Category Archives: humor

Clowns (An Edited Re-Post from 2013)

ClownheadWhen you are small, there is something intimidating about a man in strange clothes and a garish pattern of white and red and blue all over his face.  What is he hiding?  What does he want?  Why does he squeeze off a blast from that ridiculous little horn with the big red squeeze bulb right in your little-boy face?   His big floppy shoes suggest monstrous feet.  Why does he have such a big mouth with red paint all around it?  “The better to eat you with, my dear!”

But clowns have a purpose for those of us who are no longer frightened little boys.  They parody our actions and exaggerate everything.  They look like us, sound like us, and behave like us if only we are able to look at ourselves times twelve or thirteen.  They are essential to our lives and our happiness.  Why, you ask?  Because, my friend, we should never take ourselves too seriously.  If we look at life only through serious eyes, we will never get enough of weeping.  When we fill up too many balloons full of air with our face painted on them, balloons of self-importance, as serious adults are wont to do, then we need to find the maniac with the pin.  He’s not always a professional with face paint and floppy shoes.  Sometimes he is the mailman, the local grocer, or even your deadbeat brother-in-law.  But the point is, no matter how scary he sometimes seems, we all depend on the clown.  We all need the foolishness of the most foolish among us.  It keeps us sane.

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3508-03052011141710-Dumbo With Clown Faceclown_faceWhy then did I have to take it upon myself to give the world clowns?  After all, that is precisely what I am doing as a writer.  I am physically miserable with my six incurable diseases.  I have diabetes, arthritis, hyper tension, psoriasis, Chronic Obstructive Pulmonary Disorder, and I have a prostate the size of a cantaloupe.    I can’t walk without a cane.  I can’t breathe while I’m walking.  I can’t pee without pain.  I can’t draw as much as I’d like. And I have already been forced to retire from teaching… the single greatest thing I ever did with my foolish little life.  Oh, and every night while I’m trying to sleep, I itch the top layer of skin off all my most sensitive anatomical parts thanks to the gift of psoriasis.  I have every reason to just curl up in a ball and cry.  But that’s not what a clown does.  A clown picks himself up and dusts off that rusty tin can that he keeps his sense of humor in.  He takes a pinch of clown snuff out of the can along with the rusty pin and induces an eye-opening sneeze of monstrous proportions.  A clown looks at the world around him with newly enlarged eyes and sees all the really absurd things that are there.  He looks at the way high school students act.  He sees politicians like Ted Cruz strutting around like a peacock in the U.S. Senate.  The clown sees injustice, moronic balloons with Ted Cruz’s face on them getting bigger and bigger and probably presidential, people on Texas roadways turning road rage into performance art, and even the contradictory things the clown’s wife says to him in little cartoon speech balloons that never seem to agree with each other and fight back and forth until they fill up the entire Cartoon Panel of Real Life.  The clown sharpens that sense of humor, that crooked little pin, until it is balloon-popping razor sharp.  It suddenly becomes time to pop a few balloons.

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There are clowns in my writing not just because I like to write humor, but because it is the only way I can truly fight back.  I must crack a few jokes.  I must take a few metaphors and push them and pull them until they are so out of shape they form a picture of Ted Cruz’s face.  I must puncture things and blow things up.  I must toss sarcasm-berry  pies at Ted Cruz’s face.  (Actually, I love Ted Cruz.   What wannabe humorist wouldn’t?  He’s such an easy target.)  I must mock things and ape people.  I must sock things and grape people… waitaminnit!  Grape people?  Is that what a one-eyed, one-horned, giant purple people eater eats?  I must do all the funny foolish things that a foolish funny clown can do to make the tears turn to laughter and pain to be ignored.  Ted Cruz to be ignored too, if possible.

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I have a riff or two to do on the clown heroes who inspire me.  Red Skelton, Milton Berle, Terry Pratchett, Douglas Adams, and even Charlie Chaplin.  But maybe that has to wait for another day… another post.  As teachers and other clowns must always be aware, the attention span of the audience wears out quickly.  If you have read this far, you are getting sleepy… sleepy (Michael Beyer is the funniest writer you ever read and you will not remember that I am the one who told you so).

