The only advice I am actually qualified to give here is… don’t take any blogging advice from me as worth more than diddly-squoot.
That being said, my blog views are going up amazingly this year. I am followed by readers all over the world, and some of them actually read my blog regularly, rather than just looking at the pictures and occasionally hitting the like button.
I have not yet, however, learned to throw the moose. I started this blog in order to promote my published writing. I now have twenty-five published books available on Amazon. I made $45.00 in royalties during 2025 so far. So, as a marketing ploy, it has been a relative failure.
But as a tool in my writing life, here are some things I definitely count as benefits;
Writing a blog post every day makes the ideas flow more easily and does away with any threat of writer’s block. I have also developed a backlog of good posts that I can repost to new viewers and readers.
Writing every day is practice and it makes me a better writer.
I have learned how to engage with an actual audience.
I am able to try out various writing ideas without worrying about success or failure.
So, all of these things add value and keep me at this blogging thing, which didn’t exist in my early life when I was planning to become a writer as I left teaching.
If you are tempted to make the huge mistake of following my advice and emulating me, I would warn you, I do not make a living as a writer, and I never will. I am a writer in the same way I am a diabetic. I can’t help it. I wouldn’t change it even if it were possible. I have a body of work that I intend to continue to build up until I am no more. The creation of it is a necessity of my existence. And I certainly don’t regret a single syllable, though what happens to it when I am gone is not important to me in any way that matters. I hope my children will keep it as a legacy, but I only do it because it shapes the story of my life.
And so, I continue to throw meese (or mooses… or moosi… or whatever the hell the funniest plural of “moose” is) and continue not knocking down any pins.
Catch a Falling Star 
Winsor McCay
One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City. Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.
Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934. In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.
As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters. He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane, He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events. He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration. He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland. And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below;
The truly amazing thing about his great volume of work was the intricate detail of every single panel and page. It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing. You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect. His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.
I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years. Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.
No amount of negative criticism could ever change my faith in the talents of McCay. But since I have never seen a harsh word written against him, I have to think that problem will never come up.
My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available.
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Filed under art my Grandpa loved, artists I admire, artwork, book review, cartoon review, cartoons, comic strips, commentary
Tagged as Little Nemo in Slumberland, Winsor McCay