Making Sense Out of Nonsense

It’s easy to explain how… You just can’t…

But nonsense is a rubbery sort of sense. You can pull it like taffy, wind it around your neck, let it harden into one of those neck rings like some of those African women who put on more and more neck rings until their neck bones separate and they can never again take the neck rings off because they will die of a broken neck if they do.

That’s probably a racist joke. Although it is not really a joke, but more of a surrealistic observation. They really do wear those neck rings. The Ndebele tribe from the Transvaal Region of South Africa wear these things sometimes even without being in a Black Panther movie in the MCU. In Black Panther movies they are worn by the Dora Milaje who protect the Black Panther. And the words “Dora Milaje” mean the “Adored Ones.” And you have to adore them, or else they might kick your butt, or even break it into three pieces. They are very tough and determined ladies.

And then there’s the Scarecrow from the Wizard of Oz. He wears crazy stuff too. But if he tried to join a nudist organization and become a nudist, he would disrobe and suddenly be transformed into a small haystack of straw. And what would that look like? A straw pile with two little white eyeballs laying at the peak of the pile?

And obviously that could be a racist joke too. But what race would we be running? And how slow would you have to be to be beaten in a race by a naked straw man?

But straw men are even more discriminated against than other men, nude or not. You see, politicians are constantly setting them up because when you are arguing with the other party, they are easy to knock down with your superior arguments. But, of course, the Democrats are always easier to knock down anyway, because they don’t rely on made-up facts and scare tactics. They only try to scare you with true stuff. And they are more likely to start wondering what a naked strawman would look like.

And then you take the rubbery nonsense and wind it all around the parts of this picture. It has a lot of real things in it, yet most of those things are not really real. Like Mickey Mouse. He’s real. I mean, there’s a real guy or girl inside the hot costume. But the outside is not really real. And you would be hard pressed to actually see the really real guy inside the suit because it is really hard to see what’s hidden inside a costume if it is currently in a colored-pencil drawing. In fact, Cissy Spasek is in the picture, but as the character who kills everybody in the movie Carrie. So, which part of that is most real? Carrie is a real book by Stephen King. And how many real people are in this picture? And how many fake people? That’s the thing about nonsense… It doesn’t make any sense.

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Why Do You Think That? (Part Two)

In my short, sweet sixty years of life, I have probably seen more than my share of movies.  I have seen classic movies, black-and-white movies, cartoon movies, Humphrey Bogart movies, epic movies, science fiction movies, PeeWee Herman movies, Disney movies, Oscar-winning movies, and endless box-office stinkers.  But in all of that, one of the most undeniable threads of all is that movies make me cry.  In fact they make me cry so often it is a miracle that even a drop of moisture remains in my body.   I should be a dried-out husk by now.

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I wept horribly during this scene.  Did you?

And the thing is, people make fun of you when you cry at movies.  Especially cartoon movies like Scooby Doo on Zombie Island.  (But I claim I was laughing so hard it brought tears to my eyes.  That’s the truth, dear sister.  So stop laughing at me.)  But I would like to put forth another “Why do you think that?” notion.  People who cry while watching a movie are stronger and more powerful than the people who laugh at them for crying.  A self-serving thesis if ever there was one.

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Movies can make you cry if you have the ability to feel empathy.  We all know this.  Old Yeller is the story of a dog who endears himself to a prairie farm family, saves Travis’s life at one point, and then gets infected with rabies and has to be put down.  Dang! No dry eyes at the end of that one.  Because everyone has encountered a dog and loyal dog-love somewhere along the line.  And a ten-year-old dog is an old dog.  The dogs you knew as a child helped you deal with mortality because invariably, no matter how much you loved them, dogs demonstrate what it means to die.  Trixie and Scamper were both hit by cars.  Queenie, Grampa’s collie, died of old age.  Jiggs the Boston Terrier died of heat stroke one summer.  You remember the pain of loss, and the story brings it all back.

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Only psychopaths don’t feel empathy to some degree.  Think about how you would feel if you were watching Old Yeller and somebody you were watching with started laughing when Travis pulls the trigger on the shotgun.  Now, there’s a Stephen King sort of character.

