Tag Archives: history

11.22.63

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The impact of President John F. Kennedy’s assassination ó and its meaning 25 years later ó are explored in the’ hour-long documentary JFK – A TIME REMEMBERED, premiering Monday, November 21 at 9 p.m. (ET; check local listings) on PBS. Presented by WNET/New York, the program is a production of The Susskind Company and is made possible by funding from General Dynamics.

As a conspiracy nut registered with the Monkey-Brained Theorists of America, the grand old MBTA, I was absolutely tickled pink by the new Stephen King series on Hulu, 11.22.63.  I have seen the first episode and loved the mix of fantasy, science-fiction, history, and horror that goes into telling a story of man who walks through a time portal into the past to be able to prevent the assassination of John Kennedy.  Believe me, I know it is not true, despite what some of the anti-conspiracy nay-sayers will tell you about me.  After all, they have a Monkey-Brained Club of their own and don’t even know it.

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I went on a binge of watching JFK assassination-related videos on Hulu and on YouTube.  There is some very good information out there compiled by some very dedicated and dogged researchers.  The man who wrote the book Crossfire, Jim Marrs, is a very talented writer and researcher whose book became the basis for the movie JFK by Oliver Stone.

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Marrs has an unfortunate gullibility that leads him to state as truth some very bizarre things about the New World Order, aliens and Area 51, the research of Alexander Sitchin into the ancient secrets of the Sumerians… and granted, I can’t prove some of the absolutely loony things contained in that aren’t true, but they are absolutely loony never-the-less.  But when it comes to researching documents, interviewing and re-interviewing principle witnesses, and verifying facts, Marrs makes a very compelling case for the assassination of the President of the United States being done by the CIA, Secret Service, FBI, and President Lyndon Johnson.

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It is a logical conclusion that Secret Service performed a cover-up during the assassination and its aftermath.  They spirited the President’s body away in spite of the Dallas rules for murder investigation and autopsy.  They washed and repaired the car it occurred in before the murder investigation could examine anything.  They interfered with the actual autopsy, with important notes, photographs, and even the President’s brain that were placed in Secret Service’s custody going missing.  No matter what you believe about the lone shooter theory, you can’t deny that a cover-up is the only explanation for these facts.

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There is documented evidence that Lee Harvey Oswald was working on the fringes of the CIA operation in New Orleans and reporting to J. Edgar Hoover about their activities.  So, if he was a spy telling the right hand what the left hand was actually up to, who better to frame as the guilty gunman and then silence him before investigators could find out everything he knew?

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And why does all this still matter more than 50 years later?  Many of the actual perpetrators are dead, including former CIA hit man E. Howard Hunt who confessed to having a part in the assassination on his death bed.  They can’t be punished now.  But the corrupt organizations and political elite with their attendant influence are still operating in the world.  This was a murder that never came to trial.  Many of the facts have been sealed away by the very government agencies that have the most to hide.  Connections to other CIA manipulations, like those surrounding 9-11, need to be revealed, and the way the government operates needs to be modified.  But besides the fact that these things seriously impact our lives now, it is simply fun to dig and make connections and learn things that most people don’t generally know.  There is monkey-brained joy in that.

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Soliloquy

In college I took classes in oral reading and acting because I was nutty about drama and play-writing, even though I was much too terrified of being put on a public stage to ever try out for a part.  But in Oral Reading 101 I was given the gift of a professor who actually was the head of the ISU Drama Department.  One of the things he made us do was a soliloquy from a Shakespeare play.  I was assigned the opening soliloquy from Richard the Third.

Good God!  Is that man ever a villain and a monster!  He’s more sinister and evil than Snidely Whiplash or Dick Dastardly… and certainly no less cartoonish.  Here is the best I can still do to recreate my old college performance of “The Winter of Our Discontent” soliloquy.

