Okay, so on the synesthesia tests I didn’t score as a synesthete on the music/color test. But I was extremely synesthetic on the tests for color/months/days of the week. I was a little over the mark on letter/number/colors synesthesia too, but it was more a problem with manipulating the color-selector device when I don’t have a mouse to use on my laptop. The test for music did not test the way I see colors with music. They wanted me to respond to what color each individual note seemed to be, and that isn’t even close to the way I experience it. For me, the perfect description of how synesthesia works for me is Bach’s Tocata and Fugue in D minor as it is depicted in Fantasia.
I was shocked when I first saw it. The colors are wrong for this piece, but the visual experience is almost exactly how I experience music, especially wordless instrumental music. The only problem with this piece is that the overall color schemes are wrong. But this comes about because every synesthete sees the colors differently. And I have no doubt that at least one of the artists who created this had synesthesia. If there were more reds, yellows, and magenta in the opening and more indigo contrasted with silver later, this interpretation would be perfect.

Music synesthetically works in two directions for me. The picture above, called The Wings of Imagination, makes me think of La Mer by Claude Debussy.
If you listen to the piece, don’t look at the YouTube illustration, look at my picture if you want to see the music the way I do. The following song, Don’t Worry, Be Happy, is a multicolored song that I can best express with the colors in the picture I call Rainbow Peacock.

The full range of primary colors together in one picture, or one song, always means completeness, fullness, and happiness to me. If there is absence of one or more of the basic colors from the color wheel, the mood and emotion present in the song or picture is altered to something other than happiness. The Firebird Suite by Igor Stravinsky goes from the indigo and navy blue of fear and confusion to instances of angry red and feverish orange. It would look something like this in the theater of my imagination;

And one of my favorite instrumental pieces of all times, Prelude to the Afternoon of the Faun by Claude Debussy, is full of melancholy and sexual tension, deeply felt vibrations in the depths of my stomach, and would look like my picture Sleeping Beauty with its teal and blue melancholia juxtaposed with candle-lit yellows and wood brown mixed feelings of joy and anxiety.

Now, if you have waded through all of this goofy color-and-music analysis from a source whose sanity is questionable at best, you probably have no earthly idea what any of it has to do with anything. But if you have that aha!-moment and see it all clearly too, then I suspect you probably are a synesthete too. Poor you. It is not a treatable condition. But it is also not a burden. Learn to enjoy it. It resonates in your very soul.



Morning Has Broken
Today is off to a miserable start. I heard on the radio that David Bowie has died. Ziggy Stardust… the Goblin King… The Man Who Fell to Earth… the Thin White Duke…is gone. And even though since high school in the 1970’s I have never been quite sure how I felt about his music, I wept. The man was a musical maker of lyrical poetry. He could make you feel really really terrible… but he always made you feel. And he made me depressed as he led me through the Labyrinth… but he also made me soar… on the wings of a barn owl. It was about facing the darkness and finding your way. Finding the way out. Singing the Little Drummer Boy with Bing Crosby, but not actually singing it… making peace on Earth instead. Sometimes things are just so weirdly beautiful it hurts.
I dropped my daughter off at her middle school, and then Jody Dean & the Morning Team played this on the radio.
I wept again. Darkness is my old friend… I have lived with and through depression after depression. My own… my wife’s… my children’s… And it is a miracle I have lived this long without succumbing to the Darkness. It took Robin Williams. It took Ernest Hemingway. But somehow, the Goblin King always goaded me onward, to find the answer at the end of the Labyrinth. “You… you have no power over me.” And then I am okay once again.
I captured the dawn once again this morning. Once again I failed to truly ensnare the subtle reds and pinks and purples that were actually there. But there it is, anyhow. The morning has broken. The blackbird has spoken. The morning is new.
My heart is still sore this morning. The dog didn’t help when she spilled the trash to get at the napkins with bacon grease on them. We may have a dog-skin rug as a doormat later today. But David Bowie left so many words and ideas behind to comfort me. Is he one of those “neon gods we made”? Of course he is. But as the owl flutters off in the closing credits, we can take comfort in the knowledge that no one is ever really gone. And we can always anticipate some… Serious Moonlight.
This is, of course, an old post revisited.
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