In fiction, a good background or setting can be home to more than one character. In art, too, you can use the same background in more than one picture.
Okay, so maybe it is really cheating, but cheating can be fun too.
In fiction, a good background or setting can be home to more than one character. In art, too, you can use the same background in more than one picture.
Okay, so maybe it is really cheating, but cheating can be fun too.
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This is an essay from 2006 that I dug up to make more fun of nerds (which can be considered self-referential humor).
A while back I had the misfortune to write an essay that I called a Bestiary for the Modern Classroom. I delineated the nonsense as if it were more than the half-disturbed ravings of a burned-out junior-highschool English teacher, something like the wit and wisdom gleaned from a twenty-four year sentence to the educational gulag of our time. I told you about the Pepsi girls, Snarks, and Invisible Kids. I deliberately ignored an entire wing of the monkey house by not breaking down for you the tremendously terrible and totally trigonometric totality of the modern Nerd.

When I drew this particular nerd cartoon, I am a cartoonist, by the way, Steven Q. Urkel still strutted and polka-ed his way across the TV screen in the 80’s sitcom, Family Matters. I fear nerds are still pretty much the same. I will have to admit, I will probably also be accused of being a Nerd, and though I do love cheese and polka music and Star Trek… I AM NOT A NERD! That second Paffooney is NOT a self-portrait, though I have to admit I do grin just like that, and wear glasses, and… but enough of that!
In my previous article, I made the most heinous mistake of mentioning that there were Gomers lurking in the classroom. Well, GooooOlleee, everybody seemed to think that that meant a clueless hayseed from the back hills who went to and fell in love with the Marine Corps. Do you remember Gomer Pyle, USMC? Yeah, that make-believe soldier that made Sergeant Carter’s life a living heckfire during endless training sessions while real marines were getting cut to pieces by Russian-made weapons in the rice paddies of Viet Nam? The rube part of that story, nor the military part are neither one of them the part that makes a Gomer a Gomer. It is entirely the idiot-savant part. Remember Gomer’s ability to burst into song and solve the problems of the whole camp with a beautiful basso rendition of “Oh, My Papa”? Gomers are all like that. They are nerds who can’t follow directions, get everything wrong in a Steve Urkel, “Did I do that?” sort of way, and who are two earnestly sweet and silly to ever be mad at. They also have that one unmatchable talent hidden somewhere inside that they can whip out without warning and melt the hearts of every LuAnn in the crowd. It isn’t necessarily a singing talent. Young Master Victory Brown was a hip-hop wannabe who couldn’t get the attention of a decent cop by blowing up the Chemistry lab, but who could dance like a wild man. Everything went against the boy, it seemed, except when a professional singer like Patsy Torres came to play and sing in the high school gym for Red Ribbon Anti-Drug Week. Young Vic got up on that stage and started dancing. Ordinarily, the performer’s bodyguards would’ve had a punk like that in chains before the song was over, but he was so enthusiastic and downright good, that Patsy Torres was wowed and let him stay. He danced so hard he executed a perfect back-flip off that stage and into the audience, where he landed on his feet like a cat and kept right on dancing like he meant to do that all along. You know what? I believe he really did mean to bust that move. And man, did he ever bust it! Gomers can excel in math, chess, theater-arts, drawing and painting, sewing, singing, and practically anything else that could ever be that one miraculous talent that lets them strut and fret for hour upon that stage. Victor would be offended to hear it, but he was a Gomer through and through.
Goths as a subspecies of nerd are worrisome at best. Girls and boys, though mostly girls for some strange reason, who wear spiked dog collars like Droopy’s enemy Spike in the old Tex Avery masterpieces, and all look like they must surely belong to Bela Lugosi’s fan club with their black clothes and black lipstick and eyeliner (even on the…No! I mean especially on the… boys) and their notebooks scrawled with death’s head symbols and Marilyn Manson stickers are all under the mysteriously medieval label of Goth. Now where did this nonsense ever start? I will admit that I was once at a midnight screening of Rocky Horror Picture Show, and I did briefly admire the poems of Baudelaire and Rimbaud in College, but I wouldn’t be caught dead pasting my hair down with hair gel just to show off my Eddie Munster widow’s peak, and I would never let anyone read my gloomy Death Poems and Devil Poems from the late 70’s, let alone paste them on MySpace or Xanga (Read that now as WordPress) billboards. I am mortified by the obsession with mortality displayed by the average Goth. Did they not hear Kevin McCarthy’s warning about the pod people? Did they never fear the bite of Barnabas Collins because it would make them tainted and like him? Whether the whole Goth scene is dying or not, I have to regretfully report, there was a girl last week at Ted Polk Middle School wearing her eye-liner like a tribute to Alice Cooper. The dramatically dying and dreary undead are still ironically alive in the teenage Goth.
