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The Interstellar Bad Poetry Challenge

c360_2016-12-18-09-40-07-285

The Ixcanixian Cultural Ambassador from the Squeelix Sector of the Planet Ixcanix sent me an e-mail about his planet’s newest idea for a cultural exchange.  He calls it the “Ixcanixian Spleegle Gorn Vorpaloop” which translates to the “Ixcanixian Interstellar Bad Poetry Challenge”.  At least, it does if I am conjugating the verb “Vorpaloop” correctly.  It is difficult because you have to drop the silent “y” before adding the “aloop” without causing it to explode.  I know it is probably a very bad idea to present it here on this planet, but he talked me into it by promising to promote my novel Catch a Falling Star on his homeworld and at least two other planets in the Bugeye Federation.

Here are the rules for the alien poetry contest;

  1. Entries can only come from planets in the Orion Spur of the Sagittarius  Spiral Arm of the Milky Way Galaxy.  (So, for you non-astronomers out there, we on Earth do qualify.)
  2. All poets must be less intelligent than the Mud-Eaters of Paralaxos IV as they will be employed as judges of what poetry is truly bad.  (Again, Earth qualifies as we have recently re-elected Trump and also allow Nigel Farage of Great Britain to continue to exist.)
  3. Entries must not be so long that the total weight of letters exceed critical mass and form black holes in the intergalactic servers when uploaded.
  4. Vogons need not apply.  Their poetry is so bad that they would automatically win, causing the death of trillions of bad poetry readers in the galaxy.
  5. Entries must not cause thermonuclear reactions with cesium.
  6. Please refrain from confusing good poetry with bad poetry.  The Vornloos of Talos XII are looking for poetry they can weaponize, and no one wants a poetry contest winner to suddenly create World Peace on Talos XII.  That would be bad for the galaxy as a whole in ways that are very difficult to explain.

A sample of interstellar bad poetry is included here to inspire the kind of poetry we seek.

Ratzen Bargle’s Bisketoon  (a love poem by Touperary Kloob, Poet Laureate of Antares VI)

Ratzen Bargle was a Doofus,

From the planet Rufus-Ploofiss,

And he had a lovely bride,

With a head not tall, but twice as wide.

She had three eyes, and two were green.

She had the loveliest fleen you’ve ever seen.

And as they sat ‘neath a wayward moon,

He kissed his lovely bisketoon.

Immediately before naught was said,

She bit off his tiny three-eyed head.

And then she ate him bones and all

With sauce that really becomes the fall.

And so it is on Rufus-Ploofiss,

That  males all die with one last roof-kiss.

Because they sit under wayward moons

With their lovely, hungry bisketoons.
Should you have the unfortunate urge to participate in this senseless and probably suicidal poetry contest, you are welcome to offer four-line poems in the comment section, or email longer poems to Mickey at mbeyer51@gmail.com.  I will attempt to transmit the worst offers to the Ixcanixians as soon as I get my interstellar flooglebeeder transmitting again.  I will also post winners in a future alien poetry blog.

I have been warned that prizes range from instant execution by the Lizard Lords of Galtorr Prime to a beat up copy of Mickey’s 2012 novel Catch a Falling Star.  So, good luck with the bad poetry.

I must confess, I did not submit any of my terrible poetry as I don’t want any of the prizes.

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Filed under aliens, goofiness, humor, Paffooney, pen and ink, poem, poetry, satire, science fiction

The Silent Sonata

creativity

Being a writer is a life of music that happens only in your head.  You hear voices constantly.  They pulse rhythmically with insights and ideas that have to be written down and remembered.  Otherwise  the music turns clashing-cymbals dark and depressing.  Monday I wrote a deeply personal thank you to the Methodist minister who saved my life when I was a boy.  I posted a YouTube music video by the acapella group Pentatonix with that essay in a vain attempt to give you an idea of the music in my head when I composed that very difficult piece to give myself a measure of peace.

