Still being under the weather and filled with sinus head-pain, I decided to go back to a subject I love so much that the post will simply write itself. You know I love Norman Rockwell and his art, and I fervently believe that kind of mass media oil-painting does not put him in a lesser category than Rembrandt or Michelangelo or Raphael or any other painter with a ninja turtle namesake. He is a genius, and though he is not a realist in so many ways, his work is more truthful than practically any other kind of painting. If you are taken by surprise and didn’t know I had this passionate obsession, maybe you should go back and look at this post; Norman Rockwell
Now that I got that out of my system, here is another Saturday Evening Post artist that is often confused with Rockwell. His name is Amos Sewell.
Sewell was an amateur tennis player who was talented enough to win tournaments. He was an employee of Wells Fargo who was headed towards anything but an art career until he decided to make a leap of faith in 1930. He started as an illustrator for Street and Smith pulp fiction, and soon caught the notice of the big-time magazine markets for his art. He published art for Saturday Evening Post, Country Gentlemen Magazine, and Women’s Day.
Like Rockwell, he was able to find the funny in everyday scenes, like the dance party to the right. That young man at center stage is trying so hard not to step on the feet of the red-headed girl, that you want to laugh, but can’t because it’s obvious how embarrassed he would be, and the charm of the picture leads you to shun the thought of interrupting. The scene is so real the boy would hear you laughing as you looked at the Post cover.
More expert on this kind of art than I am is the Facebook site that I first got turned on to Sewell by. Children in Art History
They can also be found on WordPress. Children in Art History (WordPress)
There is no doubt that Amos Sewell belongs in the same pantheon of artists as Norman Rockwell, Thomas Kinkade, or Paul Detlafsen. They are all artists who achieve in their work exactly what I have always striven for. I want to be able to hold the mirror up to our world the way they did. I want to capture both the fantasy and the reality in the subject of everyday family life. I also want to share this work with you because I cannot stand the idea that such artistic ambrosia could one day be forgotten in archives where no one ever looks at it and feels the message in their heart.