But I think I can defend having lots of empathy as a reason for crying a river of tears during Disney’s The Hunchback of Notre Dame.  You see, identifying with Quasimodo as the main character, hoping for what he hopes for, feeling like a monster and completely unloved, and fearing what he fears connect you to the story in ways that completely immerses you in the experience.  This is basically a monster movie.Original-Hunchback_of_Notre_Dame

But the film puts you inside the head of the malformed man, and you realize that he is not the monster.  Righteous Judge Frollo and the people who mistreat Quasimodo for his deformity of outward appearance are the real monsters.  If you don’t cry a river of tears because of this story, then you have not learned the essential truth of Quasimodo.  When we judge others harshly, we are really judging ourselves. In order to stop being monstrous, and be truly human, you must look inside the ugliness as Esmeralda does to see the heroic beauty inside others.  Sometimes the ideas themselves are so powerful they make me weep.  That’s when my sister and my wife look at me and shake their heads because tears are shooting out of me like a fountain, raining wetness two or three seats in every direction.  But I believe I am a wiser man, a more resolved man, and ultimately a better man because I was not afraid to let a movie make me cry.

The music also helps to tell the story in ways that move my very soul to tears.  Notice how the heroine walks the opposite way to the rest of the crowd.  As they sing of what they desire, what they ask God to grant, she asks for nothing for herself.  She shows empathy in every verse, asking only for help for others.  And she alone walks to the light from the stained glass window.  She alone is talking to God.

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Yes, I am not embarrassed by the fact that movies make me cry.   In fact, I should probably be proud that movies and stories and connections to other people, which they bring me, makes me feel it so deeply I cry.  Maybe I am a sissy and a wimp.  Maybe I deserved to be laughed at all those times for crying during the movie.  But, hey, I’ll take the laughter.  I am not above it.  I am trying to be a humorist after all.

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The Insufferable Superiority of Dead Guys

I may have stupidly revealed this secret before, but since it is already probably out there, here it is again; I have been on a lifelong quest to find and learn wisdom.

Yep, that’s right.  I have been doing a lot of fishing in the well of understanding to try and find the ultimate rainbow trout of truth.  Of course, it is only incredibly stupid people who actually believe that trout can survive living in a well.

So I have been looking at a lot of what passes for wisdom in this world, and find that for the most part, it consists of a bunch of words written by dead guys.

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Boris Pasternak qualifies.  He is a dead guy.  At least, he has been since 1960.  Pasternak is a Russian.  His novel Doctor Zhivago is about the period in Russian history between the beginnings of the revolution in 1905 and the First World War.  He won the Nobel Prize for Literature for it in 1958, but the Soviet government, embarrassed by it, forced him to turn down the prize.

Nobel novelist is probably something that qualifies a dead guy as wise.

I am led to believe that he knew where to fish for the trout of truth.

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I like the idea that the real value in literature, as in the life it portrays, is found in the ordinary.  And yet, Boris speaks of it oxymoronically as extraordinary.  Wisdom is apparently found in contradicting yourself.

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I like the idea of a world infused with compassion.  But is he saying love may lead to misperceptions of how the objects of our love are mistreated?

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This man saw Leo Tolstoy on his deathbed when he was himself but a boy.  Like Tolstoy he questioned everything.  And like Tolstoy, when the end came, he believed in hope for the future.

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The worst part of getting wisdom from dead guys, guys you never met in real life but only came to know from books, is that you cannot argue with them.  You can’t question them about what they meant, or ask them if they ever considered one of your own insights.  You never get to tell them if you happen to fall in love with their ideas.

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Richard Feynman is a physicist, scientist, and writer of science-based wisdom.

Richard Feynman is also dead since 1988.

He is considered a brainiac superhero by science nerds everywhere, and not only do his words still live in his writings, but so does his math.

But what he is actually saying is, that in truth, we really never “know” anything.  It can never be fully understood and maybe the questions that we ask are more important than the answers.

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Wait a minute!  Feynman, are you calling me a fool?  

Of course, I can’t get an answer out of him.  Richard Feynman is dead.

But he does suggest what I can do about it.

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I had or worked with a large number of teachers in my life who would be absolutely horrified by that advice.

So, what conclusion can I reach other than that Richard Feynman thinks I’m a fool even though he never met me?

I don’t really know.  Maybe I should learn the lesson that you must be careful when you listen to dead guys talking.  But I do like what some of them say.  Perhaps that is my trout of truth.

 

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Head-breaking Thoughts from the Writing Process

It’s the empty, dead-looking eyes I think that first gives it away.

