Tag Archives: artwork

Clean Gene the Cleaning Genii Rides Again

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I had a magic soda bottle that I could rub and out popped a genii who helped me clean the house.  Now that my wife has returned to the Philippines for family reasons, I have apparently lost the bottle.  So far, digging through piles of junk in the library and my bedroom have only resulted in more mess.  I could’ve sworn I left it under the bed.   Part of the problem with cleaning in the library is the fact that I can’t pick up stuff for more than ten minutes before finding a book I have to look at or re-read, or put on my re-re-read pile.

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Part of the problem that leads to the need for a genii to clean is the responsibility of the family dog.    And she doesn’t do her share of the housework.   Jade the dog seriously believes that she can be a people if she eats enough people food.  So she steals from the pantry when my kids invariably leave the pantry door open.  She will pull out the Pringles cans, the half-eaten bags of chips, the powdered chocolate milk packets, and all sorts of other packages to dismember and shred behind the sofa and overstuffed chairs in the living room.  And no matter how many times I lecture her about it, she never picks that trash up.  She just sulks like a teenage girl, hating me for my fuddy-duddy old dinosaur brain.  But I occasionally have to remind her that people, the group she so desperately wants to be a part of, don’t pee on the living room rug when they are impatient to go out.

So, I am just guessing here, but I think the time has come to stop searching for magic bottles and just roll up my sleeves and do it myself.  Time to pick up the trash.  Vacuum the floor with the aging vacuum… a device that does not work well at all, but ironically doesn’t suck… and then shampoo the carpet with dog-stain remover.  I need to reorganize book shelves, dust behind TV’s, some of which no longer work, pick up and do laundry, actually wash the dishes in the sink before putting them in the dishwasher to do to them whatever mysterious cleaning magic a dishwasher actually does… (Have you ever noticed that if you don’t pre-wash dishes before putting them in the dishwasher, they don’t get clean?  What does this machine actually do?)  Anyway, the only workable solution is to actually clean the house.  Children and dogs who want to be people help in small ways, mostly by cheering you on and supportive comments and eating stuff you find behind the couch… and the dog helps with that last part.

Since today is a hot summer Saturday, too hot to do neglected yard work (a whole ‘nother post it seems) I will start today.  And I suspect that Clean Gene the Cleaning Genii is off visiting his cousin, the guy pictured on bottles of Mr. Clean, in Cleveland so that he can see the Rock and Roll Hall of Fame now that they have finally enshrined Steve Miller even though Mr. Miller never really wanted to be.

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Inside Toonerville

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The Toonerville Post Office and Bert Buchanan’s Toy Store.

Toonerville is not only a wonderful cartoon place created by Fontaine Fox in the 1930’s, but the name of the town that inhabited my HO Train Layout when I lived in South Texas and had the Trolley actually running nearly on time.  The train layout has not been restored to working condition for over a decade now.  The buildings which I mostly built from kits or bought as plaster or ceramic sculptures and repainted have been sitting on bookshelves in all that time.  I still have delusions of rebuilding the train set in the garage, but it is becoming increasingly less and less likely as time goes on and my working parts continue to stiffen up and stop working.  So, what will I do with Toonerville?

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Wilma Wortle waits on the station platform for her train at the Toonerville Train station. I built this kit in the 1970’s, hence the accumulations of dust bunnies.

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Loew’s Theater has been awaiting the start of The African Queen for more than twenty years.

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Main Street Toonerville at 2:25 in the afternoon. Or is it three? The courthouse clock is often slow.

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Grandma Wortle who controls all the money in the family likes to park her car near the eggplant house when she visit’s Al’s General Store.

But I may yet have found a way to put Toonerville back together through computer-assisted artsy craftsy endeavors.

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A two-shot of Bill Freen’s house and Slappy Coogan’s place on the photo set to start production.

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Bill Freen’s house lit up with newfangled electricical. (and I do believe that is the way Bill spells it all good and proper.)

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Bill Freen’s house cut out in the paint program.

So I can make composite pictures of Toonerville with realistic photo-shopped backgrounds.  Now, I know only goofy old artsy fartsy geeks like me get excited about doofy little things like this, but my flabber is completely gasted with the possibilities.

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Bill Freen’s house at sunset… (but I don’t get why there’s snow on the roof when the grass is so green?)

