Yeah, I know… The title seems like a typo. But this pointlessly obtuse Mickian essay is actually about metacognition of the concept of having the “Christmas spirit.” In other words, I am writing about and analyzing how I think about Christmas. A nerdy thing to do done by a nerd who wants you to think he is smarter than he really is.
The Reason for the Season
Yes, I live in Texas, so I am constantly seeing the “Reason for the Season” signs in every Southern Baptist churchyard. So, what do I think is the reason? Yeah, you probably don’t want to know. I was a member of the Jehovah’s Witnesses for 20 years. Not that I believed in the evils of celebrating Christmas. I only stopped following Witness commands when they abandoned me in times of spiritual need, but I do retain the belief that if Jesus was a real human being, he was not born on December 25th. If the shepherds were watching their flocks by night, then the latest it could have been was in October. Shepherds don’t graze their flocks in winter. The celebration is what the Christian bigwigs decided they would use to co-opt the pagan Saturnalia. The date represents the rebirth of the Sun after the Winter Solstice on December 21st. The Sun, not the Son.

But unlike Jehovah’s Witnesses, I don’t see the Christmas holiday as a bad thing. People, Christian or not, are nicer to each other this time of year. They are much quicker to think of others and take pity on those who are suffering or are in serious need of help. And they think about giving gifts to others. particularly family. Growing up a Methodist Christian, I never noticed any parents at all giving their kids lumps of coal. Even the really bad kids got cool stuff as gifts from Mom and Dad, or Grandma or Grandpa, or whoever else was lucky enough to have to put up with them daily throughout the year.
People actually willingly spend time with their family this time of year. They hear the minister occasionally when he reads aloud the Bible verses about what Jesus commanded concerning widows and orphans, the homeless, and the poor. And Jesus never said that their reduced condition was their own fault for not working hard enough or not being a good-church-goer enough. And people who choose to reach out and spend time with each other during the season of good feelings generally find they actually like those fellow human beings they chose to spend some of their time with. All people are generally good when they are not being swayed by a way to make lots of money or enraged and vengeful for the real and imagined hurts that others have inflicted on them. I think it is absolutely vital that people have a celebration when they have survived another year of life in which not all of their family and friends are dead and they may even have a little money on hand to celebrate with. If Christmas didn’t already exist, we would desperately need to create something just like it.

Vincent Price’s Christmas Tree Explained
The picture above, a surrealist picture-poem of how I feel about Christmas now that I am retired and no longer a Jehovah’s Witness, has never really been explained by me. Now that I am baring my soul as a Christian Existentialist Nudist Atheist who believes in God, I should elaborate on what it means.
The picture is named after the photo-shopped Christmas Tree in the back corner. I photo-shopped it from a photo of Vincent Price, the horror-movie actor, in a TV Christmas special in the 1960’s. I photo-shopped Vincent out of the picture, of course, just clipping and pasting the tree itself. I spent a good share of my youth, including all of my teen years, nursing a terrible secret. I was sexually assaulted at the age of ten. I believed I was a monster. But the Christmas I created the picture and photo-shopped Vincent out, I had successfully made peace with the monster in my past. My story is not a horror story. So, horror-movie-star Vincent had to leave this party.
And part of that is represented by the Cotulla Cowgirl basketball player. Vivi here represents all my 31 years as a public school teacher. By serving the children of South Texas, and later the ESL kids of North Texas, I managed to prove to myself that I was a good and worthy person. I know because of the many things they told me over the years, that my students would mostly agree with my self-assessment that I am not a bad man.
I put myself in the picture as a happy, confident nude boy. This is a thing that I wasn’t able to be after the age of ten. Doubt, fear, and depression clouded my world from 1966 to 1976. When I spent time trying to explain to the high school counselor what was wrong with me, he had to admit that he knew something was wrong, but he did not know what it was nor how to help. And I could not at that time admit what had happened, as I could not even allow myself to remember the actual trauma. So, becoming a nudist in 2017 and coming to terms with the scars and trauma, was a gift to myself. The mental chains are gone.
Anneliese, the gingerbread girl, represents my mental linking with the German-American world of Aunt Selma’s Christmas parties in the 1960’s. The gingerbread cookies, the candy, and the Christmas stories she told with a charming German accent led to the writing of my book Recipes for Gingerbread Children. Christmas is a day full of gingerbread men… and now, making gingerbread houses.

