Category Archives: goofy thoughts

February 6, 2024 · 3:00 am

Re-Minders

Lately I have been having memory troubles. You know what I mean, when you walk through a doorway with a definite purpose in mind.and then, on reaching the other room, you have no earthly idea what that purpose was. It happens to me regularly. In fact, I can even start writing a sentences, and then I… What was I talking about? Oh, yes. I need to practice writing some more spectacularly bad poetry, before I forget how to do it.

Why did I use this picture? I don’t know. I have forgotten.

Re-minders

Sometimes…

My mind slips out of my left ear…

And I can’t remember things.

So, I have to search under the table…

To find my mind…

And then I remember that that’s not how a mind works.

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Forgetfulness

Tell me now, before I forget…

What was I supposed to remember?

Was it something religious, important, and good…

That comes towards the end of December?

Was I supposed to buy something for somebody then?

I wrote a note to myself in September…

Oh, gosh! How could I ever forget that?

Now the fire is nothing but embers.

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Finding Fairies in my Hair

Why do I have elflocks all snarled up in my hair?

Surely some fairies have been twisting it up there.’

But if I can catch one and make him confess,

He claims I don’t comb it, and that’s why it’s a mess.

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Doofy Me

If I forget everything I ever knew,

Would it be possible that I am still smarter than you?

Old Socrates said he knew nothing at all.

And so he asked questions from Winter through Fall.

I hope I retain enough brain to remember

That everyone needs to wear clothes in December.

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Yep, I still obviously remember how to write spectacularly bad poetry. It is my contribution to literature. Virtually all poets will be able to say, “At the very least, I am a better poet than Beyer.”

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January 29, 2024 · 2:29 am

The Bottle Imp Implementation

I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.

But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.

Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.

So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.

If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.

Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.

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January 24, 2024 · 1:41 am

Reading Other Writers

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Nobody who wants to be a writer gets by with just writing and never reading anything by anybody else.  It is too easy to devolve into some kind of human mushroom that way, thinking only thoughts a mushroom could think, all fungus-like and having no chlorophyll of their own.  You never learn to decode other people and other people’s thinking if you don’t read other people’s thoughts crystallized in writing.

And not every other writer is Robert Frost.  Or even Jack Frost who thinks he’s  Gene Kelly.  There has to be some interpretation, some digging for understanding.  What did that writer mean when she said political correctness was like a tongue disease?  And what does it mean when a commenting troll calls me a nekkid poofter?  Is that how he spells “exceptional genius”?  I think it is.  Trolls are not smart.

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I know people have to make an effort to understand me.  When I write, I am writing under the delusion that I can produce literary quality off the top of my head.  In fact, I can barely produce hair off the top of my head, and it is gray when I do it.   See what I did there?  It is the kind of joke a surrealist makes, pretending the idiomatic expression you use is to be taken literally when it doesn’t literally make sense.  That kind of nonsense is what my readers have to put up with, and probably also the reason why most of them just look at the pictures.  If you have to think too hard when you read, your brain could over-heat and your hair could catch fire.  I like that kind of purple paisley prose that folds back in on itself and makes you think in curlicues.  But most people don’t.  Most people don’t have fire-proof hair like I do.

20180103_082404 Of course, there is the opposite problem too.  Some writers are not hard to understand at all.  They only use simple sentences.  They only use ideas that lots of other people have used before.  You don’t have to think about what they write.  You only need to react.  They are the reasons that words like “trite”, “hackneyed”, “boring”, and “cliche” exist in English.  But simple, boring writing isn’t written by stupid people.  Hemingway is like that.  Pared down to the basics.  No frills.  Yet able to yield complex thoughts, insights, and relationships.

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Sometimes, it doesn’t even take a word to make the point.  For instance, why, in the picture, is Fluttershy trying to drink out of the toilet in the dollhouse bathroom?  For that matter, why does a doll house even need a bathroom?  Applejack doesn’t even fit in that yellow bathtub.  I know.  I tried to stuff her in there for this picture.  And, as you read this, doesn’t this paragraph tell you a lot about me that you probably didn’t even want to know?

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When I am reading the writing of others, I am looking for a cornucopia of things.  I want to not only understand their ideas, I want to detect the limping footprints across the murder scene of their paragraphs and come to know the deeper things about them as well.  I spent years decoding and trying to understand the writing of preliterate kids in my middle school English classes in order to be able to teach them to write better.   And I learned that no writer is a bad writer as long as they are using readable words.  I also learned that very few writers are James Joyce or Marcel Proust.  Thank God for that!  And given enough time I can read anything by anybody and learn something from it. I read a lot.  And it may not always make me a better writer to read it, but it always has value.  It is always worth doing.

