My Mother’s Dolls

Tom Sawyer without the straw hat, as created by Lois Beyer

Tom Sawyer without the straw hat, as created by Lois Beyer

You may already know about my doll-collecting mania.  You may have already called the mental health people to come take care of the problem, and they just haven’t arrived at my door yet with the white coat that has the extra long sleeves.  But you may not know that my mother is a doll-maker and has something to do with my doll-collecting hoarding disorder.

In the early 1990’s my mother and I put our money together and bought a kiln while we were visiting my sister’s family out in California.  It wasn’t the most expensive model, but it wasn’t the cheapest, either.  We both had enough experience with ceramics that we didn’t want to buy a burning box that was merely going to blow our porcelain projects to kingdom come.  Mother had doll-making friends in Texas who taught her about firing greenware and glazing and porcelain paint and all the other arcane stuff you have to know to make expensive hand-made dolls.  Now, honestly, at the start we could’ve made some money at it selling to seriously ill doll collectors and other kooks, but we were not willing to part with our early art, and by the time we were ready to do more than just have an expensive hobby, everyone who would’ve paid money for the product was making their own.  So dreams of commercial success were supplanted by the hobbyist’s mania that made more and more charming little things to occasionally display at the county fair.

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The two dolls I have left to share on my blog from that era were both crafted by my mother.  She lovingly fired the porcelain body parts, painted the faces by hand, and created the wardrobe on her Singer sewing machine.  I made some dolls too, but never with the wondrous craft and care that made my mother’s dolls beyond compare.

Tom Sawyer was originally a boy doll who was supposed to be able to hold a model train in his hands.  My mother had the pattern for the little engineer’s uniform and hat that she would use on another doll instead.  He is named after the Tom Sawyer clothing pattern that my mother bought and sewed together to dress him in.  He has a cloth and stuffing body underneath his clothes together with porcelain head, hands, and bare feet.

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The other doll I have left to brag unctuously about is a doll named Nicole after the niece my wife and I have whom this doll bares a striking resemblance to.  She displays a beautiful little girl’s sun dress with quilted accent colors that my mother sewed from scratch with the help of a pattern she was truly fond of and used more than once.

These dolls were gifts to my wife and I, presented shortly after my mother bought out my share of the kiln when she retired and moved back to the frosty land of the Iowegians.  I haven’t kept them as thoroughly dusted and cobweb-free as they deserve because I have been a somewhat lazy and slovenly son… but I do love them almost as much as (and sometimes more depending on recent behavior) my own children.  (After all, porcelain kids rarely make a mess, overspend allowances, or hog the television too much.)

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New Pic, Old Pic, New Again

“Dancing in a Dress that Twirls”

“The Princess is Out for a Ride” 1992

“The Girl with Auburn Hair”

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Farming Family

the ClarkesI have been working on the beginnings of the novel When the Captain Came Calling.  It is not the first draft.  It is the third entire re-write.  I wrote this as a graphic novel before graphic novels were an established form.  Then I tried to rewrite it as a traditional novel, and it is now coming into its YA novel form.  But I can’t begin to explain this novel-writing project without telling you about the Clarkes.  Yes, they are a very important Iowegian family who farm and are entirely fictional.  (Kids, what other words do you know that begin with the letter F?)  They are based, at least a tiny bit, on my own family when I was a kid, but very specific parts of it.  My Uncle Larry, mother’s older brother who is now gone (but never forgotten) was the inspiration for Dash Clarke.  Kyle Clarke, the father in the picture, is Dash’s younger brother… though he is not based on my other maternal uncle.  The daughter in the Paffooney picture, Valerie Clarke, is based on my own daughter combined with a girl I had a crush on in grade school and a girl who had a deeply felt crush on me when I was a young teacher.  The Clarkes are third generation farmers, just as my own family were back in the time this story is set.  Unlike my family, the Clarkes do not come out of the 80’s with their family farms intact.  What grandparents built, the sons lose hold of, and the world becomes a much sadder place because of it.  The story is about a lot of things in addition to a family losing their farm.  It is filled with magic, telling sea stories and other lies, and the truth behind both the magic  and the lies.