To pull off this assignment (On which I received an A grade from a professor known for imperious F-giving) I had to do a lot of research on King Richard III to be able to walk around in his skin for three whole minutes.  I had to learn about him from books and articles and drama critiques.  I spent a couple of weeks in the library (There was no internet or Google in 1978).  I learned that he was a complex man involved in the deeply troubled time of the War of the Roses.  He was from the house of York, the House of the White Rose.  His elder brother, Edward, had been  victorious in both battle and royal intrigue, and, with Richard’s help had secured the throne of England that had been wrested from the hands of Richard II to begin the struggle between House Lancaster (the Red Rose) and House York… both of which had blood-relationship claims to the throne.  Once in the hands of Richard’s brother Edward IV, the crown did not really rest peacefully on Yorkish heads.  Edward became ill and died in 1483.  The crown was to then go to twelve-year-old Edward V who was placed under the care of Uncle Richard’s regency.  At the time of his coronation, the legitimacy of Edward IV’s marriage was declared null and void, making the boy no longer eligible to be king.  Richard seized the title.  Young Edward and his younger brother were taken to the Tower of London and they were never seen publicly again.  According to Shakespeare, Richard did, in fact, have them killed.  But, the crown did not stay on Richard’s head for longer than two years.  In 1485 Henry Tudor came back to England from France.  Richard was defeated at the Battle of Bosworth Field and died in battle there.

I do actually understand Richard in ways that are difficult to admit.  I know what it feels like to be convinced you are unworthy by factors beyond your control.  Richard was a hunchback, plagued with severe scoliosis of the spine.  He lived his life in pain and was ridiculed for his deformity in a time where it was believed such things were a punishment from God for sins of the parents, or even sins the child himself was born with.  I can relate.  I was always so far above the other kids in my class at school that I was treated like a Martian, unloved and unlovable because I could not speak a language they really understood.  And on top of that, I was secretly the victim of a sexual assault, a condition that I feared made me a monster.  I could so easily have become a monster.  I could’ve set my mind to it in the same way Richard did, because vengeance for his differences consumed him utterly.  Thankfully, I did not choose a path of evil.  Drawing and telling stories proved to be the pick and shovel I used to dig myself out of my own pit of despair.

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Richard III’s long-forgotten grave was rediscovered in 2013, and a DNA match with relatives proved the skeleton with scoliosis was him in 2014.

The real Richard III may not have been the monster Shakespeare portrayed him as, either.  He was demonized after his defeat and death by the Tudors to strengthen their shaky claim to the throne.  There exists some evidence that he was a progressive king and a friend to his people, but horribly betrayed by some of his own followers, and certainly made the scapegoat by succeeding generations.

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A recreation of what Richard III looked like based on the skull found and portraits from the time period.

There is also some evidence that Shakespeare wrote the play as a political diatribe against the hunchback in the royal court of his day.  Sir Robert Cecil, 1st Earl of Salisbury was also a hunchback with scoliosis.   And by his sometimes sinister-seeming machinations, he rose to power as Secretary of State for both Elizabeth I, and after her, James I.  He had a part to play in making James the King after Elizabeth’s long reign, probably an instrumental part.  He also uncovered the Gunpowder Plot of Guy Fawkes and friends, and rumors persisted that he had more to do with it than merely revealing and foiling it.  Nothing was ever proven against him.  Though Elizabeth called him “my pygmy” and James referred to him as “my little beagle”, he held power throughout his lifetime and foiled the work of his many enemies against him.  In fact, it is the similarities between Shakespeare’s Richard III and Robert Cecil that first made me begin to believe that Shakespeare was actually someone other than the actor who owned the Globe Theater and never spelled his own name the same way twice.  Knowing about Cecil surely needed to be the act of an insider in the royal court.  I balked at first when it was suggested to me that Shakespeare’s plays were actually written by Francis Bacon… and I continued to doubt until I learned more about the Earl of Oxford, Edward deVere.

So what is the point of this soliloquy about the soliloquy of Richard III?  Well, the point is that at one time I had to be him for a short while.  I had to understand who he was (at least the character that Shakespeare created him to be) and think as he thought.  That is what a soliloquy truly is.  Sharing from the character’s mind to my mind… and back again if I am to perform him… or even write him in some future fiction.

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The Heart of Shakespeare

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Despite my skepticism about the accepted wisdom in regard to the historical William Shakespeare, I do deeply love the body of work that is Shakespeare.  My most favorite play is The Tempest, the final play in the canon.  I also have read and loved As You Like It, Romeo and Juliet, Hamlet, A Midsummer Night’s Dream, The Merchant of Venice, Henry V, Richard III, Julius Caesar, Macbeth, Othello,  and King Lear.  I know that is not all of the plays, but that is probably more than most people have read.  And of course, as an English major in college, and later as a teacher, I have actually analyzed, compared, studied, and taught some of these plays.  So, the Shakespeare I know is the Shakespeare of the writer’s own mind, his communicated wit and wisdom, imagination and intellect.

