
When I was still alive and still teaching, maximizing and managing time was an incredibly important part of the day. You had to activate learners with an attention step, a lesson focus that grabbed them. Usually that had to follow a warm-up, something you got them to do as soon as you had smiled at them at the doorway, offered to shake their hand, and then pulled them into the classroom to do some work for you. fifteen minutes at the start of the class to rev up mental engines and get the gears turning… shake out the rust and the cobwebs that accumulate the instant the final bell rang in the previous class. I timed that part of class down to the second with my pocket watch… or phone in later years. Then, once the engines started, the focus is in place, you introduce the learning objective. Never more than ten minutes… timed to the second… you give the explanation, the road map of the day ahead, the instruction. Then for the next ten to fifteen minutes you let them discover stuff. In groups, with a partner, teacher to class, student to class, or (rarely) individually, they must apply what you pointed out and figure something out. It could be complicated, but probably it was simple. All answers are welcome and accepted… because all answers will be evaluated and you learn more from wrong answers than you do from correct guesses. Evaluation comes in the five to ten minutes at the end when you evaluate. “What have I learned today?” You try your hardest to pin something new to the mental note-board hanging on the brain walls of each and every student. Depending on how much or how few minutes you are given before the final bell kills the lesson for the day, you have to put the big pink ribbon on it. That tightly-wound lesson cycle goes on all day, repeated as many times as you have classes. In that time you have to be teacher, policeman, friend, devil’s advocate, entertainer, counselor, psychotherapist, chief explainer, and sometimes God. And you time it to the second by your pocket watch.

I miss being the rabbit holding the BIG PENCIL. Now that I am retired, I am no longer on the clock… no longer subject to careful time management. My pocket watch is broken and lying in a box somewhere in my library. I live now in non-consecutive time periods of sleep and illness and writing and playing with dolls. I have entered a second childhood now. Not really a simple one because of diabetes and arthritis and COPD and psoriasis and all the other wonderful things that old age makes possible. But a childhood free of school politics and mandates from the school board and from the State. A childhood where I can once again dream and imagine and create and play. That’s what this post is if you haven’t already figured it out. I am playing with words and ideas. They are my toys. Toys like this one;

This, of course, is Tim, the turtleboy of irony, holding his magic flatiron that he uses for ironing out irony. He is flattening it out now with a cartoony Paffooney and wickedly waggled words. Ironically, I have often taught students to write just like this, making connections between words and pictures and ideas through free association and fast-writing. Have you learned anything from today’s retired-teacher post? If you did, it is ironic, because you were never meant to from the start.




















How To Write A Mickian Essay
I know the last thing you would ever consider doing is to take up writing essays like these. What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?
But I was a writing teacher for many years. And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.
So, here goes…
Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead. A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay. In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what. The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order. It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.
Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs. This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing. If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”. And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time. The three main rooms in this example idea house are beginning, middle, and end. You could also call them introduction, body, and conclusion. These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).
The last thing you have to do is the concluding paragraph. (Of course, you have to realize that we are not actually there yet in this essay. This is Room C in the smelly chickenhouse of this essay, the third body paragraph.) The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process. This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later. The last thing that you say in the essay is the thing they are the most likely to remember. So you need to save the best for last.
So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay. It is a simple, and straightforward structure. The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea. And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.
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