Tag Archives: music

September 19, 2017 · 11:12 am

Stardusters… Canto 64

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Canto Sixty-Four – The Ruins of Tanith and Davalon’s Nesting Quarters

Farbick led his small band of rebels into the gaping hole the forward stabilizer arm of the Bonehead had cut into the side of the bio dome.  The wreckage inside the building was pretty extensive.

“You really think we can stop the Senator?” Stabharh asked Farbick from directly behind the Telleron leader of the rebels.

“We can if we can convince more of his crew to join us in resisting his mad planetary death wish.”

“That’s going to be pretty hard.  Senator Tedhkruhz is extremely evil and his men are mostly very weak minded.”  Slahshrack was a real ray of sunshine in the gloom of the situation.

“We have to try,” said Starbright, “otherwise your species and your planet will be extinct.”

“Wait a minute, what’s this?” Farbick said, hearing a moan in a rubble pile and noticing a slight movement amidst the shattered concrete shards.

With Stabharh’s help he and Starbright began un-piling the stones, and soon two small Telleron bodies were revealed.

“Davalon!  And is that Tanith with you?”

Davalon was holding Tanith tightly in his arms.  The tadpoles were both bruised and bloodied, but technically still breathing.

“Can either of you still talk?” Starbright asked.

“A… a little…”  Davalon was obviously wearied by the effort.

“What are you doing here?” Farbick asked. “You tadpoles should all be safe on board the mother ship.  Why would Xiar send you here?”

“He… ah, didn’t.  We took a wing without permission and came to help this world survive.”

“We… ah, didn’t know we were doing that last part when we… ak, set off on the adventure,” Tanith said with a painful wince.

“You both have extensive injuries.  We have to get you both to someplace safe where you can hibernate and recuperate,” Starbright said.

“Do you know what this place is?” Farbick asked, since the tadpoles had apparently been in the place for a while.

“Yes… ouch… it’s a science facility where they are trying to restore the atmosphere of the planet and create new viable… ahg!…food sources.”  Davalon was in quite a lot of pain.

“So scientists survived?” asked Stabharh, quite surprised.

“One,” answered Tanith.  “A little Galtorrian girl named Sizzahl.  But she’s… oof!… a very intelligent little girl.”

“She’ll be the reason Tedhkruhz came here,” said Stabharh.  “He means to slay anyone and everyone who might be smart enough to bring this planet back to life.”

“We have to stop him,” Farbick said.  “Where do you suppose he is now?”

“I don’t know,” said Stabharh, “and I have no idea how to find him.”

“When I was a little lizard,” said Slahshrack, “I would turn to the last chapter of the book and read ahead to find the answer.”

“We can’t do that here, stupid,” said Stabharh.  “This is real life, not some idiot fiction book!”

“Yeah, too bad about that, huh.”

*****

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July 24, 2017 · 2:01 am

The Magic Strings of Frankie Presto (a book review)

 

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The Magic Strings of Frankie Presto: A Novel
by Mitch Albom (Goodreads Author)

Michael Beyer‘s review

Jul 23, 2017

 

It was amazing!

This book is a miracle. It makes words into music and fills your imagination with some of the most beautiful guitar music ever played. It introduces you not only to a very convincing portrait of a fictional musician and Rock and Roll icon, but a vast array of very real musicians and show people who agreed to be used as a part of the story, approved the sections about them, and even helped Mitch Albom to compose it. These include notable music makers like Lyle Lovett, Darlene Love, Tony Bennett, Paul Stanley, and Burt Bacharach. The story itself transcends its fictional form, giving us a look at a musical history whose scope goes from the Spanish Civil War of the 1930’s to Woodstock, and on to the present day. It even gives us glimpses into the distant musical past, framing the story with the song Lágrima by the classical guitarist Francisco Tárrega. And all this music the book fills your mind with is actually performed only in your imagination and memory. Albom proves again with this book how his mastery of language makes him an absolute master story-teller.

 

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And now, here is me trying to make sense out of a reading experience that made my figurative heart grow wings and soar into the clouds in ways brought forth only by the strains of a sweet, classical Spanish guitar.