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And I do not have any disdain or disrespect to give the Stratford guy.  To say that, in the Elizabethan world, the actor son of a tradesman with only a grammar school education could not have been the mind behind the literary masterworks is foolish.  The Stratford guy owned and operated the Globe theater at a time when “the play was the thing”.  All of London society, rich and poor, gloried in the theater, and Shakespeare did for Elizabethan plays what Babe Ruth did for baseball.  He was a good enough business man to make himself a decent fortune.  Although, apparently, this world-shaking author didn’t spend any of his money on owning books, which in my experience is extremely rare among writers.  His life, bound up in an urban existence that never traveled outside of the country also somehow produced great works that were set in places in Europe, especially Italy, that described those settings in accurate detail.  As a working actor, he also apparently had the time to study law and somehow learn the inner workings of the royal courts of more than one country.  And the plots were not original.  He took existing stories that already were a part of European literature and lore and wove them into rich tapestries of human striving, laughable foibles, and a deep understanding of basic human character.  But I do have doubts that the businessman and actor from Stratford was the real writer of the plays.

I have already told you that I don’t believe Sir Francis Bacon was secretly Shakespeare.  Christopher Marlowe wasn’t either.  And I have unsuccessfully made a case against Shakspere, the Stratford guy.  So who could possibly be the real William Shakespeare?  Well, I am not going to be able to make a decent case for him in the 100 words that I have left to end this essay with.  So there has to be more to come.  (And stop screaming obscenities at the computer screen.  I am going to reveal the name before the end of this essay.  And I promise not to make my case for him in coming days too boring and horrible.)  I have to show why I believe that the true heart of Shakespeare could only have beaten within the body of Edward deVere, the Earl of Oxford.

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Superstitions *a free verse poem***

Of course, it goes without saying that you should not be superstitious.

You are, after all, hearing this from an atheist who believes in God

But is still an atheist because anything you cannot verify by evidence is superstition.

For instance, your mother probably stressed when you were growing up,

You should wait at least an hour after eating lunch before going into the pool…

Or in the ocean, the Iowa River, or the roped-off area of the lake for designated swims…

Because you will get a cramp and curl up in a pretzel pose and drown to death.

But studies using science show that this is foofy nonsense… a superstition.

Still, you do it the way your mother said because she loved you and was always

Looking for ways to keep you from drowning or any other kind of random death.

Or another example is the way that Mickey always capitalizes the beginning of each line

Even if it starts in the middle of a sentence which is against basic sentence rules.

Which he does because this is not just a glob of nonsense sentences… 

It is allegedly a free-verse poem.

So, Superstitions are something you do because it is a habit or a false belief

That gives you comfort somehow… Even if it is only feeding an obsession.

So, don’t get me started on avoiding the number 13. Because you know about the Knights Templar

And the terrible things that happened to them on the 13th of the month on a Friday in 1307 A.D.

Even though you know you have no gold and treasure coveted by the King of France

You are still wary of all instances of the number 13 intruding on your life.

Wait a minute… are you unsure whether you know what the heck Mickey means? 

Well, you are fortunate enough to live in the computer and internet age… You can Google it.

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The Boogendorfer

 

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This is not actually a picture of Boogendorf, this is Toonerville where the clocks are wrong and a giant Mickey Mouse lurks in the foothills beyond.

Today I mean to justify my existence before God and everybody.  Apparently in the modern world you have to be certain things in your basic foundation to justify getting travel visas, citizenship, and a basic right to continue to exist unmolested.  We apparently elected a new leader, the Mad King of Boogendorf, to make sure all Boogendorfers are suitably qualified to live in Boogendorf.  So this is a brief photo essay to justify my case for why Boogendorf should accept me as a citizen and not execute me outright.

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First of all, I am not one hundred per cent crazy.  You can tell from this photo, can’t you?

This kooky dorfleflop can’t be any more than 65% crazy because his pin head is not large enough to harbor more than 65 out of every 100 truly derfy and sanity-stealing notions.  (What is a dorfleflop, you say?  Well, dorf is a German word for town, and dorfleflops flop in a dorf and think they belong like everybody else who has flopped there before.)