That leaves only Trekkie Techies to complete my bestiary. And you will undoubtedly agree with me that they have been around since the 1950’s. In the 1970’s we called them the “Audio-visual Club.” Yes they were the ones that strange-old Mr. Hickenlooper would get to run his eighth grade social studies film backwards to fill the remainder of a period. He somehow thought that seeing the cannon fire off of the Battleship Missouri blowing back into the barrels in black and white newsreel footage was the height of humor. Mr. Hickenlooper never truly realized that he was the only one laughing at his jokes. The rest of us laughed at how he was laughing at his own jokes. In other words, we were not laughing WITH him, we were laughing AT him. The Big Hick was himself a nerd, probably of the subclass known as a Trekkie Techie. Yes, they watched Star Trek just as I watched Star Trek. But they were also the ones who could actually explain to you how a warp drive worked, and fantasized about kissing Uhura as a Klingon Captain. You probably won’t believe it, but Trekkie Techies are still around and going strong. Now, instead of 35mm film and tape recorders, they work with I-pods, Dell Computers, and Flash Drives, but they are still making technology dance to their own different drum. Instead of Captain Kirk and the Vulcan Death Grip, they talk about Jackson’s version of Frodo, the other Jackson’s Master Mace Windu, and how Marv whacked ’em all in Sin City, but they are still living in their own little fantasy worlds and talking Klingon and Huttese. Don’t get me wrong. I know Bill Gates was one, and Bill Clinton was another, and probably Obama is too(or is that O’bama? he doesn’t look Irish?), and all three of them probably would get a laugh out of ionizing George W. Bush’s underpants, but it will never be cool to be a Techie Trekkie. The question will undoubtedly arise, since I like Star Trek and Star Wars and Star Anything, am I a Techie Trekkie too? Well… “May the Force Be With You!”
So now my little bestiary is complete with all the major species of anniemule in the middle school classroom. Do you think I left any out? No doubt. There are more kinds of human beings in middle schools than are dreamt of in your philosophy, Horatio. (Yeah, isn’t there a kind of Snark who always misquotes Shakespeare to keep us entertained?)
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I sent this novel to the publisher during the October submission window last night. I am hoping it will get published and add to my published catalog. Superchicken was my nickname in high school, so this one is a little autobiographical. This is also the one where a boy is tricked into going camping with a girl who has a crush on him at a nudist camp. So it should be noted that some things in this story really happened. Still this young adult novel is mostly funny, a little serious, and a lot of fantasy.
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In my artwork and in my novels, there exists a phantom character. His name is Dr. Thornapple Seabreez. He is a mysterious fellow, born in the 1860’s, taken into deep space by the ancient Sylvani race of aliens, and mysteriously re-appearing in my stories from the distant future, 7,000 or more years ahead, from the fabled Xandar Empire, a type-5 civilization that spans the Milky Way Galaxy. In these Paffoonies he appears in name only, a doctor’s office sign;
So, What is the purpose of such a character? Sometimes in comedies, you need a totally silly solution, a Deus ex machina to save the day for characters who find themselves in a totally impossible situation. I know this falls into the realm of what a writer should never do, but I am a completely silly writer. So there. 
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Much of what I draw is inspired by Maxfield Parrish, the commercial artist who created stunningly beautiful work for advertisers in the 1920’s and 30’s, and went on to paint murals and masterworks until the 1960’s. He is noted for his luminous colors, especially Parrish Blue, and can’t be categorized under any existing movement or style of art. No one is like Maxfield Parrish. And I don’t try to be either, but I do acknowledge the debt I owe to him. You should be able to see it in these posts, some of mine, and some of his.
Mine; (In the Land of Maxfield Parrish)
His; (Daybreak)
Mine; (Wings of Imagination)
His; (Egypt)
Believe me, I know who wins this contest. I am not ashamed to come in second. I will never be as great as he was. But I try, and that is worth something. It makes me happy, at any rate.
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I can’t help it. This makes an entirely cheap and easy post… and I really like the result.
And the neatest thing about these photo-Paffoonies is that I don’t have to give a picture credit. I took these photos myself. Jes’ me and my little ol’ Nikon.
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“In the Land of Maxfield Parrish”
“By Command of the Sea Witch”
“The Alchemist in his Frozen Keep”
“Mike Murphy and Blueberry Bates”
“Prinz Flute, Fliegen Zum Der Zauberburg”
“The Sword Fight at Mouse Castle”
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These are some old colored-pencil drawings that represent some of my best art.
the picture above : Davalon and Farbick near Mars (by Leah Cim Reyeb)
I am constantly bubbling over with ridiculous ideas and dreams. After writing the book Catch a Falling Star, I was asked by an editor what happens next to some of the characters. The Morrell family, changed into children, travel into space with the Tellerons aboard Xiar’s Base Ship. Harmony Castille, the elderly church lady who falls in love with the Telleron Commander Biznap marries him and travels with the aliens too. The task; find a new home world and start a mixed civilization. Since the aliens have no inherent religion or morality, it falls to the humans on board to make Christian values the norm for the Telleron frog people. That is a challenge old church ladies can’t resist, but also can’t manage without help.
