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Native Americans Invade My Artwork

I don’t know if you’ve seen enough of my colored-pencil Paffooneys to tell this, but for an old white guy, I draw a lot of Native Americans and am rather deeply in love with American Indian images.  You may have seen this dream painting I posted before.

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The girl in the painting is a combination of this warrior’s daughter and myself.  I was naked in the dream and a female, facing this huge ghost-stag.  The dream came while I was reading Hanta Yo by Ruth Beebe Hill.  Maybe that book was the beginning of my Native American obsession.  Who knows?  I am a crazy dreamer.  But that wonderful book turned me on to the rich spiritual life that the Dakota people lived.  I identified with it so completely that I dreamed myself into their culture.  I was also struck by the manner in which a Native American culture handles education.  The grandfather is in charge of the boy’s learning.  He teaches by story-telling.  Here you see the grandfather in Sky Lodge teaching his grandson.  The girls would learn very different things from their mothers and grandmothers.

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I am also entranced by the life of the people expressed in dance and ritual.  Dance has deeper meaning than we white guys normally assign to it.  Dances could be magical.  Of course, the notion of a “rain dance” is the result of too much simplification in movie scripts and ignorant popular white culture.  Dance could connect you to the Earth, the Sky, and the Spirit World.  That’s what this most recent Paffooney shows.

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So, you can see, I don’t really understand the concept of moderation when it comes to my obsessions in the world of colored pencil art.  Hanta Yo!  Clear the Way!  In a sacred manner I come!

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The Cowboy Code

When I was a boy playing cowboys and Indians with cap pistols and rubber tomahawks, we all knew that cowboys had a code.  The guy in the white hat always shoots straight.  He knows right from wrong.  He only shoots the bad guy.  He even shoots the gun out of the bad guy’s hand if he can.  Westerns are about right and wrong, good and bad, and the unyieldingly good knights of the plains.

And boys believe what they see on TV and in the movie theaters.  People who make television shows never lie, do they?  In fact, Wyatt Earp was based on a real guy who really lived and really shot the bad guys at the gosh-darn real OK Corral.

Daniel Boone was a real guy too.  He faced the opening up of new lands full of deadly dangers.  And when Fess Parker played him in 1964, wearing Davy Crockett’s coonskin hat, he walked the earth like a guardian angel, making everyone safe by the end of the episode.  He even knew which Indians were good and which were bad.  Mingo was always on Daniel’s side.  And when they spoke to each other about the dangers they faced, it was never about killing the people they feared.  It was about doing what is was right, about helping the community at Boonesboro to survive.  Being encouraging… looking forward to a more settled future created by following the cowboy frontier code.

So, I am left wondering what ever happened to the cowboy code?  I listen to Republican presidential candidates talking about dipping bullets in pig’s blood to kill Muslims, and building walls against Mexican immigrants, and why our right to carry assault rifles is sacred, and I wonder what happened.  Didn’t they experience the same education from the television versions of the Great American Mythology?  Didn’t they learn the code too?

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I am old enough now to know that cap guns are not real guns and you cannot solve problems by shooting somebody.  But that was never the point of the cowboy code.  We need straight-shooters again in our lives, not to shoot people, but to tell the unvarnished truth.  We need wise people who can tell who are the good Indians and who are the bad   We need them to shoot the weapons out of the bad guys’ hands.  And I know that’s asking for leaders to be larger than life and be more perfect than a man can actually be.  But Daniel Boone was a real man.  Myths and legends start with a fundamental truth.

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Saturdays With The Herculoids

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When I was a kid in Iowa in the 1960’s Saturday morning television was the singular source of fuel for the imagination.  I loved the various adventure cartoons.  Jonny Quest, Space Ghost, Thundarr the Barbarian, and the Herculoids were the source of endless lets-pretend games in Granpa’s grove and in the old barn.

I suppose the characters I envisioned myself being the most often were Zandor and his son Dorno.  These two practically naked people lived on a primitive planet that had to constantly be defended from space-faring invaders and free-booters that had ray-gun technology on their side.  The only weapons that the practically naked barbarians were able to use against the villains were exploding rocks that were shot out of a slingshot by Zandor and Dorno and Tara, or out of the horn-gun on the head of Tundro the living tank-beast with too many legs.  Of course, Igoo the giant rock ape could bop ’em with his big stone fists, or Zok the lightning dragon, could zap them with tail and eye lasers.  And Gloop and Gleep, the living Play-Doh blobs, could also always shape themselves into flyswatters or springs or wet blankets, or… well, you have to see it to really get it.