I posted this today because today is the day I finished the Paffooney illustration that started the post.  Here is what it looked like in progress;

pencil sketchClarkes

Paffooneys are a made-up thing by which I name the whole great glob of artwork and stories I have created that represent the never-ending music in my soul.  I am not a singer or a song-writer.  The only way these tunes come to life is through the toons which I ignorantly call the Paffoons because the loons have nothing on me.

Here is a cover mock-up for the novel which shows another picture of Valerie Clarke, the most beautiful little girl ever born in Norwall, Iowa (a phrase that her Uncle Dash christened her with when she was small, and it caught on with the entire town.)Voodoo Val cover

This is a classic post from the archive, and so the book is now available on Amazon.

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Paffooney Stories and Toony Cartoons

My House1 My house2 my house3 My House4Here is a page for collected stories that I mean to build on and expand.  It is my intention to file cartoons here and edit them and add more pages via posts.  So for a first attempt let me use an old cartoon that was rejected once by Heavy Metal magazine in the early 1980’s and rejected a second time by a cartoon magazine that no longer exists and I can’t even remember the name of…  I am thinking they had very poor taste in cartoon art anyway.

Now, of course, this a finished four-page one-shot.  It was intended for a magazine that sought this kind of full-color art and had an over-all science fiction and horror fantasy theme.  I was too light and colorful with this short for their needs.  Disney characters on the PJ’s might have been a legal problem too.  So I am left with an unsaleable example of my best colored-pencil art, done when I was still pretty much a clueless kid and not yet a teacher.  It was worth doing, but will never make me a single dime.

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Picsart and AI Mirror

I have paid for a subscription to the Picsart AI App. What you pay for you need to use. So, I am experimenting with it now. I created the above picture with the old method of the digital Drawing Pad app on my computer tablet touchscreen using my electronic stylus on battery power. I then improved the picture by running it through the AI Mirror app to turn what was basically a tracing over a photograph to turn it into an anime-style cartoon.

I used Picsart in Photoshop style to remove the background and place the figure on a new background.

I then used the same figure on a third background. Voila! one small skill mastered.

This one is again using the drawing pad and AI Mirror. I did however draw this skinny dipper myself rather than tracing him from a photo. The background was from a Tap Color Pro puzzle I finished early this morning and drew the figure and bird on top of… also removing the dock behind him. I used AI Mirror only once I had the whole rough draft finished.

I continued fussing with it until I got tired. I was going to manipulate it with Picsart too, but my eyes and fingers got tired, and I had gotten frustrated enough with small finger problems and white lines in the creek that I simply cursed the AI Mirror and ended with this one above. But I have about eight in-between saves where the bird was still a cardinal and I wasn’t satisfied with any of them. AI programs enhance what I can do in digital drawing. And making changes is so simple it spoils me. But the whole process eats up time and energy greedily. And now I am exhausted.

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Writing with Power

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Filed under humor, Paffooney, writing, writing teacher

More from the Picture Factory

Mainly just pictures today.

The original

Redrawn with digital tools.

With AI assistance (AI Mirror)

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Them Bones

Harker Dawes asleep was certainly no prettier or better looking asleep than he was when he was awake.  You know how people will say about a demonically possessed child that causes chaos and havoc and dread in the lives of the people who gave life to him, “He looks like such an angel when he’s sleeping”?  Well, no one ever said that about Harker.  Even when he was a child, he looked more like a deformed potato with its eyes shut when he was sleeping.  His balding head had an odd dent in the crown that had been there since birth.  His kinky-curly red-brown hair was only a fringe around his ears and the back of his head that could accurately be described (and usually was by local Iowans) as Bozo-the-Clown-hair.  His eyes were somewhat bugged out of their sockets, giving him a look of being permanently surprised by life… or more accurately… permanently stupefied.  Mercifully those goofy-looking eyes were closed in slumber.  Dem Bones

It was a benefit to Harker himself that his eyes were closed and he was sleeping.  And this was because he had accidentally fallen asleep on Poppy’s grave in the Norwall cemetery.  And also because he was currently surrounded by skeletons, members of the local un-quiet dead, standing in a semi-circle and ogling Harker with their eye-less eye sockets.

