Category Archives: artwork

Big Eyes

141202210752_margaret_keane_304x171_margaretkeaneYesterday, before the big game, I watched the DVD I bought of Tim Burton’s Golden Globe Award movie, Big Eyes.  It is the true-story bio-pic of an artist I loved as a kid, Margaret Keane… though I knew her as Walter Keane.

This movie is the bizarre real-life tale of an artist whose art was stolen from her by a man she loved, and supposedly loved her back.  I have to wonder how you deal with a thing like that as an artist?  I live in obscurity as an artist.  My art has been published in several venues, but I have never been paid a dime for it.  All I have ever gotten is publication in return for “exposure”, and limited exposure at that.  But my art always brought vigor, joy, and light to my career as a school teacher.  My art was always my own, and had either my own name on it, or the name Mickey on it.  I shared my drawing skill in ways that directly impacted the lives of other people.  It enriched my “teacher life”.

Mrs. Keane’s hauntingly beautiful big-eyed children appealed to the cartoonist in me.  They expressed such deeply-felt character and emotion, that I was obsessed with imitating them.  In fact, the “big-eye-ness” of them can still be detected in some of my work.  I remember wondering how these children, mostly girls, could be drawn by a grown man.  What was his obsession with little girls?  But the true story reveals that he was a man so desperate to have art talent and notoriety that he put his name on his wife’s work, made her paint in secret, and eventually convinced himself that it was actually his.  He had a real genius for marketing art, and he invented many of  the art-market ploys that would later inform the careers of homely artists like Paul Detlafsen and Thomas Kinkaid.  One wonders if Mrs. Keane could’ve ever become famous and popular without him.

 

The movie itself is a Tim Burton masterpiece that reveals the artist that lives within the filmmaker himself.  I love Burton’s movies for their visual mastery and artistic atmosphere.  They are all very different in look and feel.  Batman was very dark and Gothic, inventing an entirely new way of seeing Batman that differed remarkably from the 60’s TV series.  Edward Scissorhands was full of muted, pastel colors and gentle humor.  Alice in Wonderland was full of bright colors and oddly distorted fantasy characters.  Dark Shadows was Gothic melodrama in 70’s pop-art style.  This movie was true to the paintings that inspired it and visually saturate it.  It is beautiful and colorful, while also serious and somber.  It makes you contemplate the tears in the eyes of the big-eyed waifs in so many of the pictures.  It is a movie “I love with a love that is more than a love in this kingdom by the sea”… if I may get all obsessive like Edgar Allen Poe.

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So, there you have it.  Not so much a movie review as an effusion of love and admiration for an artist’s entire life and work.  I am captivated… fascinated… addicted… all the things I always feel about works of great art.

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Filed under art my Grandpa loved, artists I admire, artwork, movie review

Disney Princesses

You know that I am bad about collecting things.  And on a cold, cold day, what better way to warm the cockles of my cold, old heart than to look at some of the pictures I have in my computer of Disney Princesses?  Don’t inform the local loony bin about this obsession of mine… they are looking for me for enough reasons already.

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Oopsie!  No tangents, please!  Back to Princesses!

 

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Those are Princes!  You big goof!  In fact, some of them are not even royalty.  Come on, Mickey!  This is too simple to screw up!  Just a collage of Disney Princesses!

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It’s getting a bit silly now, but at least silly is better than wrong.

Umm… stick with silly, please…

Ooh, much better!

Sailor Moon?  Are you kidding me?

Why do you think Tinkerbell is a PRINCESS?!!!

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No, I think not!  Don’t even try to go there!

Let me end this nonsense here by apologizing to all the many wonderful artists whose work I stole for this post.  I appreciate your wonderful talents.  But I think in pulling this whole thing together I should acknowledge that it would not have been possible without obsessive-compulsive behavior on my part, and mindlessly posting other people’s pictures on the part of everyone on the internet.  It makes it seem that artwork belongs to all of us, and not just the artists who create it and the people who have all the money.

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Gingerbread Town

My recent experiments with holiday gingerbread and happiness have yielded some patently artistical results.  Yes, I know that isn’t a real word.  But I use it anyway because I take bits and pieces and use them to make something new.  You may remember the gingerbread house I made with my kids.  It turned into a disaster you could eat.  But  I got some pictures out of it.  Pictures like this;

I took one and loaded it into an art program and did this to it;

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I also took a picture of some old Christmas chocolate tins;

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I used them together with a stolen background to make this scene;

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Of course, I was not satisfied there.  I had some old cartoon characters lying around.  So, I wanted to use them too.