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Filed under clowns, humor, Paffooney

Playing Snakes and Ladders with M.C. Escher

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The problem, as you can basically see, is the complexity of life on Earth and the convoluted way you have to understand the game to win it.  I do not trust the ladders.  They are not sturdy.  They are not strong.   And I fear the snakes.  Will they not bite with poison?  Will they not encircle me and constrict the very marrow out of my old bones?  And when you play the game with M. C.,  he cheats.  He plays in the fourth and fifth dimensions.

It is obvious that I don’t play the game well.  You can tell, for instance, that I am struggling to get a camera to take a picture of a pencil drawing and get all of it in focus enough to bring out the nuances.  It is the tricks of shading and juxtaposition of bizarre elements that got me the “A+” for this assignment in Drawing 303 at Iowa State University.  I couldn’t capture some of the most subtle usage because the paper of the drawing has aged since 1978 and the shading is harder to make stand out against the graying and yellowing paper in the background.  And it is increasingly hard to pick the thematic core of my message out of the hoogah-boog and chizzly-goober mishmash of my prose.

But it boils down to this, with school starting again, and money for bills running out, and arguments with the wife, and kids who sleep all day and play computer games all night, the whole two-steps-forward and one-step-back dance that I must do is making the game too hard to play.  It is too hard to win.  And I must simplify.  No more hopping from double planes of existence into a room where you will fall up to the floor from the ceiling.  And I must take success where I find it.

Heat of up to 105 and drought returning after months of deluge, makes me take pride in simple steps I have taken in the game.  My flower wagon is blossoming only one blossom at a time, but there is bloom… there is success… and flowers seek the sun.

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So what does my post for today mean?  Don’t worry about it.  M.C. Escher cheats when he plays the game.  His physics break the laws of physics, and his genius turns around corners that are not really there.  And maybe I only scored a “1” on my roll today.  But it is a good one.  And I have a piece in the game.  I am a player on the board.  And the next turn will come.

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M.C. Escher's faulty physics.

M.C. Escher’s faulty physics.

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Filed under artwork, humor, Paffooney

Homely Art – Amos Sewell

Still being under the weather and filled with sinus head-pain, I decided to go back to a subject I love so much that the post will simply write itself.  You know I love Norman Rockwell and his art, and I fervently believe that kind of mass media oil-painting does not put him in a lesser category than Rembrandt or Michelangelo or Raphael or any other painter with a ninja turtle namesake.   He is a genius, and though he is not a realist in so many ways, his work is more truthful than practically any other kind of painting.  If you are taken by surprise and didn’t know I had this passionate obsession, maybe you should go back and look at this post;   Norman Rockwell

Now that I got that out of my system, here is another Saturday Evening Post artist that is often confused with Rockwell.  His name is Amos Sewell.

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Sewell was an amateur tennis player who was talented enough to win tournaments.  He was an employee of Wells Fargo who was headed towards anything but an art career until he decided to make a leap of faith in 1930.  He started as an illustrator for Street and Smith pulp fiction, and soon caught the notice of the big-time magazine markets for his art.  He published art for Saturday Evening Post,   Country Gentlemen Magazine, and Women’s Day.

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Like Rockwell, he was able to find the funny in everyday scenes, like the dance party to the right.  That young man at center stage is trying so hard not to step on the feet of the red-headed girl, that you want to laugh, but can’t because it’s obvious how embarrassed he would be, and the charm of the picture leads you to shun the thought of interrupting.  The scene is so real the boy would hear you laughing as you looked at the Post cover.

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More expert on this kind of art than I am is the Facebook site that I first got turned on to Sewell by.  Children in Art History

They can also be found on WordPress.  Children in Art History (WordPress)

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There is no doubt that Amos Sewell belongs in the same pantheon of artists as Norman Rockwell, Thomas Kinkade, or Paul Detlafsen.  They are all artists who achieve in their work exactly what I have always striven for.  I want to be able to hold the mirror up to our world the way they did.  I want to capture both the fantasy and the reality in the subject of everyday family life.  I also want to share this work with you because I cannot stand the idea that such artistic ambrosia could one day be forgotten in archives where no one ever looks at it and feels the message in their heart.

