Illustrating in Novel Ways

I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017.  And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real.  I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction.  (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)

Gingerbread Children

The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.

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Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story.  She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil.  The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia.    Gretel believes he is real  Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her.  And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa?  Gretel convinced me that they were real.  She even has a hand in making new fairies by the baking of gingerbread.  She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.

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The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.

Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter.  Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.

Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants.  I haven’t done any actual pictures of Sherry  in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there.  Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.

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So by now you can probably draw several conclusions about me as both a novelist and an illustrator.  #1, There is definitely something a little bit off about me.  #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere.  #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully.  #4,  This story is probably about things that really aren’t just gingerbread recipes.  #5, You should congratulate yourself if you read this far in this post.  You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.

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The Haunted Toy Store… Canto 12

Canto 12 – The Interview with the Ghost Owl

“So, somebody’s going to pay you for all of this?” Maria asked in the car before they reached the toy store.

“The Merriweathers want their boy Mark back.  They are going to pay me the standard investigation fee for every day it takes to find him.  Of course, I have to find him to earn the money,” Stan answered while turning the corner in his run-down little Ford Fiesta.

“What about Rogelio’s parents?”

“The cops told them that he’s a probable runaway.  They didn’t seem interested in paying to get him back.  The dad says that if Rogelio ran away to be with Yesenia, then he’s following his heart.  And if he’s been murdered, they are not anxious to find that out.  Of course, no body has turned up for either of the missing kids.”

“And the little black girl?”

“To be honest, I got a real bad vibe from that stepfather.  They call him Poppa Dark, but his real name’s DeAndre Rork.  He doesn’t like answering questions.  And he’s probably the killer, if my instincts are right.”

Maria shivered as they turned into the parking lot near the toy store.

“Two dollars for the rest of the day,” said the attendant.

Stan grumbled something about wishing for an empty parking meter as he fumbled in his pocket for change.  Then he handed it to the attendant.

“Park in F13.”

Stan and Maria parked and went into the toy store.

The man behind the counter looked to be old… the indeterminate age sort of old.  He had white hair, a wrinkled white face, and glasses that made his eyes look huge, a magnifying effect.

“Eule Gheist?” Stan asked.

“Yes.  I’m still me.”

“We need to ask you a few questions.”

“The young lady still owes me a few hours of cleaning.”

“I finished picking up the mess I made that day, trying to open that door, I mean,” Maria said defensively.

“How about dusting the shelves where the wood goods sit?  That could count as another of your hours.”

Maria gave Geist a pouty-lip look, took the feather duster from him, and headed for the wood goods.

“So, Eule, how many toys did you sell today?”

“None.”

“And how many have you sold this week?”

“None.”

“This month?”

“Again, none.”

“Not a very profitable business, it seems.”

“Mr. Mephisto is a collector of rare antique toys.  We are not in business to sell toys.  He is a billionaire, and he uses this business as a tax-write-off.”

“Hmm.  How much do you make working here, if I may ask.”

“I make nothing.”

“Then how do you live?”

“Quite well for a barn owl that was made human by magic.”

”That’s just a tale you tell kids, right?”

“If that’s what you choose to believe.”

“A barn owl?”

“What the Latinos call a Lechuza.

“Sure they do.  Did the police ask you about a boy named Mark Merriweather?  Or a girl named Shandra -Johnson-Rork?”

“Yes.  They were in here, apparently right before they decided to disappear.”

“Did you see where they went?”

“Not where, exactly, but I know they left with a dark gentleman.”

“Did you tell the police that?

“Yes.  It seemed to be exactly what they wanted to hear.”

“Wait a minute… did you say a black man?”

“Of course not.  He was dark of personality, not skin color.”

“Did the police verify that too?”

“Of course not.  They heard dark and accepted that as what they wanted to hear.”

“So, what do you mean by dark?”

“Like the devil is dark.”

“Are you saying the devil took them?”

“Something like that.”

As Stan was pondering that, Maria came back to the front of the store with a decorated paper skull like the one she had told him about before..

“This is the one Rogelio was talking to,” she said, showing him the decorative thing.

“Eule?  What do you know about that?”

“It’s cursed.  It’s also a family heirloom.”

“Can we borrow it to study it?”

“Help yourself.  But don’t damage it in any way.”

“Because it’s valuable?”

“No.  Because it’s cursed.  And it can take revenge.”

