Being Prosaic

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I admit it.  I am prosaic.  I think in sentences.  I speak in paragraphs.  I write in 5-paragraph essays.  I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post.  I write prose.  Simple.  Direct.  Declarative.  But those last three are sentence fragments.  Does that fit the model of prose?  How about asking a question in the middle of a paragraph full of statements?  Is that all simple enough to be truly prosaic?

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Prose is focused on the everyday tasks of writing.  It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.

I don’t mean to be pulling your reader’s mind in two directions at once, however.  I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas.  I should be more clear, more direct, and more to the point.

So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.

20160705_214055Ah, irony again!  It ends up being anything but simple.  You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas.  One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning.  You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect.  Prose is a powerful and infinitely variable tool for creating meaning in words.  Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.

Simply stated; I am a writer of prose.  I am too dumb about what makes something poetry to really write anything but prose.  But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago.  I find it useful to examine in writing how I go about writing and what I can do with it.  I try to push the boundaries in directions they haven’t been pushed before.  And hopefully, I learn something from every new essay I write.  What I learned here is that I am prosaic.  And that is not always a bad thing.

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The Challenge of Learning Digital Art

I am impressed by digital art programs. I had my Chromebook set up for making digital pictures. I learned how much easier it is to lay out light and shadow patterns on your original drawing. Blending colors is so much easier with a stylus on a touch screen. And a stylus is easier to maneuver with arthritic fingers than a colored pencil is. And no amount of eraser curds flying in the air fixes a mistake better than a simple back-up click and redo. But of course, before I could make the process start to fly, my Chromebook decided for whatever reason to commit ritual computer suicide, apparently shorting out during a long walk with the dog.

So, I bought an AI-assistant program to help me convert my colored-pencil drawings into digital pictures. But you don’t have control over details to the degree that you would if you were drawing the whole thing with a stylus. The AI has to interpret everything it sees and render it with properly lit and blended colors trying to mimic the patterns you have presented it with. Of course, the AI is stupid and has to be trained. You can’t just edit the details like the finger damage you see above. You have to adjust the amount of control it has to interpret things the way it thinks is stupidly correct. You adjust from 1% to 90%. O% is the same picture you gave it. 91% and above looks nothing like your drawing. And then you re-create the entire picture again with the new percentage and whatever the AI has learned from your picture.

This one looks more like my version of Valerie, but the AI still has work to do on the background, the box of quilt pieces, and making the girl less anime-cartoony.

This is better. Still not there. But better.

I really like the face and hair on this one. Colored rocks in the box? And I would have to remove the writing on the box with a paint program from HP. In other words, a pixel edit.

This one is the best one so far. That almost looks like quilt blocks in the box. The expression on Val’s face is right for the Snow Babies story.

So, I almost think I need to rush out and buy a new Chromebook with touch screen. I can’t wait to have more control over this whole process. Still, I enjoy noodling with this stupid AI.

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The Magic Strings of Frankie Presto (a book review)

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The Magic Strings of Frankie Presto: A Novel
by Mitch Albom (Goodreads Author)

Michael Beyer‘s review

Jul 23, 2017

It was amazing!

This book is a miracle. It makes words into music and fills your imagination with some of the most beautiful guitar music ever played. It introduces you not only to a very convincing portrait of a fictional musician and Rock and Roll icon, but a vast array of very real musicians and show people who agreed to be used as a part of the story, approved the sections about them, and even helped Mitch Albom to compose it. These include notable music makers like Lyle Lovett, Darlene Love, Tony Bennett, Paul Stanley, and Burt Bacharach. The story itself transcends its fictional form, giving us a look at a musical history whose scope goes from the Spanish Civil War of the 1930’s to Woodstock, and on to the present day. It even gives us glimpses into the distant musical past, framing the story with the song Lágrima by the classical guitarist Francisco Tárrega. And all this music the book fills your mind with is actually performed only in your imagination and memory. Albom proves again with this book how his mastery of language makes him an absolute master story-teller.