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Filed under art criticism, homely art, humor

Feeling Sick and Marking Time… With Tractors

I was fishing for ideas to keep my every-day-of-2015 posting streak alive even though I am ill and feeling too congested and head-achy to write much.  Then, an Iowa friend of mine who still lives in the town where I went to junior high and high school posted pictures of old restored tractors from the Belmond Area Arts Council photos on Facebook.  Voila!  I can post about tractors!

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This little work tractor is just like the one that Uncle Alvin used to teach me how to drive a tractor.  He set me to driving it in circles, actually a rather large square, around the farmyard at his place near Sheffield, Iowa.  It was easy enough for a ten-year-old to handle that I graduated to using an actual John Deere tractor to use a hay rake on a clover-hay field to feed his Brown Swiss cattle, milk cows who were very dark brown and Uncle Alvin claimed gave chocolate milk.  Uncle Alvin was never serious about anything, and when I was ten and pretty stupid in the ways of the world, I thought he was a real hoot.

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The John Deere we called a “Johnny Popper” because of the noise it made whenever it was chugging along through the fields.  It was a sturdy dang-old tractor and survived my many gear-shifting mistakes.  Uncle Alvin said as long as I never found the self-destruct setting, the tractor would be all right.

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Uncle Larry always preferred a Farmall tractor.  I liked them too, even though they were much harder to drive.  I liked them because they were red.  St. Louis Cardinals’ fan, don’t ya know.  My favorite color is red.

Never did I ever drive an Allis-Chalmers tractor.

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I did, however, play with a toy one that looked just like this one when I had to stay at Jenny Retleff’s farm place.  Mom was a nurse and dad was an accountant, and sometimes after school neither of them was available to look after us, so we got dropped off at Jenny’s place a number of times.  That wonderful old farm widow who looked after us was the mother of one of my Mom’s best friends in high school.  Jenny is now gone.  So is the farm place.  Corn and soybeans grow where once the house and barn stood.  Much of the way of life we used to know that was so interspersed with tractors of various sorts is now gone, a victim of modern ways.

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Now we look at tractors more as museum pieces and touchstones that help us remember a world that no longer exists.  Oh, there are still tractors out there in the fields of Iowa… but not family farm tractors.  Not member of the family tractors.  Not the simple Farmalls and Johnny Poppers we used to know so well.  Thinking about tractors has made me feel a bit better. (Even though it hasn’t made my purple paisley prose more readable.)

Did you notice?  I wrote about 400 words more than I had intended to.

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Filed under autobiography, humor, tractors

Playing the Evil Clown Game

One of the biggest dangers of Presidential elections is that one of the fools running for the office has to get elected.  So, how do you decide which of the many evil clowns are acceptable to elect?  It is critical to know what jokes and pranks they are most likely to pull on the American people if given the opportunity to run the show in the Bigtop.

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For instance, Mr. King’s observation here is not a joke.  Senator Cruz is infected with corporate vampirism because his corporate masters are the ancient Nosferatu brothers known as Charles and David Koch.  For years now, these Libertarian vampire overlords have been sucking money out of the middle class and their thirst for more green blood from this country’s financial jugulars is unquenchable.  Cruz is against Obamacare because it puts limits on healthcare-for-profit excesses that prey upon the elderly and the infirm to make their zombie hordes.

But I have spent a lot of time harping on the bad clowns that want to be president.  I haven’t given much time or thought to the good clowns, or the less-evil clowns.  In the Republican field, one has to look for the Stephen-King clowns that have eaten fewer children.  Using “It” as the yardstick, Marco Rubio and John Kasich seem to have cooked fewer kiddies into gingerbread than the majority of the field.  is (3)

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I might also point to Rand Paul, even though he has gingerbread dough on his chin and frosting for hair, except that Wednesday I condemned him as an idiot.  Libertarians do get the concept of what freedom could actually mean if watered and nurtured like a flower.  But unlike his goofy father Ron, Rand uses weed-killer instead of water.