I am waking up every morning amazed that I am still alive. Pain is a constant. Feeling ill from diabetes is a second constant. Too many constants in the equation means you can work out the math and predict the date you will have to play chess with the Grim Reaper again.

Fortunately for me, old Grimmy hasn’t figured out the King’s Indian defense that I learned in 1972 by reading Bobby Fischer’s column about chess in Boys’ Life Magazine. He falls for the Knight’s Gambit every single time we play.

I confess to being overly obsessed with death lately. That may have been partly due to promotions for the movie Guardians of the Galaxy, Volume 3 that seemed to point to beloved characters dying in what was said to be the last movie in the trilogy. Well, they did almost die… but (Spoiler alert!) Nobody I cared about actually died. Not Rocket Raccoon, not Drax the Destroyer, nor Peter Quill’s Starlord character as well.

Even more, it seemed my writing results were indicating future writer doom. My blog activity was down. Book sales are down. When I die, nobody will have read and loved the works of novel art that I have been pouring my life’s blood into for over a decade. My stories will cease to be, unread and forgotten even by my relatives.

I haven’t even been able to write the usual 500 words a day for over two weeks. But, then, I cut back on Instagram activity, and voila! (a fancy French word that means, “There it is!”) I was able to write a blog post and write more on my book of essays as well.

So, maybe I have been obsessing about death too much. But I do find it useful as motivation for the limited number of things lazy old me still does to think that todary is the last day to get anything done. We shall see if I wake up deceased tomorrow or not.

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Lessons From Tchaikovsky

I used to be a classroom storyteller.  As an English teacher for middle school kids, I often would give brief biographical insights into famous people we were talking about at the time.  I told them about Crazy Horse of the Sioux tribe, Roger Bacon the alchemist and inventor of chemistry as a science, Mark Twain in Gold Rush California, and many other people I have found fascinating through my life as a reader and writer of English.

One bright boy in my gifted class remarked, “Mr. B, you always tell us these stories about people who did something amazing, and then you end it with they eventually died a horrible death.”

Yep.  That’s about right.  In its simplest form life consists of, “You are born, stuff happens, and then you die.”  And it does often seem to me that true genius and great heroism are punished terribly in the end.  Achilles destroys Hector, but his heel is his undoing.  Socrates taught Plato, and was forced to drink poison for being too good at teaching.  Custer was a vain imbecile and got what he deserved at the Battle of the Little Bighorn, but Crazy Horse, who made it happen, was pursued for the rest of his short life for it until he was finally captured and murdered.  Roger Bacon contributed immensely to science by experimenting with chemicals, but because he blew up his lab too often, and because one of his students blew himself up in a duel with another student, he ended his days in prison for practicing sorcery.

But if you have listened to any of the music I have added to this post, the music of Pyotr Ilyich Tchaikovsky, then you recognized it, unless you have lived your whole life under a rock in Nomusikvetchistan.  And why is that?  Because even though it is all classical music written in the 1800’s, it’s basic genius and appeal is immortal.  It will outlive all of us.  Some of it, having been placed on a record on the Voyager space craft may get played and appreciated a million years from now in the vicinity of Betelgeuse.  It will still be a work of pure genius.

And, of course, the horrible life and terrible death thing is a part of it too.  Tchaikovsky’s work took an incredibly difficult path to success.  He was criticized by Russians for being too Western and not Russian enough.  He was criticized in the West for being too exotic and basically “too Russian”.  He railed against critics and suffered horribly at their hands.  Then, too, his private life was far less private than it had any right to be.  He was a bachelor most of his life, except for a two year marriage of pure misery that ended in divorce.  And everybody, with the possibility of Pyotr himself, knew it was because he was a homosexual.  He probably did have that orientation, but in a time and a career where it was deemed an illegal abomination.  So whether he ever practiced the lifestyle at great risk to himself, or he repressed it his entire life, we will never know for sure.

But the music is immortal.  And by being immortal, the music makes Tchaikovsky immortal too.  Despite the fact that he died tragically at the age of 53, possibly by suicide.

So, this is the great lesson of Tchaikovsky.  The higher you fly, the farther you fall, and you will fall… guaranteed, but that will never make the actual flight not worth taking.  Some things in life are more important than life itself.  As I near the end myself, I cling to that truth daily.

