Category Archives: cartoons

June 26, 2022 · 5:53 pm

Cartoonity

“My name is Michael Beyer, and I am an amateur cartoonist.”

“Hi, Michael!” says the entire group of CA group-therapy participants.

(CA stands for Cartoonists Anonymous.)

Doofy Fuddbugg

“I have to admit, I am guilty of giving in to the urge to draw cartoons. I know how it can fill lives with slapstick pain and derisive laughter, and I give in to the urge anyway.”

“So, what did you draw that you have to be ashamed of now?” asked one mad-eyed cartoonist with a pencil lodged behind each of his large ears.

“I made a very unfortunate video to post on YouTube that was supposed to be How-to-draw Cartooning. But everything went wrong. You couldn’t see my drawings in the video. It was not adequately lit. I look like a doofus (which probably can’t be cured) in the video. And instead of thinking twice or editing it, I posted it anyway.”

“Wow!” said a rather ugly cartoonist lady, “that is really bad. You have a seriously bad case of cartoonity.”

“Cartoonity?” I responded stupidly.

“The condition of needing love for your cartoons so bad that you will risk anything to make people look at them and like them,” said the wise group therapist (who looked an awful lot like Chuck Jones, though I am fairly sure Chuck Jones is now dead).

“Yes, I suppose that’s about the size of the problem,” I said. “I have been posting pages from my graphic novel, Hidden Kingdom, and I really haven’t seen more than one comment about it. Do people actually read cartoons and comics nowadays? Or is it just me that gets ignored?”

“You have to focus on how much you love drawing and doing it just for that reason, and nothing beyond that,” said the wise therapist. “Cartooning should be done for its own sake, and nothing more than that. Craving attention and approval for it can get seriously infected and become a bad case of cartoonititis. How do you think I dealt with it when I was still alive?”

At that point, my eyes popped out of my head in disbelief and my lower jaw fell all the way to the floor. Could he really be…?

And so I must end today’s blog post since it is hard to keep typing when your eyeballs are rolling around on the floor.

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June 13, 2022 · 1:42 pm

Dreams of the Mastiff

As a comic cartoonist sort of artist named Mickey, I was as a teenager obsessed with making artsy goofy books. One of those was unaccountably called Dreams of the Mastiff. These surrealistic picturations are examples from that silly Donald-Duck thing.

This page is supposed to explain the title. So I guess all of the following pages are somehow supposed to be from the nighttime brain of the dog in the nursery.

And what is this supposed to be about? My old-man memory has not a single clue.

It occurred to me long ago that both Fantasy and Science Fiction were surreal by nature. What is the story behind Black Peter? Ich weiss nicht! I do not know! Old-man memory again.

Inexplicable Sci-Fi from this little surrealist art-book-thing.

And more of the same…

Now back to cockroaches from doggy dreams…

…And mice, monkeys, and tea-drinking ladybird beetles…

…And what…? The whole world in a nutshell?

To a thing I used in two novels, Catch a Falling Star and The Baby Werewolf.

I offer no explanations or excuses for these nonsensical and unaccountable things. I am not sorry I once did them, if you want to know the truth… but I probably should be.

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June 12, 2022 · 2:23 pm

Lazy Sunday Silliness

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Imagination is always the place I go in times of trouble.  I have a part of my silly old brain devoted to dancing the cartoon dance of the dundering doofus.  It has to be there that I flee to and hide because problems and mistakes and guilt and pessimism are constantly building un-funny tiger-traps of gloom for me to rot at the bottom of.  You combat the darkness with bright light.  You combat hatred with love.  You combat unhappiness with silly cartoonish imaginings.  Well… maybe you don’t.  But I do.

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When reading the Sunday funnies in the newspaper on lazy Sunday afternoons, I spent years admiring Bill Watterson’s Calvin and Hobbes for its artistry and imaginative humor, believing it was about a kid who actually had a pet talking tiger.  I didn’t get the notion that Hobbes was actually a toy tiger for the longest time.  That’s because it was basically the story of my own boyhood.  I had a stuffed tiger when I was small. He talked.  He went on adventures with me.  And he talked me into breaking stuff and getting into trouble with Mom and Dad. It was absolutely realistic to me.

