Category Archives: science fiction

The Force Awakens (with tornadoes thrown in for excitement)

Star_Wars

At long last I got to see it, another thrilling Star Wars movie.  I couldn’t wait for it to reach the dollar movie theater where I could actually afford it, so I saved up my money to take the family to the theater in Valley View Mall off LBJ in Dallas. (This is a doomed and dying mall that no one ever goes to, so the tickets cost only half as much as elsewhere… but it was still necessary to go an hour early to get tickets before it sold out.)  I have seen every single Star Wars movie within the first two weeks of its run, dating back to the original Star Wars which I saw in college at Ames, Iowa in 1977.  And I confess to loving every minute of every one of the movies.  I even like Jar Jar Binks as a character, which gets me kicked out of the Serious Star Wars Aficionado Club for reasons I still don’t understand.

I was predisposed to passionately love this movie.  And I understand why the critics are saying that it is the exact same plot as the first Star Wars movie, Episode IV; A New Hope.   I am not going to review this movie here because I could not do it without those dreadful spoilers that I had to duck for weeks in everything I read about the movie.  Things happen in this movie that directly parallel the first movie, and that means an unexpected death that tore my heart out as much as when Vader kills Obi Wan Kenobi in the original.  Over time, through movies and books and role-playing games, these characters have become real people to me.  I care deeply about what happens to them.  I almost had to care deeply about what happened to us as well.

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Yesterday was a bad-weather day in Texas.  Tornadoes ripped through the Dallas area  last night.  Eight people were killed as three different funnel clouds touched down and did damage in the area.  As we left the theater and started out for the restaurant where we would get a meal, a tornado warning started ringing on our cell phones and the tornado siren started blaring.  My sister-in-law and her family, visiting from San Antonio, took refuge in the mall we had just left.  They told us that the theaters on the top floor of the mall were evacuated as they sheltered there.  If we hadn’t gone to a matinee, we would’ve been interrupted during the movie.  As it was, we made it to Chili’s Restaurant just ahead of the wind and rain.  We had dinner while the rain poured down, and the Independence Bowl on the restaurant televisions kept getting interrupted by weather coverage like you see above.  We watched the danger zones creep by on three sides of us as we ate burgers and tilapia  in a glassed-in restaurant.  Needless to say, our relatives were unable to join us as they cowered back at Valley View Mall.  The after-movie party and discussion proved to be almost as thrilling an adventure as the movie itself.

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But I simply can’t help myself.  No line or threat of sell-out or adverse weather condition is going to come between me and a Star Wars Movie.  I loved it.  And if I’m still alive when the next one comes out, I’m watching that one too… no matter what.  I love Star Wars!

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Tomorrowland

I am compelled to review this movie precisely because it has been a box-office disappointment and has been criticized for not being the best work director Brad Bird is capable of.  Other reviewers have said the set-up for the trip to the other dimension was wasted time and the plot is too slow…. they didn’t make enough use of the marvelous “other world” that they labored so intensively to create.  I think the main reason people are disappointed in this movie, which I saw for the first time by my lonesome self at the metroplex in Lewisville, Texas, is that people have either forgotten how to watch intelligent movies, or they have simply never learned.

Movie character poster

Movie character poster

The thing I loved most about this beautiful, inspirational movie, is its basic intelligence and the wonderful way Disney/Pixar’s Brad Bird weaves complex themes of past, present, and future together into a carefully patterned web of everything that’s right about good science fiction.  Good science fiction tells you, through basic scientific understanding, what the possibilities are.   It scares you with horrible possible futures that make all too much sense with things like climate change, nuclear warfare, and a society that embraces stupidity and entrenched habits that can lead us like lambs to the slaughter.  It also shows you how technology and the willingness to risk it all on good ideas can possibly solve problems, even those problems that technology itself creates.  This movie introduces us to complexly-layered characters.  The male lead character is played by George Clooney, yet his bright-eyed, inventive, little-boy self is also a critical part of the whole mix.  The female lead, Britt Robertson, is a dreamer who carries the theme with her based on the old Native American proverb that asks, “which wolf will win a battle between a dark wolf full of negativity and a white wolf full of positivity and light?”  The answer, of course, is the wolf you feed.  The character is relentlessly positive in the face of a horrific future that the film brings out which humanity probably deserves.  And the catalyst character, the little-girl robot played by Raffey Cassidy, is a brilliant performance by an amazing young actress that brings to the front and center one of the most powerful of all science-fiction questions, “what does it actually mean to be human?”

