Category Archives: cartoons

Life is a Cartoon Car Chase

Our strength as human beans is not from the power of fang or claw, nor even from the power of Hercules’s muscles (since only Austrian dudes named Arnold and CGI Hulks have those,) but from our adaptability.

Of course, we are bound to call upon that power soon. There are those religions that say the world will end by 2026 (which wouldn’t be quite as concerning if one of those religions wasn’t climate science, based entirely on factual observations and measurements.) So, we will need to adapt to breathing carbon dioxide and develop fire-proof skin as the surface temperatures rise above the flash-point temperatures of cloth, wood, and eventually steel.

Now that the spoiled mango with a yellow bird’s nest on his head is no longer King of America, we have to adapt to a two-party political system where the GOP (Greedy Old Perverts) are led by Elmer Fudd and Yosemite Sam (who love guns and are immune to consequences; you can blow up dynamite in front of them and it only turns their face black and singes their eyebrows and moustache,) and the Donkey party are led by Bugs Bunny (in a dress and calling anti-maskers morons) and Daffy Duck (who only thinks of himself and his stupid, impulsive self-destructiveness.)

And somehow we have to get that whole mess to save us from a swiftly warming ocean, the profit-making corporate polluters, and a population that is working harder and making less money for it than they were half a century ago.

Maybe (as in the Paffooney where the flying saucer is about to snatch the kid bounced out of the rumble seat) the aliens will save us.

But we have to adapt. We have a tendency to be suspicious of outsiders and people who look different than us. And, boy! Do the Zeta Reticulans ever look different than us! Well, except for Jeff Bezos. He’s actually an artificially intelligent robot created by aliens. He actually began life as an electric duldo in the 1980’s.

The aliens need to teach us how to use cold fusion and zero-point energy instead of fossil fuels. And how to suck carbon dioxide out of the atmosphere and turn it into wood the way all the trees we have cut down used to do.

If we can rapidly adapt to changing situations the way cartoon characters do during car chases, we will all be okay.

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Filed under aliens, angry rant, cartoons, humor, Paffooney

An Original Superhero

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I love Marvel Comics, and, as a result, I am also falling in love with the Marvel Superhero movies.  I spent this morning drooling over the Flash TV series which has that wonderful comic book wiseacre flavor.  And I decided that Dallas needs its own superhero.

So, using the toxic pollution in the city air and the natural ability of the human body to adapt to anything, Muck Man is born.  Yes, Muck Man, the toxic hero who smells so bad that bad guys don’t have a chance.  Severe odor is his super power.  He can remove his shoes and take down a regiment of evil villain minions with a wave of foot-fungus incredo-stink.  He can radiate infected ear-wax smells through the earwax antennas on his helmet.  And, of course, he can go fully nuclear with a Muck Man power fart.

The Magnificent Muck Man has a secret identity too.  He is a mild-mannered retired school teacher by day, pursuing a mundane and forgettable career as a writer until the city is threatened by a super villain.  And he is coming.

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Behold, the Angry Orange King.  He is tramping toward us in Angry Tramp Boots looking to tramp all over the basic human rights of people he doesn’t like.  Especially poor people he doesn’t like.  He gives rude finger gestures to the masses with the fingers of his tiny, tiny hands.  And he likes to build gigantic things and make other people pay for them.  He has recently defeated the homegrown lizard-man super villain that represents our state.  He used his super villain power to hang insulting nicknames on people, and we all know that nicknames can be fatal, especially to lizard-people.  Many would argue that the Angry Orange King hasn’t won total victory yet.  He still has to defeat one more opponent before the frightened nation turns the keys to the kingdom over to him.  But there is no guarantee that he will be beaten, as no other contender has beaten him yet, despite everything the wise monkeys claim to be true.

So the confrontation is set to happen.  Blow-hard insult master against the world’s greatest source of stinky justice.  Who will win?  Nobody knows for sure.  But for me, I tend to side with goodness over evil.