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Filed under art editing, artwork, autobiography, farm boy, foolishness, humor, illustrations, photo paffoonies, Toonerville

Stalling for Dollars

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Sometimes you have to scrape the bottom of the barrel for every-day posting ideas.  But, luckily, I stumbled across a computer file of artwork I had thought I lost when I upgraded to Windows 10.  Sometimes bad things turn out well, and sometimes good things go bad.  So, I figured I would share some of the inexplicable things I found in the lost file.  Why would I do such a thing?  Because I am not entirely lazy and out of ideas.  No, of course I am not.

 

 

 

 

 

 

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Player Characters

One of the best things about Dungeons and Dragons is that, in order to play the game, you have to play “let’s pretend” a lot.  You start with the notion that you have to pretend to be somebody else besides who you really are.  Possibly you can pretend to be someone who is impossible and could never be real.  You can be an elf, or an orc, or a dwarf… but if you decide to be a hobbit, you can’t call yourself a hobbit because that name is the intellectual property of the Tolkein family… but you can be a halfling… and somehow that gets you by.  And if you are, like me, the “Dungeon Master”, it becomes your responsibility to become the voices for all the NPC’s or non-player characters.  You get to be a multitude of people who are really not you.  And you get to do things that the real-life you would never do… either because it is simply not possible, or you haven’t finished studying magic in the real world, or because you are really not such a terrible person in real life… or not such a good and wonderful person in real life as the elf paladin you play in D&D.

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My eldest son’s character, the leader of the adventuring party.

Ditty Bytcha was my son’s first D&D character, rolled up with dice to be a human fighter and an artificer (a maker of useful mechanical and magical devices).  His name was a bit of a joke.  His back story included a father named Willy Bytcha and a mother who was a paladin of the god Aureon (the blue dragon god of wisdom and knowledge) named Gunna Bytcha.  His grandpa was named Gummy Bytcha.  But as time went on, he acquired a sword named Stormgaar.  It was a magic sword, imbued with the intelligence and memories of the secret agent from Breland that gave the sword to him.  It served as his conscience.  It kept him from stealing from the poor and murdering women and children.  It guided him through moral dilemmas like what to do with a captured enemy.  And it gave him a way to add to his power to defeat evil.  By playing this game of goblins and dire wolves, dragons and surly dwarves, my son learned to negotiate his problems.  He learned that every problem does not lend itself to being solved by hitting it with something heavy or something sharp.  It gave him leadership skills that I truly believe have influenced him as a present day U.S. Marine, and may have led to the leadership responsibilities he has taken on there.

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My number two son’s character is Gandy Rumspot, the halfling rogue and builder of sailing ships.

My number two son decided to take over an existing character, the halfling rogue Gandy Rumspot.  This character was a hard-drinking, charismatic, and thoroughly outgoing little hobbit… er, I mean halfling.  He was really the opposite of my son in almost every way.  My son is shy and over-cautious to a fault.  Gandy, however, took to the sea and took to the air.  He turned himself into a designer and builder of ocean-going ships.  And when they encountered other halflings who rode on trained pterodactyls, he had to have one.  They captured and tamed one, and he learned to glide through the air on the saddled back of a pterosaur.  He has learned to take risks and try the things that might seem scary.  When he wanted to get a job, without prompting, he went up to the manager of a tea-seller’s booth in the H-Mart Asian market and asked for an application.  They immediately gave him an interview and hired him.  He has already earned enough money to buy himself an electric guitar which he has taught himself to play very, very well.

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My daughter the Princess chose as her character Mira Mirkestasia, a soul-gem wearing Kalashtar (a form of mind-reading sorceress).

Mira is my daughter’s character.  It took a while to convince the other two that their icky little sister should be allowed to play the game too.  They were worried that she wouldn’t be smart enough to keep up with what they wanted to do, wouldn’t be resourceful enough to help them overcome evil, and would be too squeamish to kill stuff and kill guys when it needed to happen.  So, she became a cerebral Kalashtar, one of those ESP brainiac characters who can do mind-reading and telekinesis because they share their body and soul with a bizarre creature who fled oppression in another dimension entirely.   In one adventure, she took possession of a mystically powered intelligent throwing knife named Xulo-Mira that would always hit the target (assuming she could make the dice roll) and would always return to her hand.  She became a reader of magic scrolls, a lover of magic books, and, in real life, she fell in love with reading, particularly the Percy Jackson novels of Rick Riordan.  Her grades in school improved.  She has become inventive, creative, and artistic… enough so that she was accepted into the special METSA program for high school next year where she will be able to get college engineering credits and do the things she loves to do while getting her high school diploma.