 

 

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January 19, 2024 · 2:27 am

Leftovers in January

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You reach a point after a hard month has lingered long where you have to eat the leftovers and accept what is.  I face challenges in the new year at least as large as the challenges of 2017.  When faced with such a situation, I need pie.

So here are some of the things left in my January file for use in this blog.  The only reason they are here is because I haven’t used them yet and the ideas have not been knitted together for any rational purpose.

This will be a crazy quilt blog post.  But crazy quilts keep you just as warm in winter as any other kind.

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My newest Facebook friend is the daughter of my wife’s cousin.   I have only known her as the sweet-faced little smiler at Filipino-American family gatherings who sometimes gets my attention by squirting me in the ear with a water gun.  Her father is from Greece and teaches Math in San Antonio.  Her mother, like my wife, is from the Philippines.  I won’t tell you her real name, but we used to call her “Sweetie” because she resembled the little pink Tweety-bird character from Tiny Toons Adventures.

I have also spent considerable time writing to and for nudists I have connected with through their various websites and on Twitter.  These two lovely works of nude art were shared with me on Twitter.  I have collected a number of nude pictures from Twitter nudists that I can’t use on WordPress because I am still entirely too modest to be the unrestrained naked person that some nudists are.  I can’t really claim to be a complete nudist myself.  But I do have stories to tell about naked people, and I have been working on them diligently.

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Of course, I still miss being a teacher.  I was a teacher of English for 31 years.  I taught reading and writing in English to over 2,000 kids.  I also learned how to stare in Klingon.  It is a useful skill for keeping students in line and keeping them from becoming a disappointment to the empire.  I miss teaching kids, especially talkative kids.  Far fewer people talk to me during a day of retirement than used to talk to me in a single class at school.  Those interactions were precious.

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And several things are just too confusing for my old brain to explain.

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But I do like this picture I found on Facebook of Tom Baker, the 4th Doctor, playing with multiple kittens.  I don’t know why, but it makes me happier.

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January 17, 2024 · 12:50 am

Scientifical Dog-Poop Theories

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I have been taking note of the Republican approach to science as displayed repeatedly in Congress.  I decided that this is the kind of science that can best explain the dog-poop phenomena, since it is, ultimately, about how the data feels more than measuring and quantifying and dealing with, you know, those fact thingies.

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You see, the problem comes in with the fact that my dog, Jade, is producing dog poop at record levels, and it is all becoming rather a burden.   Now the dog-poop literature, (yes it does exist, since dog lovers write about anything and everything to do with dogs), says that it is not uncommon for a healthy young dog to poop as much as 5 times a day.  But my dog seems to poop exactly one time more per day than the number of times you take her for a walk.  If we go out five times, she poops six.  If I take her out in the middle of the night for a sixth time, she poops seven.  What the heck?

My wife really hates the dog because she poops on the carpet so much.  (The dog, not my wife.  My wife is satisfactorily house-broken.)  There are places on the living room carpet she marked as a puppy five years ago where she insists on re-pooping practically every night.  No matter how often we scrub the carpet and box her ears, still, brown spots and poop lumps to greet us almost every morning.  Maybe she does it because my wife tells her how much she hates her and the dog wants to get even.  But that is the opposite of what the dog says.  She loves Mommy because Mommy gives the dog soup bones.  Somehow, it seems the dog believes she is giving us all a gift by pooping on the carpet and filling the house with her personal scent.  She poops for us because she loves us.

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Here Jade Beyer is busy using Henry’s computer. She has her own Facebook page and everything.

I drew the diagram at the start of this article to better explain my Republicanized theories of dog poop and dog love.  You will notice that, based on observations of total output, I have theorized that dogs must be almost completely hollow.  They don’t apparently store poop in their legs, but the rest of their dog bodies appear to be hollow poop-tubes that store nearly infinite amounts of poo.  Dogs also apparently have some kind of instant-poop-maker at the base of the throat so that anything they eat, dog food, my missing left socks, my son’s retainer, dead rats, whatever was growing behind the rice bag in the pantry, and whatever people food they can steal, is instantly transformed into poop.  Need to poop on the floor because dad didn’t give you any of the bacon at breakfast?  Eat a sock.  Fill up with instant poop ammo.  The poop on the floor will prove how much you love dad and why he should give you bacon more.

