All art on this planet (with the possible exceptions of paintings by monkeys and elephants, and the songs of whales and dolphins) is about people. What is art, if it is not a reflection of who and what we are?
“Tell me a story with our people in it.”
I am the man from the setting sun who comes from the past to deliver the future.
Every bit of art I do now is done as my own mortality, the end of my own story, is soon to reach the final page. I have lived six decades complete and have begun to live the seventh. I am close to the sunset. But I have wisdom to share from a lifetime of struggle, and reversals, and successes, and joy. And in a dark time when it appears the world could actually be ending, I wish to do the only thing I can to help, provide pictures and stories that might prove useful to you.
“We are beautiful as the day is ending, because the day was worth living in.” “Magic, like lightning, infuses the sky with that which makes us wonder. What is it? How do I use it?”What we are is based on what we were. Our hopes for the future have their foundation in our past. We only have to see it and identify it. Then we can build on it.Why am I obsessed with naked people? Because naked people are exactly what you see. Naked hides nothing, and honesty is like sunshine, the more we walk in it, the healthier we become.
Laughter is an essential part of who we need to be and how we deal with where we need to go. Laugh at mistakes, and chuckle with satisfaction as you correct them.Life is like Moose Bowling because… in order to knock down all the pins, you have to learn how to throw a moose!Art exists because it simply has to exist. My art exists because I exist. So, my art exists because you all made the mistake of allowing me to exist.
So, all art is about people. Even the art with no people in it. That art, at least, has a creator who was most probably a people… or a monkey… or an elephant.. or a… well, you get the idea, don’t you?
I don’t know if you’ve seen enough of my colored-pencil Paffooneys to tell this, but for an old white guy, I draw a lot of Native Americans and am rather deeply in love with American Indian images. You may have seen this dream painting I posted before.
The girl in the painting is a combination of this warrior’s daughter and myself. I was naked in the dream and a female, facing this huge ghost-stag. The dream came while I was reading Hanta Yo by Ruth Beebe Hill. Maybe that book was the beginning of my Native American obsession. Who knows? I am a crazy dreamer. But that wonderful book turned me on to the rich spiritual life that the Dakota people lived. I identified with it so completely that I dreamed myself into their culture. I was also struck by the manner in which a Native American culture handles education. The grandfather is in charge of the boy’s learning. He teaches by story-telling. Here you see the grandfather in Sky Lodge teaching his grandson. The girls would learn very different things from their mothers and grandmothers.
I am also entranced by the life of the people expressed in dance and ritual. Dance has deeper meaning than we white guys normally assign to it. Dances could be magical. Of course, the notion of a “rain dance” is the result of too much simplification in movie scripts and ignorant popular white culture. Dance could connect you to the Earth, the Sky, and the Spirit World. That’s what this most recent Paffooney shows.
So, you can see, I don’t really understand the concept of moderation when it comes to my obsessions in the world of colored pencil art. Hanta Yo! Clear the Way! In a sacred manner I come!
Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen. Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables. He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys. Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her. I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”. And Grandma was easily scandalized when we were kids. She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical. She didn’t like for people to be naked, except for bath time, and maybe not even then. She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm
Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues) One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here. They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher. And there were a lot of them. Here is another;
Grandma had this in puzzle form also. We put the puzzle together, glued it to tag board, and framed it. It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s. My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day. Detlefsen is not known as a great artist. He was a humble painter who painted backdrops for films for over 20 years. In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home. I believe I saw his paintings in all these forms in one place or another. According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.” That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw. Let me share a few more of his works, and see if you recognize any of these;
I was born an artist. It has to be developed and nurtured and practiced over time to become what it can truly be, but artistic talent is something you are born with, and there is a genetic aspect to it. Great Aunt Viola could draw and paint. She produced impressive art during her lifetime. My father can draw. He has demonstrated ability a number of times, though he never developed it. Both my brother and I can draw and have done a lot of it. All three of my children can draw and paint. My daughter, the Princess, even wants to pursue a career in graphic design and animation.
