Tag Archives: humor

Teacher! Ooh-Ooh! Teacher!

Here’s an older post I am quite proud of. (If course only idiots are too proud of things, which probably gives something away.)

authormbeyer's avatarCatch a Falling Star

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I have the privilege of being a public school teacher.  Or maybe I should use the word “cursed”.   It is no easy thing to be a teacher in the modern world.  Regressive State governments like Texas mandate that teachers do more with less.  We have to have bigger classes.  We have to show higher gains on State tests.  We have to do more for special populations based on race, disability, language-learner status, and socio-economic status.  Of course, we give money to private schools to be “fair” to all, so a majority of the well-funded and advantaged students are removed from the public school system, even though studies show that their presence in classes benefits everyone.  When the majority of students are low-income in a single classroom, even the gifted minority perform less well.  When higher-income students are at least fifty per-cent of the class, then even the low-income and…

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Of Werewolves and Evil Folks

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As a child I was like most boys of the 60’s.  I loved monsters and monster movies.    I drew skeletons and Frankenstein’s monsters.  I made comic book stories about space aliens, vampires, and wolfmen.  I filled my fantasy world with dangerous creatures of the darkness. 

It was only natural, then, that I create a story of monsters in Iowa.  I set this story in my little home town.  I created a story of a boy who was born funny (not ha-ha funny) and had to be kept out of sight in a secret attic room because he was thought a monster.  In reality, Torry had a rare hereditary condition called hypertrichosis where you grow hair all over your face and body.  Torry’s parents would mistake it for a monstrousness that they felt was the family curse, lycanthropy, werewolf disease.  And the story would have to have a hero, Todd Niland, who accidentally makes contact with and befriends Torry.

For a villain, I would draft Torry’s young and well-to-do uncle Macey.  He would be the keeper of family secrets and the real monster of the story.  What he would do to his own family and his allies would be a crime that would eventually become murder. 

So there it is.  (Shudder!)  A novel idea I will call for now The Baby Werewolf.  Deliciously dark and dangerous.  A monster masterpiece of macabre manufacture.  Of course I will obviously approach the project with my usual total seriousness.  Not one joke.  You have my solemn promise… with all my fingers and toes crossed.

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Mouse Returns Home

Mouse Returns Home

This is an oil painting that I created a few years ago to capture an image from one of my cartoon dreams. Yes, I sometimes dream in animated cartoons. I think the mouse hero is me.

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January 4, 2014 · 10:00 pm

Beautiful Barbie Dolls

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This is only a small part of the collection that sits on bedroom shelves.

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Star Wars 12″ Action Figures are a large part of my collection.

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Star Wars is not my only obsession.  Captain Action caught my heart in the 1960’s.

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Vintage Captain Action (circa 1967-68) (I always wanted to use “circa” somewhere in my writing.)

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My newest Captain Action and Dr. Evil.

 

Beautiful Barbie Dolls

Believe it or not, I like to play with dolls.  It all started in 1965 with a Navy G.I. Joe doll.  I had a black rubber scuba suit for him and it was the neatest toy I owned.  My sister had a Barbie’s friend Midge doll.  The comic-book adventures of the romantic heroes, Midge and Joe began that year.  I added a Captain Action with an Aquaman suit along with a German G.I. Joe and an Astronaut Joe with a Mercury Capsule.  My sister added a dark-skinned Christie doll and little sister had a Tammy doll.  I built a submarine/spaceship with my Constructor Set, and then the adventures were really off into the blue.

Today I collect Barbie-dolls, G.I. Joe action figures, Captain Action figures and suits, and a hodgepodge of Star Wars, Star Trek, and Planet of the Apes 12″ figures.  I am not ashamed to call them my doll collection.  I use my wife and daughter as an excuse for buying Barbies and my two sons as an excuse for buying the rest, but it is entirely me who is obsessed with dolls and doll clothes.  Don’t tell anyone I said this, but I will always be ten years old when I have a doll or action figure in my silly old hands.

There is something really absorbing about dolls.  My mother made them in a kiln we bought one summer.  She fired beautiful works of porcelain, painted, stuffed, and dressed them, an expensive obsession, but cheaper than buying them.  I know a fellow through e-Bay who molds his own reproduced Captain Action masks, and I’ve seriously thought that toy-making might be my next business.  Who knows?  Obsessions are often the best sort of inspiration.