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I believe this movie brings out the best of Brad Bird’s skills as a story-teller.  Like some of his most brilliant work in the past, like the cartoon movie Iron Giant or the Pixar movie The Incredibles, this movie pushes the magic nostalgia buttons from a fondly-remembered simpler time.  I remember going to Walt Disney World in Orlando back in the 1970’s and being so enthralled by the two most must-see parts of the park, Fantasyland and Tomorrowland.  Tomorrowland was the culmination of my childhood astronaut dreams born of watching the moon landing of Apollo 11 in 1969 on our old black-and-white Motorola TV and all those other Gemini, and even Mercury missions that I followed with all-consuming interest.  It’s that feeling of a better world waiting up ahead, in the future, just around the corner.  The anticipation that something wonderful is going to happen… and then when it doesn’t happen, or, at least, doesn’t happen in the bright shiny way I was expecting… I can start over with the conviction that I can make it happen… that dreams really do come true.

Brad Bird's body of directorial work is, in my humble opinion, the equal of some of the greatest cinematic artists of all time.

Brad Bird’s body of directorial work is, in my humble opinion, the equal of some of the greatest cinematic artists of all time.

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Spacey Stories

Buster 3

I am usually considered a Sci-fi and Fantasy author when anybody tries to categorize me.  I learned to write during the 70’s when Tolkien and Michael Moorcock and Frank Herbert were growing bigger, and Robert Heinlein, Ray Bradbury, and Isaac Asimov were gods.  Of course, I also have the YA-thing hanging around my neck like a bell.  I learned to tell stories being a dungeon master for middle-school and high-school boys back in the eighties.  And because it was Texas with a deeply-held and violently-enforced religious fear of anything with demons in it, I was forced to change my role-playing games from sword and sorcery to science-fiction.  I played endless Saturday-afternoon Traveller (http://en.wikipedia.org/wiki/Traveller_%28role-playing_game%29) games that could span parsecs and light-years in a single afternoon.  And I was one of those game-masters who used humor to build a campaign and keep the players engaged and interested.  We had epic space battles and conquered large swaths of the Orion Spur of the Milky Way Galaxy.  When I began turning my Traveller games into fiction, I used the personalities of the boys who played the game with me for characters in the stories.  I often used the same plots (applying considerable polish to portions of plot where… well, you know… teenage boys, not remarkably G-rated.)  I created things that made me and some of the players laugh, and even feel sad… with deep, cathartic effects, as if we had experienced those things in real life.  (The deaths of favorite characters and tragic failures of galaxy-saving plans come quickly to mind.)

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I enjoy practically everything Sci-Fi, from Flash Gordon, to Buck Rodgers,  to Star Trek and Star Wars…  I loved Mechwarrior books and comic-book Sci-Fi like Adam Strange, Hawkworld, and Guardians of the Galaxy (the old ones that came before Groot and Rocket Raccoon).  I let it warp and weave my imagination and the imaginary worlds that blossomed from it.
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nd the ideas continued to morph and change and become stories that I really had to tell.

Phoenix1My first published novel, Aeroquest is a compilation of old Traveller adventures.  I published it well before it was ready for market and used a cheap-o publisher that wasn’t worth the free price-tag,  They gave me no editorial help and apparently didn’t even read the novel.  I will not defame them by name here, but if they sound to you like Publish America… well, there might be a reason.

I love stories about time travel and sci-fi gadgets…  trans-mats and starships and meson cannons and sentient plants… oh, my!

And now that I have revealed that I have such a massive nerd-head that I really ought to own Comicon by now, I hope you will not suddenly turn me off and read my blog no more.  I can’t help it.  I was born that way… and any child doomed to be born in the 50’s and a child in the space-race 60’s was bound to have George-Lucas levels of Sci-Fi nerdism.