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The clay dragon the Princess made in art class and wowed the art teacher into blubbering incoherence with.

I cannot claim with a straight face that playing the D&D role-playing game allowed me to train my three kids into wonderful people.  That is just an opinion from a doting father who gets off on playing god in an imaginary universe.  But I have found role-playing to be a useful way to teach things.  Over the years I played a lot of RPG’s in the classroom and at home.  I used role-playing exercises on kids whose behavior needed a lot of molding and modeling.  It can be done in real life, and I am not merely a D&D nerd who only lives in a fantasy world of his own making.  I am a D&D nerd teacher who teaches through a fantasy world of my own making.

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Filed under artwork, autobiography, Dungeons and Dragons, education, Paffooney, strange and wonderful ideas about life

Monster Mansion

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In the quiet but creepy back-street, dark-alley parts of Fantastica there is a creepy house known as Monster Mansion.  Yes, it is a cartoon house in a cartoon fantasy land.  But it is creepy.  Well, maybe creepy in a funny, cartoonish sort of way.  Okay… so it isn’t really creepy.  But Dr. Pinkenstein (pictured above with his monster Elroy) does live there, so it has to at least qualify as weird.

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In the sub-basement (where there are no submarines… that we know of) there is an underground river.  That is where the resident gill-man lives.  Known as Swampie, he takes care of the rats, the cockroaches, and the fish… mostly by eating them.  In the portrait above, he is being visited by Lonny the Wolf-boy and the Monster Mansion resident vampire, Count Stinkula.  Both of them are often asked by the Mansion’s residents to spend time in the sub-basement, Lonny because he howls too much, and the Count because he smells really, really rotten.

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If you ever make the mistake of visiting Monster Mansion (and that would be a really, really big mistake), you will be greeted at the door by Monster Mansion’s butler, Doofy the Pumpkinhead.  He is a very nice and welcoming scarecrow sort of dude, but he’s a little hard to hold a conversation with.  If the candle in his head goes out, there is nothing going on in the gourd at all.  In the picture above, Doofy is pictured with the Phantom.  Mr. P is in charge of mood music in Monster Mansion.  He plays the pipe organ, but it has been relegated to the basement because the clinker notes have a tendency to break the windows upstairs.

So, that’s everything you didn’t want to know about Monster Mansion.  Sorry I had to break it to you this way.  But cartoonists can be like that.  Not creepy, really… more like a little bit weird.

 

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Critiques in Color

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I recently posted about being synesthetic and discovering how I am different from normal people.  Here is the post if you are interested..   Then I discovered that Kanye West is also synesthetic as he gushed some southern-fried crappie-doo about how wonderful he is as an artist because he sees the colors of his music.  Well, now I don’t want that mental affliction any more.  I don’t wish to be anything like him.  Of course, it has to be incurable, doesn’t it.

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Now I am wasting today’s post on another metacognative thinking-about-thinking style of paragraph pile when I could be rhapsodizing about the humor of Dave Barry or the wisdom of Robert Fulghum, the author of

All I Really Need to Know I Learned in Kindergarten.

Here it is on Amazon.

I could be shamelessly promoting the work of artists whose works I love instead of examining the random filing cabinets in the back rooms of my stupid old head.  But I can’t because I now need to explain myself to myself again.  Self doubt and self examination are features of being an artist.  We reach a point where we have to think about how we do what we do, because if you don’t know where the magic comes from, you might not be able to call on it the next time you need it.

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I am a self-taught artist.  I have had art classes in high school and college, but never professional art training.  I know how to manipulate the rule of thirds, directional composition, movement, perspective, and lots of other artsy-craftsy techniques, but it is all a matter of trial and error and an instinct for repeating what works.  I have had a good deal more professional training as a writer.  But I do that mostly by instinct as well.  Trained instinct.  I have reached a point where my art is very complex and detailed.  And I don’t mean to suggest there are no flaws.  In fact, I am capable enough to see huge, glaring mistakes that really skew my original intent and make me feel hopelessly incompetent.  But others who see it and don’t know the inner workings of the process can look past those mistakes and not even see them.  Given enough time to look at my own work with new eyes, I am able to see at least some of what they see.

