
My dog Jade
While walking the dog yesterday, we struck up a conversation about writing and being a writer that proved once and for all that DOGS REALLY DON’T KNOW HOW TO WRITE!
She turned around on the end of her leash and looked at me with that woeful you-don’t-feed-me-enough look on her little well-fed face. “You know, I was reading your blog today, and I think I know how to make you a well-known writer and best-selling author.”
“Oh, really?” I said. “Since when do you know anything about being a writer or marketing fiction?”
“Well, you do remember that I wrote a couple of blog posts for you already.”
“True. But I can’t afford to do that again. You type with your tongue and it leaves the keyboard all sticky. I haven’t gotten it truly clean and working properly again since that last time. If you are asking to write another post, you can forget it.”
“Well, sorry about that. But I do think I know how to make your writing more popular with a bigger audience.”.
“Oh? How could you possibly know that?”
“Hey, talking dog here! That has to count for something, doesn’t it? Don’t you think people would be amazed to learn about things from a dog’s perspective?”

“Nobody’s going to believe I have a talking dog. That isn’t something within the realm of what is normal. They are all going to think I am just a crazy old man.”
“Well, you are a crazy old man. I can’t help that. But what if you told stories from a dog’s perspective? You know, things that only a dog could’ve come up with?”
“Oh, like what, for instance?”

Why does the neighbor’s dog always smell like burritos?
“Well, you know that more than half of what a dog perceives about the world she gets through her sense of smell?”
“Okay…”
“Like that spot on the grass over there. Boy dog. Handsome border collie… ate three hotdogs about four days ago. Ooh! He smells perfect!”
“You’re talking about poop smells again, aren’t you?”
“Well, yes. But I can also tell you about the pigeons that were in that live oak tree there yesterday.”
“Oh? What color were they?”
“I don’t know… gray maybe?”
“Bird doo. You are smelling old bird poop! You want me to write about poop more?”
“Well, no… not exactly. But if you could tell your stories through the sense of smell more… that would be unique and different. People would like that a lot because it’s never really been done before.”
“You do understand that I can’t use my laptop to write smells? There are no words I could use that will automatically put smells into the reader’s nose.”
“Well, but if you could invent one…”
“According to you, it would be mostly poop smells anyway. Who wants to sniff that?”
“It would make your blog more popular with dogs.”
“But dogs don’t read!”
“How do you know for sure? You believed me when I said I read your blog today.”
“Well, you certainly got me there. Now, don’t we have some important business to take care of?”
“Yes, but… You see that squirrel over there?”
“Yes, so?”
“So one day soon, I’m gonna eat him!”

Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
Leave a comment
Filed under commentary, goofiness, humor, insight, NOVEL WRITING, photo paffoonies, self portrait, strange and wonderful ideas about life, writing, writing humor
Tagged as My Little Pony, Snow Babies