Did you know Barbie started life as a German prostitute doll named Lily?  Mattel copied one brought back from Europe after World War Two.  G.I. Joe wouldn’t have existed if some bright boy hadn’t decided that little boys would accept the same doll-and-changeable-uniform toy if it was marketed as a fighting man action figure!  Captain Action was Ideal Toy Company’s plan to use superheroes to make an action figure to compete with Hasbro’s G.I. Joe.  The current market in dolls as collectibles is now driven by doll-playing old men like me, Baby-Boomers who long to recapture youth by recapturing the toys of their childhoods.  At least I am not the only Peter-Pan-Syndrome, sad old obsessed guy out there!

Take my advice.  If you have to develop a vice, ignore booze, drugs, and sex.  Stay away from identity theft and computer porn.  Go buy a doll, and see if it doesn’t bring back the child in you!

 

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Wrestling with Themes

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I recently was advised by a fellow blogger to offer a few writing tips on my blog as a way to painlessly market my writing.  Okay, I’m a writing teacher, so I can do that.  But in my own writing I have hit a snag.  Yes, there are things much, much bigger than my humble skill as a writer.

My current novel project, the Bicycle-Wheel Genius has grown into a science-fiction monster.  It is not only about a scientist who has secret government connections, but about time travel and people changing into rabbits… or rabbits into people… or boys into girls… dogs and cats living together…   No, that is Ghostbusters. 

But it has reached a point where the most important theme is incredibly clear and difficult to deal with.  The theme I find myself weaving into this story is;  “All men are basically good.”   Gongah!  Wotta theme to try to write!  Do I believe it?  Of course I do.  Can I put the story together in such a way that  I illustrate it to the reader’s satisfaction?  Of course I can’t.  So what do I do?  This story has some of the best villains and evil people in it that I have ever written.  I can’t kill them off to solve the story’s plot problems (Well, I can, but I don’t want to).  I have to show how evil can be redeemed.

My cast of characters include the scientist himself, calmly dealing with time travelers, invading aliens, government assassins, and a group of young boys known as the Norwall Pirates.  There is a time traveler who appeared in a book within a book in my novel Catch a Falling Star.  There is also an alien space navigator who has been shot by a local Iowa Deputy Marshall and stranded on Earth.  Another character is an artificial man, an automaton who has been crafted as a government assassin made from alien technology.  Okay, I know you don’t believe I can make serious science fiction out of such crazy-quilt characters, especially with a primary theme like the one I’ve claimed.  So, I have to confess that it is not serious in any way, shape, or form.  It is a silly fantasy comedy.

So, how do I generate a theme as big and bold and important as the goodness of all men?  Well, here’s a secret recipe;

  1. Take one genius who has lost all the people he loves and has to start over with new friends and, eventually, new family.
  2. Add a brother-in-law with mental health issues and financial dependency.
  3. Add a group of young boys hungry for adventure and new experiences and a little bit short on common sense.
  4. Add a paranoid evil government that has secrets it will kill to protect (the factual part of the story).
  5. Mix well.
  6. Add vinegar.
  7. Boil at 350 degrees for a year.

 

Of course, if you thought I was giving you real writing advice, then SURPRISE!  It turns out I have been making it all up as I go along.  That’s how you do it.  You write and write, knit it all together tenuously, and then edit the heck out of it, hoping to make sense of the whole thing.

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Teachers Must Fail (Educational Ruminations about Ruination)

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The fact is, being a teacher is the same as accepting the necessity of failure.  Yes, I know it is a sort of metaphorical nightmare to say that, and I don’t mean that I am planning to give F’s to kids.  I would prefer never to fail a kid, because it means I failed the kid.  Failure is, however, the ruling factor in teaching.

In my teaching Paffooney which I call “Reluctant Rabbit Teaches a Few Good Notes”, you see me as a teacher with my pack of very diverse and desk-hopping students doing what I do best.  I teach reading by making them read, reading with them and to them, helping them to ask questions about what they read and never answering those questions for them (after all, they learn better if they do the work rather than having me do the work for them).  I teach them to write by reading what they write and responding to it, and by writing myself and sharing that with them too.  Reluctant Rabbit teaches in these two ways by using his giant magic pencil of cartoons and music to create the Great Symphony of Learning.  It turns out that teaching like this is often considered a subversive act.