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Filed under Avengers, cartoons, characters, comic book heroes, conspiracy theory, humor, Paffooney, satire

A New Day Art Day

So, how do you follow up a thing like starting a new religion like Quackatoonity? Should you follow it up?

I mean, this is Art Day. And I need a theme for Art Day. How about, “Art with no ducks in it?” Well, Ducks are always watching from somewhere. So, I guess that’s a no-go.

Of course, I could always try to prove the “toon” part is real. I am a cartoonist. I do do cartoons. (Haha! He said, “doodoo!” Shows you the level of humor he will sink to.)

This cartoon is a bit creepy and definitely surreal. This was done more than a decade before I even met my wife. But the two boys seem to be four years apart in age, just like my real-life sons. They do not, however, have visible horns on their heads. This is supposed to be surreal, not photographic.

So, there’s a weird cartoon story for today’s Art Day post on a New Day. And nowhere in sight will you find a duck in it… OH, NO! THERE’S A DUCK IN IT!!! How does Donald do that?

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Filed under artwork, cartoons, colored pencil, humor, Paffooney

Quackatoonity (Religion Where Ducks are Always Watching)

Yes, the universe was not formed in a big bang. It hatched from an egg. And God is the Ultimate Mallard.

Anatidaephobia (pronounced anna-tidy-phobia) is a pervasive and irrational fear that you are being watched by a duck. A person with this rare phobia fears that somehow, somewhere a duck is watching their every move.

This phobia about being watched by a duck may seem like a strange basis for forming a new religion. But I may have had an epiphany as a child when a goose at Deer Farm Zoo stuck his neck, head, and beak of retribution out through a hole in his chicken-wire cage and nearly nipped me in my five-year-old neck. That epiphany led to recurring nightmares about being chased by a duck with large white teeth that looked like he had bad human dentures in his bill.

This I tended to interpret as a sign that I was facing a big decision about what I would attempt to do with my young life, and would do it wrong.

Ducks in the farmyard, you see, are temperamental, often impulsive, and randomly violent. They will punish you for sins you did not know you were committing.

So, in this Quackatoon faith in judgmental ducks who are constantly watching our every move, thought, and deed, we should be taking Saint Donald Duck as our role-model and guide. When we see sin and wrongness in the world we are watching, we must dissolve in incoherent rage. Point your finger. Shout things that no one understands. Get the world’s attention. Confuse them completely. And get them to wonder what they did to make you so rage-filled and dangerously aggravated.

Then, hopefully, they will realize their sin and immediately mend their ways. Or at least, rearrange their feathers.

Or we can rely on the incompetent vengeful wrath of Saint Daffy Duck to see the unrighteousness in the rabbits of the world around us, posting Rabbit Season signs everywhere, and getting his duckbill blown off via the shotgun of a nearby Elmer who has been tricked into thinking ducks are rabbits.

Well, that might not be the most efficient prosecution of God’s will on Earth. But at least it will leave us laughing. And who can sin who is laughing that hard?

At this point in trying to establish this new religion, I should probably be talking about financial matters. Where you can send donations to the Church of Perpetual Quackers? Will there be t-shirts with religious slogans like, “You’re Driving Me Quackers!?” Do we still bring deviled eggs to church socials?

But I can’t talk about that right now… a duck is probably watching.

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Filed under birds, cartoons, goofiness, humor, Paffooney, religion

Talk Like Popeye

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I have long identified with Popeye.  Let me review that notion by re-posting a bit of an old post in which I explain while talking like Popeye;

I am Popeye, I sez, because I just am…  Yeah, that’s right, I yam what I yam.

First of all, I looks like Popeye.  I has that cleft in me chin, very little hair left on me ol’ head, and I gots the same squinky eye (what squinky eye?).  I has had that same squinky eye since I wuz a teenager and got kicked in the eye doin’ sandlot football (bettern’ sandlot high divin’, fer sure!).  I also has them same bulgy arms, the ones that bulge in the forearm and is incredibobble thin on the upper arms.