filch

I realize that I am not writing poetry here.  Poetry can so easily slip into melody and music because of rhythm and meter and rhyme.  And yet, words to me are always about singing, about performing, about doing tricks with metaphor and meaning, rhythm, convoluted sentence structure, and other sneaky things that snake-oil salesman do to get you to think what you are hearing is precisely what you needed to hear.  The Sonata of Silence…  did you notice the alliteration of the silvery letter “S” in that title?  The beat of the syllables?  Da-daah-da a da-da?  The way a mere suggestion of music can bring symphonic sounds to your ear of imagination as you read?  The way a simple metaphor, writing is music, can be wrapped into an essay like a single refrain in a symphonic piece?

psoriasis

A sonata is a musical exercise in three or four movements that is basically instrumental in nature.  You may have noticed that the movements are loosely defined here by the accompanying pictures, of which there are three.  And it is silent only in the way that the instruments I am using themselves make no noise in the physical world.  The only sounds as I type these words are the hum of an old air conditioner and the whirr of my electric fan.  Yet my mind is filled with crescendos of violins and cellos, bold brass, and soft woodwinds.  The voice saying these words aloud only in my head is me.  Not the me you hear when I talk or the me I can hear on recordings of my own voice, but rather the me that I always hear from the inside.  And the voice is not so much “saying” as “singing”.

Writing makes music.  The writer can hear it.  The reader can too.  And whether I croon it to make you cry, or trill it to make you laugh, I am playing the instrument.  And so, the final notes of the sonata are these.  Be happy.  Be well.  And listen for the music.

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Filed under imagination, insight, inspiration, music, Paffooney, strange and wonderful ideas about life

Silly Tyger!

I think I posted this picture once before and told you it was inspired by William Blake’s poem The Tyger!  That is still true.  I wasn’t telling a lie, at least, I don’t believe I was.  So the poem goes like this;

The Tyger

BY WILLIAM BLAKE

 
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
Tyger
 
The idea is that the Tyger represents some unknowable evil that we must fear and respect because it is beyond our understanding.  But the kid in the picture seems to be unafraid.  Was that a mistake?  Or was I really thinking this?
CalvinHobbes
Apologies to Bill Watterson for stealing his cartoon for this post.  I needed a more dangerous-looking Tyger than the one I had.
 

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Go and Catch a Falling Star…

You may have looked at the name of my website here on WordPress and wondered, “Why in the heck has that fool Mickey called this thing he writes Catch a Falling Star?”

The answer is, he named it after the first good published novel he wrote at the insistence of the I-Universe Publishing’s marketing adviser. Very poor reason for doing anything, that.

But, the secondary reason is because of where that title came from. Look at the first stanza of this poem by John Donne.

So, now, you are justified in asking, “What nonsense is this? That doesn’t have any coherent meaning, does it?”

And you would be right. These are impossible things that I am being ordered to do by a very religious cleric in the Anglican Church who was originally a Catholic, but, in the time of Henry VIII Catholicism was made illegal, and he wrote this poem about not being able to find an honest woman in his drunken, wasted youth anyway. He is ordering me here to not only “catch a falling star” (and catching a meteorite with your bare hands has rather hot consequences), but also to have sex with a semi-poisonous plant, explain why we can’t go backwards in time, determine whether and why God might’ve given Satan goat feet, listen to probably-nonexistent humanoid creatures singing, find a way to avoid anybody ever looking at me with envy and then doing something to me because of it, and, most importantly, find a place where the wind blows in a way that fills your head with facts that actually makes you smarter.

Challenge accepted!

It is exactly what I wanted to write about. Impossible things actually being accomplished. Finding the meaning behind alien beings from outer space developing an intense love of I Love Lucy television broadcasts and Mickey Mouse Club music. Discovering why intensely shy people need to embrace social nudity. Defining who is actually a werewolf and who is not, uncovering who and what real monsters are. Singing songs so sad that it magically makes people fall in love with you. Talking to clowns in your dreams and getting real answers to the meaning of life, love, and laughter.