“Do we have to eat him?” asked the tall male skeleton with the seed-corn company baseball cap on his head.  “I mean, if it’s all the same, I’d really rather not.”

“I think you only have to eat his brain,” said the little boy skeleton.  “I don’t know for sure because that Night of the Living Dead movie didn’t become popular around here until years after I died and video tapes became popular.”

“How do you know about that then?” asked the church lady skeleton.  It was obvious that she was the remains of a church lady because she still had quite a bit of long white hair on her skull, along with a pillbox hat, and she was dressed in a tattered church-lady-type dress of green rayon with a printed pattern of red roses turned brownish gray by years under the mud.

“When I wandered into town one Halloween night in the 80’s, I looked in the living room window of the Martin family, and the two boys were watching that movie on what they call a VCR.”

“Was the movie any good?” asked the skeleton in the cap.  “I heard of it in life, but never watched it.  It would’ve been too scary for my daughter, the Princess.”

“The zombies were all fake.  And when they ate human flesh, you could tell it was all special effects.  They should’ve asked me.  I could have shown them how it really looks.”

“Heavens!” said the church lady, “They don’t actually kill people when they make a movie, do they?”

“I don’t think so,” said the boy.  “That may have changed since I passed away in the 60’s.”

“I still don’t think I really want to eat him,” said the skeleton in the cap, “even if it’s just the brain.”

“We can’t start the Zombie Apocalypse without eating brains and making new walking dead,” said the boy.

The other two skeletons turned and looked at the little boy skeleton.  Both of them let their bottom jaws drop open, but without flesh, it was impossible to tell if that was an expression of surprise, disgust, or… hunger.

“Do we really need to end the world with a Zombie Apocalypse?” asked the church lady.  “I’m not sure eating living people’s brains is a very Christian thing to do.”

“Aren’t there supposed to be bad consequences for falling asleep in a graveyard?” asked the skeleton in the cap.

It was then that they noticed a fourth skeleton had joined the group.

“Why, Bill Styvessant,” greeted the church lady, “I haven’t seen you in half a century!”

“True.  You were but a girl in the late 40’s when I passed on from a broken heart.”

“You remember me in life?” asked the church lady.

“Of course I do.  You are Ona White.  I sat with you the night you died, under the street light on Pesch Street.  You were mauled by those two dogs that shouldn’t have been loose.  I tried to comfort you as you passed away from shock and blood loss.”

“I thought you were an angel, Bill.”

“I was.  Angels take many forms.  An angel is merely a message from God.”

“Wait a minute!  How can a skeleton know who another skeleton was in life?” asked the skeleton in the cap.  “Especially if you died many years before she did?”

“It’s in the nature of angels, Kyle.  I know you too.  I watched over your family several times when evil lurked near… for a couple years after your suicide.  You are ready to take over that job now.”

“Kyle Clarke?” asked the church lady.  “You’re Kyle Clarke?  What’s this about a suicide?”

“You died before me,” said Kyle, “so you wouldn’t have heard.  I lost a third of the family farm to the bank in the early 80’s.  The shame and despair was so overwhelming that I shot myself to death in the barn.  It was the stupidest act of my entire life.”

“Well, I should think so,” said Ona White.

“Is that why we walk the Earth?” the child skeleton asked Bill.  “We all had a tragic death and were doomed to walk for all eternity?  How did you die, Bill?”

“Of a broken heart,” the old skeleton said.  “My wife died while mourning our son Christian who died in Germany during World War Two.  I lived alone for a short while and then simply expired from the weight of my sadness.”

“You didn’t join your loved ones?” asked Ona.

“Of course I did.  The same way you joined your father and mother, Ona.  Also the way little Bobby Zeffer here was joined by his father a couple of years ago.”

“You are Bobby Zeffer?” asked Ona, surprised.  “The little boy who died of Hemophilia?”

“Of course.  Who’d ya think I was?”

“But I don’t understand,” moaned Ona, “how did we get to be walking dead when we already have one foot in Heaven?”

