I do draw some pictures from models, photos, or other illustrations… but fantastical things that you can’t find a model for are what occur most often in my stupid head.









I do draw some pictures from models, photos, or other illustrations… but fantastical things that you can’t find a model for are what occur most often in my stupid head.









Filed under artwork, autobiography, humor, illustrations, imagination, Paffooney

What’s the real reason behind the choices I make as an artist? For instance, why didn’t I do this photo of the artwork over again when the wind warped the bottom left corner. That answer is simple. I was taking this picture with natural sunlight. And once the wind started messing up my pictures, it only got worse. This was the first and best of five attempts. And, while it doesn’t show up here, I did several photo-shop manipulations of this picture, including shrinking the girl’s head. The original was done from a couple of models I got consent from when I worked at a daycare center in Iowa City where I went to college. The boy was eight years old in the summer of 1980. The girl was six, but I used a photo of a girl I went to second grade with, so the head was also eight. They represent David Copperfield and Emily, Pegotty’s niece from the Dickens novel. I had to read the book for my Master’s Exam which I took instead of writing a thesis. The picture is about how I saw myself and my world in that timeless novel.

This picture won a blue ribbon in the art competition at the Wright County Fair in 1979. It is a colored-pencil cartoon situation right out of a Jay Ward, Dudley Do-Right cartoon. I used a picture from a Canadian travel ad for the Mountie. The Indian sidekick is a modified version of Little Beaver, Red Ryder’s sidekick. The villain and the girl were basically Snidely Whiplash and Nell from the Dudley Do-Right cartoons, but made to look slightly more realistic… but only very slightly.
Actually, I lied a bit about the blue ribbon. I got the purple Grand Champion ribbon for this picture. I had entered it solely because two years before I saw how easy it would be to win a purple ribbon looking at the pictures that won it, and I wanted to win the purple ribbon. Sorry I lied, but the real reason for this picture is that I wanted to win that ribbon.

This painting, from the 1990s, was an attempt to make sofa art to sell in my sister-in-law’s home décor store. So, the real reason for this painting’s existence is greed. But since I ended up putting so many hours into it that I couldn’t justify selling it for twenty dollars in a store that went out of business because nobody ever shopped there, I got far more value out of it by keeping it and enjoying it myself. It was inspired by numerous paintings of Native Americans done by white people on display in Love’s Travel Stops across Texas in the 1990s.

This picture, “That Night in Saqqara,” is about youth versus age, thinking about death, immortality, and being afraid of any or all of it. The model for the Mummy is Boris Karloff who was so nice to pose for a production still from his movie that I could draw him long after he was actually dead. The boy was a seventh-grader in 1983 who did not actually pose for this without a shirt on or with an actual Ankh life-symbol around his neck. The Pharaoh in the tomb-mural in the background was from National Geographic Magazine, and I think was supposed to be Tutankhamun, but I could be wrong. I am old and I mix up lots of things I once clearly knew. That’s what mummified brains have to be like, apparently.
The reason I had to create this artwork was because I was increasingly falling victim to illness, especially arthritis, and I was constantly thinking about what it would be like to die alone, entombed in a two-bedroom apartment on North Stewart Street in Cotulla, Texas. This was well before I met and married my wife, who is now my wife of 25 years.
Filed under artwork, drawing, foolishness, humor, inspiration, Paffooney
I am nearing the completion of the rewrite of part two of AeroQuest. Part of that is getting all the illustrations I want to include done. So, here are a few more that I have been working on.





For those who might be wondering, AeroQuest 1 and AeroQuest 2 are comic science fiction, and I have chosen to rewrite them with lots of illustrations since it is a work of fiction that I might’ve done as a graphic novel if only I didn’t have arthritis in my hands.
Filed under artwork, comic book heroes, humor, illustrations, novel, novel writing, Paffooney, satire, science fiction
Sometimes life gets a bit tough when you are old and diabetic and grumpy all the time… and your kids are still teenagers… and you have to spend four hours a day driving them to two different schools in two different Dallas suburbs… and it rains one day and swelters you in Texas heat the next… and the drive home occurs during rush hour… and you just can’t think beyond loud thoughts like; “Why does that stop light turn red right before I get there?” and “Why can’t somebody teach teenagers how to drive in a high school parking lot?!” and “Why is the sun so bright and in my eyes going BOTH DIRECTIONS?!?” and “Why is the worst driver in Texas always the one right in front of me?!?!!!”
And then you realize, you can’t think any more to make a decent post for your blog. You are dead tired and out of ideas, though still able to type… even though you are apparently dead according to this sentence. So what do you post? You need some chocolate and iced tea for your brain. And you decide it is better to come out of the closet for being .gif-goofy and collecting .gif’s. You heard right. I mean .gif’s. I am not talking about peanut butter. And I didn’t misspell goofs. I mean those crazy moving things on the internet where the motion is repetitive and the promotion of the motion is mindless. Yes, those moving-picture things called .gif’s.
Like this one;