Stories like this one make a unique music in the mind, and though it is all fiction, occurring silently in the theater of your mind, you hear the music in your heart.  This story elicited the music of Rodrigo’s Adagio throughout, a piece I know intimately.  I myself have never written a musical book the way this fiction book was written.  But I know now that I have to try.  Poetry becomes song lyrics, right?  There is a connection between a good archetypal story about life and love and laughter, and the bittersweet strains of music on a Spanish guitar.

I truly and utterly fell in love with this beautiful book.  Mitch Albom is a genius… for a Detroit Tigers baseball fan.  And I would not risk telling you anything that might spoil such a beautiful story.  All I can say is, don’t read it… listen to it as you would a piece of beautiful music.  Listen to it and love it.

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May 14, 2017 · 3:36 pm

Surviving the Reign of the Monkey King

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So the head monkey has fired the giraffe in charge of looking into the Russian banana pilfering that has everyone questioning his fitness to rule.  Rule?  Heck!  I question his continued right to own bananas!

But this post is supposed to be a reflection on surviving, not another angry animal metaphor about things that can’t be cured until the next election, or until the elephants that put the monkey in charge do something about their own addiction to bananas and work up the necessary human emotion and moral outrage to remove him as head of the zoo.

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                                                                        Steve Bannon, the idea-monkey of the Monkey Kingdom

So let me enumerate some of the thoughts that give me peace in the midst of this insane monkey-house cacophony.  (Cacophony is a good word to use around the topic of the monkey king because it has both the words “caca” and “phony” in it.)

  • Bannon is a very scary chimpanzee, but he is apparently on the outs in the court of the monkey king.  He got in a verbal kerfuffle with Orangutan Junior Kushner, and the monkey king has not recently crayoned his signature on the  poison-in-executive-order-form that Bannon cares most about.
  • Orangutan Junior Kushner is now in charge of everything under the sun.  All bananas now grow by his doings, and he can’t possibly run everywhere and poo everywhere to properly fertilize all the banana trees.  And considering the toxic qualities of the monkey king’s banana trees, we probably don’t really want them to grow anyway.
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Orangutan Junior Kushner has taken to wearing Trump-style hair.

  • The Russian banana pilfering has put all other monkey initiatives on hold.  The monkey king was planning to create monkey laws with the elephants that would prevent most other animals from having any hope of health care.  It made its way successfully through the Elephant House and was supposed to move on to the Elephant Senate to be officially stamped with the notion that providing the other animals with mythical “access” to health care wasn’t just a way to make animals pay all their money to insurance piranhas and still not be able to afford any real health care.   Now they are forced instead to talk about other banana-related things.
  •  And on the subject of bananas, the monkeys and the elephants actually have them all already.  So we don’t have to worry about having bananas.  We probably never will.  All they have left for us are the peanuts.  But they like to take and eat our peanuts too.  The good part of this is that peanuts are a healthy food for diabetics.  And, of course, you can’t die of over-eating if you cannot buy food.
The Orange King is very, very HYUGE! but his hands are small.

So, the long and the short of it is this.  It is not hard to see the end of this struggle to survive the monkey king’s rule.  I, for one, will probably not survive.  But cutting the legs out from under the giraffe investigating the Russian banana pilfering was probably the beginning of the end of the monkey king himself.  The lions, wherever they have been hiding, will now come out and eat him.

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April 30, 2017 · 3:09 pm

What the Heck is this Blog About?

I read a lot of other people’s blogs for a lot of reasons.  As an old writing teacher and retired Grammar Nazi, I love to see where writers are on the talent spectrum.  I have read everything from the philosophy of Camus and Kant to the beginning writing of ESL kids who are illiterate in two languages.  I view it like a vast flower garden of varied posies where even the weeds can be considered beautiful.  And like rare species of flower, I notice that many of the best blossoms out there in the blogosphere are consistent with their coloring and patterns.  In other words, they have a theme.

