
2023 has been a year of recovery. I don’t believe I published a single book in 2022. I experienced in that year the very first complete year with both of my parents gone. Neither of them died of Covid, but I lost both of them during the pandemic. My father died of Parkinson’s Disease in 2020. My mother died of heart and kidney failure the year after in 2021. Then in 2022, I came down with Covid Omicron Variants twice even though I took every vaccine and booster I could up to the time I first came down with it. Depression, fatigue, and serious degradation of both my ability to see color due to increasing color blindness and my loss of some of my drawing skills due to arthritis.
My sons have both left me behind, the former Marine now going to college on a military scholarship in Oklahoma, and my number-two son joining the Air Force. My daughter is still at home, but she is an independent adult in most of the ways that matter, and I am now more or less unemployed in the job of parenting, really for the first time since 1981 because when I became a teacher I was suddenly swamped with fatherless boys and girls who attached themselves to me as the significant adult father-figure in their lives. I didn’t become a parent of my own children until 1995. And now that I am no longer really accepted in my wife’s religion for reasons of atheism and agnosticism, as well as retired from teaching, there are no more captive audiences in my life. (My wife only talks at me rather than to me… for reasons of atheism and agnosticism.)

My books do not really take the place of having a captive audience to carry the big pencil in front of. When you write a manuscript, it never laughs at your jokes… or at you when a joke fails spectacularly. You don’t really get feedback from a book the way you do from a captive audience… even an audience of sixth-grade non-readers. It is a one-way conversation with nobody but whatever fools make the mistake of picking up one of my books and actually reading it. To be fair, though, there are some who read and review my books to tell me how well I connected with them across the void. Mostly being an author means speaking into the void to the greater universe and the future, where whatever answers or echoes you get come only after you are dead. It is frustrating to put on a show with all your best tricks now refined… to a visibly empty theater.
But I have rediscovered my writing mojo (hiding under my bed with stacks of old notebooks and drawings and Paffooney-making materials.) And I bought an electronic stylus and a Chromebook computer with a touch screen to start doing digital art. (The Chromebook, however, died a mysterious virus-related death before I had it a year, making me regret not buying the Best-Buy warranty that usually is only a waste of money.) I started doing art digitally, a process much easier to make corrections and changes on. And I even found an AI program called AI Mirror that can edit my art and remove entire ranges of mistakes I could never alter before. (This last thing proved crucial because the only touch screen I had access to was the tiny one on my phone where my fat, arthritic fingers make whole ranges of mistakes.)




































A Mr. Holland Moment
Life is making music. We hum, we sing to ourselves, movie music plays in our head as the soundtrack to our daily life. At least, it does if we stop for a moment and dare to listen. We make music in many different ways. Some play guitar. Some are piano players. And some of us are only player pianos. Some of us make music by writing a themed paragraph like this one. Others make an engine sing in the automotive shop. Still others plant gardens and make flowers or tomatoes grow. I chose teaching kids to read and write. The music still swells in my ears four years after retiring.
The 1995 movie, Mr. Holland’s Opus, is about a musician who thinks he is going to write a magnificent classical orchestra opus while teaching music at a public high school to bring in money and allow him time to compose and be with his young wife as they start a new family.
But teaching is not, of course, what he thought it was. He has to learn the hard way that it is not an easy thing to open up the closed little clam shells that are the minds of students and put music in. You have to learn who they are as people first. You have to learn to care about what goes on in their lives, and how the world around them makes them feel… and react to what you have to teach. Mr. Holland has to learn to pull them into music appreciation using rock and roll and music they like to listen to, teaching them to understand the sparkles and beats and elements that make it up and can be found in all music throughout their lives. They can even begin to find those things in classical music, and appreciate why it has taken hold of our attention for centuries.
And teaching is not easy. You have to make sacrifices. Big dreams, such as a magnum opus called “An American Symphony”, have to be put on the shelf until later. You have children, and you find that parenting isn’t easy either. Mr. Holland’s son is deaf and can never actually hear the music that his father writes from the center of his soul. And the issue of the importance of what you have to teach becomes something you have to fight for. Budget cuts and lack of funding cripples teachers in every field, especially if you teach the arts. Principals don’t often appreciate the value of the life lessons you have to give. Being in high school band doesn’t get you a high paying job later.
But in the end, at the climax of the movie, the students all come back to honor Mr. Holland. They provide a public performance of his magnum opus, his life’s work. And the movie ends with a feeling that it was all worth it, because what he built was eternal, and will be there long after the last note of his music is completely forgotten. It is in the lives and loves and memories of his students, and they will pass it on.
But this post isn’t a movie review. This post is about my movie, my music. I was a teacher in the same way Mr. Holland was. I learned the same lessons about being a teacher as he did. I had the same struggles to learn to reach kids. And my Mr. Holland moment wasn’t anywhere near as big and as loud as Mr. Holland’s. His was performed on a stage in front of the whole school and alumni. His won Richard Dreyfus an Academy Award for Best Actor. But his was only fictional.
Mine was real. It happened in a portable building on the Naaman Forest High School campus. The students and the teacher in the classroom next door threw a surprise party for me. They made a lot of food to share, almost all of which I couldn’t eat because of diabetes. And they told me how much they would miss me, and that they would never forget me. And I had promised myself I would never cry about having to retire. But I broke my promise. In fact, I am crying now ten years later. But they are not tears of sadness. My masterwork has now reached its last, bitter-sweet notes. The crescendos have all faded. But the music of our lives will still keep playing. And not even death can silence it completely.
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