
Canto 22 – The Puppets on the Wall
The puppets in the workshop were all hung up by the strings on the workshop wall. There was a triple row of pegs to hang them from and they were basically all there. All hanging from strings and all in their bare wooden forms without costumes or wigs.
Shandra woke up with a start. She shook her wooden head awake. Sawdust flew out of her ears.
“Mark! Mark? Are you here too?”
“Yeah. To your left.”
Shandra turned her wooden head to see Mark smiling at her.
“You been awake for long?”
“No, Shandra. You woke me up by calling my name.”
She would’ve smiled back at him, but her face was made of wood and was fixed in a frown.
Below them both and to the right they heard a female voice crying. It was weeping softly.
“Who is that down there?” Shandra roared.
“That’s the Gingerbread Witch you burned up on stage,” said the mouse puppet directly on Shandra’s right.
Shandra glared at the mouse. It turned its little gray head away.
“So, what you cryin’ about down there, Wicked Witch?” Shandra growled.
“You burned me,” replied a shaky little voice.
“But it weren’t real… was it?”
“Everything that happens on that stage is real. Mr. Mephisto controls reality. How you think we all got to be puppets?” said the mouse angrily.
“I was just a runaway girl whose parents never looked for her. Mr. Mephisto promised to find a foster home for me when my punishment as a puppet is done,” sobbed the witch puppet. “Now, when he puts me back in my real body, I will probably be horribly burned all over my body.”
Shandra’s little wooden tummy immediately turned to ice… well, it felt like that anyway.
“I didn’t know…” Shandra started to say. But then she got angry. “Why didn’t you defend your little timid self, then?”
“I couldn’t. You are so forceful and scary.”
“Wait a minute,” said Mark, “you are saying all the puppets here are being punished for something?”
“Yeah. Running away from home is a sin that the Devil punishes.”
“I was a runaway too,” said the mouse.
“I ain’t no sinner,” growled Shandra.
Mr. Mephisto was suddenly there laughing. “You burned poor little Dierdre here. You put a hit out on Poppa Dark. You are definitely a puppet for a reason, little girl.”
“I’m gonna run away from here,” declared Shandra.
“You can’t. Your arms and legs only work on stage,” said Mephisto.
“You wouldn’t leave me here alone?” asked Mark meekly.
“No, of course not. What did Mark do wrong, by the way, Devil Man?”
“He ran away from loving parents to be with you, an evil influence.”
“So, we are in Hell, then?”
“No. More like purgatory. But for a reason. The angels in Hell are fallen angels, but still angels made by God.”
“Are you sending me to a home all burned?” whined the witch.
“You came here in 1925, Diedre. You are 103 years old now.”
“But you control reality, Devil Man,” Shandra said. “You could put her back as a child… and not all burned up, either.”
“That’s right. I could.” Mr. Mephisto grinned.
“So, why are we really here?” Shandra asked.
“Because God is a just god. Some will earn redemption. And some will get the punishment they deserve.”
“And what if we don’t believe in God?” Shandra growled.
“Well, whatever… He definitely believes in you. For good or ill.”



The Way Mickey’s Mind Works
If you’ve read any of the crap that Mickey wrote about before in this goofy blog, you probably already suspect that Mickey’s mind does not work like a normal mind. The road map above is just one indicator of the weirdness of the wiring that propels Mickey on the yellow brick road to Oz and back. He just isn’t a normal thinker.
But having a few bats in the old belfry doesn’t prevent the man from having a plan. If you read all of Mickey’s hometown novels, you will discover he hasn’t written them in time order. Main characters in my 2016 novel weren’t even born yet in my 2017 books. If you look at them in chronological order rather than the order written, you will see characters growing and changing over time. A shy kid in one novel grows into a werewolf hunter in the next. A girl who loses her father to suicide in a novel not yet completed, learns how to love again in another novel.
Multiple Mickian stories are totally infected with fairies. The magic little buggers are harder to get rid of than mosquitoes and are far and away more dangerous. And there are disturbing levels of science-fiction-ness radiating through all of the stories. How dare he think like that? In undulating spirals instead of straight lines! He doesn’t even use complete sentences all the time. And they used to let that odd bird teach English to middle school kids.
But there is a method to his utter madness. He started with the simpler stories of growing up and learning about the terrors of kissing girls when you are only twelve. And then he moved on into the darker realms of dealing with death and loss of love, the tragedy of finding true love and losing it again almost as soon as you recognize its reality. Simple moves on to complex. Order is restored with imagination, only to be broken down again and then restored yet again,.
And, of course, we always listen to Mr. Gaiman. He is a powerful wizard after all. The Sandman and creator of good dreams. So Mickey will completely ignore the fact that nobody reads his books no matter what he does or says. And he will write another story.
It is called Sing Sad Songs, and it is the most complex and difficult story that Mickey has ever written. And it will be glorious. It also rips Mickey’s heart out. And I will put that ripped-out heart back in place and make Mickey keep writing it, no matter how many times I have to wash, rinse, and repeat. The continued work is called Fools and Their Toys. It solves the murder mystery begun in Sing Sad Songs. This re-post of an updated statement of goals is the very spell that will make that magic happen. So, weird little head-map in hand, here we go on the writer’s journey once again and further along the trail.
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