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I learned valuable lessons from watching the Herculoids and then pretending to be them.  First of all, I learned that back-to-nature, practically-naked barbarians were morally superior to those who solve their problems with technology.  I also learned that you can win fights with exploding rocks and yelling, “Zandor!  Look out!” at the right time over computerized flying robots with lasers and disintegration rays. There was also the thing about never knowing when an old Space Ghost villain like Brakk or Moltarr was going to show up, and you needed to be ready to defeat them by doing the same things to them that Space Ghost had done to them in previous episodes.  And for some reason, bad guys come with a psychological need to capture Tara or Dorno or both Tara and Dorno and put them in cages.

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I hope there was nothing psycho-sexual embedded in those old episodes.  That would be a terrible thing to do to an impressionable young boy who loved to watch the cartoons.  Explain to me again, Alex Toth and Hanna Barbera,  why are Zandor, Dorno, and Tara practically naked all the time?  Oh, yes, it was a tropical planet.  It must have been hot there.

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Anyway, I must end this homage now, before I start analyzing how this somewhat bizarre cartoon actually affected me as a child.  I loved the Herculoids.  I still love them… no matter how goofy and weird they are.

 

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Monkey Mathematics

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(colored pencil, pen, & ink – entitled “Math Monkey” – by Leah Cim Reyeb (my name backwards))

It has been said that if you have an infinite number of monkeys with an infinite number of typewriters, and unlimited time, they will reproduce all the works of William Shakespeare.  Not only that, they will produce every other work of literature in every language on Earth that has ever been written… and that ever will be written, for all time.  Not only that, but every version of Hamlet that has one misspelled word, two misspelled words, three misspelled words… and so on to infinity.

I was having an argument recently with a boy from Brazil who insisted there was no God and Creator.  He claims to be an agnostic, but argues like an atheist.  He was trying to “save” me from my erroneous belief that there is an underlying intelligence and purpose to all of creation.  His intentions were good, but he failed to convince me before sailing off back to Sao Paulo.  Alas, I am unrelentingly still convinced that I am not wrong, as he apparently believed all school teachers are by definition.  Yes, it is written that way in the teenager’s guide to life, the universe, and everything.  “Teachers are clueless and only teach you the wrong stuff” – page two hundred and three, in Chapter Twelve, Adults are Always Wrong.  And, of course, I’m blaming it on the monkeys.  It’s always those danged monkeys and their typewriters.

I tried to explain that the whole infinite-monkeys thing is based on flawed math.  After all, math was invented by enraged Greeks who danced around naked in caves worshiping circles, squares, and right triangles.  Pythagoras must’ve really hated school kids.  He gave them all this froo-frah to learn about whole numbers, integers, algebra, and geometry and stuff, and then threw in theorems and equations to give them something to mind-numbingly practice at their desks in Math classes until they were no different from infinite-monkey typists. 

If you take a pile of bricks up to the top of a mountain and then throw them off, even if you throw them an infinite number of times, how often will they actually land in the configuration of the Parthenon?  …And the Parthenon with one brick out of place, and then two bricks, and …wasn’t the gol-danged Parthenon carved out of marble, not bricks?  If you believe all of reality is based on random chance, then you obviously are figuring that out with infinite-monkey math.  I’m not saying the Theory of Evolution is wrong.  That is ordered and principled in ways that fit Occam’s Razor and is probably just as correct as the Theory of Gravity (which we don’t fully understand, either, yet we don’t go flying off into space with each rotation of the Earth).

“Wait a minute!” screams the head monkey.  “Are you saying you believe in Evolution, or in Creation?”   (I am constantly hearing nearly-infinite monkeys screaming that nowadays.)

Shoot, I think both things are true.  You can’t deny what science offers proof for, fact or theory.  Yet, God speaks to me and comforts me, even though he doesn’t actually answer prayers.  The evidence of God is in all that he created, including the process of evolution, the monkeys, the typewriters (well… man-made is made by God too if he created man with inventive capabilities, right?), and even the voices in my silly head that I interpret as God talking.  Am I guilty of Infinite-monkey math?  I try not to be.  But I also try not to argue with Brazilian teenage agnostics about the existence of God.  Oh, well… can’t win ‘em all.

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Autorumination (the reprise)

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(This is a black-and-white cartoon in pen and ink that I have shamelessly colorized with colored pencil.)