Rubio is a Spanish-speaking Latino from Florida who actually knows what it is like to grow up brown in white America.  He gets it that Hispanics are considered second-class citizens and are to be talked down to as ignorant children that only need to be firmly told what is good for them, and expected to accept the poison pills without complaining about the taste.  He does get that immigrants have needs, and he is willing to help a little with one hand while he builds a wall against Mexico with the other hand.

Kasich actually said some very un-Republican things about illegal immigrants, suggesting they work harder than most people and get less help or benefits than anybody else.  He is for amnesty for hard-working immigrants who are already here, and intends to only wall off the ones who aren’t here yet.   He knows that undocumented workers have bolstered the economy of his home State of Ohio, and he he doesn’t want to get rid of them in Ohio, California, Texas, or anywhere else where they help the profit margin.  He will make them legal and then just pay them far less than they are worth, the way corporate America has been doing to middle-class white folks since the 1980’s.

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If you should choose Alfred E. Newman’s twin brother Scott Walker as your playing piece in this life-or-death Elect a Clown for President game, you should know that I will oppose you to my dying breath.  He has destroyed education in Wisconsin, and he not only destroys teachers’ unions, there is some evidence that he actually eats teachers for breakfast.

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I would like to warn you that I truly believe the only way to win this Evil Clown Game is not to play it with Republicans.  But I know there are enough people in the evil-people/stupid-people coalition to elect a Republican as the next President.  It is my prayer that we are at least smart enough to elect one of the not-so-evil clowns like Rubio or Kasich.  Our planet will be the loser if we elect another flight-suit-wearing rodeo clown like we did a few years back.

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A Low-Fat Essay With One Third Fewer Calories

Val B22

Yesterday I posted a political satire in which I accused Rand Paul and Chris Christie of being the reincarnation of Laurel and Hardy.  I may have also suggested that Republican Presidential candidates are mostly possessed by the spirits of old comedy teams who share the bully and the idiot style of comedy made famous by Stan and Ollie.  That post had about 380 calories from empty carbohydrates and the saturated fat was off the charts.  If I am to provide a healthy diet of low-quality purple paisley prose to those who ready my pretentiously faux-literary blog, then I need to alternate in some high-fiber, low calorie fare.  After all, this is a place where people come to sample my ideas and my so-called humor.  Any and all fat that they get from here goes straight to their head.  It can clog the arteries of the thinking organ.  So, let me offer something light and fibrous today.

Yesterday I finished the first-pass edit of my novel Snow Babies.  I also got it sent to my editor at PDMI, Jessie Cornwell.  Her edits caused serious pain and minor bleeding, but that is merely an indicator that she is very professional and does the job well.  And on occasion, she makes me laugh.  She identified and corrected my creepy fascination with the word “penis” and cut it out of my novel.  I am sure you can imagine how painful something like that can be.  But I deserved it.  A writer has to be aware that there are quirks in his thinking that interfere with communicating ideas to the reader.  And the nutritional value of the ideas and thinking in a book are not only what makes it worth reading, but worth writing in the first place.

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It is a little odd to be working on a novel about a blizzard in Iowa in deep December when it is August in Texas and we are undergoing 100-degree plus weather during the yearly heat wave and drought.  It is hard to imagine deadly cold and Christmas-wish thinking when you have to sit naked by the air conditioner and you still sweat out gallons.  (Notice I did not use the word “penis” even once in this paragraph, Jessie.)  (Oops!  Okay, don’t count the parenthetic expression, please.)

But I love these characters.20150813_113902

Valerie Clarke, the main character, is an eleven-year-old girl trying to make her way in a cold world after the death of her father.  She finds and latches onto a mysterious old hobo who goes by the name Catbird.  The man wears a coat which is a crazy quilt of colorful patches.  He carries around a dog-eared copy of Walt Whitman’s Leaves of Grass and quotes from it as if it is his Bible.  She gives him a place to stay, with her and her grieving mother in the nick of time before the blizzard hits her little Iowa town.  Valerie is based in part on my own daughter.