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I have always lived in my imagination.  Few people see the world the way I view it.  I have at least four imaginary children to go along with the three that everybody insists are real.  There’s Radasha, the boy faun, my novel characters Tim Kellogg and Valerie Clarke, and the ghost dog that lurks around the house, especially at night.  That plus Dorin, Henry, and the Princess (the three fake names that I use in this blog for my three real children).

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Have you noticed how Watterson’s water-color backgrounds fade into white nothingness the way daydreams do?  Calvin and Hobbes were always a cartoon about turning the unreal into the real, turning ideas upside down and looking at them through the filter-glasses of Spaceman Spiff.

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Unique and wonderful solutions to life’s problems can come about that way.  I mean, I can’t actually use a bloggular raygun to vaporize city pool inspectors, but I can put ideas together in unusual ways to overcome challenges.  I almost got the pool running again by problem-solving and repairing cracks myself.

 

So, I am now facing the tasks of working out a chapter 13 bankruptcy and having a swimming pool removed.  The Princess will need to be driven to and from school each day.  I will need to help Henry find another after-school job.  And the cool thing is, my imaginary friends will all be along for the ride.  Thank you, Calvin.  Thank you, Hobbes.  You made it all possible.  So, please, keep dancing the dance of the dundering doofus.

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June 4, 2022 · 2:30 pm

Portraits in Pen and Ink

Simple, clean lines and basic, well-defined shapes go together in black and white.  They are in the basic nature of being a cartoonist.  You translate what you see into line drawings where a few simple lines become a complex and meaningful image.

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My one-legged Batman is an exercise in  foreshortening and trying to burst through the two-dimensional confines of the page to grab the viewer.  I learned this trick from comic book artist Jim Lee.

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His sidekick is rendered as a static portrait where the computer monitor in front of him lights up Robin’s intense and thoughtful face.

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She was an excellent teacher and former nun… she was a mentor to me, taught me a lot about life and love and great beauty.  How do you adequately portray the wisdom and the patience in those highly magnified eyes?  I drew from memory only.  She never considered herself beautiful.  But she was.  And it hurts not to be able to capture it correctly.

Not every portrait is literal.  Sometimes you exaggerate facial characteristics and behavioral quirks are emphasized to create humor in the portrait.

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When I was first married I did a double portrait of us as a knight and his lady fair.  I know, I know… it is so sickeningly sweet that it punches me right in the diabetes.  But, hey, it doesn’t really look like me anyway.   It is more of a portrait of Porky Pig in glasses and hair.

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There is an art to pen and ink that cuts right to the heart of who you are and who you want to be.  Simple lines in black and white… there is no more incisive tool for putting my goofy old mind down on paper.

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May 26, 2022 · 3:26 pm

Why We Doo

I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.

Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)

One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.

And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.

Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.

There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.

And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.

Give us your creepiest or goofiest smile, guys!

And that is why we do the Doo!

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May 22, 2022 · 3:07 pm

Sunday Silly Artistical Posts

I like to dig through old piles of artwork I have done to re-purpose things and mash things together to make weird art salad.

Xeribeth the Sorceress and her parrot Herkimer

I used to play a Dungeons-and-Dragons-like game called Talislanta with groups of adolescent boys, most of whom had previously been my students in middle school. It was a weird world where weird things made artistical challenges for me that taught me to be a better and more imaginative artist.

Xeribeth was a member of an almost-human race that had yellow skin and wore colorful face tattoos. She also had to be somewhat alluring to trick adolescent boys into undertaking dangerous and possibly suicidal adventures (meaning characters who only lived on paper might die and have to be re-rolled with dungeon dice.)

Zoric, being a green Cymrillian wizard, gave me numerous opportunities to create Kermit-the-frog-colored portraits. And he was a player character, so his greed and penchant for unwise actions decided on in the heat of battle (like turning himself into a fish-man while adventuring in the waterless desert) didn’t come from me.

Playing those games gave me training as a story-teller as well.