Catching falling stars is the stupid idea that this wacky, idiotic little blog is about. It is what I write about constantly. You have to kill me to get me to stop. So, there is your fair warning. Read on at your own peril.

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Filed under artwork, autobiography, goofy thoughts, Paffooney, poetry, strange and wonderful ideas about life, surrealism

The Lyrical Imperative

Creativity

I am always amazed by the fact that things which are inherently silent in nature make music in your mind.  Writing is like that for me.  Drawing is like that.  And so is photography.  That is an actual musical score from Chopin in the background.  My son recognized it from a book of piano pieces I bought for him because he reads music and can turn those squiggle-bugs on the fence into the right plinkety-plunks on a keyboard.  But there is more music in that picture besides.  The nude young girl at the keyboard softly rendered in velvety colored pencil tones is also musical in nature, for more than just the fact of fingers on a silent colored pencil keyboard.  The lyrical loops of black and yellow in the wings of the tiger swallowtail butterfly also make music in my head, sprightly piano music like Chopin’s, or possibly Vivaldi’s violins.

Did you listen to the music?  I don’t mean Vivaldi’s, although if you haven’t heard it, you certainly should.  I mean the music in the words.  The music has to be there for me for the writing to be good.  That’s why I consider Ray Bradbury and Walt Whitman to be masters and Stephenie Meyer and E. L. James to be unreadable hacks.  The beat and the flow of the words need to be patterned and patient and wily.   Do you not hear it in that last sentence? The alliteration of the first two adjectives set off by the counterpoint of the stressed-unstressed beats of the third?  How can I explain this?

Iambic pentameter is the true genius of Shakespeare’s plays.  What the heck is iambic pentameter, you ask?  Well, I realize you have probably never needed to teach poetry to seventh graders, a truly impossible but infinitely rewarding task.  So let me tell you.  Units of stress called iambs consist of an unstressed syllable followed by a stressed syllable.  So naturally, if iambs are put into pentameter, then there must be five of them in a line of iambic pentameter poetry.  It is a simple, rhythmic way to say something profound and interesting.  The classic example is the first line of Shakespeare’s Sonnet 18;

Shall I compare thee to a summer’s day?

Translating that into X’s and O’s where X=stressed and O=unstressed;

O X O X O X O X O X

It’s simple, five oxes, all in a line.  Except that last one about oxes is actually O X O X X O O O O X, a less simple pattern, yet still organized on the beat.  Two iambs, a dactyl and an anapest.  Okay, now I am talking like a poetry geek, and I have to stop it before I hurt someone.

The whole point is, words should be musical, even when they are not the words to a song.  And now I must close on the verge of starting a ten-thousand word thesis.  I shall shut up now.  Here endeth the lesson.

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Filed under colored pencil, education, foolishness, goofy thoughts, humor, metaphor, music, Paffooney, poetry, strange and wonderful ideas about life

The Interstellar Bad Poetry Challenge

c360_2016-12-18-09-40-07-285

The Ixcanixian Cultural Ambassador from the Squeelix Sector of the Planet Ixcanix sent me an e-mail about his planet’s newest idea for a cultural exchange.  He calls it the “Ixcanixian Spleegle Gorn Vorpaloop” which translates to the “Ixcanixian Interstellar Bad Poetry Challenge”.  At least, it does if I am conjugating the verb “Vorpaloop” correctly.  It is difficult because you have to drop the silent “y” before adding the “aloop” without causing it to explode.  I know it is probably a very bad idea to present it here on this planet, but he talked me into it by promising to promote my novel Catch a Falling Star on his homeworld and at least two other planets in the Bugeye Federation.