A bus gets stranded in the rural farming community and the bus contains four boys who are not only passengers, but runaway orphans escaping from the Illinois foster care system.  The youngest boy is crippled.

So, I am for the moment only posting something light that you really don’t have to work too hard to consume.  The main idea is simply that I have finished another step in the process of publishing my long-delayed novel.  And hopefully this post isn’t needlessly fattening, like many of my posts are.

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Laurel and Hardy Politics

Now, you probably know that I would not ever actually watch the GOP Presidential debates.  I am not a sadomasochist looking to seriously torture my own brain, especially the logic and ethical centers of my brain.  But you cannot help but get some highlights (or more properly, low-lights) from the news.   And the most telling thing that struck me about the bits and pieces of the clown-alley massacre that is called a Republican debate, is that the comedy team of Stan Laurel and Oliver Hardy are re-incarnated and running for president.  Compare these two images.

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I mean, you see it, don’t you?  Rand Paul is Stan Laurel.  He has the same eyes.  The same rubbery mouth and chin.  Chris Christie is Oliver Hardy.  Notice the double chin.  The porcine eyes and pig-like smugness.  They have the same political facial tics and brain spasms.

Rand Paul is a Libertarian at heart.  That means he has no earthly idea how things work.  He would just dismantle government if he had his druthers, and he firmly believes that government should keep its hands off everything.  No foreign policy.  No protections from the predatory practices of free-market businesses.  “Leave it alone and it’ll come home,” is his philosophy.  And when he gets in trouble for his mistakes, he scratches the top of his head with one hand while he holds his hat in the other and cries.

Chris Christie is a political bully.  His bluster and bombast attacks lazy folks like public school teachers.  How dare they think they can unionize in his State and demand better wages for the hard job they are doing trying to live up to the high testing standards that he has imposed?  He is angry practically all the time.  When his revenge policies get called out by the news media, he blames others for the problem and throws a tantrum.

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But, wait a minute.  I have seen that pattern in other places too.  The bully and the idiot!  That could be Abbott and Costello too!  Well, of course, Paul and Christie look more like Stan and Ollie.  But the debate had more than its share of “Who’s on First?” routines in it.  Maybe Bud and Lou are reincarnated too in Ted Cruz and Rick Perry.  Ted is bully enough to filibuster and shut down the government when he doesn’t get everything he wants.  And Rick Perry cannot remember three things at the same time.  And they are both from Texas.  That definitely smacks of comedy duo.

In the singular argument that made the news reports between Rand Paul and Chris Christie, they had a spat over government surveillance that had to be a comedy routine.  Rand Laurel cried that he didn’t want government wiretaps to snoop into the business of everyday Americans, though somehow he still wants to collect private data from “terrorists”.  How does he do that, precisely?  Passing a law to make all terrorists wear a bell around their neck so we know who to spy on?

And Ollie Christie came back at him that he could not be considered a patriot if he didn’t allow government spying on everybody to root out the bad apples.  Rand Laurel rebounded with an insult that pointed out that Ollie Christie committed the unforgivable Republican error of hugging Obama during the Hurricane Sandy debacle.  And Ollie Christie tossed a last word back at him with the bombastic equivalent of, “This is another fine mess you’ve gotten us into!”

I have to think about this all very carefully.  I may have been too hasty in my judgments.  Perhaps the GOP Clown College debates are something I would get numerous yuks and giggles out of.  I may have to consider actually watching the next mess.

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R.D.G.

I have discovered treasure on Netflix.

It should come as no surprise to you that I am as enamored of Japanese Anime as any cartoonist nerd-boy has ever been.

I told you already about Astroboy and the old movie The Magic Boy (1959).  Now witness my newest Anime/Manga love.

If you watched the opening in that video, you will see right away the first, best reason I have to fall in love with this moving painting, this gloriously subtle Japanese art print set to motion and music.   If you like that opening sequence, you have to see the first season ending sequence as well.  Izumiko slowly and elegantly walks as spine-tinglingly exquisite melancholy music plays and gallery-quality scenery behind her is interspersed with unfurling fans.  You have to see it to understand what I mean.  I’m sorry I did not find a YouTube version to post.   But you can find it at the end of every episode you watch.  Wait a minute!  What do you mean you didn’t watch that opening YouTube video?   Don’t make such a mistake!  Go back and watch it right now!  Oh, you did watch it?  Okay.  But go back and watch it again.  Believe me, it is that good.