My efforts to see color with gradually worsening color-blindness led me to create eye-bashing color compositions that attempt to portray realistically things and feelings that can’t possibly be physically real. Thus I gradually became, over time, a surrealist (a juxtaposer of unlike and jarring things to deliver a visionary picture of reality) (How’s that for surrealistic gobbeldegook in definition form?)

Rabbit castles are the obvious answer

I often solve the problems of my life by drawing something and making cartoonish comments with serious consequences.

Little people and Slow Ones like us have different problems but share the same world.

Ultimately, it boils down to the fact that the world on the inside of me is decidedly different than the world on the outside of me. But I have to live in both. And I can do that by drawing my colored-pencil Paffooney stuff, posting it, and writing about it on a silly Sunday.

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April 28, 2022 · 8:02 pm

The Doll Collector’s Nightmare of Doll Revenge

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April 23, 2022 · 4:08 pm

Human Beans

People are not really vegetables… even though I have seen IQ scores as a teacher that might say otherwise. But I often use the pun of calling them Human Beans.

Your basic human bean.

Western style beans

Of course, being a Texan means having a healthy appreciation for beans as a staple food. Cowboys used to live off of beans and beef jerky, and if Louis L’Amour is to be believed, they even made tea from mesquite beans. That makes your average cowboy made up of over 50 per cent beans. Of course the rest of him is mostly gas caused by the beans in his diet, whether it comes out as a fart or as a Texas tall tale… And yes, I admit it, I get a lot of my writing ideas from eating beans.

A Boston baked bean

We must also be aware that Texas has no corner on the beans market. We all know Boston baked beans by reputation. They, like the ever-hapless Cubs, had a habit of never winning the World Series. And now, in the last two decades, it has actually been difficult for the other teams to keep them from winning it all. But we shouldn’t mix up beans with baseball metaphors. Baseball is like life. Full of long and boring parts punctuated by intense moments of hitting, scoring, committing errors, and player versus player individual drama. And concession stand food! Beans, however, can taste good in chili draped over the ballpark hot dogs which cost more than a restaurant meal at most reasonable restaurants. And I promise you, you will never hit a home run over the fence by hitting it with a bean.

A Mexican style re-fried bean

And I wish to point out that this last human bean is not a racist cartoon. Beans are not part of the human race. They only have legs in cartoons and would come in last even when racing a snail. And all beans are created equal in the sight of God. Kidney beans, butter beans, navy beans, string beans… all beans are just beans, no matter what the color of their skin is, and no matter how they add flavor to a casserole. All beans are just in it to live life the best they can, and if that’s not enough… they can be planted as seeds to raise the next generation of human beans.

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April 6, 2022 · 4:05 pm

Comic Strips Can Make Me Cry

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I have been a cartoon nut for a long, long time.  I think it goes back to a time before I really have memories.  I don’t remember a time when I didn’t know who Cat in the Hat was, or that Pogo was a possum and Albert was an alligator, or that Daisy Mae constantly had to chase Lil’ Abner afore they could git hitched.  And I have always known that cartoons and comic strip characters weren’t real.  But there were a few times in life when comic strips made me cry.  Am I really that much of pansy that I wilt in the face of cartoon tragedy?  Yes.  Whole-heartedly!

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Take for instance Tom Batiuk’s long-running spoof of teenagers and life in high school, Funky Winkerbean.  One of the first things that makes this comic special is that the characters have lives that expand into the deepening depths behind the daily gag and four-panel strip.  They grow and age.  Les Moore (the geeky kid with the dark hair and nerd glasses, the character I most identified with) grew up to become an English teacher in the same high school where he had to deal with the issue of teen pregnancy.  Lisa, the girl he liked, was pregnant.  Les helped her go through the pregnancy and give the child up for adoption, and then eventually married Lisa.  Les would go on to raise his daughter with Lisa and then have to live with the fact that the child Lisa gave away wanted to find his real mother.

