I think a lot of thoroughly thoughtful thuggish thoughts that build and build and build up an idea, and then turn around and knock it all down. Let me demonstrate by knocking down that title right off the bat. Rene DesCartes in the early 1600’s said, “Cogito Ergo Sum”, and he thereby totally disrupted the world as we knew it. Didn’t get that? Let me translate. He said, “Je pense, donc je suis.” Still didn’t help? Okay, here’s the English, “I think, therefore I am.” In other words, the one thing that I know for sure is that I am thinking this particular thought at this particular time. If I am thinking, and I know I am, I must be here and I must be real. So there is one thing I know for certain. But do I know anything else for certain? Uh-oh. How do I know anything? I have to rely on my senses. And my senses lie to me all the time. I am partially color blind, so I don’t see the world the same way you do. I don’t see things in black and white, like Great Grandma Hinckley did in her 90’s, but the colors look different to my eyes than they do to yours and I will never know what things look like to you. Forget politicians and all other people who tell lies, my own eyes lie to me constantly. So can I know anything for sure? Of course not. All I have are firm beliefs based on imperfect senses and best guesses at what is true. So what I am actually talking about is a list of potential essay ideas that I am merely asserting as true based on my imperfect goofy thinking of thoughtful thuggish thoughts.
Idea #1 that I think is certainly possibly maybe true; My brain was taught and I was raised to adulthood by the movies I saw when I was young. I want to talk about this at length in another post. The video is by a guy who was a kid in the 80’s, and he has some really awesome movies to offer as a way to delineate his rise to adulthood.
My list includes the movies of my boyhood seen in the Belmond Theater and on our old black and white Motorola TV. My list of movies that raised me includes Chitty Chitty Bang Bang, The Sound of Music, Mary Poppins, and The Wizard of Oz.
Idea #2; Animals are people too.
I mean, as a writer for young adults, I know for a fact that animals are relevant as characters. They have a point of view, feelings, reactions, and complex lives that people rarely pay attention to. I have to write about this some time in the future too.
Idea #3; The worst things that happen to us in our lives, are also the best things that happen. Wow! What a difficult essay topic. But I not only think it, I can prove it… at least to myself. But can I write about it? Time will tell.
Idea #4; Silly thoughts and serious thoughts are two sides of the same coin. And this will be particularly difficult to think about if thoughts are literally coins. That would mean that my head is full of metal, and I know several people who would read that sentence and shout, “I knew it all along!” Fortunately they are all too sensible to read this far in one of my blog posts.
So, at 600 words I still have lots more to say. But people with metal in their heads often talk way too much, so my concluding sentence will be simply; “I promise to shut up for now.”





























Vonnegut
My experience of the works of Kurt Vonnegut is limited to the reading of three books; Cat’s Cradle, Breakfast of Champions, and Slaughterhouse Five. But it was enough to make me love him and use him as a shaper of my soul.
I deeply apologize for the fact that even though he only wrote 14 books and a bunch of short stories, I have not read everything I could get my hands on by Kurt. Three novels and one short story (Harrison Bergeron) is not really enough to compare to the many, many things that I have read by Mark Twain, Terry Pratchett, Louis L’Amour, and Michael Crichton. I can’t begin to count how many books of each of those four I have read and reread. But it is enough that I read those three novels and have a lifelong regret of never buying and reading Slapstick when I had the chance. Vonnegut writes black humor. The ideas are painful, and burn away flesh from your personal body of being. And at the same time, you cannot help but laugh at the pure, clean, horrifying truths his ridiculous stories reveal.
If, in the course of telling a story, you can put the sublime, the ridiculous, and the horrendous side by side, and make the reader see how they actually fit together, then you can write like Vonnegut.
Let me give you three quick and dirty book reports of the Vonnegut I have read in the order I have read them;
I read Cat’s Cradle in college. I was young and idealistic at the time, foolishly convinced I could be a great writer and cartoonist who could use my work to change mankind for the better.
In the book, Dr. Felix Hoenikker (a fictionalized co-creator of the atomic bomb) is obsessively re-stacking cannonballs in the town square in pursuit of a new way to align water molecules that will yield ice that does not melt at room temperature. Much as he did with the A-bomb, Hoenikker invents a world-ending science-thing without any thought for the possible consequences. The narrator of the novel is trying to write a humanizing biography of the scientist, and comes to observe the inevitable destruction of the whole world when the oceans freeze into Ice-9, the un-meltable ice crystal. Before the world ends, the narrator spends time on the fictional Carribean island of San Lorenzo where he learns the fictional religion known as Bokononism, and learns to make love to a beautiful woman by pressing bare feet together sole to sole. It is a nihilistic picture of what humans are really like more savagely bleak than any portrayal Monte Python’s Flying Circus ever did on TV.
Needless to say, my ideals were eventually shattered and my faith in the world shaken.
I read Breakfast of Champions after I had been teaching long enough to buy my own house, be newly married, and a father to one son. It was probably the worst time of life to be reading a book so cynical, yet true.
In this story, the author Kilgore Trout, much published but mostly unknown, is headed to Midland City to deliver a keynote address at an arts festival. Dwayne Hoover is a wealthy business man who owns a lot of Midland City real-estate. Trout gives Hoover a book (supposedly a message from the creator of the universe) to read that suggests that all people (except for the reader of the book… meaning Hoover) are machines with no free will. Hoover takes the message to heart and tries to set the machines free by breaking them, beating up his son, his lover, and nine other people before being taken into custody.
The book contains devastating themes of suicide, free will, and social and economic cruelty. It makes you sincerely reflect on your own cog-in-the-machine reality.
Slaughterhouse Five is a book I bought and read when I missed my chance to buy Slapstick and needed something to take home from HalfPrice Books to make me feel better about what I missed. (Of the five books I had intended to buy that day, none were still on the shelves in spite of the fact that they had been there the week before.) It was fortuitous. This proved to be the best novel I had ever read by Vonnegut.
Like most of his work, the story of Billy Pilgrim is a fractured mosaic of small story pieces not presented in chronological order. It details Billy’s safe, ordinary marriage to a wife who gives him two children, but it is ironically cluttered with death, accidents, being stalked by an assassin, and being kidnapped by aliens. It also details his experiences in World War II where he is captured by the Germans, held prisoner in Dresden, kept in an underground slaughterhouse, and ironically survives the fire-bombing of Dresden by the Allies. Further, it details his time as a zoo exhibit on the alien planet of Tralfamadore.
It explores the themes of depression, post-traumatic-stress disorder, and anti-war sentiment. Vonnegut himself was a prisoner of war in Dresden during the fire-bombing, so real-life experiences fill the book with gravitas that it might not otherwise possess. Whether the author was ever kidnapped by aliens or not, I cannot say.
But Kurt Vonnegut’s desire to be a writer and portray himself as a writer in the character of Kilgore Trout, and even as himself in his work, has an awful lot to do with my desire to be a writer myself. Dark, pithy wisdom is his thing. But that wisdom, having been wrung from the darkness is all the more brightly lit because of that wringing. It is hard to read, but not hard to love.
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