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And now, here is me trying to make sense out of a reading experience that made my figurative heart grow wings and soar into the clouds in ways brought forth only by the strains of a sweet, classical Spanish guitar.

Stories like this one make a unique music in the mind, and though it is all fiction, occurring silently in the theater of your mind, you hear the music in your heart.  This story elicited the music of Rodrigo’s Adagio throughout, a piece I know intimately.  I myself have never written a musical book the way this fiction book was written.  But I know now that I have to try.  Poetry becomes song lyrics, right?  There is a connection between a good archetypal story about life and love and laughter, and the bittersweet strains of music on a Spanish guitar.

I truly and utterly fell in love with this beautiful book.  Mitch Albom is a genius… for a Detroit Tigers baseball fan.  And I would not risk telling you anything that might spoil such a beautiful story.  All I can say is, don’t read it… listen to it as you would a piece of beautiful music.  Listen to it and love it.

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Updates in Downtown Toonerville

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Toonerville is really all about creating art with my HO model railroad toys.  So, here’s a picture of the newest arrangement of the downtown as it now sits in my bedroom/studio.

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The buildings are a combination of models I put together and plaster buildings that I bought unpainted and then painted them.

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The Ghost Busters van in front of Mike’s Farmer’s Market was recently bought for less than a dollar and added to collection.  Just in time too.  There is apparently a ghost in Mike’s clock tower.

The two Thomas the Tank Engine toys were recently added after they were recovered from a junk pile in the garage.

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Here’s a shot of the Toonerville Trolley that was the first trolley added to my HO train layout back in the early 70’s.

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So, this is a small bit of insight into the workings of a toy collector and artist with excessive amounts of hoarding disorder.  And I am sharing with you the most recent pictures I have made of the things in my collection.

 

 

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Imaginary Friends

Toccata and Fugue

When you know someone has an imaginary friend, something like Elwood’s six-foot invisible rabbit called Harvey, don’t you immediately think that person is crazy?  I do.  But I have imaginary people as friends. I think most writers do.  So am I crazy?  Probably. But hopefully it is a good kind of crazy.

It began with imaginary friends from books.  The Cat in the Hat was my friend.  Jim Hawkins was my friend, as was Mowgli and all the members of the Swiss Family Robinson.  They entered my dreams and my daydreams.  I told them my troubles the same way I listened to theirs through their stories.

I began to have imaginary friends that came from my own imagination too.

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I used to tell my mere human friends about my friend Davalon from outer space.  I told them that he was real and secretly visited me at night to talk about being able to learn about humans on earth by walking around invisibly and watching them.  I got so involved with these stories that my sixth grade class began saying, “Michael is from Mars.”

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When I was a teenager, I began having conversations with a faun.  His name was Radasha.  He was a creature from Greek Myth, a sensual Dionysian creature who, in his child body, was both younger than me and way older than me.  I didn’t realize until much later in life that he was the result of my repressed memories of a childhood sexual assault that I was the victim of.  I could talk to him about my fear of nakedness.  I could tell him about my blossoming interests in naked girls and their bodies.  I could talk to him about all the things I was somehow too terrified to talk to my male friends about, even though none of them had the same reluctance to discuss sex.  Ra was imaginary.  But he helped me heal.

Then the story-telling seriously began.  I used Davalon as one of the main characters in my novel Catch a Falling Star.  I created Torrie Brownfield, the baby werewolf to express the feelings I had as a boy about being a monster and secretly terrible and deformed.  Torrie is a normal boy with a condition called hypertrichosis.  I am working on The Baby Werewolf now.  And then there’s lovely Valerie Clarke.  She is the main character of Snow Babies which is a finished novel, edited and proofread and ready to publish.  It is I book I will have to find another way to publish since the recent death of PDMI Publishing.  She is not a me-character, based on my own thoughts and feelings.  She is based on former classmates and students who told me things that express the sadness and isolation of growing up female.  So she is even more imaginary than my other characters.

