The homeless man wandered onto center stage just as the spotlight went on. He shaded his old eyes against the brightness and looked outward into the dark theater. It was probably some kind of mistake.
“Oh, so now it’s my turn to talk, eh?”
There was no response.
“Well, if you’re expecting something funny to come out of my mouth, good luck with that. More than half of what I say that makes people laugh is the result of depression, ill health, and just plain ignorant stupidity. And the other half of it is not meant to be funny, but is because I don’t always understand what I am saying.”
There was an embarrassed chuckle somewhere in the darkness.
“I mean, you can’t expect too much from me. I’m a bum. I have no money. I have no job. Not having any work to be bothered with is kinda good. But the other thing kinda sucks.
And all the great comedians that used to stand on this stage and try to save the world through humor are dead now. It’s true. Robin Williams died recently. George Carlin, Bill Hicks, Richard Pryor, and Bill Cosby are all long gone.”
There was some nervous laughter in the theater.
“Oh, I know, Cosby only thinks he’s dead. But he kinda killed the character delivering the wisdom in the form of observational comedy, didn’t he.”
“But most of them old boys tried to come up here and tell you the truth. And the truth was so absolutely unexpectedly wacky and way out of bounds that you just had to laugh. And the more wicked the humor, the more you just laughed. You didn’t do anything about the problems they talked about. But you sure did laugh.”
“It seems like the more they told you the truth and the more you just laughed about it, the more old and bitter they got. Sardonic? You know that word? Not sardines, fools, but sardonic. Bitterly humorous and sadly funny. Seems like a lot of them old boys got more and more bitter, more and more depressed up to the end. More and more sardonic.”
“I mean, Carlin was calling you stupid right to your face at the end. And you just laughed it off.”
The theater had grown eerily silent.
“But it ain’t all bad, is it? I mean, at least you all can still laugh. Only smart people get the jokes. The ones Carlin moaned about were laughing because everybody else was laughing. Those weren’t the ones we were talking to. There’s still life out there somewhere. Maybe intelligent life. Maybe aliens ain’t located any intelligent life on Earth yet, but they’re still trying, ain’t they?”
“You shoulda listened more carefully to what they were saying. Life and love and laughter were bound up in their words.”
“So I guess what I’m really saying is… just because I happened to get a rare chance to say it to you all… learn to listen better. The voices are quiet now. But the words are still there. And laughing at them is still a good thing. But remember, you need to hear them too.”
The theater suddenly filled with the roar of a standing ovation. The old man bowed. And this was ironic because… the theater had always been empty. No one at all was there now.
Catch a Falling Star 
Why Mickey Writes
If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.
Seriously, why would a writer publish personal thoughts and allude to personal tragedies? Especially when they are about things that once upon a time nearly killed him? (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should assume he is telling a lie and knows it.)
The answer is simply, writers write stuff. They have to. If they didn’t, they wouldn’t be writers.
It is really not something to do to earn fame and fortune. Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.
You write to get your head right about bad things that happen in life. You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system. Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it. He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager. Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist). I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.
You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper. It isn’t necessarily real truth. Lots of idiots write things and post them in newspapers, blogs, and even books. And it is often true that their inner personal truth is complete hogwash. (But, hey, at least the hogs are cleaner that way.) Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.
And you truly do have to write. If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head. I do have structures in my head. My mind is organized in boxes that contain specifically sorted ideas and stories and notions. It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners. (That is how I picture Donald Trump’s mind. It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)
And so, I have done it again. I have set down my 500+ words for today and made a complete fool of myself. And why do I do it? Because Mickey is a writer, and so, Mickey writes stuff.
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Tagged as goofy thoughts on writing