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Work in Progress

The book I am writing at the present time is for the moment called Stardusters and Lizard Men.  It follows the alien characters from Catch a Falling Star as they journey home after the failed invasion of Earth.  They have with them three Earthers, humans born on Earth, who have come along on the journey because they have fallen in love with members of the alien Telleron race of amphibianoids.  In this sample chapter, Davalon and the Telleron tadpoles, along with the Earther farm couple, the Morrells, who have been transformed into adults in child-like bodies, have made contact with a native lizard-person, a little lizard-girl named Sizzahl, and are trying to help save the dying planet of the lizard people.  Galtorr Prime, the dying world the Tellerons accidentally arrived at, is war-torn and nearly stripped of its livable environment.  Sizzahl is a child prodigy and is working inside the Bio-Dome of her late parents to try to solve the environmental crisis and save her planet.

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Canto Twenty-Seven – In the Bio-Dome

The delicate creature was four-legged and long-necked.  It looked a lot like Bambi to Alden if Bambi had been a reptilian creature with hexagonal violet-colored scales all over it.  It had large indigo eyes that made it look fawn-like and vulnerable.

“It is called a zhar-doe,” said Sizzahl sadly.  She was standing next to Alden and Gracie with the creature in front of them.  She reached out and stroked the side of its Bambi-like head fondly.  “It is the last of its kind, and when it dies, its species will be extinct.”

“Is Zahr-Doe its name?” Gracie asked.

“It is the species.  Why would you give it a name?  When we had vast herds of them, they were a domesticated food animal.”

“Will you eat this one?” asked Alden.   He still had his hands clamped over his private parts, but he reached out with his left hand to touch the thing’s velvety-soft ear.  It was an exquisitely beautiful creature.

“Only if it is a last resort.  It is too beautiful and precious to be butchered without great need.”  Sizzahl was petting the creature tenderly.  Hard to believe it didn’t have a name already.

“Is there no way the species can be saved?” asked Gracie, stroking the creatures neck with both hands.  Alden had loved Gracie since the moment he had first met her, but now, looking at her standing in the Bio-dome’s artificial forest of dying trees and plants petting the Bambi-thing, he noticed how lovely she looked as a completely nude young girl in the middle of a browning pastoral setting.  He was attracted to her in spite of the fact that her body was now a child’s body, but it was so much more than that.  Gracie’s simple, loving concern for a gentle creature of another world… well, it was looking more directly at what he knew to be Gracie’s soul than he had ever done before.

“I have the cloning technology at my finger tips,” said Sizzahl.  “This place was my parents’ attempt to save our natural world from the predations of the greedy and ruthless creatures that dominated our society.  But, the question becomes, should we save the species by cloning it if we cannot feed it and the new creatures will only starve, suffer, and die?”

“We brought you the plants you needed, didn’t we?” Alden asked.

“You did.  I thought being on the space station would protect those plants and I could bring them here to grow new food sources.”

“Is something wrong with the plants?”  Alden shivered, not with the cold of being completely naked in an alien place, but with a sudden fear that he already knew the answer to the question.

“They are all blighted and dying.  I asked the Tellerons to verify it with the instruments, but I’m nearly certain.”  Sizzahl was actually crying.  Alden saw tears in her snake’s eyes.  It was difficult to comprehend a lizard-person crying, but the little-girl alien was so human-like as she was crying…

Gracie, bless her Iowegian heart, wrapped both her arms around Sizzahl and held her in a comforting hug.

“My goodness, girl,” Gracie said, “You are warm and soft to hug.  You are more like us than the Tellerons are.”

“My people are warm-blooded just like yours.  We are not really reptiles, you know.  We are more saurian… like your birds or your dinosaurs on planet Earth.”

“How do you know so much about Earth?” asked Alden.

“Well, I am a genius among my kind.  I have what you would call an I.Q. of about 195 in the terms of your science on Earth.  Besides, the alien visitors that used to come to our world, like the Sylvani or the Zeta Reticulans have brought specimens of your people here for study and to perform certain special tasks that aided in their off-world agendas.”

“Earth people have been to your planet before?” asked Gracie, cuddling the lizard-girl close to her warm heart.

“Oh, yes, and I imagine some of our people have been taken to your world too.  The governments of both our planets have been contacted long, long ago by space-faring races.”

“Really?”  Alden was skeptical.  Walter Cronkite and Bryant Gumbel never said anything about aliens contacting the government.  “Why haven’t we been told about this?”

“Judging by your television broadcasts, I believe your government believes the average person is too stupid and easily upset to comprehend the truth.  Our leaders were like that for many years before your leaders even were told.  There will come a crisis point one day, though, that people will have to find out.  Here it came shortly before we started to destroy ourselves with unending war for profit.”

