If you cruise the bargain sections in an old used book store like Half-Price Books, eventually you are going to find something priceless. This book I am showing you is that very thing for me.
It was copyrighted in 1978. The inscription inside the front cover says this was a Father’s Day gift on June 19th, 1988. Someone named Gary gifted it to someone named Claude in Burleson, Texas. It was probably a cherished book until someone passed away and the book changed hands in an estate sale.
Howard Pyle
The book chronicles the height of the publishing era when being able to print books and reproduce artworks began entertaining the masses. Always before painters and great artists worked for a patron for the purpose of decorating their home in a way that displayed their great wealth. But from the 1880’s to the rise of cinema, magazines and books kept the masses entertained, helped more people to become literate than ever before, and created the stories that made our shared culture and life experiences grow stronger and ever more inventive. The book focuses on the best of the best among a new breed of artist… the illustrators.
These are the ones the book details;
Howard Pyle, N.C. Wyeth, Frederick Remington, Maxfield Parrish, J.C. Leyendecker, Norman Rockwell, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and John Held Jr.
N.C. Wyeth
Wyeth was most famous as a book illustrator for Treasure Island, Kidnapped, other books by Robert Louis Stevenson, Mark Twain, and a famous volume of tales about Robin Hood.
Frederick Remington
Remington is a name you probably know as a maker of Western art. He was a famous painter of cowboys and Indians and the American frontier.
Maxfield Parrish
Maxfield Parrish is my all-time favorite painter. His work is something I gushed about in previous posts because I own other books about his fanciful works painted in Maxfield Parrish blue.
Also Maxfield Parrish
J.C. Leyendecker
You will probably recognize Leyendecker’s work in magazine and advertising illustration as the standard of the Roaring 20’s. His paintings set a style that swept American culture for more than a decade, and still affects how we dress to this very day.
More Leyendecker
Even more from Leyendecker
Norman Rockwell
Norman Rockwell and his work for The Saturday Evening Post is still familiar to practically everyone who reads and looks at the illustrations. As you can see he was a master of folksy realism and could do a portrait better than practically anyone.
Also Rockwell
I have also written about Norman Rockwell before too. I have half a dozen books that include his works. My wife is from the Philippines and she knew about him before I ever said a word to her about him.
Charles Dana Gibson
As you can plainly see, Gibson was a master of pen and ink. His work for Collier’s and other magazines thrills in simple black and white. More cartoonists than just little ol’ me obsess about how he did what he did.
Also Gibson
James Montgomery Flagg… with a name like that, who else could it be?
John Held Jr.
The work of Held is stylistically different than all the rest in easily noticeable ways. He’s the guy that made all the big-headed Pinocchio-looking people in the 1920’s. You may have seen his work before, though you probably never knew his name.
This bit of someone else’s treasure hoard will now become a part of my own dragon’s treasure, staying by my bedside for quite a while, while I continue to suck the marrow from each of its bones. I love this book. It is mine, and you can’t have it… unless you find your own copy in a used bookstore somewhere.
Catch a Falling Star 
Fascination
I am falling apart. My health is poor and continuing to fail. My memory is suffering from an inability to remember the names of things. I find myself in the kitchen having gone in for a specific purpose, and not being able to remember what that purpose was. That is not to say I am not coping. I have quite a lot of adaptability and significant problem-solving skills. But that will eventually become a losing battle. Especially if I get the virus… any virus. So, what am I going to talk about with a dissolving brain and an hourglass of lifeforce swiftly running out? Fascination. I am fascinated by the details of the process. Like Mr. Spock, I find practically everything, “Fascinating!”
Birds and butterflies
My childhood fascinations turned into obsession first around natural things. When my mother would go to Vey Osier’s Beauty Salon, Vey had this fascinating parrot that was probably a hundred years old and knew how to swear really, really foully. I remember that being the only reason I was willing to go there and wait for Mom to get her hair fussed up (What my Grandpa Aldrich, her father, used to call it.)
I remember waiting for hours to hear that bird say the magic F-word or the horrible S-word. Or even the zillion other bad words I didn’t know anything about when I was seven. And, of course, I never did. The bird was mute the whole time during who-knows-how-many visits. But I did get to look endlessly at that green parrot’s amazing nutcracker bill that Vey always assured us would snap our fingers off like biting a salted pretzel if we got them anywhere close to the bill.
And when I was nine I was given as a present a plastic model kit of a Golden-Crowned Kinglet (the bird in that first picture). My relatives knew I was a burgeoning artist since my teachers constantly complained about all the skeletons, crocodiles, and monsters I drew in the margins of my school workbooks. So, I had a plastic bird to paint with all the necessary paints, but no idea what the bird looked like. We had to go all the way to Mason City to Grandma Beyer’s house because we called up there and checked, and, sure enough, there was a colored picture in the K volume of her Collier’s Encyclopedia. I painted it so accurately, the danged thing looked almost alive.
And if you have ever seen any of my butterfly posts, you know I became a butterfly hunter before ever entering junior high school, where Miss Rubelmacher, the rabid seventh-grade science teacher, made that obsession a hundred times worse. (She didn’t actually have rabies, just a reputation of requiring excessively hard-to-find life-science specimens like a nasturtium that bloomed in October in Iowa, or a Mourning Cloak butterfly.
I was able to find for her numerous Red-Spotted Purples like the one in the picture. I got them off the grill of Dad’s Ford, as well as in Grandpa Aldrich’s grove. And I eventually caught a pair of Mourning Cloaks as well on Grandpa Aldrich’s apple trees, though not until summer after seventh grade was over for me. I could tell you about my quest to catch a Tiger Swallowtail, too. But that’s an entirely different essay, written for an entirely different thematic reason.
Needless to say, my bird fascination led me to become an amateur bird-watcher with a great deal of useless naturalist information crammed into my juvenile bird-brain about birds. Especially Cardinals. And my fascination with butterflies opened my eyes to a previously invisible world of fascinating and ornately-decorated bugs. (Of course, I should’ve said “insects” instead of “bugs” since I absolutely did learn the difference.) And I still to this day know what a Hairstreak Butterfly looks like, what a Luna Moth is (Think Lunesta Commercials,) and how you have to look at the underside of the lower wings to correctly identify a Moonglow Fritillary Butterfly.
During my lifetime, my fascinations have become legion. I became obsessed with the comic books done by artist Wally Wood, especially Daredevil. I became obsessed with Disney movies, especially the animated ones like The Rescuers, The Jungle Book, Pinocchio, and Fantasia. I rode the bucking bronco of a fascination with the Roswell Crash (and the actual alien space ships I am almost certain the U.S. Army recovered there.) And so many other things that it would make this essay too long, and would probably bore you into a death-like coma. So, here’s what I have learned by being fascinated with my own fascinations;
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