They become real people to me.  They have their own point of view. They talk to me and I learn things from them.  But they are imaginary.  So am I crazy?   Yes… as a loon.  And happy as Elwood P. Dowd to be that way.

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Digitizing the Mickey Universe

I have busily been using an AI program to help me turn some of my drawings and photos into digital art. It is called AI Mirror.

A digital picture of Sasha.

Hamfast Aero Jr. Nebulon boy and Psionic Ninja in training.

My imaginary granddaughter Sienna Beyer.

A self portrait that looks nothing like me. Sorry, I tried three times.

Bedtime for Sienna.

Prinz Flute and the lion man Anghar Khan. The second try.

I am learning, but the program helps more than necessary.

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Polyticks

political insanity

People are people, no matter how wrong…

And it isn’t a good thing to argue too long.

My friend is a “Can” from the Republic of Cans,

Who says all the poor people are just bad hu-mans.

And he really believes it, even though he’s not dumb,

‘Cuz he thinks climbing ladders using one of his thumbs,

Is how all people manage to be worthy and good,

And lazy bad people choose to fail like soft wood.

And though he’s not seen that old ladder of mine,

Or the ladders of people with one rung in nine,

He’s thoroughly convinced that all ladders are fair,

And it’s all their own fault if they fall through the air.

Yes, people are people, no matter how wrong…

And it isn’t a good thing to argue so long.

I have a good friend who’ll do Demos of Crats,

And screech about equity like an army of cats.

He thinks we should pay for all college and school,

And use our tax money as a leveling tool.

He thinks we can make the rich pay for our dreams

And make life all breakfast of sugars and creams.

And maybe he can and maybe he can’t…

Make sense of the subject of his long, drawn-out rant,

But they’ll never pay it and he will get Berned,

Because they never part with what they think they have earned.

But, people are people, no matter how wrong…

And it isn’t a good thing to argue so long.

In conclusion I think the thinks that I think

Are carefully measured and really don’t stink,

But don’t take good thinking to toss in dump,

Or sooner or later… it’s President Trump!

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Dancing in the Rain (an embarrassing blank verse)

Skinny dipping, taking a shower outside in the summer rain, water fights with the garden hose,

These are things that allow the child to get naked, run free and unencumbered.

Who knows who may be lurking, watching, possibly thinking dark and dangerous things?

But, innocent child, you don’t think about it for a moment.

Not when there is water to play in, dancing in the rain…

Never thinking about consequences… What if Mother sees? Or Aunt Annabel sees and tells her?

Being too old to spank is not excuse. There will be hot words to endure.

But is it worth it?

Could they possibly understand?

Tracy went to the art museum. A huge painting on the wall, an oil on canvas, showed naked boys jumping and playing in a river. Some had penises clearly visible.

Are art museums evil?

Or is being naked in the sun and rain really about being human? And alive?

Yes, playing in the water. Dancing in the rain.

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Magnificent Maisey on the Mound

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Okay, I am taking over this danged silly old blog today to talk about something important!  Baseball!!!  Yeah, and even more important, I wanna talk about how girls can be good at baseball.

My name is Maisey Moira Morgan.  I am a left-handed pitcher for the Carrollton Cardinals.  That’s a boys’ Little League team, in case ya didn’t know.  I ain’t the only girl in boys’ Little League, but I am the only girl on the Cardinals’ team.  The only girl pitcher.  The only WINNING girl pitcher.  I woulda been an undefeated winning girl pitcher if Tyree Suggs hadn’t dropped that fly ball in the bottom of the ninth inning out in right field two weeks ago.  I ended my season at 3 wins and 1 loss.