But teaching is all about failure.  In Texas Education, the powers that be have constructed a system of education designed specifically to make teachers fail.  It really began with Mark White as Governor and H. Ross Perot as the mad troll of education.  Back then they decided to get rid of incompetent and idiot teachers by giving State-wide teacher idiot tests.  They gave us basic reading and writing tests to determine if we were worthy to keep our jobs.  I remember trying to comfort a very wonderful Hispanic Science teacher who was worried that her language skills would take away the job she loved.  But what they didn’t realize about teaching is that if a teacher is not basically competent, then the students will eat them.  Teaching in the classroom will remove the incompetent teacher (though not necessarily the ineffective one).

When George Bush and then Emperor-for-Life Rick Perry took over the drive to make teachers fail, they added the notion that you had to give students idiot tests and punish their teachers for the fact that students are naturally immature and basically idiots.  Teaching became less about learning stuff and more about idiot-transformation.  Stamp out idiocy by teaching them how to pass the idiot tests.

When we reached the point we were about to master the TAAS  test (Texas Assessment of Donkey-hole Students), the State decided they had to change to the TAKS test (Texas Assessment of Kooky Stuff).  We closed in on mastering TAKS, and the State quickly switched to End-Of-Course STAAR Tests (Stupid Teachers Aren’t About to Rejoice).  What has been the point of all this testing?  It is like trying to measure your child’s growth with a ruler that is constantly getting bigger.  No matter how much progress you make, it will look like the child is shrinking.  This, of course, is exactly the goal of this red State’s education system.  Public schools have to fail so the Republican masters of profit can privatize and make schools run for profit (except for poor people’s schools which are intended to properly prepare poor people for prison).

It breaks my heart, but schools are increasingly places for boosting the rich and busting the poor.  Schools that have high poverty populations, like the schools I have worked for,  are left to struggle and die on their own, grinding up young and idealistic teachers as well as old and cancerously cynical teachers that don’t believe in following the rules.  My State is not the only State trying to do away with a free and valuable public education.

Consider the case of Ruben, one of my students I once tried to help and simply couldn’t save.    Ruben was a skinny Hispanic fourteen-year-old who wasn’t living with his parents.  He bounced from grandparents to aunts to uncles and back again.  He was extremely bright and fiercely independent.  But he wouldn’t do schoolwork and didn’t seem to care if he was dooming himself to a lifetime in the seventh grade. 

A boy from a better household, a more privileged boy, began picking on Ruben.  I caught Victor pushing Ruben around and trying to goad him into a fight, a fight he knew he could win because he was bigger, heavier, and training to be a Gold Gloves boxer.

“What can I do to help, Ruben?” I asked.

“No stupid gringo can do anything to help.  I can fight my own battles.”

He had a point.  I could stop the behavior from happening in school, but once he left campus, I had no authority and the police didn’t figure it was a police matter.  So, what would the outcome be?

Ruben took care of the problem by joining a gang.  The Town Freaks in San Antonio was actually a local chapter of the Bloods from Los Angeles.  They would go on to become the San Antonio Kingz.   When Ruben was being initiated into the gang, they stole a pickup truck in South San Antonio.  They got into a car chase with the police.  The truck rolled over under an overpass and everyone in the back of the truck was killed.  Ruben was one of those.

It still makes me weep to write about it, or even think about it.  If I had had any resources at all to help that boy…  If I could have … Why did I have to fail?  But blaming myself never gives me any comfort.  I learned to do whatever I could to help kids stay away from gangs, to learn in ways that were painless, and be able to talk to an adult instead of trying to handle everything themselves.  I mentored a number of fatherless boys, or boys who had alcoholic fathers and mothers, poor kids who had nowhere else to go and nothing else to do.  We played computer games and Dungeons and Dragons, replaced by a science fiction role playing game when the Baptists objected to the original game.  I was even accused and investigated as a possible child molester because so many boys visited my apartment before I got married.  Of course, the authorities found out the truth (some of them knew before I was accused) and were a little bit embarrassed to be asking me such questions when so many people were willing to come to my defense.  I learned to dream the impossible dream.  You can actually save a kid from poverty and self-doubt.  One of my boys went to Notre Dame University.  Another went into the Marines and specialized in intelligence.  I recently learned that a couple of my former students have become teachers for the same school I labored at for over twenty-three years .

Okay, Mr. Rabbit, you have tooted your own horn, now.  Are you going to tell us that teachers don’t ultimately fail?

Sorry, I’m afraid that they do.  I am facing the end of my teaching career now.  With diabetes, arthritis, hypertension, and three more incurable diseases, I am trying to teach with diminishing energy, making a forty-five minute commute to my school across north Dallas twice every day that is going to kill me, and skills that are becoming somewhat shaky in the face of stress at work.  I am human.  I will not last much longer.  The State is busy trying to reduce the retirement that after thirty-one years I think I deserve.  It isn’t enough money to keep my family going as it is. 