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And I ended up with an artistical art mess like this;

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If that isn’t artistical, then I don’t know what is.

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Google “PAFFOONEY”

One of the most important things about my blog has been that I can share my artwork.  I have always been capable of a reasonably high level of drawing ability.  I can also paint and create artistically original photographs.  I have that artist’s eye that sees creatively.  If you follow directions in this first Paffooney, you will see a wider variety of the kind of Paffoonies I post than I will post here.  This will be, however, a picture post.  I intend to share a bunch of my artwork here, both old and new.  Take a gander.  (And while you hold on to that male goose, look at some of my pictures, too.)

Animal Town

tree time_ginger

Aztec

You have to admit that I am clearly not an artist like Van Gogh or Picasso… certainly nothing like Andrew Wyeth or Winslow Homer.  I am more of an illustrator, or … worse, a cartoonist.

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So, this is at least partially about sharing artwork.  I am not a professional artist.  I have made no money from drawing, even though my artwork has been published before.  I have been given this talent by God not to be famous and wealthy, but to be a better teacher and a better storyteller.

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Pick a Pack of Pictures

As an artist wannabee I have always done the magazine-clipping picture-file thing.  I still have scrapbooks and folders and even bags full of old pictures.  And, of course, the internet makes the whole thing so much easier that my picture files on my laptop are bulging at the seams.  I am going to show you just one of my fer-instances, the unsorted catch-all part of my Miscellaneous File.

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These are not sorted, not source-referenced, not investigated for copyrights… just snipped and clipped from Google and Pinterest and Facebook and etc., etc., etc.

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Here’s one of the wisest pieces of the wisdom puzzle I have ever run across;

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Like any collage, this one has it’s deeper meanings if you think about how you can connect the many unconnectable things in it.

You may have noticed that I like gifs because they add movement to the pictures.  But like salt, if you put too much in the soup… it becomes seawater.

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in the wild

This, of course, is not every picture in the file… not even every picture in this one small part of one file.  But you have enough of my stolen goodies here to get a very good psychological profile of the thief himself.  I don’t sell any of this stuff as being my own intellectual property.  It certainly is not.  It did not even belong to the thieves I stole them from.  But when I pick a pack of pictures, it does reveal a little of the peculiarity of the pilfering picker.

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Filed under artwork, humor, illustrations

Fictional Family Portrait

the Clarkes

Here is a portrait of Valerie Clarke and her Daddy, Kyle Clarke.  They are important characters in the novel I am working on now, When the Captain Came Calling.  Valerie is also a main character in Snow Babies.  Here is what the double portrait looks like with a farmhouse background.

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A picture like this might prove useful in a number of ways.  For today it makes a good post when I don’t need to write so many words.

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Fairy Tales and Dragons (with pointillism)

Going through my old drawing portfolio, I found my children’s book project from my undergrad college years.  I have no idea now looking at the illustrations what the story was even about.  I lost the actual story, and I never made a cover for it.  But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…

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I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.

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Possibly Progress

Well, I almost got a ticket in a school zone this morning.  The sun was in my eyes and I was driving a steady 31 miles an hour in a twenty mile per hour zone.  Fortunately the young officer apparently was fooled by my decrepit old man act (which I do incredibly well because I have had arthritis for forty years and I look like death warmed over in the morning… and I am not actually acting).  I was let off with a warning and threats of a beating next time.  Portents of bad times continue.  I have another oil change warning light on my dashboard even though I just had the old Ford Fiesta at the dealer last week, having the engine put back in because Walmart blew it up.  The conspiracy theorist in me was noticing particularly odd-shaped contrails in the skies over Garland and East Dallas.  I have been told by fellow conspiracy theorists that the guvvamint is spraying nano-particles in the upper atmosphere to fix global warming so they don’t have to admit it exists and was caused by aliens.  And I can believe these tinfoil hatters because they showed me proof that the CIA has altered their DNA with fluoridated water.  Nobody could have that pointy of a pin-head without guvvamint help. So life continues to treat me the way Bugs Bunny treats Elmer Fudd.  And I feel slapped silly.

But here’s the important thing;

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Followed by;

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And then;

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So you can see that I haven’t given up yet.  My flower petals burst with color.  And the seeds that I have planted continue to grow and blossom anew.

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Mixed Media

I am once again needing to write an easy post because I am feeling quite ill.  So let me talk about an artist thing that is totally boring for those who already know about this stuff and fascinating to anyone who always wanted to know art secrets from the secret tomes of drawing-wizards and painting-wizards.  So here is some of the arcana gleaned from years of experimentation in the tippy-top of Mickey’s wizard’s tower.