Rainbow Dash is really going after that guitar riff in this guitar-riff .gif! And I didn’t steal this from Deviantart. I stole it from somebody else who stole it from Deviantart.
And then I have an audience for her solo;

And these .gif’s make me happy. Happy like a frog;

And why do these minor miracles of motion make me happy? I don’t know. But they do.
And I must not be the only one. Somebody went to a great deal of work to create some of these:

And one might wonder if it is an evil thing to be happy about being .gif-goofy. But in my experience, they only fascinate the eyes for a short while and alter my mood in goofy weird ways.
So now that I’m all goofed up, let me end with one more.

So, now, these .gif’s have tamed me, and I am unique in all the world.
Filed under artwork, humor, memes, strange and wonderful ideas about life

At breakfast I cooked smokies, small-sized fried sausages. Jade, our family dog got up to the table with the rest of us.
“I can eat twenty of those!” Jade said.
“No you can’t,” I said. “You are a dog and eat from a bowl on the floor. I didn’t even set a plate on the table for you. This is not dog food.”
“Dad? Did you see these coupons for Taco Bell on the table?” said the Princess.
“Oh, you mean, the Taco Bueno ads? Remember what the last trip to that other place gave us?”
“Oh, yeah. That was a horrible day spent in the bathroom,” she answered.
“The next time you go to Taco Bell, take me! ” said the dog. “I loved the taco meat I found on the table last time you made the mistake of leaving some there.”
“Well, I do know that Taco Bell is universally loved by dogs.”
“How do you know that?” asked the Princess.
“Don’t you remember the Taco Bell dog? Or were you too young when he was popular?”
“I think I was too young.”
“Look him up on the internet.”
“Oh, yeah! I kinda remember that. He was a talking dog, just like Jade.”
“Yes, but I think he mostly spoke Spanish.”
“He’s handsome!” said Jade. “But look, he’s on television with very short fur… he’s naked! That would be very embarrassing.”
“Yeah, when it comes to TV spokes-dogs, you’d probably prefer Spuds Mackenzie. He had more style.”

“I never heard of him,” said the Princess.
“Well, he was before you were born. He was the Budweiser spokes-dog.”
“Did he talk too?”
“Just party language. He was always chilling by the pool with beautiful human girls.”
“Let me see more of him!” demanded Jade.

“Wow!” said Jade. “A dog who drinks beer and plays guitar! I think I’m in love!”
“That was so long ago, though,” I said. “He is probably dead by now. The average life span of a dog is only about ten years at the most.”
“Oh, now I am depressed,” said Jade. “And you know the only cure for that is to give me some of the breakfast sausages!”
So, as I gave a dog a sausage, I was deeply regretting the whole talking dog thing.
Filed under family, family dog, goofiness, humor, strange and wonderful ideas about life

My biggest regret as a cartoonist and waster of art supplies is the fact that I am not the world’s best portrait artist. I can only rarely make a work of art look like a real person. Usually the subject has to to be a person I love or care deeply about. This 1983 picture of Ruben looks very like him to me, though he probably wouldn’t recognize himself here as the 8th grader who told me in the fall of 1981 that I was his favorite teacher. That admission on his part kept me from quitting and failing as a first year teacher overwhelmed by the challenges of a poor school district in deep South Texas.

My Great Grandma Hinckley was really great.
My great grandmother on my mother’s side passed away as the 1970’s came to an end. I tried to immortalize her with a work of art. I drew the sketch above to make a painting of her. All my relatives were amazed at the picture. They loved it immensely. I gave the painting to my Grandma Aldrich, her second eldest daughter. And it got put away in a closet at the farmhouse. It made my grandma too sad to look at every day. So the actual painting is still in a closet in Iowa.

There were, of course, numerous students that made my life a living heck, especially during my early years as a teacher. But I was one of those unusual teachers (possibly insane teachers) who learned to love the bad kids. Love/hate relationships tend to endure in your memory almost as long as the loving ones. I was always able to pull the good out of certain kids… at least in portraits of them.