But using the Mad King of Boogendorf as a measuring stick (an orange measuring stick with an extra-long tie), that is clearly not crazy enough by half.

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What’s the deal with the clocks always being wrong in Boogendorf?

I have always heard it said, “It takes a village to raise a child”.  And I think that saying I heard is probably true.  I was raised by the village of Rowan, Iowa in the 60’s and 70’s.  I learned to draw there.  And I can draw real cartoon human beings.

Of course, one must be careful to note that if you could actually draw real cartoon human beings they would be alive after that, and that would make you like God, able to create life from nothing more than pencil, pen, and paper.  And in Boogendorf there is only room for one God.  That, of course, is the Mad King of Boogendorf.  So I guess that is a disqualifying quality too.

And that saying about a child raised by a village is a saying somehow connected to Hillary Clinton, and Hillary Clinton was defeated (I have also heard disgraced, demoralized, and denounced) in the last election by getting more votes than the Mad King of Boogendorf.  So I am judged lacking by my upbringing too.

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I am also undeniably guilty of playing with dolls.  I mean, I collect them, I comb their hair, dress them in different clothes, take them apart and repair them, and pose them for pictures.  That can’t be normal.  But is it abnormal enough to make me qualified to be a Boogendorfer from the village of Boogendorf?  Maybe if I plated them in gold or something, or had enough money to go to “golden shower” extremes?  I guess I don’t understand how to be Boogendorfy enough to live in Boogendorf.  The “Boo” in Boogendorf proves that you have to be pathologically afraid of things more, just like other Boogendorfers are.   I am sure the average Boogendorfer is afraid of people who play with dolls.  Especially if those weird people don’t own any guns and don’t like to kill stuff.  That just ain’t natural.  You even need to give guns to little girls to make them safe against those evil anti-Boogendorfers.

So, I guess I am doomed to live a life outside of the walls of Boogendorf (and they are really great walls, too).  I should be grateful that the citizens of Boogendorf have only rejected me and not used their sacred second-amendment rights to execute me.  For now, I am simply not a Boogendorfer.

 

 

 

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Benjamin Franklin (a book review)

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I admit to loving dry old history books that most of my contemporaries would wrinkle their noses at and loudly proclaim, “It’s BORING!!!”  But I don’t think the fact that I really really loved this book automatically means that you will detest it.  So bear with me and let me tell you about a book about a historically important and thoroughly fascinating man.

Edmund Morgan is a scholar who believes in using primary source material, and Franklin, as a printer, writer, statesman, scientist, and very sociable letter-writing man left a vast wealth of primary source materials behind to help us understand what was in his mind as he performed some of the most essential services ever given to a country as the United States was being formed.

The book makes us very aware that if history had followed Franklin’s every desire for specific outcomes, we would still be part of the British Empire.  But Franklin was unique among the founding fathers.  He did not serve his own ambitions the way John Adams did.  He did not serve strictly ideological goals like Thomas Jefferson often did.  But his input and pragmatism were essential to helping those two men  create the Declaration of Independence.

He believed in public service as a higher goal.  He carried out not his own will, but the will of the people evident in the debates about where the country needed to go when the government of the British King and Parliament became increasingly unresponsive to the needs and issues of the American colonies.

This was akin to the way he approached science.  He was able to discover enough scientific facts through careful and clever experiments to create practical and life-saving inventions like the Franklin stove and lightning rods.  He led the field for a time in the investigation and understanding of electricity, and the old story of flying a kite in a thunderstorm is not a myth.  It was an actual experiment using what Franklin had discovered about electrical conductivity and insulation to prove that lightning was made up of electrical energy.  Edison and Tesla might never have started if Franklin had not come first.  He never defended, argued, or explained his scientific theories.  He believed in letting experimental evidence speak for itself.  Basically, he became a world-famous scientist by not seeking fame.

Franklin loved to be with people of all kinds, especially intelligent people and female people.  He was a good friend to many, and even maintained respectful friendships with some who chose to be on the other side of the American independence question.  His work on the Pennsylvania constitution, being ambassador to France, and his part in the peace treaty negotiations with England made him as essential to the American experiment as any of the founding fathers who would later take a turn at being president.

All I can really say about this excellent book is that it helps you get to know the man who was Ben Franklin.  And this is a man that most people are bound to love, and every man should know.