The strip added layer after layer to the over-all story, making me feel like I knew these people.  Funky turned his after-school  job at Montoni’s Pizza into a partnership and a career as a restaurateur.  Les would. like me, become a teacher and a writer.  Crazy would go on to be a postman and… well, Crazy.  And then the story added more layers by not always being funny.  I cried when Wally Winkerbean stepped on the mine in Afghanistan and I thought he was dead.  I cried again when Wally’s wife, Becky, moved on and married again.   And then, there was what happened with Lisa…

The artist himself had a bout with cancer.  He. like me, was turned into a cancer survivor.  It chills the bones and changes you on the inside to have a doctor tell you that you have cancer and it is malignant.  And it became a part of the story.  Lisa became first a breast cancer survivor, and then… sadly… a victim.  She died of cancer.  Her husband, Les, took up the cause and started the Lisa’s Legacy Walk for the Cure which he pursued religiously every October.  And Tom Batiuk made it real.  You can donate real money to the real Lisa’s Legacy Fund.  It is a cancer fund and fund-raising event that honors the struggle and death of a fictional character.  It makes me cry again at this moment.  They are real people to me, too, Tom.

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…And it doesn’t end with Funky Winkerbean.  Today’s re-blog of Stories From Around the World’s post does an absolutely wonderful job of encapsulating the essence of Lynn Johnston’s family comedy strip For Better or for Worse.  This engaging story of a family who also grows up, changes, and shifts from one generation to the next also tore my heart out with the un-funny episode where the dog, Farley, saves youngest daughter April from drowning and then expires from the effort, dying a hero’s death.  Another memory that causes me tears even today.

I do not regret reading comic strips.  My life is richer for all the second-hand and third-hand experiences they have given me.  Not just Popeye and Pogo and Beetle Baily making me laugh, but comic strips that make me weep as well.

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March 16, 2022 · 1:54 pm

Mickian Artistical Nonsense

The word for it is Paffooney.  I know that is not a real word.  It is a Mickian word.  Kinda like the word “Mickian”.  It is entirely made up gibberish, made up by Mickey, and used to mean an artwork made by the hand of Mickey.  So I can’t really explain it.  I have to show you what it basically is.

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This is a Paffooney.  It is inspired by the incredibly unbelievable time in Mickey’s life when they let Mickey be a teacher in Texas.  It has no other relationship to reality.  Chinese girls in Texas generally do not have manga eyes and blue hair, and while Hispanic girls have been known to eat pencils, they never bring their own notebook paper to class.  They always borrow.  So there is the basic formula.  Colored-pencil nonsense drawn by Mickey and attached somehow to a story.

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This Paffooney has a self-explanatory story embedded in it.  It is obvious this is the story of an average family car trip in Texas.  Notice how they demonstrate the Texas State highway motto of, “Drive friendly”.

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And this Paffooney is a Mickian recurring nightmare about a duck with teeth.  Silly Mickey, ducks don’t have teeth in real life!

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And moose bowling is a Paffooney that needs no explanation… or does it?  Well, never mind.  I have forgotten what it is for anyway.

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And this oil-painting Paffooney speaks volumes about a philosophy of life.  See the pilot giving the viewer a thumbs up? And that isn’t a parachute on his back.  They didn’t have parachutes in World War I.  It is a message pouch with German war plans in it.  I even painted it with a bratwurst sandwich inside for the pilot’s lunch.  Don’t I do great detail work?  But he will have to eat it quickly before he reaches the ground.

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And this is me teaching an ESL class.  When you teach English to non-English speakers in Texas, you get to hold the big pencil.  And it helps to be a big white rabbit.

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And this is a science fiction Paffooney, although the science is questionable.  Don’t doubt that the flower-people of the planet Cornucopia are real, though.  And Mai Ling, the psionic space ninja really can elongate her arm to get maximum thrust into her left-handed karate chops.

Stupid Boy

And we end for today with the Paffooney of a stupid boy.  He’s not really me.  Not really.  And I don’t even know who gave him the black eye.  So it can’t be me.  So maybe he is not so stupid.  You can’t say that about somebody you don’t know and is not even you.

So, now do you know what a Paffooney is?  No?  Me neither.  But if you Google images with the words “Beyer Paffooney” you can see a lot more of them.  Nobody else uses that word but little ol’ me.

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