
When I started playing the role-playing game Traveller with a group of middle school students, one of the first challenges to overcome was the creation of original characters and interesting new stories. You can only play for so long with characters named Solo, Skywalker, and Vader. Then, you must get creative.
What I am going to show you today are a passel of characters so creative, lame, and craptastic, that you will probably forever after have pity on those poor kids who chose to play the game with me.

Harry Scipio Strontium 90 was a space detective. He and his assistant, the dwarf Quark, were necessary to the game because player characters had a tendency to kill people, aliens, and destroy planets, routinely misusing the biggest and baddest weapons in the equipment handbook. He relentlessly pursued player characters and villains across space and time.

The Geomancer was a deep space explorer who mysteriously never took off his space suit. He bailed characters out of trouble when they invariably got marooned on airless asteroids, lost in dead space with no fuel for the starship, or imprisoned by cannibal plant people on an unexplored world. In the end, it turned out that his mysterious space suit was actually empty, containing only gas and radiation, and possibly an alien spirit-entity.

Mantis was actually a player character. The son of the high school science teacher was one of my most dedicated game players. He decided that he had to have an evil player character. He said to me, “Mr. B, we will make him secretly evil so that he does things that take the party into danger and betray them without their knowing. It will be fun as they try to figure out how to save themselves.” Now, Mantis was an alien super-scientist who had a very big head and small body, so he removed his own head and connected it to a large robotic body. He stood imposingly taller than all the other characters at eight and a half feet tall. His evil plots were initially rather lame and easily defeated. It didn’t take the players long to figure out that he was working against them, and he spent a considerable amount of time as a detached living head on the starship’s auxiliary control panel. He went through various penances and punishments, ultimately avoiding being flushed into space through the space toilet.

Susano initially started out as Mantis’ evil experiment. He was an enhanced clone with super powers and wings. He was super charming and likeable, but supposed to further Mantis’ evil agenda. They began to plot the take-over of entire planets like Djinnistan and Vilis. But the longer the game went on, the more he became a son to Mantis, and the more he influenced his scientist father to use his abilities for good. They would eventually help a band of rogues create a New Star League out of the ashes of the Third Imperium. Teacher’s kids are often the biggest pains in a classroom, but that tends to be because they know all the teacher tricks already and are invariably more creative than the average classroom clown. The last I heard from Mantis’ creator, he was an electrical engineer in Austin, Texas, and probably busy secretly planning to take over the world. Though hopefully he didn’t remove his own head as a first step.
That is only a small sampling of the characters we created for Traveller, but at more than 500 words already, I need to be saving the rest for another day.
Why Mickey Writes
If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.
Seriously, why would a writer publish personal thoughts and allude to personal tragedies? Especially when they are about things that once upon a time nearly killed him? (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should assume he is telling a lie and knows it.)
The answer is simply, writers write stuff. They have to. If they didn’t, they wouldn’t be writers.
It is really not something to do to earn fame and fortune. Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.
You write to get your head right about bad things that happen in life. You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system. Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it. He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager. Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist). I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.
You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper. It isn’t necessarily real truth. Lots of idiots write things and post them in newspapers, blogs, and even books. And it is often true that their inner personal truth is complete hogwash. (But, hey, at least the hogs are cleaner that way.) Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.
And you truly do have to write. If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head. I do have structures in my head. My mind is organized in boxes that contain specifically sorted ideas and stories and notions. It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners. (That is how I picture Donald Trump’s mind. It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)
And so, I have done it again. I have set down my 500+ words for today and made a complete fool of myself. And why do I do it? Because Mickey is a writer, and so, Mickey writes stuff.
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Tagged as goofy thoughts on writing