“People die, Ona, but the memory of them lives on, and they continue to impact people’s lives in many ways.  We walk not as ghosts, but as metaphorical spirits of the past.  No man could live in the present if there had not been those who walked the Earth before him.  A life doesn’t end with death.  And the word angel has many meanings.”

“So we don’t have to eat this man who is sleeping on the grave of his father?” asked Kyle.

“Of course not.  I think that might have a very negative effect on the poor man’s dreams.”

“I don’t think he would taste good anyway,” said Bobby.  “He looks like a deformed potato, and I hate potatoes.”

“You can all go back to your rest,” said Bill.  “I’ll watch over this one and protect him.”

The skeletons all faded gratefully from view.

Harker Dawes woke up, stretched his arms and yawned.  He looked around at the graveyard and the dark of the night.  He smiled to himself.  He only ever seemed to remember the good dreams.

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Works in Progress from the Picture Factory

I am trying hard to fight the disintegration of my skills and memory. Practice is crucial. I need to draw as much as I can before I can’t do it anymore. Today I was finally able to remember the word pastel after three days of not remembering the term for adding white to a color of paint to soften and mute it. And I forgot Maxfield Parrish’s name in conversation with another artist. I can’t believe I forgot my favorite artist’s name. My mind is going to stop working correctly if I don’t keep exercising it.

This picture is supposed to be for practice in facial expressions other than smiles. Little Danielle is going to see her least favorite aunt. So, her teeth are gritted as the car ride is coming to an end.

Rosa’s face was supposed to be practice at drawing dimples with digital tools. I confess, the lines looked so inhuman that I had to chicken out and simply smooth out the cheeks. I hate giving up like that, so consider this picture unfinished.

How did I do with mild surprise? I know… I need to label this one unfinished too.

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Danse Macabre (the cartoon dance of death)

I would like to say going in that there are good reasons why young people can become obsessed with death and suffering and the color black and the dance towards the grave.  I danced that jig too when I was younger.  At age 22 my experience with sexual assault came back to me in dreams.  I thought they were only dream images, but as I continued to think about it and be tormented by it, I began to clearly recall the terrible things he did to me that I had been repressing for twelve years.  And I deal with traumatic experience with art for some crazy reason.  I took a week in 1981 to get all the horrid feelings out on paper.

Danse M3

You will notice the tombstone lists the date of death as being before my eleventh birthday in 1967.  That is when it happened.  It was not actually a sexual experience… it was torture.  He took my pants off and did things to my private parts to cause me intense pain.  And he even said to me that it was my own fault, that somehow I had told him that I wanted this horrible thing to happen.  For several years after I intentionally used the furnace in my home to make burn scars on my lower back and the back of my legs.  I believe now that I was hurting myself in order to extinguish sexual thoughts and feelings.  The worst thing he did to me was make me feel guilty about what happened.

Danse M2

When you go back to the art of the middle ages, the paintings of Pieter Brueghel the Elder, Hans Holbein the Younger, and other European artists both young and old, you see artists grappling with mortality, the fact that all people, including me, will die.   At times it can seem to the immature mind that death is the only possible escape from suffering.  This artwork comes from a time when I was contemplating exactly that.

Danse  M1

If you are looking at this closely, you will see that I signed my name to it backwards.  I signed my art as Leah Cim Reyeb, or simply Leah Cim.  I put these four panels into my big black portfolio and never showed them to anybody until after my abuser passed away from a heart attack.  I don’t believe in Hell and I don’t believe in ghosts, so now, I finally feel safe about sharing this artwork with others.  The terrible secret is a secret no longer.  He can no longer reach out and hurt me any further.

Dansegawd 4

I apologize for not being funny… even remotely funny… in this post.  Funny is probably not the appropriate thing for this post.  You may be wondering why I even bother to post it.  Isn’t this a private matter, best kept to myself?  You tell me.  This is a terrible thing that happened to me.  I am now honest about it in a way I could never be before.  I can explain it without worrying about any retribution by or against him.  I can finally forgive him.  I can overcome what happened and be the stronger for it.  And if you have read this far without being so revolted by it that you stopped reading and stopped following my blog, maybe you need to do the dance with me.  Is there something you need to overcome?  It can be overcome.  So dance with me… and rejoice.

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