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Now that I have totally wasted 500-plus words on goofy talking-to-myself, what have I really accomplished beyond boring you to death?  What’s that you say?  You are not dead yet?  Well, that’s probably only because you looked at the pictures and didn’t read any of my sugar-noodle brain-scrapings in loosely paragraph-like form.  And if you did read this awful post by a colorblind artist who doubts his own abilities, you probably didn’t learn anything from it.  But that’s not the point.  The point is, I care about doing this, and I need to do it right.  And I managed to learn something… how to ramble and meander and make something that is either a hot mess… or something that vaguely resembles self-reflective art.

 

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Filed under art criticism, artwork, autobiography, colored pencil, coloring, feeling sorry for myself, humor, magic, Paffooney, strange and wonderful ideas about life, Uncategorized

Boyhood

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Fifty years ago when I was ten, the world was a very different place.  Many people long for the time when they were young.  They see it as a better, more innocent time.  Not me.  Childhood was both a blessing and a nightmare for me.  I was creative and artistic and full of life.  And my family encouraged that.  But I was also a victim of a sexual assault and believed I had to keep a terrible secret even from my parents so that the world would not reject me as something horrible.  We were on the way to the moon and the future looked bright.  But President Kennedy had been assassinated in 1963, and Apollo 1 would end in a fiery tragedy in 1967.  I look back with longing at many, many things, but I would never want to go back to that time and place without knowing everything I know now.  I am grateful that I survived.  But I remember the nightmares as vividly as I do the dreams.

 

As a teacher, I learned that childhood and young adulthood defines the adult.  And the kid who is coddled and never faces the darkness is the one who becomes a total jerk or a criminal… or Donald Trump.  I almost feel that the challenges we faced and the tragedies we overcame in our lives are the very things that made us strong and good and worthy.

 

When you are a boy growing up, hating girls on the outside and pining to get a look in the girls’ shower room on the inside, you can’t wait to grow up and get away from the horrors of being a child.  Except, there are good things too.  Tang, of course, wasn’t one of them.  We drank it because the astronauts drank it, but it was so sweet and artificial it tasted bitter in that oxymoronic way that only fake stuff can achieve.  Quisp is nasty-tasting stuff too… but we begged for it because, well, the cartoon commercials were cool.  I only ever choked down about two boxes of the vile stuff.  You went to school a little queasy on mornings when you ate Quisp in milk for breakfast.  But one box had a toy inside, and the other had an alien mask on the back that you could cut out, but not actually wear.

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But when it comes down to how you end a goofy-times-ten-and-then-squared essay like this one, well, how do you tie a proper knot at the end of the thread?  Maybe like this; It is a very hard thing to be a boy and then grow up to be a man.  But I did it.  And looking back on it, the pie was not my favorite flavor… but, hey!  it was pie!

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Filed under battling depression, feeling sorry for myself, finding love, goofy thoughts, happiness, healing, humor, Paffooney, Uncategorized

Grandma’s Grin

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Grandma’s Grin (A poem about beauty and ugliness)

Oh, the grimacing grin of old Grandma Green

Is the scariest smile that you’ve ever seen!

She bunches up wrinkles and shows yellow teeth

And makes a boy worry ’bout what lies underneath.

But when she is smiling, she gives cookies and milk

And speaks in a voice full of honey and silk.

So maybe it’s not the worst smile ever seen,

That grimacing grin of old Grandma Green.

 

****This poem was added to the silly poems in my vault to be found here;****

Old Poetry By a Silly Old Poet

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Wisdom From the Bob Ross Bible

If there is a Church of Sacred Landscapes then Bob Ross is its Jesus Christ.  That is not a sacrilegious statement of bizarre cult-mindedness.  Painting is a religion that has its tenets.  And Bob Ross explained to us the will of God on his painting show on PBS.  All the illustrations used in this post come from the Facebook page Joy of Painting with Bob Ross. All the wisdom comes from things the Master said on the show.