Here are the rules for the alien poetry contest;

  1. Entries can only come from planets in the Orion Spur of the Sagittarius  Spiral Arm of the Milky Way Galaxy.  (So, for you non-astronomers out there, we on Earth do qualify.)
  2. All poets must be less intelligent than the Mud-Eaters of Paralaxos IV as they will be employed as judges of what poetry is truly bad.  (Again, Earth qualifies as we have recently elected Trump and also allow Nigel Farage of Great Britain to continue to exist.)
  3. Entries must not be so long that the total weight of letters exceed critical mass and form black holes in the intergalactic servers when uploaded.
  4. Vogons need not apply.  Their poetry is so bad, they would automatically win, causing the death of trillions of bad poetry readers in the galaxy.
  5. Entries must not cause thermonuclear reactions with cesium.
  6. Please refrain from confusing good poetry with bad poetry.  The Vornloos of Talos XII are looking for poetry they can weaponize, and no one wants a poetry contest winner to suddenly create World Peace on Talos XII.  That would be bad for the galaxy as a whole in ways that are very difficult to explain.

A sample of interstellar bad poetry is included here to inspire the kind of poetry we seek.

Ratzen Bargle’s Bisketoon  (a love poem by Touperary Kloob, Poet Laureate of Antares VI)

Ratzen Bargle was a Doofus,

From the planet Rufus-Ploofiss,

And he had a lovely bride,

With a head not tall, but twice as wide.

She had three eyes and two were green.

She had the loveliest fleen you’ve ever seen.

And as they sat ‘neath a wayward moon,

He kissed his lovely bisketoon.

Immediately before naught was said,

She bit off his tiny three-eyed head.

And then she ate him bones and all

With sauce that really becomes the fall.

And so it is on Rufus-Ploofiss,

That  males all die with one last roof-kiss.

Because they sit under wayward moons

With their lovely, hungry bisketoons.
 

 

Should you have the unfortunate urge to participate in this senseless and probably suicidal poetry contest, you are welcome to offer four-line poems in the comment section, or email longer poems to Mickey at mbeyer51@gmail.com.  I will attempt to transmit the worst offers to the Ixcanixians as soon as I get my interstellar flooglebeeder transmitting again.  I will also post winners in a future alien poetry blog.

I have been warned that prizes range from instant execution by the Lizard Lords of Galtorr Prime to a beat up copy of Mickey’s 2012 novel Catch a Falling Star.  So, good luck with the bad poetry.

 

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Filed under aliens, goofiness, humor, Paffooney, pen and ink, poem, poetry, satire, science fiction

Silly Tyger!

I think I posted this picture once before and told you it was inspired by William Blake’s poem The Tyger!  That is still true.  I wasn’t telling a lie, at least, I don’t believe I was.  So the poem goes like this;

The Tyger

BY WILLIAM BLAKE

Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
Tyger
The idea is that the Tyger represents some unknowable evil that we must fear and respect because it is beyond our understanding.  But the kid in the picture seems to be unafraid.  Was that a mistake?  Or was I really thinking this?
CalvinHobbes
Apologies to Bill Watterson for stealing his cartoon for this post.  I needed a more dangerous-looking Tyger than the one I had.

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Having Written a Book of Evil Poetry

For four more days, you can go to Amazon and get an ebook of Evil Poetry for free. It needs to be read by somebody. So far, I have only given away one free book with a fifth of the promotion already gone.

I may not have much time left to get any kind of success with my writing. Hopefully, this poetry book will help. I believe I am a truly terrible poet. But it can’t be denied that there is evil power in poetry. It can bring the dead back to life. It can make you see images and metaphors that are totally foreign and exotic to your mind, but were conceived in the mind of a terrible poet. It may literally be evil to let Mickey write poetry for other people to read, But I have gone ahead and composed this book of verse regardless of how many scalps grow white overnight and how many innocent readers are transformed into addicts, compulsive poetry writers, and little yellow birds. The link at the beginning will, for a few days, take you to Amazon where you can get an ebook copy for free.

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Cloudscapes

Cloudscapes

Once upon a time, the English poet and, I would argue, cartoonist, William Blake once said, “You look at the sky and see clouds, while I see the assembled heavenly host!”  This is why my literature class in college about the Romantic Poets of his day made him out to be a certifiable nutcase who probably belonged in in a mental institution.  (And back then, in the 1800’s, the sanitarium was a place where inconveniently crazy people went to die.)