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My sister Mary, the archery coach, may guffaw at the way  Miyuki draws his bow, but, hey!  That’s actually the way the Japanese teach it.  Everything in this cartoon show is stunningly realistic.   And everything is subtly building up to a story that is wholly surreal and unbelievably touching.   Look at how it combines with popular music in this YouTube highlight reel;

It is filled with wizards and warlocks, spirit creatures and Japanese nature goddesses, and a conviction that love and goodness will find a way to win out.

The story is about a young girl, Izumiko Suzuhara, who has been raised in mountainside isolation at Tamakura Shrine, an otherworldly place in a beautiful forested landscape.  She has an unusual problem.  She short-circuits electronic devices, burning out the school computers and breaking every new cell phone her family gives her.

A family friend visits as she is trying to make the decision whether to go to the mountain village high school or go to the Tokyo school her absent father and mysterious mother have recommended to her.  The friend leaves his son, Miyuki Sagara to be her protector, though she doesn’t understand why she needs a protector, or why they have chosen a boy she has always believed hated her.  He has been a bully to her in the past.  But Miyuki has studied to be a yamabushi, a mountain monk, since a very young age.  It turns out that Izumiko is chosen to be the vessel of a Kami, a good spirit who protects and empowers the world.

There is no way to adequately explain why this Japanese cartoon is so good and so necessary to be viewed by anybody and everybody I can put the word in with… It is one of those, “you-know-it-when-you-see-it” things.

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Timeline – Finale

MickeyX22

So how do I end this little trilogy of timeline terror?  I have to fit in the remaining novel projects that are related or at least partially done.  And the unrelated ones too.  I have way more in the Mickian bag of tricks than I will ever have the magic-using years to actually use.  The thing about wizards is that, by the time they have accumulated all the knowledge, wisdom, and arcana that it takes to do the wizardry, they are already old and near to death.  How much time is left for the actual magic?  I have been living this weekend in fear of imminent stroke.   But I believe the random brain pain has actually turned out to be sinus problems.   So here are the projects that finish the timeline and are the projects least likely to get written and published.

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Connected to Catch a Falling Star is its sequel, Stardusters and Space Lizards.  This is a novel I have most recently been trying to finish.  I am in the home stretch at 40,000 words.  It is the story of the failed Earth invaders  continuing their journey to another planet, an even worse place than Earth.  Galtorr Prime is the planet of the humanoid lizard people.  Their world is on the very brink of extinction by global warming, toxic politics, and war.  The remnants of the Telleron aliens who tried to invade Earth and their Earther-human friends not only have to make a colony for themselves here, but have to save the planet itself as well.  It is a cautionary-type science fiction tale in the same comedy-young-adult-novel genre as Catch a Falling Star.  It also happens in the early 1990’s (intended to mean the time on Earth which is not relevant in any case).

The next novel is Monstro, a ghost story in which the Norwall Pirates have to take on the Lonely Ones, the spirit-echoes of the crazy people of the past in a haunted farm house that awakens to feed on the living.  The story is more than half written, but is looking at a near total rewrite to make it conform better with comedy young adult fiction.  It is set in the mid 1990’s, around 1995.

None of my Hometown Novels will go beyond the 20th Century.  Monstro is ostensibly the last of the novels.

I am a science fiction writer as well, though.  The first book I ever published, Aeroquest, is set more than three thousand years in the future, at a time when the Orion Spur of the Sagittarius Spiral Arm of the Milky Way Galaxy (where Earth has its street address) is largely colonized and thoroughly inhabited.  As the novel now stands (a sorry mishmash that no decent publisher would’ve ever printed) it is in need of a total re-write and make-over.  It is a novel that I humorously say is about teachers in space… though I do realize that “humorously” has to be qualified as a big bald-faced lie.