    I have to tell you, driving in Texas, especially the “Big D” is taking your life in your hands, gripping that old steering wheel in a grip of death, and trying like heck not to hit any of the myriad things flying in front of you.  I have had in my lifetime three accidents and too many near misses to count.  Drivers that don’t have their number of kills painted on the driver-side door are rare indeed.
    One of the scariest encounters on the road has to be the legendary Texas Killer Grandma.  They have a private club where they get together over knitting and compare the goriest kills they have managed with their oversized automobiles.  These old lady drivers are invariably white-skinned and have hair either of strange shades of blue and periwinkle, or silver, almost chrome.  They have Killer Grandma nicknames like Suicide Sadie and End-It-All Emma.  They drive big black Cadillacs, Buicks, and Mercedes.  They have mostly no-fault insurance that will guarantee they can mash your children in the back end of your family car without jail time, and usually without paying for a penny of your damages.  They cruise around Dallas watching for unwary drivers so they can leap in front without signaling, getting bashed from behind by the victim, and sending the victim swirling off the overpass to a fiery death and dismemberment.  Then they cackle all the way to the next club meeting.
    Killer Grandmas drive a class of vehicle I call the American Wasp Rocket.  These are large, unwieldy vehicles from Ford and GM that wreak havoc with smaller, slower cars, especially foreign-made cars like Toyotas, Subarus, and Volkswagens.  In the northern precincts of Dallas, Austin, and Houston, where these vehicles truly dominate, you will often see BMW, Volvo, or Italian Wasp Rockets, which are almost an oxymoron by their very nature.  (“I only buy them gol’ dang furrin cars iffen they’re status symbols, cause I only buy American, but I figgur high-dollar wagons like them thar Lambourginis count as American too!”)  These cars are all large enough to crush an SUV under their wheels, and, of course, they are only driven at hyper-speeds while winding their way through heavy traffic so the occupants can arrive anywhere they are going FIRST.  Besides Texas Killer Grandmas, there are few other drivers of these vehicles who aren’t over-weight, middle-aged white males who have high-paying white-collar jobs.
    The most common vehicles on Texas highways are, of course, the typical Bubba.  Bubba cars are always pick-up trucks, and almost always Chevys.  In fact, they almost have to be white, red, or brown, or they don’t count as a proper Bubba.  Bubbas drive like Foster Brooks on speed, always weaving, wobbling, wagging, and wrecking.  The highway is their own personal demolition derby, and if they don’t get you with a straight-on hood-smash, they’ll ding you with whatever falls out of the back of their pick-up (beer bottles, kids, used tires, tools, parts of the vehicle that have already fallen off once before, and sometimes ugly wives).
    A more-or-less brain-damaged sub-species of Bubba is the Billy Bob.  They drive Ford pickups, white, red, brown, and sometimes gold.  They will kill you no less quickly than a Bubba, but they do tend to have better insurance.
    Of course, I can’t even talk about Beaner cars.  It is not politically correct, as a young Hispanic student was pointing out to me just two weeks ago.  “I can say I’m a Beaner,” he said, “But you can’t say it because you’re a Gringo Loco.  Only Beaners are allowed to call a Beaner a Beaner.  You could be killed for saying that in the Barrio!  Even for thinking that!”  So, I won’t talk about those cars on the road in the fast lane doing a mere twenty-five miles per hour.  I won’t mention how they have eighteen kids and a Tia Carmen in the back seat and can’t see out with the rear view mirror.  I won’t even talk about the rosary beads, fuzzy dice, and numerous brightly colored stuffed animals that hang from the rear view mirror blocking the windshield also.  It just wouldn’t be nice to talk about that.
    So, I guess I have to sum up with a concluding statement that makes sense out of all of this Texas road-rage and bumper-car nonsense.  It would have to be something like this:  If you ever plan to drive in Texas, be prepared.  Have your burial plot purchased, your insurance paid up, and “Drive Friendly!”

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Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations are also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words.

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that.

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Merry Christmas from Cartoon Elves

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December 22, 2021 · 4:59 pm

My Holiday Wish

Let’s be happy for the moment…

Because tomorrow is never promised…

Never guaranteed…

But that can’t be allowed to mean…

That living a life was never worth it…

Not good enough to justify…

Our smiles and laughter…

In the many moments that ARE given to us.

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The Latest Artwork Out of my Pen

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December 11, 2021 · 8:29 pm

Simple Christmas Gifs

No, that is not a typo.  I only meant “gifts” in pun form.  Sometimes you don’t feel much like talking and, after all, the “picture can be worth a thousand words”, especially if the picture moves.

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As you can see, I am spending the day with the Ghost of Christmases Past.  Have a wonderful holiday, however you may celebrate it.  I will offer more goofy stuff by Mickey after the Ghost of Christmases Future gets done with me.

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