You see, the thing is, I know the secret to striking out boys at the plate.  First of all, I am a left-handed pitcher.  Those danged boys are all used to seeing the ball flung at ’em from the right side.  Ninety-nine and two-tenths per cent of all pitchers in our league are right-handed.  So are most of the batters.  So that futzes them up right there.  And on top of that, Uncle Milt taught me to throw a knuckle-ball two years ago.  That is one amazingly hard pitch to hit square if you do it right.  You curl your fingers on the ball and give a little sorta push-out with your fingertips as you let it go.  And you try really hard to make the ball not spin as you push it towards the batter.  It can do amazing things after it leaves my hand.  Uncle Milt swears that he saw one of my pitches double-dip and then corkscrew as it went across the plate low in the strike zone.  A mere boy can’t really get a good swing at a pitch if it flutters around like a crazy bug with butterfly wings.

But that ain’t even the real secret to my baseball success.  You see, them danged boys all think they can step up to the plate and put their bat on any ball thrown at ’em by a mere girl.  They are not afraid of me, even the third time they get up to bat after striking out twice before.  My uniform is not exactly sexy, but all I really have to do is wiggle my behind a little and smile at them, and they don’t even seem to be thinking about hitting the ball any more.  I get an even bigger smile on my sweet little face when strike three flutters past ’em.  I always take ’em by surprise.

I expect to be the first woman pitcher in the major leagues one day.  Remember my name.  Maisey Moira Morgan.  Future Hall of Famer.

(Disclaimer; Maisey might actually have a hard time claiming her place in the Baseball Hall of Fame, not because the major leagues don’t have any women in them, but because she is an entirely fictional human being, only existing in Mickey’s stupid little head.)

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Doodle-Bop!

Sometimes the only thing you really want out of life is just to get by. You get tired of always having to climb the danged highest mountain.  You get tired of trying to swim the danged deepest sea.

16750_102844509741181_100000468961606_71393_6278100_nSometimes all you want to do is doodle-bop!…  To draw in pen and ink and post your derfiest doofenwacky doodles so you can just make your way through another danged day.

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You aim a lot for different, and undeniably original… because no one thinks like you… certainly no one who is real and has a real brain.  You are gifted with an “other-ness”, a sing-songy simpering something that makes you want to doodle and do what no man has done before.  (Does that sentence exist anywhere else in all of literature?  Even if there is some alternate dimension with infinite monkeys typing on infinite typewriters?  What’s a typewriter, you say?  Danged millennials!)

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I really can’t help it, you know.  I was a middle school teacher for 24 years.  That sort of thing has mental health consequences.  And if you wring the sponges in your stupid old brain hard enough and long enough… doodle-bop! comes out.

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Turtle boy’s magic iron of irony!!!

And you have to wonder why some of the stuff that is in your stupid old head is even in there.  Why is it that sometimes the words “Argyle socks are filled with rocks” are drifting through the vast empty spaces in the logic centers of your brain?  There has to be a reason for everything, doesn’t there?

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I do believe I have made myself chuckle at least a dozen chuck-tacular times in the chuck-a-tational crafting of this cheddar-cheesy post.  But it only really counts if I can make you girlishly giggle or guy-like guffaw with my word-munching and cartoony paffoonies.

Wild Ride

The terror-filled cartoon car chase that is life as usual.

You may have noticed that everything is black and white, even though it doesn’t have to be.  Good versus evil, hot versus cold, everything can be divided up simplistically… but the really profound part of simplicity is vibrating reverberations of complexity that lie just underneath.  Words have meaning, even though they are just a bunch of crooked squiggles marked on a page.  (Yes, I know… “or typed on a computer screen”.  Danged millennials!)

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And so, this is my doodle-bop!  Probably not the doodliest or the boppiest doodle-bop! I could have bopped… but there it is.  I have made it through another sorta creative post without losing my mind…  Honest!  I did not lose it.  It is merely temporarily misplaced for a moment.  It will be back in its proper place tomorrow… probably.

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