And part of that failure is not entirely bad.  A new generation is bound to take over and carry on.  As I diminish, someone will rise up to take up the torch.  In fact, I need to vacate my position so someone who needs a classroom to start their career can begin to learn how to reach out to the Rubens they will encounter.  So, I apologize for promising humor and then trying to make you cry.  I probably only succeeded in bringing myself to tears.  Teachers ultimately fail just as all men eventually die, but the War on Ignorance is not yet over, and we will never have to admit defeat.

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The Surrealist Manifesto (Second Edition)

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(This, dear viewer, is called “Portrait from the Jungle”.  Three images from 1980 magazines put together in a surrealist manner.  It’s intentionally kinda creepy… that is of course why there is a chicken in it.  Chickens creep me out.)

 

The Surrealist Manifesto ; or Why I have to Juxtapose Silly Stuff to Make Meaning by Mishmashing

 

To begin with, you have to picture me as a seventeen-year-old geeky kid in High School Art Class in 1974.  Yes, I was four-eyed, but not with the cool round granny glasses, but the black horn-rims that were not only cheaper, but much more dramatically out of date and out of favor with my peers.    I was a participant in Art 3, a class that meant I was an Art nerd for the third time in only three years of high school.  Yes, I could draw well, and all the girls cooed in their sexy cheerleader voices, “Ooh, I just hate you because you can draw so darn good.”  And I would blush because it sounded like praise, even though you may notice they actually said they hated me.

Now that you have that awful image foremost in the inner eye of imagination, I can reveal that that was the year I discovered the work of Salvador Dali.  Yes, that’s right, the dumb old melted watches guy with the handlebar mustache that looked like he’d taken a pencil sharpener to both ends.  The melted watches, naked people with all their parts grotesquely stretched out and draped over stuff, and a soft sculpture that would thoroughly disgust anybody with baked beans scattered all around the foreground.  These were the elements of what was called the surrealist movement.  Surrealism, according to the all-knowing Wikipedia, is filled with the element of surprise, unexpected juxtaposition, and non sequitur.    Silly old Andre Breton, the founder and chief sayer-of-what-is-true about surrealism, said that first of all it is a revolutionary movement.  Now, I grew up in a determinedly Republican and conservative household in North Central Iowa.  I had to look up juxtaposition in the dictionary just to know what the heck they were talking about.  Back then, of course, I used Webster’s, not Wikipedia.  I stood to lose significant portions of the hide on my behind if my family discovered I was using my swiftly enlarging and apparently all-knowing high school brain to investigate revolutionary ideas!  In fact, if I had realized that political surrealism had an affinity for both Freud and Communism, I probably would have closed the book on it myself.  Still, I was swept away.

I entered college a few years later convinced that my revolutionary art ideas were going to galvanize the world around me, that world being Cow College, otherwise known as Iowa State University.  I was going to revolutionize the novel form by writing everything about my little home town in Iowa and doing it in full color, comic book style panel cartoons.  My heroes would be small town people who took on the greatest of all issues in modern life and tackled them so brilliantly that it would create world peace, make universal happiness without the use of drugs, and be such great art that it would put my name in the art books right beside Salvador and Rene Magritte.  People would be studying my work for years to come.

This was the point in life in which I created some of my best characters, the Bicycle-Wheel Genius who shunned modern technology and created his own pedal-powered helicopter, the hippy hobo who wore a coat of many colors sewn together from pieces of patchwork quilts and ultimately knew the most important secrets of life, the universe, and everything, and of course, the numerous fools and clowns that would put Shakespeare’s Touchstone, Falstaff, and Bottom to shame.   I was going to revolutionize story-telling in cartoons! 

As you know, someone else invented the graphic novel.  I don’t even know for sure that I had the idea first.  Probably not.  And, with my lifetime of luck reminiscent of Joe Btfsplk, I developed arthritis at the age of 18 and had to curb my obsession with drawing comics.

So, a thirty year career as a middle school and high school English teacher taught me that life is a series of surprises, juxtapositions of an unexpected variety, and non sequiturs.  Where had I heard that before?  Ah, yes!  I had realized that life is an exercise in surrealism.  Therefore, now that I am finally on track to become the story-teller that I set out to be, I will be a surrealist.  I will take the surreal bull by his electric pink and curly-cued horns and say, “Whoa, kitty-kitty, don’t permafrost this old wombat!”  Why will I say that?  Is it to be a surrealist like Dali?  Heavens to murgatroid, Baba Louie!  Of course it is!

