Tag Archives: rock

Synesthesia (Part Two; The Color of Music)

Okay, so on the synesthesia tests I didn’t score as a synesthete on the music/color test.  But I was extremely synesthetic on the tests for color/months/days of the week.  I was a little over the mark on letter/number/colors synesthesia too, but it was more a problem with manipulating the color-selector device when I don’t have a mouse to use on my laptop.  The test for music did not test the way I see colors with music.  They wanted me to respond to what color each individual note seemed to be, and that isn’t even close to the way I experience it.  For me, the perfect description of how synesthesia works for me is Bach’s Tocata and Fugue in D minor as it is depicted in Fantasia.

I was shocked when I first saw it.  The colors are wrong for this piece, but the visual experience is almost exactly how I experience music, especially wordless instrumental music.  The only problem with this piece is that the overall color schemes are wrong.  But this comes about because every synesthete sees the colors differently.  And I have no doubt that at least one of the artists who created this had synesthesia.  If there were more reds, yellows, and magenta in the opening and more indigo contrasted with silver later, this interpretation would be perfect.

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Music synesthetically works in two directions for me.  The picture above, called The Wings of Imagination, makes me think of La Mer by Claude Debussy.

If you listen to the piece, don’t look at the YouTube illustration, look at my picture if you want to see the music the way I do.  The following song, Don’t Worry, Be Happy, is a multicolored song that I can best express with the colors in the picture I call Rainbow Peacock.

Rainbow peacock

The full range of primary colors together in one picture, or one song, always means completeness, fullness, and happiness to me.  If there is absence of one or more of the basic colors from the color wheel, the mood and emotion present in the song or picture is altered to something other than happiness.  The Firebird Suite by Igor Stravinsky goes from the indigo and navy blue of fear and confusion to instances of angry red and feverish orange.  It would look something like this in the theater of my imagination;

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And one of my favorite instrumental pieces of all times, Prelude to the Afternoon of the Faun by Claude Debussy, is full of melancholy and sexual tension, deeply felt vibrations in the depths of my stomach, and would look like my picture Sleeping Beauty with its teal and blue melancholia juxtaposed with candle-lit yellows and wood brown mixed feelings of joy and anxiety.

Beauty

Now, if you have waded through all of this goofy color-and-music analysis from a source whose sanity is questionable at best, you probably have no earthly idea what any of it has to do with anything.  But if you have that aha!-moment and see it all clearly too, then I suspect you probably are a synesthete too.  Poor you.  It is not a treatable condition.  But it is also not a burden.  Learn to enjoy it.  It resonates in your very soul.

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Morning Has Broken

Today is off to a miserable start.  I heard on the radio that David Bowie has died.  Ziggy Stardust… the Goblin King… The Man Who Fell to Earth… the Thin White Duke…is gone.  And even though since high school in the 1970’s I have never been quite sure how I felt about his music, I wept.  The man was a musical maker of lyrical poetry.  He could make you feel really really terrible… but he always made you feel.  And he made me depressed as he led me through the Labyrinth… but he also made me soar… on the wings of a barn owl.  It was about facing the darkness and finding your way.   Finding the way out.  Singing the Little Drummer Boy with Bing Crosby, but not actually singing it… making peace on Earth instead.  Sometimes things are just so weirdly beautiful it hurts.

I dropped my daughter off at her middle school, and then Jody Dean & the Morning Team played this on the radio.

I wept again.  Darkness is my old friend…  I have lived with and through depression after depression.  My own… my wife’s… my children’s…  And it is a miracle I have lived this long without succumbing to the Darkness.  It took Robin Williams.  It took Ernest Hemingway.  But somehow, the Goblin King always goaded me onward, to find the answer at the end of the Labyrinth.  “You… you have no power over me.”  And then I am okay once again.

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I captured the dawn once again this morning.  Once again I failed to truly ensnare the subtle reds and pinks and purples that were actually there.  But there it is, anyhow.  The morning has broken.  The blackbird has spoken.  The morning is new.

My heart is still sore this morning.  The dog didn’t help when she spilled the trash to get at the napkins with bacon grease on them.  We may have a dog-skin rug as a doormat later today.  But David Bowie left so many words and ideas behind to comfort me.  Is he one of those “neon gods we made”?  Of course he is.  But as the owl flutters off in the closing credits, we can take comfort in the knowledge that no one is ever really gone.  And we can always anticipate some… Serious Moonlight.

This is, of course, an old post revisited.

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Singing Rock and Soul

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Yes, this is a picture of a rock.  But it is no ordinary rock.  Okay, that’s not precisely true.  It is a gray metamorphic rock roughly square in shape with numerous flecks of white and a white strip along the top.  As rocks go, it probably couldn’t be more ordinary, more rocky in its soul.  But, as with all things in this life, the importance and true meaning lies in the context.  This is a pocket rock.  It spent a quarter of a century riding around in my pants pocket.  I have held it in my hand millions of times.

class Miss M

The Rowan Community Center, seen in this picture I used for the cover of Magical Miss Morgan, is the last part of the old Rowan school still standing.

In 1980, my Great Grandma Hinckley died.  That was also the year my folks had to move to Texas because of the transfer my Dad’s seedcorn company gave him to its cotton seed division.  It was one year before I got my teaching degree.  And it was the year they tore down the building where I went to school for grades 1 through 6.  That summer, as I walked around the demolition site, I found the homely gray rock that was nearly as square as I was, and because I was already feeling homesick before I actually left home, I picked it up  and stuck it in my pocket.  It was a little square piece of home.

That rock went with me to college.  It went with me to both Disneyland and Walt Disney World in Florida.  It has been to Washington D.C.  It has been in the depths of caves in Kentucky and Missouri and Texas.  It has been high in the sky in my pocket in an airplane.  It has been to beaches on both the Atlantic and Pacific sides of the U.S.  It has visited both Mexico and Canada.  It his been to Las Vegas.  And it even rode in the subways of New York City.

And possibly the most interesting part of this pocket rock’s career happened in Texas schools.  It was with me in my pocket constantly from 1980 to 2004.  I finally took it out of my pocket and placed it in an old cigar box that once belonged to my grandfather and I have kept keepsakes in since I was a kid.

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And I have thought a lot about this ordinary rock that isn’t really ordinary on closer inspection.  At one point or another I thought about using it as a skipping stone at both the Atlantic and the Pacific.  In 2004 when I was considering the pocket watch broken by it and the car key accidentally bent against it, it almost wound up in Lake Superior.  I put in my cigar box and it has remained exiled there since.  Will I have it buried with me, in my pocket?  No, probably not.  My wife plans to have me cremated.  Hopefully, though, not until I am already dead.  This rock has pretty much been a symbol of my soul, travelling with me, teaching with me, jingling the pocket change when I walk…  And it will continue to exist when the thinking and writing parts of Mickey are gone.

But even rocks are not immortal.  Sometime in the future something will happen to it.  It will end up someplace unexpected or changed by grinding, melting, or chemical reaction into some other form.  But no matter what happens to it ultimately, the meaning of it, the context, the places it has been and the things that it has done will still be true, still have happened to it.  And, ultimately, it will still be just like me.

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