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So, do I have an over-all theme for my blog?  It isn’t purely poetical like some of the poetry blogs I like to read.  I really only write comically bad poetry.  It has photos in it, but it isn’t anything like some of the photography blogs I follow.  They actually know how to photograph stuff and make it look perfect and pretty.  It is not strictly an art blog.  I do a lot of drawing and cartooning and inflict it upon you in this blog.  But I am not a professional artist and can’t hold a candle to some of the painters and artists I follow and sometimes even post about.  I enjoy calling Trump President Pumpkinhead, but I can’t say that my blog is a political humor blog, or that I am even passable as a humorous political commentator.

One thing that I can definitely say is that I was once a teacher.  I was one of those organizers and explainers who stand in front of diverse groups of kids five days a week for six shows a day and try to make them understand a little something.  Something wise.  Something wonderful.  Something new.  Look at the video above if you haven’t already watched it.  Not only does it give you a sense of the power of holding the big pencil, it teaches you something you probably didn’t realize before with so much more than mere words.

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But can I say this is an education blog?  No.  It is far too silly and pointless to be that.  If you want a real education blog, you have to look for someone like Diane Ravitch’s blog.  Education is a more serious and sober topic than Mickey.

By the way, were you worried about the poor bunny in that first cartoon getting eaten by the fox and the bear?  Well, maybe this point from that conversation can put your mind at ease.

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Mickey is tricky and gets good mileage out of his cartoons.

You may have gotten the idea that I like Bobby McFerrin by this point in my post.  It is true.  Pure genius and raw creative talent fascinate me.  Is that the end point of my journey to an answer about what the heck this blog is about?  Perhaps.  As good an answer as any.  But I think the question is still open for debate.  It is the journey from thought through many thoughts to theme that make it all fun.  And I don’t anticipate that journey actually ending anytime soon.

 

 

 

 

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January 22, 2017 · 5:37 pm

Green and Fuzzy Blue Brainwork

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There is reason to believe I have to reroute some of the back roads on the road map of my thinking parts.  I have been spending a lot of time in Elizabethan England lately due to my obsession with who I think Shakespeare really was.   There are a lot of dark alleys to be plumbed on that section of the map.  I really admire the Roland Emmerich film Anonymous about Edward deVere, the Earl of Oxford being the real writer behind the works of Shakespeare, but I do recognize that it is a work a fiction, and an altered-history work of fantasy fiction at that.    So I find myself not yet ready to tackle that particular essay in the Shakespeare series as yet.  More think time and creative-mixing time is needed.  I need to stop at one of the quaint little mental inns on that particular Elizabethan back road and get some much needed rest for my Elizabethan conspiracy muscles.

Meanwhile back in the real world, Trumpzilla has been busy wrecking the world I live in with a bleak inauguration speech written by Steve Bannon that works its fire-breathing magic to blacken the hearts and perceptions of people I love and care about who also happen to be staunch conservatives.  My Facebook feed is up in arms about how many people actually attended the inauguration ceremony and how unfair the media is for trying to make it seem like Trump’s celebration parade was a deserted wasteland when in reality it was… well…  what’s a synonym for deserted wasteland that won’t offend conservatives who will bend or break any truth to defend Trumpzilla’s turkey-tweets?

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But then, as I was going to QT for my morning caffeine-addict’s fix of Diet Coke, I heard Lionel Richie’s song “Say You, Say Me” playing on the radio.  Ah, the perfect metaphor.  It is a song used as the theme song from the 1986 movie White Nights about a Russian ballet star who has defected to the US during the Cold War and then was in a plane accident-incident that put him back in the Russians’ clutches.  The movie stars Mikhail Baryshnikov, an actual Russian ballet star turned defector, and Gregory Hines, the American tap dancer.  It is a beautiful movie that features amazing dance sequences, Russian conflict of interests because the dancer wants to be free and yet misses his homeland and culture, and a resolution involving intrigue and escape.  In many ways, the plot, centered around a Russian threat and dark days in a place where the sun doesn’t set, is exactly what we are going through with Trumpzilla.  But the song is about two people communicating and eventually “coming together, naturally”.