Second of all, I has Popeye Spinach-strength.  I look weak and scrawny, but I is a lot tuffer than I looks.  I go into classrooms full of wild, crazed middle schoolers, and grabs their attention, tells ’em what’s what, and makes ’em woik.  (Woik is a voib, and that means I is woikin’ when I makes ’em do it.)  I kin stands ridicule and kids what will remarks on the hair in me ears and me squinky eye.  I tells ’em that the scar on me face was did by a bloke with a knife (which it were, cause I had skin cancer and the doctor used a knife to get it off).  I has taken all kinds of nasty punches from life (diabetes, blood-pressure problems, prostatitis, arthritis) and I still keeps comin’ back fer more.  In fact, I can winds up me arm and give that ol’ Devil a good Twisker Sock right in the kisser.

Third of all, I has a typical Popeye Sweet Patootie.  My Island Girl Wife is like Olive Oyl in very many ways.  She is always tellin’ me what to do.  She compares me to ol’ Bluto.  She panics and flails her arms when there’s a crisis.  And she expects me to always save the day and never says “thank you” after.

So, I mean it when I sez “I am Popeye”.  I yam what I yam and that’s all what I yam!

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See?  I kin talk like Popeye because in many ways I AM him… He of the mangled-mouth vocabubobulary created by Elzie Crisler Segar on January 17th, 1929 for his comic strip Thimble Theater for King Features Syndicate.  He doesn’t talk right because his brain is so full of goodness and spinach that he has no room left for spelling and pronunskiation.  Ak-ak-ak-ak-ak-ak….  Popeye is just a simple sailor, and has been for 94 years.  He expresses himself horribly, but only in the very best of ways.  So when I mangle a word on purpose… or by happy accident… it is just me honoring that old one-eyed sailor.  It is not me just being a stupid addle-pated blarney goon who don’t knows how to talk right.

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Comic strip from comicskingdom.com

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Filed under cartoons, humor, Paffooney

Birdwalking Made Easy

Birdwalking in an essay is when you drift off topic and begin to meander like a bird from one spot, place, or idea to another, never quite pulling everything together into one whole thing. More like a bird eyeballing the ground as it goes by, hoping against hope that a worm will simply present itself.

The first stop, spot, place in the essay, or idea is a Paffooney, one of those pictures that goes with a story of its own.

This one is a picture of Grandpa Butch Niland from the the story, Horatio T. Dogg, Super-Sleuth. a story that takes place on the farm place next to my maternal grandparents’ farm place. I drew him while in Iowa.

But instead of lingering on the story of how I drew that picture based on the face of Jazz musician Duke Ellington and the personality of my Mom’s cousin and her literal nearest living relative… He lives alone now on a farm not a quarter of a mile south of my Mom’s house… I added this picture of a little lap dog and his nudist girl in front of a giant chocolate cookie in the shape of a heart which I added red and pink frosting to just today.

Why the heck did I do that, you ask?

Because I am making plans to use my AANR membership sometime in the near future to go to a nudist park and meet some other nudists that I have never yet met before.

And of course I had to add a black-and-white version of my anime portrait of an anime-loving nerd just because I saw it among pictures I could upload when I was sorting through drawings to use for a birdwalking post.

And then there’s this picture I found of the Wizard Pippin, two of his many apprentices, and his son Prinz Flute. I will admit to drawing that one a long time ago. It is not a photograph. But you may notice that Flute is a lot younger in this picture than the more recent ones he posed for.

And there’s my recently re-scanned portrait of Dr. Wilton Dogwiggle, Chemist, and his new invention, Happiness-Plus Potion. I promise that it is not merely warmed-up dog pee, although I understand that Wilton loves that odor. At least, that’s what he promised me when he had me smell-test it. It didn’t smell like pee, but it didn’t make me very happy either.

I will end this birdwalk with a photo to the nearest thing this old bird could find to a worm. I bought myself a toy for the first time since the middle of 2019. It is a Marvin the Martian PVC doll from the movie Space Jam with LeBron James. I couldn’t resist.