20150419_080550

Look at a couple of my cloudscapes.  Do you see angels?

Cloudscapes (a poem)

Blue and white and filled with light…

The cloudscape burns with angels…

And wholly bought with grace unsought…

I long to fly with angels…

Are they really there in the cloud-filled air?

I see them there, they’re angels!

So, there you have it.  I’m a loon.  I don’t even have the excuse of being a Romantic Poet and well-known for my poetry as a defense against the loony bin.  But as the matter stands, I am fully willing to accept the consequences.  Creativity has its price.  And, while you may not agree that I am somewhat creative, I am swimming in a vast ocean of perceived revelations that enriches me and fulfills me at the very same moment that it drains all the energy from my soul.  If that is not what it means to see angels… then I do not know anything of use to anyone but me.

The word “angel” (according to Wikipedia, the source of all true knowledge) comes to English via Late Latin and the word “angelus” which the Romans stole from the Greek  ἄγγελος ángelos,  The ángelos is the default Septuagint’s translation of the Biblical Hebrew term mal’ākh denoting simply “messenger” without specifying its nature.  (Notice, I am giving full credit to Wikipedia because it is far more all-knowing than I.)

I have many atheistic and agnostic notions in my ultimate belief systems, but still, I claim to be a Christian and believe in God Jehovah… within limits.  I still communicate with God on a daily basis, and while I don’t publicly pray anymore (a notion promoted by the Biblical Jesus) I find answers to my questions and solutions to my problems from the observable universe around me.. the messengers of God.  So, now that I have fully rationalized being crazy as a loon, I am going to tell you where that craziness is taking me.  I started a new Paffooney for one of the books I am working on.  Here is the pencil sketch;

pencil sketch

 

This will be a picture of Valerie Clarke and her Daddy, the farmer Kyle Clarke.  In my fiction, Kyle loses his farm to the bank (in the Family Farm Crisis of the 1980’s) and believing himself incapable of any longer supporting his family, kills himself.  But the thing is, the love of his daughter transcends death for Kyle.  She is able to reconnect with him time and again because the angels work for her as well as for Kyle.  I may be loony and ill in real life, facing the Angel of Death myself, but I am not done doing God’s work… not yet… not for a long time to come.

The finished picture.

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Filed under humor, Paffooney, poem

How to be a Truly Terrible Poet

I can’t tell you how to write a good poem.

As a poet, I am pretty terrible myself.

So, I can’t really tell you how to do it.

I am, however, an expert on how NOT to write a good poem.

A truly terrible poem might begin with an over-extended metaphor.

It might begin by saying, “A poem is like a fairy tale, filmed in black and white on 35 mm film stock, with Orson Wells as the director.”

And for the meat of the poem, you use details about the fairy acrobats having an accident on the trapeze, and the circus train derails and has a terrible accident, and the clown never takes his makeup off because he’s on the run from the police… and you totally forget that the movie “The Greatest Show on Earth” was directed by Cecil B. DeMille and filmed in color.

And you have a tendency to “squinch” the rhymes, rhyming “good” with “food” and “dud” with “odd,” and at the same time you put trochaic warts all over the iambic pentameter because as a poet you are not William Shakespeare, and you are not even Buddy Rich because the rhythm sounds more like banging trashcan lids than drumbeats.

In the middle of the poem somewhere it suddenly becomes free verse without a rhyme scheme or reason for the change. And the theme circles back on itself and does a pretzel twist with no logic to salt it with.

And you are a terrible poet like Mickey because, when you write a poem you don’t realize;

the gemstone at the center of your poem must go from your mind, to pen, to paper, to eye of the reader, to mind… and finally to heart…

And the blaze of its beauty must be strong enough to resonate…

and be able to SHAKE THE BONES OF THE UNIVERSE.

And you can’t do it because you don’t even get the irony of that rule.

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Filed under fairies, humor, irony, Paffooney, poetry