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The Politicks Problem

Nope. I did not misspell a word in the title. There are blood-sucking ticks all over our government.

Our taxpayer dollars fund the Federal Government. Does it not follow then that those dollars should be spent to help all of us with the most critical problems we ALL face?

Not only favoring the 1%

And not tilting the tables toward Republicans…

Or Ted Cruz, Jeff Bezos, Elon Musk…

and especially not Darnold Trumpalump!!!!!!!!!!!!!!!

Republicans cheat.

Trump tried to steal the 2020 election. States like Texas limit voting in such a way that it is much harder to vote if you are a member of a minority that usually votes for Democrats. And they are trying to take away more voting rights… but mainly from the left. They refused to consider Merrick Garland for the Supreme Court. They put the union-and-worker-hating Goresuch in his seat. They forced out the somewhat moderate Kennedy to put in the sex criminal Cavanaugh. They stole RBG’s seat by reversing their position used on Garland’s seat to insert Amy Coneyisland Barrett. And now, led by bag-of-corruption Clarence Thomas, they have begun rolling back the hard-won human rights of women, LGBTQ people, black people, school children, and anybody who doesn’t agree with their Fifteenth-Century morality.

Undo the Trump tax cuts and reduce the national debt by 25%!

The stupid Debt-limit Crisis should not interfere with climate-change mitigation, social safety net funding, Medicare, Social Security, and Veteran healthcare. And it should certainly NOT MAKE US DEFAULT ON OUR DEBT! Paying our debts should not be tied to Republican demands that undoes Democratic achievements of the past year.

The essential problem is that we have too many rich pigs in government that not only profit over mistreating the poor and middle class, but they enjoy the pain they inflict. And not all of the corruption is in the Republican Party. JUST MOST OF IT!

Sorry about the angry rant, but I needed to avoid exploding.

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Critiques in Color

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I recently posted about being synesthetic and discovering how I am different from normal people.  Here is the post if you are interested..   Then I discovered that Kanye West is also synesthetic as he gushed some southern-fried crappie-doo about how wonderful he is as an artist because he sees the colors of his music.  Well, now I don’t want that mental affliction any more.  I don’t wish to be anything like him.  Of course, it has to be incurable, doesn’t it.

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Now I am wasting today’s post on another metacognative thinking-about-thinking style of paragraph pile when I could be rhapsodizing about the humor of Dave Barry or the wisdom of Robert Fulghum, the author of

All I Really Need to Know I Learned in Kindergarten.

Here it is on Amazon.

I could be shamelessly promoting the work of artists whose works I love instead of examining the random filing cabinets in the back rooms of my stupid old head.  But I can’t because I now need to explain myself to myself again.  Self doubt and self examination are features of being an artist.  We reach a point where we have to think about how we do what we do, because if you don’t know where the magic comes from, you might not be able to call on it the next time you need it.

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I am a self-taught artist.  I have had art classes in high school and college, but never professional art training.  I know how to manipulate the rule of thirds, directional composition, movement, perspective, and lots of other artsy-craftsy techniques, but it is all a matter of trial and error and an instinct for repeating what works.  I have had a good deal more professional training as a writer.  But I do that mostly by instinct as well.  Trained instinct.  I have reached a point where my art is very complex and detailed.  And I don’t mean to suggest there are no flaws.  In fact, I am capable enough to see huge, glaring mistakes that really skew my original intent and make me feel hopelessly incompetent.  But others who see it and don’t know the inner workings of the process can look past those mistakes and not even see them.  Given enough time to look at my own work with new eyes, I am able to see at least some of what they see.

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Now that I have totally wasted 500-plus words on goofy talking-to-myself, what have I really accomplished beyond boring you to death?  What’s that you say?  You are not dead yet?  Well, that’s probably only because you looked at the pictures and didn’t read any of my sugar-noodle brain-scrapings in loosely paragraph-like form.  And if you did read this awful post by a colorblind artist who doubts his own abilities, you probably didn’t learn anything from it.  But that’s not the point.  The point is, I care about doing this, and I need to do it right.  And I managed to learn something… how to ramble and meander and make something that is either a hot mess… or something that vaguely resembles self-reflective art.

 

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The Haunted Toy Store… Canto 21

Canto 21 – The Burned House

“This is all that is left of the house that Momma and I were living in,” said the doll in Brittany’s arms.