So, now that I have studied the poop problem, what solutions could there be?

Well, I have threatened the dog to use corks and other sorts of plugs, but that wouldn’t solve the problem so much as merely delay it.  And I dread the impending explosion in the living room that such a plan suggests to a vivid imagination like mine.  I have thought about feeding her less, but it seems she can still use the puppy beg-eye to such good effect that she could subsist entirely on people food conned out of my son and daughter.  So, I will use a Republican congressional solution.  Since their response to poverty is to give more money to rich people, and the solution to climate change is to cut pollution restrictions, then obviously I need to feed my dog MORE!  I need to cram it down her greedy little throat if necessary.  That will fix it.  Or bring about fat, exploding dogs all the sooner.

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January 16, 2024 · 1:36 am

Shakespeare is NOT Bacon

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(The graphic above should say “Empiricism,” not “Empirism.”  Ir is a typo.

Yes, Sir Francis Bacon is at least as interesting and obscure as William Shakespeare.  But let me assure you, I can confidently state, “Shakespeare is NOT Bacon!”  He is not eggs either… or any other breakfast food.  Sir Francis Bacon was the breakfast, the first meal in the great Elizabethan banquet of literature, poetry, and culture.  And William Shakespeare is a more important main course, the royal dinner, as it were.  But it has to be acknowledged that Bacon was essential to the very existence of William Shakespeare.  Breakfast always comes before dinner.

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In 1845 a female author by the name of Delia Bacon (nothing suspicious about that coincidence, by the way) put forward an idea that William Shakespeare’s plays were actually written by a group of men under the leadership of Sir Francis Bacon.  She thought the group intended to inculcate into English culture an advanced system of politics and philosophy which they themselves could not take credit for publicly.  She would later write a book in 1857 called The Philosophy of the Plays of Shakspere Unfolded which advanced the notion that the plays were written for Baconian purposes beyond mere theatrical entertainment.  Numerous people, including the American poet Ralph Waldo Emerson supported her in her quest to find proof, sending her to England to research the crazy conspiracy theories she founded by noting ciphers in the plays, and in the essays of Bacon, that led her to believe all she had to do was dig up the gravestone of Shaksper in the chapel at Stratford to find written proof in Bacon’s own hand that he was, in fact, the author or primary motivator of the plays of William Shakespeare.  She spent one cold and creepy night in the chapel, just her and her spade and her crow bar, along with the bones of the Stratford guy, trying to work up the courage to do a bit of grave-robbing… and failing.    It is a good story, but very poor archaeology.  She was denounced by the literary historians and establishment figures who supported the Stratford guy.  They said her scholarship was sloppy, her cipher analysis goofy and unfounded, and her conclusions more questionable than a pig in theatrical make-up.  (My words, not theirs.  English critic George Henry Townsend was entirely too stuffy and boring to simply be quoted here.)

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Now, I, of course, strongly disagree with the Bacon lady.  As I said in the very title, “Shakespeare is NOT Bacon.”  But I do think there was merit in sniffing out old Frankie’s scent and fingerprints on the whole Shakespeare/Shaksper thing.  The Stratford guy was not Shakespeare either.  When he died in 1616 there was no public outcry at the loss of England’s most popular poet and playwright.  Even King James who was Shakespeare’s number one fan and constant audience member, didn’t mourn the passing of the actor/theater-owner/businessman from Stratford.

Francis Bacon, on the other hand, was a powerful intellect, educated in the ways of science, the law, and government in the Elizabethan age.  Bacon gathered other men of powerful intellect and accomplishment at Gray’s Inn to hold debates about things philosophical and things scientifical.  It is not unreasonable to imagine that the man who really wrote the plays attributed to Shakespeare sat at that table and participated in those debates.  And Sir Frankie had good reason to keep lots of this business a secret.  There exists evidence that though he was apparently happily married to a fourteen-year-old girl, he did a little bit of swaying toward the other gender too, a thing not too popular with the average Anglican Englishman.  He also dabbled a bit in the occult (think witches in Macbeth sort of thing).   And his essays indicate a strong correlation to the philosophies and ideals of the German Rosicrucian Movement.  In 1593 during a Roman Catholic plot against Queen Elizabeth, Frankie managed to take a position on the investigation that totally offended the old virgin queen.  He was on the outs with Liz for the rest of her difficult and anger-management-challenged life.  He did rise to prominence under her successor, James I, but never-the-less managed to die amidst total ruin and scandal.  There is a lot in Frankie’s life to indicate that he had a direct influence on the content of Shakespeare’s plays.  Some of the characters in the plays may actually be, at least in part, based on Frankie himself.  But  this guy never hung out with the Stratford guy that anyone knows of.

