the living room to tell Stan.

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Filed under ghost stories, horror writing, humor, novel, NOVEL WRITING, Paffooney

Illustrating in Novel Ways

I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017.  And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real.  I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction.  (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)

Gingerbread Children

The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.

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Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story.  She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil.  The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia.    Gretel believes he is real  Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her.  And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa?  Gretel convinced me that they were real.  She even has a hand in making new fairies by the baking of gingerbread.  She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.

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The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.

Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter.  Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.

Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants.  I haven’t done any actual pictures of Sherry  in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there.  Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.

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So by now you can probably draw several conclusions about me as both a novelist and an illustrator.  #1, There is definitely something a little bit off about me.  #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere.  #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully.  #4,  This story is probably about things that really aren’t just gingerbread recipes.  #5, You should congratulate yourself if you read this far in this post.  You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.

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Filed under goofy thoughts, humor, novel, NOVEL WRITING, nudes, Paffooney, strange and wonderful ideas about life, writing, writing humor