Yes, this was written in 2017, but somehow, every word still applies.
In Texas a little girl who has cerebral palsy committed the crime of crossing a border patrol station near Laredo on the way to having life-saving gall bladder surgery. So the border patrol followed her to the hospital, waited until the surgery was finished, and then took her to a detention facility for deportation. Wow!
We are a heartless people. We elect heartless representatives to congress to make heartless laws to punish people for being poor, or not being white, or not being patriotic enough at football games during the playing of the national anthem. We elected an orange-faced creature with bad hair to the presidency rather than electing a human being with a beating heart. And why did we do that? Because too many people were in favor of health care laws and regulations that help people we don’t like. We elected him to send a message to all the people we don’t like. That message was, “Screw you, why don’t you just die already?” We like that message because we are a heartless people.
But while we are only thinking of ourselves and vowing to let everybody else go to hell, somewhere the music of the dance begins to play. Hear it yet?
Somewhere children are laughing.
Somewhere Santa Claus is real.
Holidays are approaching and, with indictments sealed and in the hands of prosecutors, possible impeachment looms. The happy dance is about to begin again.
Or maybe it never really went away. People did care, do care, about the crisis in Puerto Rico. After the hurricane, Dippy Donald Dimwit tossed paper towels to survivors, apparently suggesting that all he needed to do was that to symbolically get all the people cleaning up while holding on to their own bootstraps and pulling with all their might. Apparently heartless people believe you can levitate if you pull upwards on bootstraps. But Tesla gifted the city of San Juan with solar panels and batteries and started set-up of an island-based solar power grid to get Puerto Rico back online in the modern world. And Elon Musk is taking the steps towards building the future that the pumpkinhead in chief can’t even conceive in his empty pumpkin head. The music sways and builds. The dancers circle each other and first steps in ballet shoes begin.
We are a heartless people. We suffer in our cubicles alone, angry at a heartless world. “Why don’t you love me?” each one of us cries, “aren’t I worthy of love?” But crying never solved a problem. No, counting our regrets and hoarding the list of wrongs done to us never started a heart to beating. But the music builds. Try smiling at that hard-working clerk who takes your information at the DMV, and then thanking them at the end for their hard work even though they have to deny you the permit because there are more bits of paperwork that have to be found and signed. Try making a joke in line at the post office that makes the other hundred and ten people actually laugh while waiting interminably. Do your best to bring light to the darkness, not for yourself, but for other people. The music builds. Do you know the steps to the dance? No? Well, the steps won’t matter if you begin to move to the music, begin to glide… And the heart starts pumping, and we begin to feel alive again. Hallelujah! We are dancing towards the light again.
Catch a Falling Star 
Imaginary Friends
When you know someone has an imaginary friend, something like Elwood’s six-foot invisible rabbit called Harvey, don’t you immediately think that person is crazy? I do. But I have imaginary people as friends. I think most writers do. So am I crazy? Probably. But hopefully it is a good kind of crazy.
It began with imaginary friends from books. The Cat in the Hat was my friend. Jim Hawkins was my friend, as was Mowgli and all the members of the Swiss Family Robinson. They entered my dreams and my daydreams. I told them my troubles the same way I listened to theirs through their stories.
I began to have imaginary friends that came from my own imagination too.
I used to tell my mere human friends about my friend Davalon from outer space. I told them that he was real and secretly visited me at night to talk about being able to learn about humans on earth by walking around invisibly and watching them. I got so involved with these stories that my sixth grade class began saying, “Michael is from Mars.”
When I was a teenager, I began having conversations with a faun. His name was Radasha. He was a creature from Greek Myth, a sensual Dionysian creature who, in his child body, was both younger than me and way older than me. I didn’t realize until much later in life that he was the result of my repressed memories of a childhood sexual assault that I was the victim of. I could talk to him about my fear of nakedness. I could tell him about my blossoming interests in naked girls and their bodies. I could talk to him about all the things I was somehow too terrified to talk to my male friends about, even though none of them had the same reluctance to discuss sex. Ra was imaginary. But he helped me heal.
Then the story-telling seriously began. I used Davalon as one of the main characters in my novel Catch a Falling Star. I created Torrie Brownfield, the baby werewolf to express the feelings I had as a boy about being a monster and secretly terrible and deformed. Torrie is a normal boy with a condition called hypertrichosis. I am working on The Baby Werewolf now. And then there’s lovely Valerie Clarke. She is the main character of Snow Babies which is a finished novel, edited and proofread and ready to publish. It is I book I will have to find another way to publish since the recent death of PDMI Publishing. She is not a me-character, based on my own thoughts and feelings. She is based on former classmates and students who told me things that express the sadness and isolation of growing up female. So she is even more imaginary than my other characters.
They become real people to me. They have their own point of view. They talk to me and I learn things from them. But they are imaginary. So am I crazy? Yes… as a loon. And happy as Elwood P. Dowd to be that way.
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