So, if Shakespeare is NOT Bacon, or eggs either… and the Stratford guy isn’t Shakespeare, then who is?  Come on!  You knew I had a lot more to say about this crazy conspiracy thing, right?

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January 15, 2024 · 2:10 am

The Heart of Shakespeare

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Despite my skepticism about the accepted wisdom in regard to the historical William Shakespeare, I do deeply love the body of work that is Shakespeare.  My most favorite play is The Tempest, the final play in the canon.  I also have read and loved As You Like It, Romeo and Juliet, Hamlet, A Midsummer Night’s Dream, The Merchant of Venice, Henry V, Richard III, Julius Caesar, Macbeth, Othello,  and King Lear.  I know that is not all of the plays, but that is probably more than most people have read.  And of course, as an English major in college, and later as a teacher, I have actually analyzed, compared, studied, and taught some of these plays.  So, the Shakespeare I know is the Shakespeare of the writer’s own mind, his communicated wit and wisdom, imagination and intellect.

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And I do not have any disdain or disrespect to give the Stratford guy.  To say that, in the Elizabethan world, the actor son of a tradesman with only a grammar school education could not have been the mind behind the literary masterworks is foolish.  The Stratford guy owned and operated the Globe theater at a time when “the play was the thing”.  All of London society, rich and poor, gloried in the theater, and Shakespeare did for Elizabethan plays what Babe Ruth did for baseball.  He was a good enough business man to make himself a decent fortune.  Although, apparently, this world-shaking author didn’t spend any of his money on owning books, which in my experience is extremely rare among writers.  His life, bound up in an urban existence that never traveled outside of the country also somehow produced great works that were set in places in Europe, especially Italy, that described those settings in accurate detail.  As a working actor, he also apparently had the time to study law and somehow learn the inner workings of the royal courts of more than one country.  And the plots were not original.  He took existing stories that already were a part of European literature and lore and wove them into rich tapestries of human striving, laughable foibles, and a deep understanding of basic human character.  But I do have doubts that the businessman and actor from Stratford was the real writer of the plays.

I have already told you that I don’t believe Sir Francis Bacon was secretly Shakespeare.  Christopher Marlowe wasn’t either.  And I have unsuccessfully made a case against Shakspere, the Stratford guy.  So who could possibly be the real William Shakespeare?  Well, I am not going to be able to make a decent case for him in the 100 words that I have left to end this essay with.  So there has to be more to come.  (And stop screaming obscenities at the computer screen.  I am going to reveal the name before the end of this essay.  And I promise not to make my case for him in coming days too boring and horrible.)  I have to show why I believe that the true heart of Shakespeare could only have beaten within the body of Edward deVere, the Earl of Oxford.

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January 14, 2024 · 2:52 am

Shakespeare Knows Fools

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The fact that Shakespeare was a master of the art of creating and mocking fools does not really help decide the question of who Shakespeare really was.  A stage actor who owned a theater in Elizabethan times and apparently focused on being the bit player, the butler, the second man on the castle wall in the great plays, would certainly know enough of flim-flam, being a con man, or artfully throwing turds at kings and queens in ways that get rewarded rather than beheaded.  But a nobleman who has unpopular and unwelcome-but-probably-wise insights into the back-stabbing-goings-on of the royal court of England would equally be capable of putting the most memorable of critiques of humanity into the mouth of the fool or the clown in the great stage-play of life.  Even the most depressing and violent of Shakespearean tragedies is enhanced and made pointed by the presence of the fool and the comic relief.  In some ways, everything that Shakespeare wrote was a comedy.

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Whoever Shakespeare was, he shared Mark Twain’s overall assessment of “That damned human race” and often declared all men fools in the eyes of the playwright.  Puck’s observation on humanity is delivered about not only Bottom and the other poor players who carry on their vain attempts at performing Pyramus and Thisbe while Bottom magically wears the head of an ass, but also the easily fooled lovers who mistake their true loves for one another, and even the clueless mortal King Theseus of Athens.