One of the factors that weighs heavily on a career in art is the starving artist factor. To be a serious artist, you have to study art in great detail. You need lots of practice, developing not only pencil-pushing prowess, but having an artist’s eyeball, that way of seeing that twists and turns the artist’s subject to find the most novel and interesting angle. It takes a great deal of time. And if you are doing this alone, you are responsible also for building your own following and marketing your own work and creating your own brand. You need to be three people in one and do this while potentially not being able to make any money at all for it. I have taught myself to do the art part, but I paid the bills with something else I loved to do, teaching English to hormone-crazed middle-schoolers.
An important part of art is what you have to sacrifice to do it.
Many artists become alcoholics, drug users, or suicidal manic-depressives. There is an artistic sort of PTSD. Doing real art costs a lot because it alters your lifestyle, your mental geography, and your spiritual equilibrium. Depending on how much of yourself you put into it, it can use you up, leaving no “you” left within you.
I am not trying to leave you with the impression that I mean to scare you into not wanting to be an artist. For many reasons it is a great thing to be. But it is a lot like whether you are born gay or straight… or somewhere in between. The choice is not entirely up to you. You can only control what you do with the awful gift of art once it is given to you. And that is a serious choice to make. Me, I have to draw. I have to tell stories. My life and well-being depend on it. It is the only way I can be me.
Remember this picture that I said was unfinished? It was supposed to be a picture called The Stag in Snow. But I was always reluctant to dab the snowflakes on over top of the picture I basically felt was good the way it was. So, I have experimented with art editing programs to the point of putting snow flakes into the picture without risking spoiling the original with blobs of white paint.
I successfully added snowflakes to the blue background. I couldn’t help but feel like it is a starry night in the background rather than snowfall. And so I saved this product separately before continuing to experiment.
The final product faithfully carried out my original plan. And it does look like a rather mechanical snowfall. But I don’t like it as much as I like the starry background step. It makes me truly glad that I did not put white paint on the original. I would be happy to have your opinion in the comments. Of course that is also a tricky way to make you reveal whether you are actually reading the words of this post or just looking at the pictures.
There is a link above to a book of essays that takes some pains to describe life as a writer, artist, and all-around far-too-creative idiot.
Drawing people with no clothes on is something I actually learned to do in college. Even more ironic is the fact that I was still suffering a nude-o-phobia at the time due to being traumatized by a sexual assault at age ten that had been a repressed memory until the year before I took the anatomy drawing class with live nude models. It was not a class full of guys since you had to have made high grades in three previous levels of drawing classes. There were only three other males in the class, and none of them were significantly more secure in their own nakedness than I was. Virgins all. (What do you expect from male art majors?) But it began my journey into drawing nudes and eventually becoming a nudist.
Drawing a nude figure in a work of art, whether by painting, drawing with a pencil, colored pencils, or digital art on a computer, is an essential step to creating believable figures even after you put clothing on them. Anatomical correctness in structure and proportions are far more realistic when originally drawn by your practiced hand as a nude figure. My mother noted when watching me paint that the pencil drawing underneath looked like a naked body until clothed by a rendering of a body covering, even if I was working from a model or photo that was fully clothed. Being a modest Methodist she often asked if I intended to draw clothes on before painting, which I usually did… especially on pictures painted at home where she would see.
When I am intentionally drawing a nudist picture, I will depict an activity that I enjoy doing in the nude myself. The figure, a male figure, represents me. I do tend to depict myself as an innocent child rather than a fat old man with a beard. I also draw nude girls, usually in the age of innocence, because I don’t have any reason to do porn. And drawing nudes helps me immensely with my own positive body image problem.
Pictures of nudists do not need to reveal sexual features. I don’t particularly enjoy drawing genitals. And the idea of the picture usually does not require those things to be in the picture.
Sometimes the theme of the picture is intended to be humorous. Streaking back in the 1970s always got a lot of laughs, as well as evil looks from old church ladies.
Fairy nudity is also usually given a pass. Why would tiny magical creatures really need clothes?
Some pictures evoke memories of camping, Something we did as a family every summer in the 60s and 70s, though never in the nude… except in my imagination.