“You are going to save your planet, aren’t you, Sizzahl?” Gracie asked, suddenly seeming alarmed.

“I don’t know.  Sometimes I think they are not worth saving.  Sometimes a people on a planet can become so self-centered and terrible that they don’t deserve to survive.  The alien visitors gave up on us a few years ago and left.”

“We are alien visitors,” said Alden, “and we aren’t giving up on you yet.”

“You are not afraid I might eat you or take advantage of you?”

“Of course not,” said Gracie.  She patted Sizzahl on the back in a way Alden knew was meant to be reassuring.

“I do want to take advantage of you, though.”

“Oh?” asked Gracie.  “How?”

“Your DNA is somewhat compatible with my own.  Not yours, Grace, because you are a simuloid now, not a real person.  I want some of Alden’s DNA to use to make a fusion race, half Galtorrian, half Earth human.”

“You mean you want me to make babies with you?” Alden gasped.

“Not the way you think.   I want to make them in a sealed jar and grow them in vats.  I will just need samples of your blood and tissues.  It doesn’t even need to hurt.”

Alden felt a bit shaken.  Could he do that?  Or was Sizzahl right to suggest her people deserved to go extinct?  And what did she mean when she suggested Gracie wasn’t real?

At that moment, Davalon and Tanith came in looking sad.  Both were naked.  Both were holding each other’s hands.

“We have bad news,” said Tanith.  “The plants we saved from the space station are all diseased according to the instruments.”

Sizzahl only nodded, then buried her scale-covered face in Gracie’s shoulder to cry more loudly.

*****

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What I Have Learned by Writing

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I have been doing an edit on a completed novel called The Bicycle-Wheel Genius, and I have discovered that I have grown quite a bit as a writer since I first began practicing the craft.  This particular story has been rattling around in my brain since 1977.  The mad scientist who is the title character, Orben Wallace, is based loosely on me.  It is also to some degree a favorite science teacher from high school mixed up with a rather eccentric college professor whose bizarre nature led, apparently, to some really profound insights about the scientific reasoning process and how a person thinks rationally.  From this character recipe I have learned the scientific method of experimenting, observing, theorizing, and testing theories works in all areas of life, including the complex mess that is our social life and relationship muddle.  Order can be imposed on chaos, and even when chaos is not controlled, it can still be tamed.

I have learned also a thing of two about writing science fiction.  I have made this story very science-y by adding elements of time travel, UFO’s, and conspiracy theories… as well as genetics, nutrition, black holes, and history from 1916 (World War I).   I have done significant amounts of research because, even though the science is all about big, black, hoo-haw lies and prevarications, it sounds a lot more realistic and palatable if the science is right.

I have learned a few things about writing sequels and tie-ins.  This novel is technically a sequel to Catch a Falling Star.  No, that’s not right either.  It is a prequel-equal-sequel because it happens before, during, and after the previously published book.  I have learned to pick up scenes from the other book and rewrite them from the point of view of a different character than the story before.  The dialogue is already fixed, but the interpretations and commentary on everything is from a whole different perspective.  Not easy to do, but very enjoyable and educational.

I have learned that even though I am basically writing a comedy it also has to have its beautifully sweet-sad moments of melancholy to achieve balance and depth of theme.  Two beloved characters die in this book, whereas in Catch a Falling Star only the villain dies without getting a last-second resurrection at the end.  We do terrible things to our characters sometimes if it gives the book deeper meaning and resonance with reality.Millis 2

I do still slavishly rely on the ridiculous.   One of the characters in The Bicycle-Wheel Genius is a rabbit who bites a high-tech carrot attached to the time machine and morphs into a rabbit man.  Millis, the pet rabbit, is the second Paffooney I am repeating for this recycled sort of post.

I have also learned that by using my obsession with that which is surreal, I can actually write things that make me laugh even though I’ve read and re-read them ten times, and am now reading them again.  Humor comes from word-play and cleverness as well as from situations full of slapstick.

So, whether you can stand my purple paisley prose…or not, I am definitely working towards throwing a new novel out there… into the world of publishing… or am I throwing it at your head instead?

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Filed under NOVEL WRITING, Paffooney, science fiction