It started me thinking about the purpose of this blog.  I mean, you obviously know that this blog is really about me talking to myself about myself, if you are one of those crazy few who actually read this far through a goopy blog post like this.  I use this blog to think about myself, the world around me, and even sometimes, like now, to think about thinking.  Yet, I have a duty to the reader to reach that point where our thinking comes together, naturally.  If not, then why bother to post and publish at all?

So here’s what I think about the Shakespeare question, written in the tavern room at the inn on parchment… with a quill pen.  The real Shakespeare was a writer just like me, writing for himself.  And he discovered through the play-writing process that he had to share that writing for himself with the great wide world, because the Prospero’s magic of it could change the world for everybody.  That is the real purpose of Shakespeare’s existence, no matter who he really was.  And that is the real purpose of my existence as well, even if I turn out to be nothing more than one of the top hundred best writers that no one ever actually read.

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December 17, 2016 · 4:48 pm

“It’s a Hard-Knock Life… for Us”

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Yes, this is another in a series of reviews from the Uncritical Critic where I gush endlessly and almost mindlessly about movies, TV, books, and other sorts of stories that I love.  And just like other reviews that I have done, writing mainly to myself, this will probably bore you to the point of having to sandpaper  your tush just to stay conscious through it.  But I do, in fact, have a social conscience.  I do care about things moral and ethical.  That’s why I’m not going to talk about this Annie;

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I want to talk about this one;

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I am not sure how any of my white, conservative friends can work up such an angry fizzyblackengrrr about the remake of the musical using black actors as the principles.  I am not saying I don’t see color and I don’t notice the changes in the basic story to make it fit a more different-race-friendly cultural magnetism.  I am saying I love the changes.

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Quvenzhane Wallis is one of those little girls that, if she were actually an orphan, would be adopted in record time.  She sings, dances, and exudes a personal charisma to a degree that is not only perfect for this particular musical, but is not an act.  It is obviously her real, perky, upbeat self.  I would adopt her instantly even though I don’t have the finances, energy, or good health necessary to make that kind of commitment any more.  And the changes made to the songs, setting, and themes of the basic story I think are not only brilliant, but so very appropriate to our times.  The story of an orphan connecting to a lonely, power-hungry billionaire is transformed by the idea of finding the best way to connect the family that you not only want, but desperately need.  The Daddy Warbucks character, played brilliantly by Jamie Foxx, is able to realize his connection to his own lost father as he transforms himself into the father figure that Annie needs.  Songs are added and dialogue is changed in ways to bring out these complex themes of love and need.  It is a very different story from the one found in the Aileen Quinn/Carol Burnett film of the 1980’s.  And it is a story that needs to be told.

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“You are never fully dressed without a smile!” is an important theme for any person of color, or any outsider in our American society today.  The troubles and strife related to race tension, violence, and the American struggle to rid itself of racism are best faced with a kind of confident optimism that this musical was always intended to be a vehicle for.

It is a statement about the basic goodness of human beings.  This version of the musical even redeems the vile Miss Hannigan, leaving her at the end with a change of heart and a Hispanic boyfriend.  So, I really think that anyone who has a problem with this remake of a beloved musical made by Jay-Z, Will and Jada Pinkett Smith ought to examine the real reasons they feel troubled by it.  I think they really ought to let go of all baggage, especially the alligator-skin bags of racism, and just immerse themselves in this wonderful movie full of singy and dancy stuff.

 

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October 26, 2016 · 3:41 pm

The Silent Sonata

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Being a writer is a life of music that happens only in your head.  You hear voices constantly.  They pulse rhythmically with insights and ideas that have to be written down and remembered.  Otherwise  the music turns clashing-cymbals dark and depressing.  Monday I wrote a deeply personal thank you to the Methodist minister who saved my life when I was a boy.  I posted a YouTube music video by the acapella group Pentatonix with that essay in a vain attempt to give you an idea of the music in my head when I composed that very difficult piece to give myself a measure of peace.