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In the play within a play, Nick Bottom wants to be not only his own role, Pyramus the romantic lead, but argues that he should be Thisbe, the lion, and Pyramus all at once, making a satire of human nature and its overreaching ways that we could only pray Donald Trump will one day watch and magically understand.  In fact, Shakespeare’s entire body of work is an extended investigation of foolishness versus wisdom, and with Shakespeare, the verdict always goes to the fool.

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The plays of William Shakespeare are filled with fools doing foolish things… and fools being accidentally wise. (Think Jacques in As You Like It giving his famous “All the world’s a stage” soliloquy in which he elucidates the seven ages of man.)  There are fools too who prove to be wise.  (Think of the ironic advice given by the jester Touchstone in As You Like It, or the pithy commentary of King Lear’s fool).  The fools in Shakespeare’s work are not merely the comedy relief, but the main point that Shakespeare makes about humanity.

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Whoever the man was who wrote the plays of Shakespeare, he was someone who had a deep understanding of the basic irony underlying all of human life.  And someone with that vital sense of the bittersweet, a philosophy of life that encompasses the highest heights and lowest depths that a soul can reach, is someone who has suffered as well as known great joy, someone who has experienced loss as often as profit, and has known real love as well as real hatred.  It is the fool that Shakespeare shakes us by the neck with to make us recognize the fool in all of us which makes the plays resonate so deeply within us.  It is watching the path of the fool unfolding that makes us shake our head and say to ourselves, “Yes, that is what life is really like.”

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December 15, 2023 · 2:32 am

The Art of Being Mickey

I have published my eighth novel in the last six years. Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid-mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even then some who have achieved commercial success.

But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’

So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.

I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))

—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.

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December 8, 2023 · 1:39 am

“Mickey, What’s Wrong With You?”

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Yes, I am trying to answer that old question that old girlfriends used to ask me back when they were young and I was young and too stupid to answer honestly. You know, the question always asked right before they tell you, “Why don’t we just be friends and leave it at that.”

After having spent my Christmas money from Mom on an 18-inch giant gorilla action figure of Kong on Skull Island to terrorize all the dolls on the Barbie Shelf after midnight when all the dolls secretly come to life, I feel more prepared than ever before to answer that particular question.

I am not in my second childhood. I am still in my first one. Yes, I reached the ripe old age of 12 and then Peter Pan Syndrome set in bigtime. On the inside, I will always be 12 years old. I still, at 61, play games and play with toys. I never really grew up.

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I am not a Brony, but I am still buying My Little Pony dolls, and can name all six of the main characters. From left to right, Fluttershy, Rarity, Pinkie Pie, Apple Jack, Rainbow Dash, and Twilight Sparkle. And yes, I have watched the cartoon show and like it, but am still not a Brony, okay? There are a lot of things wrong with me, but I am not that bad! My kids, however, are embarrassed to be seen with me when I am shopping for toys at Walmart, Toys-R-Us, or Goodwill.

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I still play with the HO scale model trains that I have owned and collected since the first year I was actually twelve. I would love to get them running again. The Snowflake Special and the Toonerville Trolley seen in the picture both still ran the last time I tested them four years ago. I still love to paint buildings and HO scale people to live in my little train town. I am still working on a set of townspeople that I bought back in 1994. German villagers circa 1880.

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I have always been fascinated by imaginary places and the people who live in them. Especially imaginary places in the fiction of the past. Places like the castle of Minas Tirith in the realm of Gondor in Middle Earth, and like Pellucidar that David Innes and Abner Perry discovered at the Earth’s Core in their boring machine called “the Prospector”as part of the Pellucidar series created by Edgar Rice Burroughs, author of the Tarzan novels. So, another thing wrong with me is that I live mostly in the past and entirely in the worlds of my imagination. I have very little to do with the so-called “real world”.

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So, to sum up, the things wrong with Mickey are; A. He’s a goofy old child. B. He still plays with toys. C. He likes girly stuff. D. He confuses fantasy with reality. No wonder the girls used to run away screaming. And I haven’t even added the part about Mickey thinking he is a nudist now and walking around the house naked when no one else is home and forced to see the full horror of it.

But maybe you should think on it for a moment more. What if the things that are wrong with Mickey are actually good things? What if he’s found the secret to long life and happiness in spite of a world full of troubles and illnesses and blechy stuff? It could be true…

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