And Annette Funicello is in the picture because Christmas always used to have a Disney-movie, happy-endings sort of theme. I needed that happy ending to every year to keep me going. It was an emotionally essential thing I counted on every year to be able to face a brand new year.
I am an atheist. And an Existentialist. Oh, and a nudist. But I need Christmas. It matters to me. And I know I am not the only one.




































A Mr. Holland Moment
Life is making music. We hum, we sing to ourselves, movie music plays in our head as the soundtrack to our daily life. At least, it does if we stop for a moment and dare to listen. We make music in many different ways. Some play guitar. Some are piano players. And some of us are only player pianos. Some of us make music by writing a themed paragraph like this one. Others make an engine sing in the automotive shop. Still others plant gardens and make flowers or tomatoes grow. I chose teaching kids to read and write. The music still swells in my ears four years after retiring.
The 1995 movie, Mr. Holland’s Opus, is about a musician who thinks he is going to write a magnificent classical orchestra opus while teaching music at a public high school to bring in money and allow him time to compose and be with his young wife as they start a new family.
But teaching is not, of course, what he thought it was. He has to learn the hard way that it is not an easy thing to open up the closed little clam shells that are the minds of students and put music in. You have to learn who they are as people first. You have to learn to care about what goes on in their lives, and how the world around them makes them feel… and react to what you have to teach. Mr. Holland has to learn to pull them into music appreciation using rock and roll and music they like to listen to, teaching them to understand the sparkles and beats and elements that make it up and can be found in all music throughout their lives. They can even begin to find those things in classical music, and appreciate why it has taken hold of our attention for centuries.
And teaching is not easy. You have to make sacrifices. Big dreams, such as a magnum opus called “An American Symphony”, have to be put on the shelf until later. You have children, and you find that parenting isn’t easy either. Mr. Holland’s son is deaf and can never actually hear the music that his father writes from the center of his soul. And the issue of the importance of what you have to teach becomes something you have to fight for. Budget cuts and lack of funding cripples teachers in every field, especially if you teach the arts. Principals don’t often appreciate the value of the life lessons you have to give. Being in high school band doesn’t get you a high paying job later.
But in the end, at the climax of the movie, the students all come back to honor Mr. Holland. They provide a public performance of his magnum opus, his life’s work. And the movie ends with a feeling that it was all worth it, because what he built was eternal, and will be there long after the last note of his music is completely forgotten. It is in the lives and loves and memories of his students, and they will pass it on.
But this post isn’t a movie review. This post is about my movie, my music. I was a teacher in the same way Mr. Holland was. I learned the same lessons about being a teacher as he did. I had the same struggles to learn to reach kids. And my Mr. Holland moment wasn’t anywhere near as big and as loud as Mr. Holland’s. His was performed on a stage in front of the whole school and alumni. His won Richard Dreyfus an Academy Award for Best Actor. But his was only fictional.
Mine was real. It happened in a portable building on the Naaman Forest High School campus. The students and the teacher in the classroom next door threw a surprise party for me. They made a lot of food to share, almost all of which I couldn’t eat because of diabetes. And they told me how much they would miss me, and that they would never forget me. And I had promised myself I would never cry about having to retire. But I broke my promise. In fact, I am crying now four years later. But they are not tears of sadness. My masterwork has now reached its last, bitter-sweet notes. The crescendos have all faded. But the music of our lives will still keep playing. And not even death can silence it completely.
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