Last night my wife took us to the Dallas Symphony Orchestra for a performance of Gustav Mahler’s Das Klagende Lied (The Song of Lamentation). So, you can bet we were in for a happy night just based on the title of the piece. As you might’ve detected from the post title’s similarity to the Marx Brother’s movie A Night at the Opera, I took along my wacky mental versions of the Marx Brothers… whom I call the Snarcks Brothers. They are Scarpigo, Cinco, and Zero Snarcks. Think Groucho, Chico, and Harpo, and then my mental fartgas won’t prevent you from understanding quite as easily.
Jaap Van Zweden, conductor of the DSO, and aspiring impersonator of Grumpy from the Seven Dwarfs
Scarpigo, Cinco, and Zero Snarcs… so to speak…
Now, don’t get me wrong, I love classical music and I like Mahler okay. But his music tends to be depressing and sad. I don’t mean merely depressing and sad, but deep down at the bottom of the canyon with hill giants tossing boulders at your head in the midst of a thunderstorm symphonic sort of depressing and sad. It could really bum me out, so I was prepared to have Scarpigo lean over the balcony rail numerous times to shout “Booga-booga!” at the concert goers. And the Blues lost to the Sharks in the Stanley Cup playoffs already this past week.
Fortunately the DSO often adopts the old movie theater tactic of cartoon shorts before the feature film… the same way Pixar does for Disney now. They chose Aaron Copland’s Clarinet Concerto as the cartoon short. Now this is also supposed to be sad music, a single clarinet, a single harp, and a single piano… surrounded by violins, the gushing tears of every symphony orchestra. But it is Copland, my fourth favorite composer of all time, behind only DeBussy, Motzart, and Beethoven. As a synesthete, I can tell you that Copland’s music is always no bluer than silver, and tends to be more vermilion, rosy pink, yellow-orange and carmine red… more happy and passionate than depressing. Then too, Cinco Snarcks whispered in my ear that since I have this Van Zweden/ Grumpy thing going on already in my head, I should look carefully at the clarinet soloist. Yep, bald head, white hair and slight white beard and glasses… Doc! And the pianist, bald head and big ears… Dopey! The night would be Gustav Mahler and the Seven Dwarfs. Zero Snarcks was thinking about squeezing off a toot or three from his little horn and maybe using light cords hanging from the ceiling for an impromptu trapeze act, but he took one look at the elegant, swan-like harpist and fell too much in love to interrupt.
The main show, however, was everything I thought it was going to be, and worse. They had a translator screen hung from the cords Zero wanted to go for a swing on, that took all the incomprehensible choir-crooned lyrics and translated them from German into English. The story of Das Klagende Lied is taken from the Grimm Fairy Tale, The Bone Flute. It tells the tale of two knightly brothers, one good and one evil, who set out to win the hand of a very self-centered but beautiful queen. She can only be won by the finding of a special red flower that grows under a willow tree. The knights agree to split up and search the enchanted forest for the flower. Naturally, the good knight finds it and plucks it, putting it in the band of his hat. And just as naturally, the good knight flops down stupidly under the willow tree to take a nap. The evil brother finds his brother sleeping and sees the flower in his hat. So, like any evil knight would, he kills his brother and takes the flower.
Scarpigo’s comment on this particular story.
The evil brother then rushes off to the queen’s castle. A minstrel wanders past the willow tree, finds a gleaming leg bone, and immediately thinks, “I have to make that into a flute!” And when he does, the only song the flute will play is the lament about how the evil brother made meat pie out of his good brother and stole the flower. Then, naturally enough, the flute forces the minstrel to go play at the wedding.
I’m sure you know how it goes from there. The queen hears the bone flute’s enchanted song and flops down dead, apparently a heart-attack from shock. And if the queen dies, then the castle has to magically fall down on the new king, the minstrel. and all the wedding guests. A gruesome, terrible time is had by all.
So, I had a good time after all. Scarpigo leans over to whisper to me, “That was more fun than a barrel of monkeys smoking crack, wasn’t it?” Yes, purple, blue, blue-violet, and indigo music, and I am left depressed as hell. But when my wife asked how I liked it, I put on a happy face and said, “That’s the silliest thing I ever heard!”
Catch a Falling Star 
The Clock on the Wall
Who in their right mind writes an essay about a clock on the wall? Well, the “right mind” thing gives me an out. I do watch the clock on the wall. Especially now that I am old, and the sand in the hour glass is running out. The clock on the wall can be quite entertaining. Especially one like the cuckoo clock that hangs in my parents’ front entryway. On the hour, the dancers twirl and the two goofballs in lederhosen saw away at the log they will never be able to cut in two.
My wife and I gave that clock to my parents as a gift for their 50th wedding anniversary. We bought it in Texas and brought it on a visit back to the family farm in Iowa. Having old German relatives as a boy, I remember waiting impatiently for the clock to strike in Great Aunt Selma’s house, anxious to see the cuckoo pop out and the clockwork entertainment do its little mechanical show. I’d have gladly wished on a star for the hours to pass instantly… to see the show again right away… and be older and wiser and able to do more. Back then it seemed like older folks like Aunt Selma lived forever, with her dried-apple face and German accent. Accumulated time seemed to have majesty and power. It was magical.
But now I am old. My joints hurt every time I move. I can’t get out of bed of a morning easily. Parts of me that I used to take for granted no longer work. I have forgotten what it feels like to feel good and full of energy. The time on the face of this old clock hasn’t changed in nearly a decade. My parents don’t keep it wound. We no longer look forward to the clock-Kinder dancing so often. If the clock stays forever at five after four, maybe the grim reaper won’t come knock at the door.
I have always believed that there was magic in old cuckoo clocks. It was a simple, earnest faith in magic that only a child can truly know. But now, as an old man, I remember.
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Filed under art my Grandpa loved, autobiography, commentary, family, feeling sorry for myself, humor, metaphor, strange and wonderful ideas about life
Tagged as clock magic, German cuckoo clocks, humor, magic, memory, metaphors for life, time passing