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I Can Do Oil Painting Too

I Can Do Oil Painting Too

In case you had doubts about someone who does everything in colored pencil, here is a sample from 1985 of other things that I can do too. I learned to draw in color from oils, not crayons.

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December 27, 2013 · 2:01 am

Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words. 

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that. 

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Autorumination (the reprise)

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(This is a black-and-white cartoon in pen and ink that I have shamelessly colorized with colored pencil.)

    I have to tell you, driving in Texas, especially the “Big D” is taking your life in your hands, gripping that old steering wheel in a grip of death, and trying like heck not to hit any of the myriad things flying in front of you.  I have had in my lifetime three accidents and too many near misses to count.  Drivers that don’t have their number of kills painted on the driver-side door are rare indeed.
    One of the scariest encounters on the road has to be the legendary Texas Killer Grandma.  They have a private club where they get together over knitting and compare the goriest kills they have managed with their oversized automobiles.  These old lady drivers are invariably white-skinned and have hair either of strange shades of blue and periwinkle, or silver, almost chrome.  They have Killer Grandma nicknames like Suicide Sadie and End-It-All Emma.  They drive big black Cadillacs, Buicks, and Mercedes.  They have mostly no-fault insurance that will guarantee they can mash your children in the back end of your family car without jail time, and usually without paying for a penny of your damages.  They cruise around Dallas watching for unwary drivers so they can leap in front without signaling, getting bashed from behind by the victim, and sending the victim swirling off the overpass to a fiery death and dismemberment.  Then they cackle all the way to the next club meeting.
    Killer Grandmas drive a class of vehicle I call the American Wasp Rocket.  These are large, unwieldy vehicles from Ford and GM that wreak havoc with smaller, slower cars, especially foreign-made cars like Toyotas, Subarus, and Volkswagens.  In the northern precincts of Dallas, Austin, and Houston, where these vehicles truly dominate, you will often see BMW, Volvo, or Italian Wasp Rockets, which are almost an oxymoron by their very nature.  (“I only buy them gol’ dang furrin cars iffen they’re status symbols, cause I only buy American, but I figgur high-dollar wagons like them thar Lambourginis count as American too!”)  These cars are all large enough to crush an SUV under their wheels, and, of course, they are only driven at hyper-speeds while winding their way through heavy traffic so the occupants can arrive anywhere they are going FIRST.  Besides Texas Killer Grandmas, there are few other drivers of these vehicles who aren’t over-weight, middle-aged white males who have high-paying white-collar jobs.
    The most common vehicles on Texas highways are, of course, the typical Bubba.  Bubba cars are always pick-up trucks, and almost always Chevys.  In fact, they almost have to be white, red, or brown, or they don’t count as a proper Bubba.  Bubbas drive like Foster Brooks on speed, always weaving, wobbling, wagging, and wrecking.  The highway is their own personal demolition derby, and if they don’t get you with a straight-on hood-smash, they’ll ding you with whatever falls out of the back of their pick-up (beer bottles, kids, used tires, tools, parts of the vehicle that have already fallen off once before, and sometimes ugly wives).
    A more-or-less brain-damaged sub-species of Bubba is the Billy Bob.  They drive Ford pickups, white, red, brown, and sometimes gold.  They will kill you no less quickly than a Bubba, but they do tend to have better insurance.
    Of course, I can’t even talk about Beaner cars.  It is not politically correct, as a young Hispanic student was pointing out to me just two weeks ago.  “I can say I’m a Beaner,” he said, “But you can’t say it because you’re a Gringo Loco.  Only Beaners are allowed to call a Beaner a Beaner.  You could be killed for saying that in the Barrio!  Even for thinking that!”  So, I won’t talk about those cars on the road in the fast lane doing a mere twenty-five miles per hour.  I won’t mention how they have eighteen kids and a Tia Carmen in the back seat and can’t see out with the rear view mirror.  I won’t even talk about the rosary beads, fuzzy dice, and numerous brightly colored stuffed animals that hang from the rear view mirror blocking the windshield also.  It just wouldn’t be nice to talk about that.
    So, I guess I have to sum up with a concluding statement that makes sense out of all of this Texas road-rage and bumper-car nonsense.  It would have to be something like this:  If you ever plan to drive in Texas, be prepared.  Have your burial plot purchased, your insurance paid up, and “Drive Friendly!”

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