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Bob Ross was the prophet of the paintbrush.  He would present us with a lightly prepared canvas at the beginning of the show and then proceed on camera to take his brush and palette knife, and all his paints, and create a piece of the world before our very eyes.  And he was not Picasso or Van Gogh or even Norman Rockwell.  He was not a talented artist, but rather a very practiced one who knew all the tricks and shortcuts to sofa painting, the art of knocking out scene after scene after scene.  He could make his little piece of the world in only half an hour, and he made it obvious how we could do the same.  His work was not gallery quality… but his teachings were Jesus-worthy.1918971_1025737477472968_4026443126606690255_n

His work was natural, flowing, and realistic in the random complexity it presented.  He took standard paintbrush strokes and pallet knife tricks and made them dance across the canvas to make happy little trees.

His painting methods presented us with a philosophy of life and a method of dealing with whatever mistakes we might make.

And of course, any good religion must take into account the existence of evil.

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Bob Ross tells us that evil is necessary as a contrast to what is good and what is true.  We need the dark.  But we don’t have to embrace it.  Bob’s paintings were never about the dark bits.  He always gravitated towards the light.

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Of course, sometimes you have to beat back the darkness.  A good artist takes care of his tools.

Bob Ross admonishes us to look and to learn and love what we see.  The man radiated a calm, gentle nature that makes him a natural leader.  His simple, countrified wisdom resonates because we need calm and pastoral peace in our lives.  It is one of the main reasons mankind needs religion.

So I definitely think we ought to consider building a Bob-Rossian Church of the Sacred Landscapes.  We have our prophet.  The man has passed away, yet he is risen to paint again endlessly on YouTube.

And if you are willing to try… Bob Ross will smile upon you.

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Stuff That Works

What makes people visit your blog and maybe even click “like”?  I should tell you up front, I have no idea how best to navigate the crazy internet.  I want to.  I have a book to promote.  I have ideas and experiences to share.  I am a writer and I would like to make something more than excessive heartache out of being one.  But how you actually go about it is still a mystery.

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I know what I surf the internet for.  I like artwork, especially original artwork.  That is why I try to post as much of my own stuff as I can.  I am an amateur artist, self-taught with a little bit of college art classes, contact with real artists, and a lot of TV Bob Ross.  I surf to find other artists whose stuff catches my eye.  I post about artists like Loish, Maxfield Parrish, Paul Detlafsen, and Norman Rockwell.  I go to sites like DeviantArt (Example at this link) and follow artists like James Brown and Shannon Maer on Facebook.  I help promote their work by sharing as often as I can.  Do I worry about copyright violation with my artwork?  No.  I am long past the point of making a profitable career as an artist.  I like having people see my work and if someone decides to claim they are the artist instead of me, I have the real originals and even some pictures of work in progress.  The Big Eyes thing will not happen to me.

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So sharing pictures seems to matter.  I got lots of hits from the monster picture post because I used a lot of monster-movie images that people normally search for on the internet.  Pictures of pretty girls work too.  It doesn’t seem to matter if I drew them or if they are a picture of a relative, those pictures pull people in too.

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Pictures of photogenic nieces aid my blogging popularity in a rather noticeable way.

Yes, I do believe I have just intimated that Minnie Mouse is my niece, a daughter of my sister-in-law.  Lying is part of blogging.  You have to put spin on things and make people understand the things they want to understand more than you need them to see what is really true in the empirical sense.

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Being able to put the words “nude” or “naked” in titles or in the tags brings in more views too.  Those words get lots of hits on search engines and some of the people who visit my blog looking for that actually read what’s posted.  Just because an idea is a little bit naughty, it doesn’t mean only perverts and bad people respond to it.

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This is a picture of Rowan Atkinson as Mr. Bean. It is NOT a picture of me.

And it doesn’t hurt to be a little funny now and then.  Humor is something I look for in the posts of others.  I try to be funny in my posts too… though whether they are hah-hah funny or merely eeuw! funny is debatable.  Much of my humor is only intended to raise a smirk or half a smile.  I am most satisfied when I make you think, “heh, that’s right, isn’t it.”

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This is Millis, not me. He was an actual rabbit that was turned humanoid by a scientist’s experiment with alien technology.

So why is this post called Stuff That Works if, as I am claiming, I really don’t know anything about how blogging works?  I may have been a little less than truthful when I made claims.  Or maybe I was claiming with a little bit of “tongue in cheek”?  I hope I have demonstrated that I do know how.  The thing I have yet to wrestle with is WHY.  So now I have to get busy and work on that.

 

 

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