And of course, some pictures need to exist simply because the human body is inherently beautiful.
All of this is talked about in the essay I wrote about it in book form on Amazon. It goes into much greater detail with many more illustrations.
I was born an artist. It has to be developed and nurtured and practiced over time to become what it can truly be, but artistic talent is something you are born with, and there is a genetic aspect to it. Great Aunt Viola could draw and paint. She produced impressive art during her lifetime. My father can draw. He has demonstrated ability a number of times, though he never developed it. Both my brother and I can draw and have done a lot of it. All three of my children can draw and paint. My daughter, the Princess, even wants to pursue a career in graphic design and animation.
One of the factors that weighs heavily on a career in art is the starving artist factor. To be a serious artist, you have to study art in great detail. You need lots of practice, developing not only pencil-pushing prowess, but having an artist’s eyeball, that way of seeing that twists and turns the artist’s subject to find the most novel and interesting angle. It takes a great deal of time. And if you are doing this alone, you are responsible also for building your own following and marketing your own work and creating your own brand. You need to be three people in one and do this while potentially not being able to make any money at all for it. I have taught myself to do the art part, but I paid the bills with something else I loved to do, teaching English to hormone-crazed middle-schoolers.
An important part of art is what you have to sacrifice to do it.
Many artists become alcoholics, drug users, or suicidal manic-depressives. There is an artistic sort of PTSD. Doing real art costs a lot because it alters your lifestyle, your mental geography, and your spiritual equilibrium. Depending on how much of yourself you put into it, it can use you up, leaving no “you” left within you.
I am not trying to leave you with the impression that I mean to scare you into not wanting to be an artist. For many reasons it is a great thing to be. But it is a lot like whether you are born gay or straight… or somewhere in between. The choice is not entirely up to you. You can only control what you do with the awful gift of art once it is given to you. And that is a serious choice to make. Me, I have to draw. I have to tell stories. My life and well-being depend on it. It is the only way I can be me.
One of the most important things about my blog has been that I can share my artwork. I have always been capable of a reasonably high level of drawing ability. I can also paint and create artistically original photographs. I have that artist’s eye that sees creatively. If you follow directions in this first Paffooney, you will see a wider variety of the kind of Paffoonies I post than I will post here. This will be, however, a picture post. I intend to share a bunch of my artwork here, both old and new. Take a gander. (And while you hold on to that male goose, look at some of my pictures, too.)
You have to admit that I am clearly not an artist like Van Gogh or Picasso… certainly nothing like Andrew Wyeth or Winslow Homer. I am more of an illustrator, or … worse, a cartoonist.
So, this is at least partially about sharing artwork. I am not a professional artist. I have made no money from drawing, even though my artwork has been published before. I have been given this talent by God not to be famous and wealthy, but to be a better teacher and a better storyteller.
Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen. Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables. He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys. Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her. I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”. And Grandma was easily scandalized when we were kids. She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical. She didn’t like for people to be naked, except for bath time, and maybe not even then. She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm
Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues) One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here. They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher. And there were a lot of them. Here is another;
Grandma had this in puzzle form also. We put the puzzle together, glued it to tag board, and framed it. It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s. My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day. Detlefsen is not known as a great artist. He was a humble painter who painted backdrops for films for over 20 years. In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home. I believe I saw his paintings in all these forms in one place or another. According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.” That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw. Let me share a few more of his works, and see if you recognize any of these;
Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen. Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables. He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys. Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her. I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”. And Grandma was easily scandalized when we were kids. She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical. She didn’t like for people to be naked, except for bath time, and maybe not even then. She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm
Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues) One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here. They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher. And there were a lot of them. Here is another;
Grandma had this in puzzle form also. We put the puzzle together, glued it to tag board, and framed it. It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s. My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day. Detlefsen is not known as a great artist. He was a humble painter who painted backdrops for films for over 20 years. In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home. I believe I saw his paintings in all these forms in one place or another. According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.” That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw. Let me share a few more of his works, and see if you recognize any of these;
Catch a Falling Star 