It was a brick foundation full of burned wood and charcoal.  It was mostly black and smelled of ash and extinct wood fires.

“What good does it do to bring me here and show me this? 

“You will see when the Lonely One that was my momma shows up at midnight.  I will then be able to show you everything.”

“So, we’re waiting for a ghost?”

“No.  Momma is not a ghost.  She’s a Lonely One like me.”

Brittany did not trust the doll any longer.  She was feeling repeatedly tricked, repeatedly lied to, confused, and definitely kidnapped… yes, that was the word.  Taken without her consent, kidnapped.

The sun was long past set.  The witching hour was at hand.  And Brittany was shivering in the cold night air.

It was at that moment that a glowing ball of red light came down the street from the north.

“There she is,” the doll said.

The light moved to the burned-out ruins of the house.  As it approached the place where the front of the house had been, a sudden growth of red bricks, becoming a red brick wall with a red front door in it, and widened out into the red front of a modest two-story home.  An eerie red ghost of a house stood before the woman and the doll.  Brittany put the doll down, letting her stand on her own two porcelain feet.

“Let’s go in.”

“It’s only a ghost of a house.  There’s really a big hole there to fall into.”

“You are not in your former world.  The rules of this world are different.  We can go into this house and watch what happened there in the past.  You will see what I need you to see.”

Reluctantly, Brittany let the doll lead her towards the front door.  The doll opened the door and ushered Brittany inside.

The living room was typical of a home in the 1940’s and reminded Brittany very much of Great Aunt Tilda’s home when she was a child younger than Hannah.  But everything was lit in an eerie red light.

Brittany took in a sudden, sharp breath when she saw the ghostly image of the momma.  It looked like a duplicate of Brittany herself but dressed in 1940s fashion and with a grim expression on her face that Brittany hoped no one in her future life would see on her own face.

“She’s beautiful, isn’t she?” asked the doll.

“Did she really look like me?”

“No.  You look like her.  That’s why I chose you.”

“Can she see us and hear us?”

“No.  This is an echo of the past.  She has no idea that the two of us are here.”

Then there was the sound of small feet on the stairs.

“Here I come wearing…” began the doll, but trailing off into saying nothing.

Molly came skipping down the stairs wearing a lovely and extra-frilly dress.  She looked exactly like Hannah.

“No!” shouted the momma.  “You should not be wearing that dress!”

“B-b-but it’s a gift from Daddy.”

“It’s cursed.”

“It’s not.  His letter said it was a gift from the lady.”

“You mean the Italian lady?  The one he saved during a battle?”

“Yes… that one.”

“She had the dress to give him for you because her own daughter was killed in the war.”

“But…  It’s my beautiful blue dress.”

Brittany turned to the doll and whispered, “It looks red to me.”

“Everything in Momma’s world was red.  Mad red.”

“Take the dress off.  I should burn the thing.  It is the dress of a dead girl.”

  Molly began to cry.  Then she stormed back up the stairway apparently to take the dress off again.

“Your mother seems overly angry,” Brittany said to the doll.

“My Daddy was the one who really loved me,” said the doll.

Brittany silently bit her lower lip.

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Boyhood

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Fifty years ago when I was ten, the world was a very different place.  Many people long for the time when they were young.  They see it as a better, more innocent time.  Not me.  Childhood was both a blessing and a nightmare for me.  I was creative and artistic and full of life.  And my family encouraged that.  But I was also a victim of a sexual assault and believed I had to keep a terrible secret even from my parents so that the world would not reject me as something horrible.  We were on the way to the moon and the future looked bright.  But President Kennedy had been assassinated in 1963, and Apollo 1 would end in a fiery tragedy in 1967.  I look back with longing at many, many things, but I would never want to go back to that time and place without knowing everything I know now.  I am grateful that I survived.  But I remember the nightmares as vividly as I do the dreams.

 

As a teacher, I learned that childhood and young adulthood defines the adult.  And the kid who is coddled and never faces the darkness is the one who becomes a total jerk or a criminal… or Donald Trump.  I almost feel that the challenges we faced and the tragedies we overcame in our lives are the very things that made us strong and good and worthy.