Ariel

Pen and Ink – When I first discovered I could make pencil pictures of naked girls, long about the magical-hormone-age of twelve, I began regretting the fact that pencil pictures easily smear.  So, I had to find a further magical technique to make the pretties stay free of the dark clouds of graphite smudge.  The magic wand I chose first was the ink pen with black ink.  4th Dimension

Of course, I am not using examples of middle-school me drawing naked pen-and-ink girls.  Mothers, girlfriends, and wives make those things go away.  But I am showing examples that have magical little elements in them that reveal my secrets.  One thing that magically works is filling shapes and areas of the drawing in with specific patterns.  The crosshatch work in the mermaid picture is obvious in the mountains and the mermaid’s hair.  Not as obvious is the suggested scale-pattern in the mermaid’s fish tail.  Notice how it only fills in the areas I need to suggest shadow and create 3-D form.  The pattern that makes the floor for the hoola-hooper is a pattern that subtly suggests radioactivity.

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This high school art project, the very first in incarnation of Rabbit Castle, shows my utter failure to effectively use pen and ink wash.  I think I did get the wood pattern and the brick pattern right.  But the filling of areas with diluted ink wash was a total mad failure of mud-making proportions.  I decided against further using pen and ink wash in high school.

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Water Color – I also experimented with adding life to drawings by using water color.  Don’t look too closely at this horse-head bookend picture because I accidentally gave the poor pony severe-plaque psoriasis with watercolor, something I wouldn’t wish even on a horse made out of plaster or stoneware.  Water color is difficult for me because I am highly controlled when I draw.  I do not like the many “happy accidents” of the water-color world.  I do not adapt well to runny color.  So, water color also became a NO for me in high school.

Bobby

Colored Pencil – I did however find magic when I first learned to blend colored pencil colors on the page and create full-color drawings.  I especially like the fact that bright colors are easy to manipulate and contrast for me.  I am somewhat color-blind (red-green color-blindness that is worse in my left eye than my right).  I like colors I can actually see.  If you look carefully at this picture of Bobby and Horatio T. Dogg, you will notice that this is solely made up of colored pencil lines and shading and color-blends.  It was with this media that I found my true art mojo.

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Mixed Media – So the style I most often use for the magic of forging Paffoonies is a mixture of my two favorite media… colored pencil and pen and ink.  So here is the magic formula; 1. Draw first in pencil.  2.  Go over the lines in black ink.  3.  Fill in all areas with texture and color made from colored pencil.

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Playing Snakes and Ladders with M.C. Escher

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The problem, as you can basically see, is the complexity of life on Earth and the convoluted way you have to understand the game to win it.  I do not trust the ladders.  They are not sturdy.  They are not strong.   And I fear the snakes.  Will they not bite with poison?  Will they not encircle me and constrict the very marrow out of my old bones?  And when you play the game with M. C.,  he cheats.  He plays in the fourth and fifth dimensions.

It is obvious that I don’t play the game well.  You can tell, for instance, that I am struggling to get a camera to take a picture of a pencil drawing and get all of it in focus enough to bring out the nuances.  It is the tricks of shading and juxtaposition of bizarre elements that got me the “A+” for this assignment in Drawing 303 at Iowa State University.  I couldn’t capture some of the most subtle usage because the paper of the drawing has aged since 1978 and the shading is harder to make stand out against the graying and yellowing paper in the background.  And it is increasingly hard to pick the thematic core of my message out of the hoogah-boog and chizzly-goober mishmash of my prose.

But it boils down to this, with school starting again, and money for bills running out, and arguments with the wife, and kids who sleep all day and play computer games all night, the whole two-steps-forward and one-step-back dance that I must do is making the game too hard to play.  It is too hard to win.  And I must simplify.  No more hopping from double planes of existence into a room where you will fall up to the floor from the ceiling.  And I must take success where I find it.

Heat of up to 105 and drought returning after months of deluge, makes me take pride in simple steps I have taken in the game.  My flower wagon is blossoming only one blossom at a time, but there is bloom… there is success… and flowers seek the sun.

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So what does my post for today mean?  Don’t worry about it.  M.C. Escher cheats when he plays the game.  His physics break the laws of physics, and his genius turns around corners that are not really there.  And maybe I only scored a “1” on my roll today.  But it is a good one.  And I have a piece in the game.  I am a player on the board.  And the next turn will come.

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M.C. Escher's faulty physics.

M.C. Escher’s faulty physics.

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