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The Golden Age

I am certainly no expert on the Golden Age of Comics. I was, in fact, born the year that the Golden Age ended. I am a child of the Silver Age (1956 to the early 1970s) and those were the comics I grew up with. But I admit to a fascination with the initial creation of the characters I love, including Batman, Superman, the Flash, Captain America, the Phantom, Steve Canyon, Wonder Woman and numerous others who were first put on the comic book pages in the Golden Age. And being subject to comic book prices that zoomed upward from a dollar an issue, I was bedazzled by the ten cent price on old comics.

Comic books owe their creation to the popular newspaper comic strips from the Depression era and WWII wartime. Originally, comic strips were gathered and printed on cheap paper. Dick Tracy, Prince Valiant, Terry and the Pirates, Flash Gordon, and other adventure strips would lead to the war comics and hero-centered comics that would morph into superhero comics.

Some of the artwork in Golden Age comics leaves a lot to be desired. Especially original, straight to comic book publications that were produced fast and furiously by publishers who would open one week, produce three issues. and go out of business three weeks later. But in the mad scramble, some truly great artists formed the start of their illustrious careers, Will Eisner, Hal Foster, Milt Caniff, and Bill Elder learned to master their craft in the newspaper strips, and all later created comic books and graphic novels. True geniuses like Jack “King” Kirby and Bob Kane and Jack Davis grew directly from comic book studio madhouses into comic-book-artist immortality.

As with most things that have a Golden Age, the truth was that later comic book eras were superior in most ways. But this Golden Age was the foundational age for an American art-form that I truly love. So, flaws and warts are overlooked. And some of these old ten cent books on super-cheap paper are worth huge amounts of money if you still have a rare one in mint condition. Ah, there’s the rub for a manic old collector guy like me.

Most of the Golden Age comic book images used for this post were borrowed from the ComicsintheGoldenAge Twitter page @ComicsintheGA. If you love old comics like I do, you should definitely check it out.

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Here’s some proof that I was once a teacher and had actual students. I clipped this one from my Facebook account where one of the twins posted it because she is not only one of my Facebook friends, but is also capable of remembering me as a teacher. I cannot tell you which one of the twins posted this. Yes, her name is on the account, but even when they both had my ESL class two years in a row, I couldn’t tell them apart back then either. Dejann (probably not his real name) is in the back. I can tell him apart from the other two. He was from India. He knew 12 languages, I believe, but he was a long way from proficient and literate in English. Still, a brilliant young man.

I am moving farther and farther away from my former teaching career. This coming year will make the ninth year of retirement.

The older I get, the more my vision and my health seem to deteriorate. It is not long before I am both bedridden and blind. It does not make me happy.

Teaching has been on my mind of late. Not because of anything new I am writing. Rather, because the governor of Texas and the governor of Florida continue to assault the teaching of literature in their states. Particularly black literature and gay literature. Not because the baboons can actually read, but because they hold sacred prejudices in their tiny black hearts and want to suppress what any liberal thinks is good. And I have been watching numerous videos of teachers leaving teaching. And I mean obviously good teachers who are vital to the proper functioning of public education. I am angry. And it is not helping any of my health challenges that the fire burning in my heart may be at least partially angina.

I am currently on consecutive-post day number 744. And I am worrying about how much longer I can endure.

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Art Self-Edited

I have been working at illustration and drawing for the majority of my life, but it took computer technology and digital photography to allow me to maximize the use of my abilities.  Let me go through a couple of case in points.

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The Red-Haired Girl picture is a good example of what I can do.  I originally drew the picture to illustrate a Charlie Brown poem.   Here is the poem if you don’t remember it.  (A convenient excuse to re-post something and fill this post with words already written.)

Little Red-Haired Girl

You never told her that you loved her, Charlie Brown

That little red-haired girl, so cute, so nice

You only looked and looked from afar

You never told her that you loved her, Charlie Brown

You could’ve held her hand

You could’ve walked her home from school

You never told her that you loved her, Charlie Brown

She never got your Valentine

At least, you forgot to sign your name

You never told her that you loved her, Charlie Brown

No hope of marriage now, nor children for old age

Happily ever after has now long gone

You never told her that you loved her, Charlie Brown

Now every love poem is a sad poem

And the world is blue and down

You never told her that you loved her…

You never told her that you loved her…

You never told her that you loved her, Charlie Brown.