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I realize that I am not writing poetry here.  Poetry can so easily slip into melody and music because of rhythm and meter and rhyme.  And yet, words to me are always about singing, about performing, about doing tricks with metaphor and meaning, rhythm, convoluted sentence structure, and other sneaky things that snake-oil salesman do to get you to think what you are hearing is precisely what you needed to hear.  The Sonata of Silence…  did you notice the alliteration of the silvery letter “S” in that title?  The beat of the syllables?  Da-daah-da a da-da?  The way a mere suggestion of music can bring symphonic sounds to your ear of imagination as you read?  The way a simple metaphor, writing is music, can be wrapped into an essay like a single refrain in a symphonic piece?

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A sonata is a musical exercise in three or four movements that is basically instrumental in nature.  You may have noticed that the movements are loosely defined here by the accompanying pictures, of which there are three.  And it is silent only in the way that the instruments I am using themselves make no noise in the physical world.  The only sounds as I type these words are the hum of an old air conditioner and the whirr of my electric fan.  Yet my mind is filled with crescendos of violins and cellos, bold brass, and soft woodwinds.  The voice saying these words aloud only in my head is me.  Not the me you hear when I talk or the me I can hear on recordings of my own voice, but rather the me that I always hear from the inside.  And the voice is not so much “saying” as “singing”.

Writing makes music.  The writer can hear it.  The reader can too.  And whether I croon it to make you cry, or trill it to make you laugh, I am playing the instrument.  And so, the final notes of the sonata are these.  Be happy.  Be well.  And listen for the music.

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October 14, 2016 · 3:51 pm

The Car Radio Keeps Me Alive

Today I had to deliver my daughter, the Princess, to her high school in the rain.  It is hard enough make the circuitous trip to the west in order to go south and then east again through all the construction and roadwork going on with stupid people who are somehow allowed to drive a car and carry a gun in Texas even though they don’t know what a turn signal is for or that a speed limit sign shows the maximum rather than the minimum speed you should go at every red stoplight and corner without there being rain to obscure vision and make the mangled pavement slick.  You have to be able to concentrate and perform like a virtuoso while driving to make it there alive.  I would simply not be able to do it without the car radio.

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Driving the family car in Texas

The radio keeps me calm and gives my brain the power it needs to overcome obstacles.  The jump across the river with the man-eating fish in it alone requires an energized brain and a cool head.  I listen to oldies on the radio with KLUV in the mornings.  It is how my children have come to love Don Henley and the Eagles as much as I do.

For the last seven years of my teaching career, I had to learn the hard way that music is critical to driving well, and driving well is the only way to stay alive on the mean streets of Dallas.  I had a morning commute of 40 minutes, 30 miles, and 45 stoplights one way to my teaching job in Garland.  I drove it starting at six in the morning to avoid traffic.  But after school, I often had to labor for three hours through rush hour traffic on the way back home.  I learned to switch the station to 101.1, the classical music station.  Listening to Mozart and Beethoven not only makes you smarter, it makes you calmer.  Calm enough not to get out of your car at the stop light and beat the guy in the car ahead of you with the detached bumper of your car that he knocked off while cutting in front of you because he was in the wrong lane to make the turn he needed to make and didn’t realize until 15 minutes into the wait for the red light to change enough times that our cars actually had a chance to make it through the intersection.  Yes, that is a run-on sentence about road rage.  And road rage is real.  But in real life I didn’t beat him to death because of Mendelssohn playing on the car radio.  It only played out that way in my head while the radio soothed my brain and prevented my hair from catching fire.

I owe my life and sanity to the car radio many times over.  And I am resigned to the notion that I will probably need it many times more before the curtain closes the last time.

 

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April 29, 2016 · 11:49 am

Synesthesia (Part Two; The Color of Music)

Okay, so on the synesthesia tests I didn’t score as a synesthete on the music/color test.  But I was extremely synesthetic on the tests for color/months/days of the week.  I was a little over the mark on letter/number/colors synesthesia too, but it was more a problem with manipulating the color-selector device when I don’t have a mouse to use on my laptop.  The test for music did not test the way I see colors with music.  They wanted me to respond to what color each individual note seemed to be, and that isn’t even close to the way I experience it.  For me, the perfect description of how synesthesia works for me is Bach’s Tocata and Fugue in D minor as it is depicted in Fantasia.