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So this is run-down in time order of all the stuff I want to do as an author.  How much gets done in reality is anyone’s best guess.  Who knows?  I may live another twenty years and finish at least one novel every year.

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Timeline – Part 2

Val B22You may remember that yesterday I was giving a run-down of my various Home Town Novel projects according to the order they supposedly happen in real time (measured in years).  Here is what I went over yesterday;

Superchicken, set in 1974, the first Home Town Novel that I completed.

The Baby Werewolf (also possibly titled The Wolf in the Attic), set in the Fall of 1974, not yet completed.

The Forever Boy, set in Spring 1975, not yet written in manuscript form.

Sweet Pickles, set in the Fall of 1974 and Spring of 1975, half written, but possibly too graphic to publish.

Under Blue Glass, set in 1977 and not yet written in manuscript form.

When the Captain Came Calling, is set in 1983-84, the manuscript is currently at 25,000 words and being worked on.

And the novel I am editing for publication this week, Snow Babies, set in the Winter of 1984.  Snow Babies is the story of how the small town survives the raging blizzard and faces the prospect of freezing to death.  Valerie Clarke, in the picture above, is the central character in a large cast trying to avoid being the one the snow spirits have come to claim.

The second generation of Norwall Pirates, the boys’ club of dreamers, goofballs, and liars, have come to be led by a girl, Mary Philips and Valerie is the second girl ever to join the club.

Crooner

Francois
The next novel has undergone two transformations.  It started as a book called Little Boy Crooner.  It is about an orphan from France who comes to live with ne’er-do-well Iowegian relatives.  Homesick and deeply troubled, the boy has discovered a natural talent for karaoke, and has a voice that people come from miles away to hear.  Then, the clowns of the Dreamlands began invading this story and had to be renamed.  It is now called Sing Sad Songs… with Clowns.  I may, however change the name to just Sing Sad Songs.

 

Sing Sad Songs and the next novel in the series, Fools and Their Toys, happen at the same time in 1985-86.  They not only share a setting and many of the same characters, but they share a villain and many of the same plot-shaping events.  They are, however, very different stories.

Fools n Toys

 

Fools and Their Toys is the story of autistic Murray Dawes.  Because he has never really been able to communicate before, his turning point comes when a new member of the family, an adopted little brother, makes for him a ventriloquist’s dummy in the form of a zebra.  He calls it Zearlop and uses it to unleash the hidden intelligence that was there through all those years when other people thought he was retarded.  Unfortunately, just as Murray is blossoming, a serial killer comes along, targeting young boys.  More unfortunately still, some from the area believe Murray may be the killer.

class Miss Mcover

Leadership of the Pirates is passed from Mary to Valerie.  And in 1988 I have set my current contest novel The Magical Miss Morgan.  Valerie passes the leadership of the Pirates to her highly imaginative and extremely annoying cousin Timothy Kellogg.  Tim is a the second most important character in the story of the teacher, Miss Morgan, who loves to teach.  Miss Morgan is the sister of original Pirate wizard, Milt Morgan.  Because of her brother, she inherits responsibility for a local war between good and evil fairies, while at the same time trying to save her job from evil principals, parents, and school board members and teach a lesson or two worth remembering forever.  This full manuscript novel is currently being judged for the contest, and will be submitted for publication after.

DSCN7060

Tim Kellogg is one of two main characters in the next novel, The Bicycle-Wheel Genius.  Orben Wallace, the inventor, is the title character who may have accidentally created a time machine.  The novel is set in the years from 1988 to 1990, and it is about how the genius’ old inventions come back to haunt him as he tries to solve the problem of having invented a time machine, having worked on mysterious government projects, and having helped to fight off an alien invasion.  This novel is also complete and merely awaiting the proper time to get published.

 

Catch a Falling Star is the published novel that started this blog and my dream of making it as a novelist.  It is set in 1990 and tells the story of when the Telleron alien empire of frog-like fin-headed aliens fail to invade Norwall, Iowa because they hadn’t reckoned on meeting the Pirates.See Catch a Falling Star on Amazon here.

My Art 2 of Davalon

I guess I leave it here for today.  It seems there is enough more to fill another blog… Part 3.

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