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Filed under action figures, artwork, birds, cartoons, humor, Paffooney, toystore quests

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Filed under art my Grandpa loved, artists I admire, cartoons, Toonerville

Mangaphile

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My wife brought treasure back from the Philippines for my kids and me.  She spent over a thousand Filipino pesos at a book store over there and apparently bought out the store’s entire supply of “How-to-Draw-Manga/Anime” (though the amount she spent is not so impressive when you realize the exchange rate for a Filipino peso is .025 of an American dollar).  Anyway, I happen to love the Japanese anime-style cartoons.  I have since I was a kid in the 60’s watching Astroboy in black and white on the old Motorola TV set.  So, just as you would expect, I had to go on a drawing binge, copying ideas from the books, but putting my own spin on them.

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It is not the first time I have gone on anime-drawing binges.  Let me provide some proof of that from past posts;

So, there’s my original content for today.  The day after the 4th of July, I am celebrating one of the ways that Japan conquered the United States after World War II.  Yes, manga-style cartoons have far more kids carefully copying a cartoon style with big, cute eyes than probably ever tried to draw like Walt Kelly or Al Capp.

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Filed under artwork, autobiography, cartoons, drawing, humor, Paffooney, pen and ink paffoonies

RumikoTakahashi

Yesterday I used a Paffooney I had stolen to illustrate my gymnasium adventures, and in the caption I gave credit to the wonderful comic artist I shamelessly copied it from.  The second imitation Takahashi that I did yesterday is now displayed next to it above.  I am now compelled to explain about my goofy, sideways obsession with Anime and Manga, the cartoons from Japan.  I love the art style.  I have since I fell in love with Astroboy Anime as a child in Iowa.  Rumiko Takahashi is almost exactly one year younger than me.  As a cartoonist she is light years more successful than me.  She has been crafting pen and ink masterpieces of goofy story-telling longer than I have been a teacher.

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Her artwork is a primary reason I have been so overly-enamored of the Japanese Manga-cartoon style.  I love the big eyes, the child-like features of even adult characters, the weird poses and still-weirder comic art conventions of this culture from practically a different planet.  She has created comic series that are immensely popular in Japan, and have even put down sturdy roots in this country, especially with young adults since the 80’s.  She is the world’s number one best-selling female comics artist.

Just as we Westerners have to accept numerous ridiculous things to appreciate the stories told in American comics (for instance, brawny heroes running around in tights with their underwear on the outside of their pants, nearly naked ladies with super powers diving into battle next to men encased in armored suits, and talking animals), the Manga-minded must also practice a bizarre form of the willing suspension of disbelief.  In Ranma 1/2, the main character is a boy marshal artist who turns into a girl when splashed with cold water.  Much of the romantic comedy of that work revolves around boys and old men finding themselves in the bath house next to naked young girls.  For some reason that sort of naked surprise causes the boys to spout fountain-like nosebleeds.  In Inu-Yasha the whole thing is about fighting demons with swords.  Inu-Yasha himself is part demon.  Apparently part-demon is a good thing to be.  Japanese villains are spectacularly susceptible to fits of crying rage and tantrums.  And everybody looks more like American white people than orientals.  Oh, and there are talking animals.

Rumiko is a master of pen and ink.  Here is a sample of of her black and white work.

And she does color well too.

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The little people are a special style of Manga character called a Chibi, and all regular Manga characters can turn into one at any moment.

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And, of course, to read actual Manga you have to master reading backwards.  Americans read left to right.  The Japanese read right to left.  You have to open a Japanese book in a manner that seems both backwards and upside down.

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This illustration shows how American publishers flip Japanese comics to make them more accessible to American audiences.

So now, by uncovering the fact that I am addicted to and seriously affected by Japanese cartoons, you have one more bit of evidence to present to a jury in case you decide Mickey needs to be locked up and medicated for a while.  Japanese comics are a world of great beauty, but also a world unto themselves.  It is an acquired taste that has to be considered carefully.  And of all the many marvelous Manga makers, Rumiko Takahashi is the one I love the best.

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Filed under anime, artwork, cartoons, humor, Paffooney