So what can I do with this story? Where can it go? I am trying to build my work in fiction around certain rules or boundaries that will give it the consistency and power that I need to achieve with my work. Well, the biggest rule is that all my stories have to fit like puzzle pieces into the entire picture, an imaginary history of the universe centered on the little town where I grew up. Space empires in the future, time travelers popping in and out freely, and imaginary breakthroughs in physics, astrophysics, and various sciences cannot be allowed to interfere with the unified history of the future of the galaxy. I know how silly this sounds, but silly rules inform the under-structure of all reality. How else can you explain things like the politics of Texas? Further, I adhere to other silly rules. It must be science fiction or fantasy. It must also be humor. And the most important characters are always children.
So what will this book I am planning be like? Well, first of all, there must be strong elements of science fiction. Of course, silly me, my heroes are on a starship looking for a new home-world. You can’t get too much more science-fictiony than that. But I have been overwhelmed with internet researches of late into the looniest of the internet conspiracy theories. Besides my obsessions with who killed JFK and what really happened on 9/11, I have also found cartoon characters like Alex Jones (the conspiracy world’s version of Elmer Fudd on PCP and prodded to ridiculous levels of vitriolic-aggressive anger management failures) speaking about lizard men from outer space who have taken to controlling our government by shape-changing and masquerading as Hilary Clinton. Whew! Humor is a breeze! All I have to do is set my lost space-colony down on the hostile, warlike world of the space lizards, the world of Galtorr Prime. The science fiction is then firmly grounded in the pseudo-science of paranoid madmen. And, joyfully, further research into the lizard people trying to take over earth will be justified by the creation of this book. Who knows? I may actually uncover their secrets in real life!
The humor, as I already indicated, is built in. Warlike lizards who want only to conquer and destroy! And don’t forget, this will be set on their war-torn home world. The satire is set. I will be writing political satire about Republicans and Democrats. Hot dang! And I can depict crazy folk who would gleefully destroy their own government and their own environment in order to spite their worst enemies, who are thankfully not us, but themselves. I can continue to describe the battle between good and evil in my book in the same religious terms I have always tried to use. It is not good against evil as much as it is Love against Heartlessness. All good comedy, from Mark Twain, to Charles Dickens, to Terry Pratchett, to Douglas Adams, is precisely about that. (Of course it will mean more of the run-on sentences, multi-adjectival descriptions, and infantile allusions and metaphors that I always use in my signature purple-paisley prose.)
And finally, I have the characters already fairly well set. Davalon, the boy Telleron explorer, his nestmate/sister Tanith, their friend and mentor Farbick, Davalon’s adopted child-parents Alden and Gracie Morell, and the crew of Xiar the Slightly Irregular’s whole wacky starship are already living and arguing in my head. Of course, the moldy underwear and dirty dishes in my head are not a particularly good thing. When will fictional characters ever learn to clean up after themselves? Only time will tell.
So there you have it, an entire book idea that came into being in the last week and a half. It will be interesting to chronicle the progression and creation of it. Will it actually get written? Will it take twenty-two years the way Catch a Falling Star did? Will it be worth doing more with than merely writing it and then burning it to save future generations from reading it and burdening themselves with the corrosive insanity it will most likely cause? Well, please, don’t bet any actual money on it. Imaginary or funny-money will be good enough.
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As creative projects go, I think the best ones I am currently undertaking are the Paffoonies. These, of course, are the colored-pencil and ink cartoon-o-matic creations that come out of my fevered little-boy mind as it has been stretched and contorted to fit into my old-man brain.
There are rules to this stupid creation game. First of all, a Paffooney must tell a story and have a piece of writing to go with it. Naturally, though, the picture must come first. The tortured elements of the Sci-fi or Fantasy that comes out of it result from the need to explain every oddity, punkitation, and warped perception that went into the picture. I draw pictures from dreams. I also draw from the monkey-shine metaphors that well up in my overly-wordy conscious mind. I do not take drugs to accomplish this. I do not drink alcohol. I am on numerous medications for numerous medical conditions… but I like to think there is no pharmacological element to my creativity. I am just your basic goofy old man with an exploding right brain.
You remember the writing that went with the first Paffooney in this post, don’t you? If not, you can still see the post here on WordPress where I wrote a poem that convicts the average school teacher of being a serious clown and puppet master. Some Paffoonies are poetic in nature. Others require a piece of fiction, like the one I wrote about Mai Ling’s encounter with the plant people of the planet Cornucopia. Here is a another version of it…..
So, a Paffooney is a creative project, a game, an exercise if you will, that will hopefully make me a better story-teller, writer, and cartoonist. I hope to post a lot of them on the web. So-called social media marketing experts tell me this kind of thing will get you, dear reader and viewer, to buy my book Catch a Falling Star, a sort of extended Paffooney of its own. The theory is, if you like the stuff I give away for free in these posts, you will want to actually pay money to see more of what I can do. I really think that is a big black Hoo-Ha, though, as I have not seen any evidence that social media marketing experts know anything more about marketing than I do. Are they really worth that expensive salt I put on their tails to trap them into to telling me their secrets and lies?
Ah, well… here is one last Paffooney that does not yet have a story to go along with it. At least, I am not aware of a story yet. Hmm, I think something is coming to me even as I post this picture.
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