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The Boy With the Bugle

The Boy With the Bugle

In many ways all my fiction is actually historical fiction. I am very careful about settings, times, and histories of my characters, since many of them are real people. I can only conceal who they are by changing their histories in the slightest of ways. The way of life I am trying to depict is always the real one I experienced, even when I dip back into the past beyond the reach of my memory. I can call upon the testimony and witness of others. I have relatives that tell stories about what life was like on the farm before there was electricity, before there was TV, before there was such a thing as a horseless carriage. I know what my little town was like a hundred years ago. I know who the important were. I know how things functioned all the way back to 1855. These are things that not only make my writing have purpose, but make it vibrate the very roots of my being by resonating with the stories of my ancestors and those who came before.

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April 5, 2014 · 9:20 pm

To be Real or Not to be Real? Science Fiction Vs. Reality

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Is the line between science fiction a bit blurry?

I think reality is the one thing that is most critical to science fiction.  If you don’t have something real in the story, then you are missing the science part.  But the key to that particular treasure chest is in how you mix the reality, also known to some as the truth, with the story, also known to some as the pack of lies.  So let me tell you a lie–er–a story about how I tried to build some reality into my little work of science fiction.

1990 was not the year I had the inspiration for the story.  That actually came much earlier, in my misspent youth back In the 1970’s.  Now, I won’t try to tell you that I had any close encounters of the third kind back then other than in a movie theater, because after all, some lies are too big and hairy for even me to believe.  The movie theater had a huge influence on my imagination, as did the Saturday matinees on the television, but the only true parts of that whole mess is how people think and feel in reaction to certain situations.

I could claim a kinship with Davalon and the fact that he was accidentally left behind on Earth because I was accidentally separated from my family at the Mason City Air Show.  I know the Mason City Airport isn’t a very big one to get lost in, but there were lots of people there, and I was a dumb kid at the time.   I could draw on that wonderful mix of panic, fear, and exhilaration at being completely on my own to help me plot out how a lost alien child would think and act in a small Iowa town.  Naturally he would immediately get himself run over on the highway.  That’s how it works, isn’t it?  Oh, wait, I didn’t actually get run over at the Mason City Airport.  That’s one of the big white lies I am trying to separate from truth here.

1990 is significant enough to use as the first word in a paragraph twice because that was the year of both Voyager 2 flying out into the outer darkness after having encountered and photographed  the huge gas planets Uranus and Neptune, and the year that a real invasion occurred when Iraq decided to invade Kuwait.  Both of those events get an obscure reference in my story because real events, even events that most people try to ignore, can make a pack of lies, er, story seem real.

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Everyone has a Ms. Rubelmacher–inspirational by default

1990 is also the year I sat down at my electric typewriter and began pecking away at my first draft of the story itself.  1990 is also the year that happened 101 years after the events in 1889, when Theofrastus Wallace and Thornapple Seabreez flew a passenger train with Pullman coaches all the way to Mars.  Of course, that last bit is totally irrelevant because it didn’t actually happen.  It is just another pack of lies–er—story that I chose to tell as a screwy plot device to mix up the lies further and make the whole project murky at best.

So… Oops, wasn’t this paragraph supposed to start with 1990 also?  I guess not, because it’s all about how you have to use some real science to get your sticky little hands on a label of science fiction for your story.  Here you have to make use of all those glorious little facts and details you learned in science class when you were supposed to be paying better attention to what Ms. Rubelmacher was teaching.  Here I could place the notion that amphibians absorbed moisture and nutrients through their skin into my story about amphibianoid aliens.  I could also use the notion that fusion engines could be fueled by the water droplets in steam, and the imaginary anti-gravity engines were able to make a train fly.  I could use my knowledge of Martian Geography to help set part of the story on Mars, again thanks to the fact that Ms. Rubelmacher’s teaching was so boring, er, exciting that I actually had to read ahead in the textbook rather than listen.

So here we have a restatement of my thesis and a summation about all the idiocy, er, wisdom that I have to impart about how you mix what is real with what is a bald-faced lie, er, fictional story.  It boils down to this… Any good liar, er, con man, er, story-teller… yes, I mean story-teller, mixes just enough factual and verifiable stuff into the mix to make the lie, er, story believable.

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