 

When you are a boy growing up, hating girls on the outside and pining to get a look in the girls’ shower room on the inside, you can’t wait to grow up and get away from the horrors of being a child.  Except, there are good things too.  Tang, of course, wasn’t one of them.  We drank it because the astronauts drank it, but it was so sweet and artificial it tasted bitter in that oxymoronic way that only fake stuff can achieve.  Quisp is nasty-tasting stuff too… but we begged for it because, well, the cartoon commercials were cool.  I only ever choked down about two boxes of the vile stuff.  You went to school a little queasy on mornings when you ate Quisp in milk for breakfast.  But one box had a toy inside, and the other had an alien mask on the back that you could cut out, but not actually wear.

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But when it comes down to how you end a goofy-times-ten-and-then-squared essay like this one, well, how do you tie a proper knot at the end of the thread?  Maybe like this; It is a very hard thing to be a boy and then grow up to be a man.  But I did it.  And looking back on it, the pie was not my favorite flavor… but, hey!  it was pie!

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Walk the Walk with Diabetes

Today during the school-drop-off downpour, I was forced to pull into the Walmart parking lot and pass out for a few rainy minutes.  Good times, huh?  But life is like that with diabetes.  I have been a diagnosed diabetic since April of 2000.  I have learned to live with my sugars out of whack, my mind potentially turned into Swiss cheese with cream gravy at any moment, and a strangely comforting capacity to weather headaches, both the heartbeat in the temples like a timpani kind, and the red-hot needles of Nyarlathotep boring into my skull kind.  I suffer, but I also survive.  In fact, the terrible incurable disease most likely to kill me is, in some ways, a sort of a back-handed blessing.  I certainly don’t take life for granted with it.  I am more conscious of how food can affect me and make me feel.  I have had to learn how to take care of myself when taking care of myself is tricky like an Indiana Jones’ adventure  in the Doomed Temple of Mickey’s Body.  I take going to the doctor seriously and have learned what questions to ask.  I have been to the heart specialist and the endocrinologist and the dietitian more than most people, though not more than most people should see them.  I have also learned how to make fun of dread diseases… a skill I never imagined I might develop later in life.

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My first experience of diabetes wasn’t even my own illness.  Back in 1984 I had a boy in my seventh grade class who seemed to be falling asleep constantly.  He was a shy little Hispanic boy with curly hair who was usually whip-smart and very charming.  But I couldn’t seem to keep his head off his desk.  So I asked him what the matter was.  He was too shy and worried that he had done something wrong to answer me.  So I asked him to get some water to wake himself up.  The reading teacher across the hall told me, “You know, Juanito is diabetic.  His blood sugar might be low.”

So I asked him, “Is that your problem?”

He nodded and smiled.

“The office keeps some orange juice in the refrigerator for him,” the reading teacher said.

So, I saved his life for the first time in my career without even knowing what the problem was or how to solve it.  He came back from the office perky and smiley as ever.  And I realized for the first time that I needed to know what diabetes was and what to do about it.

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Juanito became one of a number of fatherless boys that adopted me and spent Saturdays hanging out with me to play video games and role playing games.  He was one out of a pack of kids that swarmed my home in the off hours and would do anything I asked in the classroom no matter how hard.  He was a juvenile diabetic, the son of a woman with severe type-two diabetes (adult-onset).  His older sister had become a nurse at least partly because of the family illness.  Juvenile diabetics, though their lives can be severely at risk, have the capability of growing out of it.  As a seventh grader he didn’t really know how to take care of himself.  Teachers who unknowingly offered candy as a motivator could’ve put him in a coma because he was too polite and shy to say no.  But I fed him a few times, befriended him a lot, encouraged his interest in sports, and he grew up to be a star defensive back on the high school football team.  He gave me the portrait I share with you here for attending so many of his football games and rooting for him to overcome the odds.  When he visited me at the school years later, he was basically diabetes-free.

Juanito’s story gives me hope.  I know I will not overcome the dreaded Big D disease of South Texas.  I will live with it until it kills me.  It caused my psoriasis.  It gives me episodes of depression and chronic headache.  But at this point, I am still controlling it through diet and exercise, not taking insulin or other drugs.  (In fact, it was one of those other drugs that was making me pass out at work constantly from low blood sugar.  Diet works better than pharmaceuticals.)  One day it will give me a fatal infarction or a stroke and be the end of me.  But until that time I will continue to do the difficult dance with it  and get by, because, after all, dancing is exercise, and exercise overcomes the effects of the disease.  Just ask Juanito.

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Filed under autobiography, battling depression, humor, illness, kids, psoriasis