When kids pose for pictures, they are not usually patient enough to sit for a portrait artist. I learned early on to work from photographs, though it has the disadvantage of being only two-dimensional. Sometimes you have to cartoonify the subject to get the real essence of the person you are capturing in artiness.
But I can’t get to the point of this essay without acknowledging the fact that any artist who tries to make a portrait, is not a camera. The artist has to put down on paper or canvas what he sees in his own head. That means the work of art is filtered through the artist’s goofy brain and is transformed by all his quirks and abnormalities. Therefore any work of art, including a portrait that looks like its subject, is really a picture of the artist himself. So, I guess I owe you some self portraits to compare.

Yeah, that’s me at 10… so what?

Yep, I read about being an “erronort” traveling in a balloon while sitting in a parking lot in my car.
Believe it or not, I read this entire 100+year-old book in my car while waiting for my daughter and my son in school parking lots. What a perfectly ironic way to read a soaring imaginary adventure written by Mark Twain and mostly forgotten about by the American reading public.

My copy of this old book is a 1965 edition published for school libraries of a book written in 1894. It tells the story of how Tom and Huck and Jim steal a ride on a balloon at a town fair from a somewhat mentally unhinged professor of aeronautical science. The balloon, which has space-age travel capabilities due to the professor’s insane genius, takes them on an accidental voyage to Africa.
Of course, the insane professor intends to kill them all, because that’s what insane geniuses do after they prove how genius-y they really are. But as he tries to throw Tom into the Atlantic, he only manages to plunge himself through the sky and down to an unseen fate. The result being a great adventure for the three friends in the sands of the Sahara. They face man-eating lions, mummy-making sandstorms, and a chance to land on the head of the Sphinx.
The entire purpose of this book is to demonstrate Twain’s ability to be a satirical stretcher of the truth, telling jokes and lies through the unreliable narrator’s voice of Huck Finn.
Here is a quoted passage from the book to fill up this review with words and maybe explain just a bit what Twain is really doing with this book;

Notice how I doubled my word count there without typing any of the words myself? Isn’t the modern age wonderful?
But there you have it. This book is about escaping every-day newspaper worries. In a time of Presidential Candidate Donald Trump, global warming, and renewed threats of thermonuclear boo-boos with Russia, this proved to be the perfect book to float away with on an imaginary balloon to Africa. And the book ends in a flash when Aunt Polly back in Hannibal wants Tom back in time for breakfast. I really needed to read this book when I picked it up to read it.
I gave you fair warning. Pogo has been coming to Mickey’s Catch a Falling Star Blog for a while now. So, if you intended to avoid it, TOO BAD! You are here now in Okefenokee Swamp with Pogo and the gang, and subject to Mickey’s blog post about Walt Kelly and his creations.
Walt Kelly began his cartoon hall-of-fame career in 1936 at Walt Disney Studios. If you watch the credits in Pinocchio, Fantasia, and Dumbo, you will see Walt listed as an animator and Disney artist. In fact, he had almost as much influence on the Disney graphic style as Disney had on him. He resigned in 1941 to work at Dell Comics where he did projects like the Our Gang comics that you see Mickey smirking at here, the Uncle Wiggly comics, Raggedy Ann and Andy comics, and his very own creations like Pogo, which would go on to a life of its own in syndicated comics. He did not return to work at Disney, but always credited Disney with giving him the cartoon education he would need to reach the stratosphere.
Pogo is an alternate universe that is uniquely Walt Kelly’s own. It expresses a wry philosophy and satirical overview of our society that is desperately needed in this time of destructive conservative politics and deniers of science and good sense.
Pogo himself is an every-man character that we are supposed to identify with the most. He is not the driver of plots and doings in the swamp, rather the victim and unfortunate experiencer of those unexpectable things. Life in Okefenokee is a long series of random events to make life mostly miserable but always interesting if approached with the right amount of Pogo-ism.
And Pogo was always filled with cute and cuddly as well as ridiculous.
As a boy, I depended on the comic section of the Sunday paper to make sense of the world for me. If I turned out slightly skewed and warped in certain ways, it is owing to the education I myself was given by Pogo, Lil Abner, Dagwood Bumstead, and all the other wizards from the Sunday funnies. There was, of course, probably no bigger influence on my art than the influence of Walt Kelly.
So what more can I say about Walt Kelly? I haven’t yet reached the daily goal of 500 words. And yet, the best way to conclude is to let Walt speak for himself through the beautiful art of Pogo.
Filed under cartoon review, cartoons, humor, Paffooney
Strawberry Fields
This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.
This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.
But don’t get me wrong, strawberries are a critical part of every healthy mental diet.
You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.
She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.
And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.
But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)
And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.
She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.
My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.
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Filed under artwork, autobiography, commentary, family, health, humor, mental health, Paffooney, philosophy, strange and wonderful ideas about life