You may not see what I did without looking at the two pictures very closely.  The better, more brightly-lit photo is not the answer.  I originally created the Red-Haired Girl as a Charley-Brown-y creation complete with a bigger than natural head, a Charley-Brown head.10305044_602428713227020_8427155857664240183_n

I have ulterior motives for my evil cartoon manipulations.  I like this image I have created very much, in fact, one might say that I have fallen in love with it just a bit…  Pygmalion-like.  I wanted to use the image to illustrate Anita Jones, a character from my book Superchicken.  Anita is the fictional re-imagining of a girl that I had a deep and abiding crush on (possibly still existing today, though she is now a grandmother in real life.)  She is literally my little red-haired girl.  So what did I do?  Look closely.  I lovingly shrank her head.  Yes, like the headhunters of old, I used the paint program on my computer to shrink it, re-attach it, and make it more human-like.  Realistic proportions, though only a very slight change by actual percentages, make a realistic difference in how real the viewer perceives her to be.

I know you probably think I am full of goofy-gas to make such claims.  If you don’t see the difference in the first example, perhaps you will see it here.  Compare these two David Copperfield pictures carefully.  Look at Little Emily’s head.

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You don’t have to believe me, but it does make a difference.

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Good Advice I Do Not Follow

If you have a brain, use it… every day. Especially as you get older and your mind’s most important gears are getting rusty. You don’t want Alzheimer’s do you?

I don’t want that. But thinking all the time is hard. I don’t feel well. I sometimes forget to do things. It is impressive to me that I now have 743 straight days of posting here without forgetting.

You should not believe in ghosts. You should Carl Sagan the whole topic, not believing in something without tangible proof. I do, however, keep seeing the ghost dog in the old house we live in. We have a little yellow and white dog. The ghost dog is bigger. And dark brown. And sometimes I only see his hind quarters and tail. So, sometimes, it is only a half-dog ghost.

I have dismissed the ghost dog as a mere hallucination. Possibly a symptom of Parkinson’s, which my father died of. I have discussed the matter at night with Douglas, the booger-man. He used to live in the attic when the kids were little. Now, he lives in the library, and when I have to get up bleary eyed in the middle of the night to go into the bathroom next to the library to pee, I see his buggy eyes and his amused grin with all the teeth in it. And he agrees with me. The ghost dog is definitely just a hallucination, and I should treat it as such.

And I shouldn’t know so much about conspiracy theories. It seems if you learn too much about the JFK assassination, or what really happened on 9-11, or who might really have written Shakespeare’s plays, paying the glove-maker’s son to use his name as a pen name, and building a theatre for him just so he could revolutionize English literature secretly, you will alienate all your intelligent friends… and a few of the semi-intelligent ones, and end up arguing with literal Philistines who insult you like trolls under the bridges of Twitter, Instagram, and Facebook.

And you will accomplish nothing by it but misusing the word “Literal.”

And so, on a dark and stormy night in Texas on the second day of March, I have to come to terms with the fact that I like me the way I am, and I do not follow good advice.

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Those Were the Days

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Pictures from picturehistory.comwww.edb.utexas.edutexasescapes.com, and lbjmuseum.com

My personal history as a school teacher begins in the 1981-82 school year in a little town in South Texas called Cotulla.  Without realizing it, I was following in the footsteps of former U.S. President LBJ.  Really!  It’s true!  To prove it, here is a picture from the LBJ Museum showing the big-eared, jug-headed goofball with his class of Mexican American Cotullans.

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His class looked a lot like my first class, only a lot smaller.  I was hired by the new junior high principal to be the 8th-Grade English teacher for Frank Newman Junior High.  The school had basically imploded the year before.  Gus the janitor told me that the previous principal had been robbed several times, with kids breaking into the main office in the middle of the building during the middle of the night.  They even broke open the safe.  Some of the same kids I was supposed to teach had been arrested for assault the previous year, and some of the kids were caught making babies in the school cafeteria.  I went into the same classroom that the previous year’s seventh grade class had used to drive poor Miss Finklebine out of teaching for life.  They had set off firecrackers under her chair.  They threw erasers and chalk at each other.  They almost got away with murder…  In fact, they may have gotten away with it.  Miss F was never heard from again, and I found a very long list of self-destructive rantings (in the form of discipline reports that had apparently never been turned in) in her desk that threatened the lives of several students whom I knew for certain had survived because they were in my eighth grade classes that year.  I don’t think they tracked her down and got her… but what they did to that poor woman’s mind may have pushed her over the edge.  I had a tough year that year.  The two boys who threatened to beat me to death with a fence post they picked up when I was marching kids in a line to the cafeteria, El Mouse and El Talan, both went to prison withing five years of being in my class.  Both of them are now deceased.  El Mouse by suicide after the Texas Syndicate wrecked him in prison, and Talan was shot and killed by a rival drug dealer while his wife and family looked on.  I hope you are not laughing at the moment.  I do often exaggerate for humorous effect… but that is not what I am doing here.