I was shocked when I first saw it.  The colors are wrong for this piece, but the visual experience is almost exactly how I experience music, especially wordless instrumental music.  The only problem with this piece is that the overall color schemes are wrong.  But this comes about because every synesthete sees the colors differently.  And I have no doubt that at least one of the artists who created this had synesthesia.  If there were more reds, yellows, and magenta in the opening and more indigo contrasted with silver later, this interpretation would be perfect.

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Music synesthetically works in two directions for me.  The picture above, called The Wings of Imagination, makes me think of La Mer by Claude Debussy.

If you listen to the piece, don’t look at the YouTube illustration, look at my picture if you want to see the music the way I do.  The following song, Don’t Worry, Be Happy, is a multicolored song that I can best express with the colors in the picture I call Rainbow Peacock.

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The full range of primary colors together in one picture, or one song, always means completeness, fullness, and happiness to me.  If there is absence of one or more of the basic colors from the color wheel, the mood and emotion present in the song or picture is altered to something other than happiness.  The Firebird Suite by Igor Stravinsky goes from the indigo and navy blue of fear and confusion to instances of angry red and feverish orange.  It would look something like this in the theater of my imagination;

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And one of my favorite instrumental pieces of all times, Prelude to the Afternoon of the Faun by Claude Debussy, is full of melancholy and sexual tension, deeply felt vibrations in the depths of my stomach, and would look like my picture Sleeping Beauty with its teal and blue melancholia juxtaposed with candle-lit yellows and wood brown mixed feelings of joy and anxiety.

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Now, if you have waded through all of this goofy color-and-music analysis from a source whose sanity is questionable at best, you probably have no earthly idea what any of it has to do with anything.  But if you have that aha!-moment and see it all clearly too, then I suspect you probably are a synesthete too.  Poor you.  It is not a treatable condition.  But it is also not a burden.  Learn to enjoy it.  It resonates in your very soul.

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January 11, 2016 · 4:02 pm

Morning Has Broken

Today is off to a miserable start.  I heard on the radio that David Bowie has died.  Ziggy Stardust… the Goblin King… The Man Who Fell to Earth… the Thin White Duke…is gone.  And even though since high school in the 1970’s I have never been quite sure how I felt about his music, I wept.  The man was a musical maker of lyrical poetry.  He could make you feel really really terrible… but he always made you feel.  And he made me depressed as he led me through the Labyrinth… but he also made me soar… on the wings of a barn owl.  It was about facing the darkness and finding your way.   Finding the way out.  Singing the Little Drummer Boy with Bing Crosby, but not actually singing it… making peace on Earth instead.  Sometimes things are just so weirdly beautiful it hurts.

I dropped my daughter off at her middle school, and then Jody Dean & the Morning Team played this on the radio.

I wept again.  Darkness is my old friend…  I have lived with and through depression after depression.  My own… my wife’s… my children’s…  And it is a miracle I have lived this long without succumbing to the Darkness.  It took Robin Williams.  It took Ernest Hemingway.  But somehow, the Goblin King always goaded me onward, to find the answer at the end of the Labyrinth.  “You… you have no power over me.”  And then I am okay once again.

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I captured the dawn once again this morning.  Once again I failed to truly ensnare the subtle reds and pinks and purples that were actually there.  But there it is, anyhow.  The morning has broken.  The blackbird has spoken.  The morning is new.

My heart is still sore this morning.  The dog didn’t help when she spilled the trash to get at the napkins with bacon grease on them.  We may have a dog-skin rug as a doormat later today.  But David Bowie left so many words and ideas behind to comfort me.  Is he one of those “neon gods we made”?  Of course he is.  But as the owl flutters off in the closing credits, we can take comfort in the knowledge that no one is ever really gone.  And we can always anticipate some… Serious Moonlight.

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