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Cotulla was once a wild west town, probably worse than anything Hollywood ever put up on the silver screen.  Former Mayor and descendant of the town’s founder, Bill Cotulla, once told me that they had six-gun shoot-outs on Front Street in the 1880’s.  I met Mr. Van Cleve the former Texas Ranger whose picture is in the Waco Texas Rangers’ Hall of Fame because of the border machine-gun shoot-out in the 1940’s.  In fact, I taught English to his grandson.  The school, just like the town, was a tamable thing.  I spent the next 23 years of my life there teaching mostly Spanish-speaking kids about the wonders of English, literature, and writing.  I saw the school go from a rough-and-tumble wild beginning into a program that routinely out-performed other small schools our size in everything but Math.

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I know that you may find this part difficult to swallow… in the same way a goat has never managed to swallow an entire school bus… but my fiction books about school kids in Iowa are really mostly about characters I knew and taught in Cotulla, Texas and only slightly merged with the white-bread Iowegians I grew up with in Rowan, Iowa.  Texas and Iowa have more in common than you might think…  Me, for one thing.

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Lillianna

The Paffooney above is called “Lillianna.”

The story behind this picture is probably more interesting than the picture itself.

You see, I was thinking about putting together a book about my blog-thoughts about being a nudist and the topic of naturism. It was going to be a book of humorous essays and artwork related to nudes and nudists, many of which you may have seen in this blog unless some of the first ones drove you away from the crazy nudist Mickey’s blog long ago… in which case you are not reading this anyway.

This pictured was created with the notion that I could use it as a cover illustration.

So far, I have only used the pen-and-ink version of the drawing to make this first attempt. I like it, within limits. But I may try again with the colored version.

The subject of the picture is called Lillianna. She was inspired by a Brazilian naturist girl from a video travel guide for naturists that I owned before my wife accidentally stepped on it. Lillianna is probably not really the girl’s name. They were speaking Portuguese in the video with an English-speaking narrator talking over them, so I never really caught the girl’s actual name. And I wouldn’t have used it anyway.

The picture doesn’t look anything like the girl in the video. She was blond and not a cartoon character. And my drawing ability is going downhill as my eyes get worse. And arthritis has ruined the accuracy of my lines. And I have poor quality colored pencils because my hands are not good enough to draw with the expensive ones, and the colors don’t blend well, so that kinda makes the black-and-white better.

And then I had difficulty making my various glitchy computers full of bugs communicate properly with the scanner and each other. It has taken me three weeks to get to the point I am at with this cover project. You are welcome to make your suggestions in the comments. And no, I will not set it all on fire.

So, there you have it… Lillianna.

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Open the Golden Door

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This postable Paffooney is really not so wonderfully postable.  It got a little bit moisture damaged in the garage where I found it improperly stored.  It is an oil painting from before I had a family of my own back in the 1980’s.  It is called Madonna of the Golden Door.  The girl is my sister, the younger of my two sisters.  The boy is one of my favorite students from the 1980’s, one I fed and helped raise in addition to being his teacher for two years.
This painting inspired the following silly free verse poem;

Open the Golden Door 

Can a man…

Love a boy?

Not a son,

Not a nephew,

Not an in-law…

Just a boy?

Not for lust,

Not for profit,

Not for gain,

But for the gift…

Of being able…

To teach,

To learn,

To coach,

To cheer,

To mentor,

To shadow,

To see,

To feel,

To reach,

To hug?

Simply to love?

I would say yes…

But what do I know?

I am only a…

Teacher,

Author,

Poet,

Painter,

Wizard,

Instructor,

Confidante,

Mentor,

And Friend.

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